|
|
Adam McEwen Biographie
|
 |
 |
|
1987 |
|
BA, English Literature, Christ Church, Oxford, UK
|
|
1991 |
|
California Institute of the Arts, Valencia, CA
|
|
|
|
Lives and works in New York, NY
|
|
 |
| Expositions sélectionnées |
 |
 |
|
2010
|
|
The Last Newspaper, The New Museum, New York, NY
|
|
2010
|
|
Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, New York, NY; Travels to: Guggenheim Bilbao, Spain
|
|
2010
|
|
Re-Dressing, Bortolami Gallery, New York, NY
|
|
2010
|
|
Shape Language, Nicole Klagsbrun Gallery, New York, NY
|
|
2010
|
|
\ (LEAN), Nicole Klagsbrun Gallery, New York, NY
|
|
2010
|
|
Crash, Gagosian Gallery, London, UK
|
|
2010
|
|
The Substance of the Shadow, Gagosian Gallery, Los Angeles, CA
|
|
2010
|
|
I Hate You, Billboard for Edinburgh, Ingleby Gallery, Edinburgh, Scotland (solo)
|
|
2010
|
|
I Am Curious Yellow, Nicole Klagsbrun Booth at The Armory Show, New York, NY (solo)
|
|
2010
|
|
Feeling Called Love, Galerie Rodolphe Janssen, Brussels, Belgium (solo)
|
|
2010
|
|
Switch and Bait, Nicole Klagsbrun Gallery, New York, NY (solo)
|
|
2009
|
|
Under Control, Krannert Art Museum, University of Illinois at Urbana-Champaign, Urbana-Champaign, IL
|
|
2009
|
|
The Reach of Realism, Museum of Contemporary Art, Miami, FL
|
|
2009
|
|
Beg, Borrow, and Steal, Rubell Family Collection, Miami, FL
|
|
2009
|
|
The Living and the Dead, Gavin Brown’s Enterprise, New York, NY
|
|
2009
|
|
20 Years, Nicole Klagsbrun Gallery, New York, NY
|
|
2009
|
|
Saints and Sinners, The Rose Art Museum, Waltham, MA
|
|
2009
|
|
Switch and Bait, Nicole Klagsbrun Gallery, New York, NY (solo)
|
|
2009
|
|
Small Packages, The Art Production Fund Lab, New York, NY
|
|
2009
|
|
Remembering Henry’s Show: Selected Works 1978–2008, The Brant Foundation Art Study Center, Greenwich, CT
|
|
2008
|
|
Chicken or beef?, Glenn Horowitz Bookseller, East Hampton, NY (solo)
|
|
2008
|
|
Signs of the Time, Whitney Museum of American Art, New York, NY
|
|
2008
|
|
That Was Then… This Is Now, P.S.1 Contemporary Art Center, Long Island City, NY
|
|
2008
|
|
Murder Letters, Curated by David Rimanelli, Galeria Filomena Soares, Lisbon, Portugal
|
|
2008
|
|
Zuordnungsprobleme, Galerie Johann Koenig, Berlin, Germany
|
|
2008
|
|
Typed, Sadie Coles HQ, London, UK
|
|
2008
|
|
Recent Acquisitions, Gifts, and Works from Various Exhibitions 1985 – 2008, White Columns, New York, NY
|
|
2008
|
|
Under Pain of Death, Austrian Cultural Forum, New York, NY
|
|
2008
|
|
Accidental Modernism, Curated by Christopher Eamon, Leslie Tonkonow Artworks + Projects, New York, NY
|
|
2007
|
|
U r the problem, Galerie Rodolphe Janssen, Brussels, Belgium (solo)
|
|
2007
|
|
Pop Art Is..., Gagosian Gallery (Brittania Street), London, UK
|
|
2007
|
|
Deaf 2: From the Audible to the Visible, Curated by Peter Coffin, Galerie Frank Elbaz, Paris, France
|
|
2007
|
|
Open House: Cincinnati Collects, Contemporary Arts Center Cincinnati, Cincinnati, OH
|
|
2007
|
|
Last Attraction Next Exit, Curated by Neville Wakefield, Max Wigram Gallery, London, UK
|
|
2007
|
|
Irreversible, Stellan Holm Gallery, New York, NY
|
|
2007
|
|
Number One: Destroy, She Said, Julia Stoschek Collecton, Dsseldorf, Germany
|
|
2007
|
|
(Three-person exhibition with Peter Coffin and Michael Phelan), Galerie Mitterand + Sanz, Zurich, Switzerland
|
|
2007
|
|
Saturn Falling, Curated by Gavin Morrison, The Corridor, Reykjavik, Iceland
|
|
2007
|
|
Living With Art: 47 Modern Masters from the Chris Burmeister Collection, The University of New Mexico Jonson allery, Albuquerque, NM
|
|
2007
|
|
Who r u? lost all numbers, Art : Concept, Paris, France (solo)
|
|
2006
|
|
8.00 for 8.30, Nicole Klagsbrun Gallery, New York, NY (solo)
|
|
2006
|
|
My Mistake, Jack Hanley Gallery, San Francisco, CA (solo)
|
|
2006
|
|
Le Paradox du comédien, Collection Lambert, Avignon, France
|
|
2006
|
|
Axis of Praxis, Midway Contemporary Art, Minneapolis, MN
|
|
2006
|
|
Fallout: Cold War Culture, Mitchell-Innes & Nash, New York, NY
|
|
2006
|
|
Whitney Biennial: Day for Night, Curated by Philippe Vergne and Chrissie Iles, Whitney Museum of American Art, New York, NY
|
|
2006
|
|
The Glass Bead Game, Vilma Gold Project Space, Berlin, Germany
|
|
2006
|
|
The Fig Play Fox Dead, David Kordansky, Los Angeles, CA
|
|
2006
|
|
Survivor, Curated by David Rimanelli, Bortolami Dayan, New York, NY
|
|
2006
|
|
Love is Colder than Death, Curated by Jonah Freeman, Galerie Edward Mitterand, Geneva, Switzerland
|
|
2006
|
|
Under Pressure, Curated by Bill Cournoyer, Galerie Art : Concept, , Paris, France
|
|
2006
|
|
Defamation of Character, Curated by Neville Wakefield, P.S.1 Contemporary Art Center, Long Island City, NY
|
|
2006
|
|
New York, Interrupted, Curated by Dan Cameron, pkm gallery, Beijing, China
|
|
2006
|
|
The Kate Show, Foam Fotografiemuseum, Amsterdam, The Netherlands
|
|
2005
|
|
The Feraliminal Lycanthropizer, Curated by Craig Kalpakjian, Champion Fine Art, Los Angeles, CA
|
|
2005
|
|
Greater New York, P.S.1 Contemporary Art Center, Long Island City, NY
|
|
2005
|
|
OK / OKAY, Curated by Marc-Olivier Wahler, Swiss Institute of Contemporary Art, New York, NY
|
|
2005
|
|
Suburbia, Gallerie Lisa Ruyter, Vienna, Austria
|
|
2005
|
|
In Words and Pictures, Murray Guy, New York, NY
|
|
2005
|
|
Trade, Curated by Matthew Higgs, White Columns, New York, NY
|
|
2005
|
|
Situational Prosthetics, Curated by Nate Lowman, New Langton Center for the Arts, San Francisco, CA
|
|
2004
|
|
I’ll Be Your Mirror: Hotel Project at Frieze Art Fair, organized by Fondazione Nicola Trussardi
|
|
2004
|
|
The Chaim Soutine: Tattoo Project, Frieze Art Fair, London, UK
|
|
2004
|
|
I Love Music, Curated by Matthew Higgs, Creative Growth Gallery, Oakland, San Francisco, CA
|
|
2004
|
|
Happy Days are Here Again, Curated by Andre Schlechtriem, David Zwirner Gallery, New York, NY
|
|
2004
|
|
The Ten Commandments, Curated by Klaus Biesenbach, Deutsches Hygiene Museum, Dresden, Germany
|
|
2004
|
|
Let The Bullshit Run A Marathon, Curated by Nate Lowman, Nicole Klagsbrun Gallery, New York, NY
|
|
2004
|
|
History is a Perpetual Virgin endlessly and repeatedly Deflowered by successive generations of Fucking Liars, Nicole Klagsbrun Gallery, New York, NY (solo)
|
|
2003
|
|
Alessandra Bonomo Gallery, Rome, Italy (solo)
|
|
2003
|
|
The Wrong Gallery, New York, NY (solo)
|
|
2003
|
|
The McAllister Institute, New York, NY (solo)
|
|
2003
|
|
A Matter of Facts, Selected by Clarissa Dalrymple, Nicole Klagsbrun Gallery, New York, NY
|
|
2003
|
|
Melvins, Curated by Bob Nickas, Anton Kern Gallery, New York, NY; Travels to: The Mandrake, Los Angeles, CA
|
|
2003
|
|
The Great Drawing Show, Michael Kohn Gallery, Los Angeles, CA
|
|
2003
|
|
I See A Darkness, Blum & Poe, Los Angeles, CA
|
|
2003
|
|
Curated by Clarissa Dalrymple, Grant Selwyn Gallery, Los Angeles, CA
|
|
2003
|
|
Greener Pastures, Toronto, Canada
|
|
2002
|
|
Happy Birthday newspaper project, organized by Aleksandra Mir, Gavin Brown’s Enterprise, New York, NY & Greengrassi, London, UK
|
|
2002
|
|
Yes We’re Excerpts, Andrew Kreps Gallery, New York, NY
|
|
2002
|
|
COPY, Curated by Neville Wakefield, Roth Horowitz, New York, NY
|
|
2002
|
|
Sleeper, Edinburgh, Scotland (solo)
|
|
2002
|
|
Much Better, 17 Rosebery Avenue, London, UK (solo)
|
|
2001
|
|
Drawing Show, Greene Naftali Gallery, New York, NY
|
|
2001
|
|
Art Transplant, British Consulate, New York, NY
|
|
2001
|
|
Untitled Painting Show, LEA Gallery, London, UK
|
|
2001
|
|
Free Coke, Greene Naftali Gallery, New York, NY
|
|
2001
|
|
Grapeshot Bullseye Harvest, Attache Gallery, London, UK
|
|
2001
|
|
Super Freaks Part 2, Greene Naftali Gallery, New York, NY
|
|
 |
| Selected Public Collections |
 |
 |
|
|
|
Rubell Family Collection, Miami, FL
|
|
|
|
Julia Stoschek Collection, Düsseldorf, Germany
|
|
|
|
The Brant Foundation Art Study Center, Greenwich, CT
|
|
|
|
Guggenheim Museum, New York, NY
|
|
|
|
Whitney Museum of American Art, New York, NY
|
|
 |
|
|
|
|
|