|
|
|
1957
|
|
Born in Beijing, China
|
|
|
1958 - 1978
|
|
Resides in Xinjiang, China
|
|
|
1978
|
|
Enrolls in Beijing Film Academy
|
|
|
1982
|
|
Enrolls in Parsons School of Design
|
|
|
1981 - 1993
|
|
Lives in the United States, mostly in New York City
|
|
|
1994 - 1997
|
|
Founds China Art Archives and Warehouse, Art Director. Beijing, China
|
|
|
2003
|
|
Special Expert on design of National Olympic Stadium for Beijing’s 2008 Olympics in conjunction with Herzog & de Meuron
|
|
|
|
|
Lives and works in Beijing, China
|
|
|
|
|
|
Expositions sélectionnées |
|
|
|
|
|
|
|
|
|
|
|
2012 |
|
“Sunflower Seeds”, Mary Boone Gallery, NYC, NY. (solo) |
|
|
2011 |
|
Circle of Animals / Zodiac Heads, Pulitzer Fountain, Grand Army Plaza at Central Park, New York, USA (solo) |
|
|
2011 |
|
Circle of Animals / Zodiac Heads, Somerset House, London, UK (solo) |
|
|
2011 |
|
Ai Weiwei - Interlacing, Fotomuseum Winterthur, Winterthur, Switzerland (solo) |
|
|
2011 |
|
Shanshui - Poetry Without Sound? Landscape in Chinese Contemporary Art (with Ai Weiwei, Qiu Shihua et al., curated by Ai Weiwei, Peter Fischer & Uli Sigg), Kunstmuseum Luzern, Lucerne, Switzerland |
|
|
2011 |
|
The last freedom – From the pioneers of Land-Art of the 1960s to nature in cyberspace, Ludwig Museum, Koblenz, Germany |
|
|
2011 |
|
Ai Weiwei - Sunflower Seeds, Kunsthalle Marcel Duchamp, Cully, Switzerland (solo) |
|
|
2010 |
|
Ai Weiwei, Haines Gallery, San Francisco, CA |
|
|
2010 |
|
Ai Weiwei. Barely something, Museum DKM, Galerie DKM, Duisburg, Germany, March 19 - September 20, 2010 |
|
|
2010 |
|
The Unilever Series: Ai Weiwei - Tate Modern, London, UK (solo) |
|
|
2010 |
|
A Few Works From Ai Weiwei, ALEXANDER OCHS GALLERIES BERLIN | BEIJING, Berlin, Germany (solo) |
|
|
2010 |
|
Acconci Studio + Ai Weiwei, Para/Site Art Space, Hong Kong, China |
|
|
2010 |
|
AI Weiwei: Dropping the Urn, Arcadia University Art Gallery, Glenside, USA (solo) |
|
|
2010 |
|
Radical conceptual. Positionen aus der Sammlung des MMK, Museum für Moderne Kunst, Frankfurt am Main, Germany |
|
|
2010 |
|
AAA Talk: Vito Acconci + Ai Weiwei: Artist in Conversation, Agnès b. Cinema, Wanchai, Hong Kong |
|
|
2009 - 2010 |
|
Beg Borrow and Steal, Rubell Family Collection, Miami, USA |
|
|
2009 |
|
Is there going to be a title?, Haus der Kunst, Munich, Germany (solo) |
|
|
2009 |
|
Ai Weiwei: According to What?, Mori Art Museum, Tokyo, Japan (solo) |
|
|
2009 |
|
Ai Weiwei: New York Photographs 1983-1993, Three Shadows Photography Art Center, Beijing, China (solo) |
|
|
2009 |
|
Art Summer Hellerau, Festspielhaus Hellerau/Dresden, Germany |
|
|
2009 |
|
The China Project. Queensland Art Gallery, Australia |
|
|
2009 |
|
So Sorry, Haus der Kunst, Munich, Germany (solo) |
|
|
2009 |
|
Photography Art Center, Beijing, China (solo) |
|
|
2009 |
|
Ai Weiwei. Friedman Benda, New York, NY (solo) |
|
|
2009 |
|
Ai Weiwei: Four Movements, Phillips de Pury & Company, London, UK (solo) |
|
|
2009 |
|
The Big World. Recent Art from China, Hall and Yates Gallery, Chicago, USA |
|
|
2009 |
|
Garbage, group exhibition with Anatoly Shuravlev and Ai Weiwei, AFTERGALLERY, projectroom, Moscow, Russia |
|
|
2008 |
|
OUT THERE: Architecture Beyond Building, Biennale Architecture, 11th International Architecture Exhibition, Venice, Italy |
|
|
2008 |
|
Half-Life of a Dream, Contemporary Chinese Art from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, USA |
|
|
2008 |
|
Super Fengshui: UCCA Site Commissions, Ullens Center for Contemporary Art, Beijing, China |
|
|
2008 |
|
Beijing Map Games. Birmingham Museum & Art Gallery. Birmingham, England |
|
|
2008 |
|
abc art berlin contemporary, Postbahnhof, Berlin, Germany |
|
|
2008 |
|
Mahjong: Contemporary Chinese Art from the Sigg Collection, The University of California, Berkeley Art Museum, Pacific Film Archive, Berkeley, USA |
|
|
2008 |
|
Map Games: Dynamics of Change, Today Art Museum, Beijing, China |
|
|
2008 |
|
Second Lives: Remixing the Ordinary, Museum of Arts and Design, New York, USA |
|
|
2008 |
|
Reconstruction # 3. The Artists Playground, Sudeley Castle, Gloucestershire, UK |
|
|
2008 |
|
China. The City exp(l)osed, Institut Francais d'Architecture & du Patrimoine, Paris, France |
|
|
2008 |
|
Under Construction, Sherman Contemporary Art Foundation, Cambelltown Arts Center, Sydney, Australia (solo) |
|
|
2008 |
|
Mary Boone Gallery, New York, USA (solo) |
|
|
2008 |
|
Go China! Ai Weiwei, Groninger Museum, Groningen, The Netherlands (solo) |
|
|
2008 |
|
Delirious Beijing, PKM Gallery, Beijing, China |
|
|
2008 |
|
Community of Tastes - The Inaugural Exhibition Iberia Center for Contemporary Art, Iberia Center for Contemporary Art, Beijing, China |
|
|
2008 |
|
RED Aside: Chinese Contemporary Art of the Sigg Collection, Fundacio Joan Miro, Barcelona, Spain |
|
|
2008 |
|
The Real Thing. Contemporary Art from China, Institut Valencia d'Art Modern (IVAM), Valencia, Spain |
|
|
2007 |
|
EI – Entity Identity – Beijing Series. Western Concepts – Chinese Drafts, Stedelijk Museum s' Hertogenbosch, MB 's-Hertogenbosch, The Netherlands |
|
|
2007 |
|
Fortunate Objects: Selections from the Ella Fontanals Cisneros Collection, CIFO – Cisneros Fontanals Art Foundation, Miami, USA |
|
|
2007 |
|
Inspired by China – Contemporary Furnituremakers Explore Chinese Traditions, Museum of Fort Lauderdale, Fort Lauderdale, USA |
|
|
2007 |
|
Branded and on Display, Ulrich Museum of Art, Kansas State University, Wichita, USA |
|
|
2007 |
|
China Now, Cobra Museum, Amsterdam, The Netherlands |
|
|
2007 |
|
Get It Louder, SOHO Shangdu, Beijing, China |
|
|
2007 |
|
Something New Pussycat, Klara Wallner Galerie, Berlin, Germany |
|
|
2007 |
|
Energies – Synergy, Foundation DE 11 LIJNEN, Oudenburg, Belgium |
|
|
2007 |
|
Chinese Video: Chord Chances in the Megalopolis, Morono Kiang Gallery, Los Angeles, USA |
|
|
2007 |
|
Mahjong - Chinesische Gegenwartskunst aus der Sammlung Sigg, Museum der Moderne, Salzburg, Austria |
|
|
2007 |
|
documenta 12, Kassel, Germany |
|
|
2007 |
|
Contemporary Art Exhibitions of Kogo Art Space, Kogo Art Space, Hangzhou, China |
|
|
2007 |
|
Metamorphosis: The Generation of Transformation in Chinese Contemporary Art, Tampere Art Museum, Tampere, Finland |
|
|
2007 |
|
Thermocline of Art. New Asian Waves, ZKM - Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany |
|
|
2007 |
|
Art from China – Collection Uli Sigg, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil |
|
|
2007 |
|
China Welcomes you... Desires, Struggles, New Identities, Kunsthaus Graz, Graz, Austria |
|
|
2007 |
|
The Year of the Golden Pig – Contemporary Chinese Art from the Sigg Collection, Lewis Glucksman Gallery, Cork University College, Cork, Ireland |
|
|
2007 |
|
Money, Beijing Today Gallery, Beijing, China |
|
|
2007 |
|
Forged Realities, UniversalStudios, Beijing, China |
|
|
2007 |
|
The Real Thing: Contemporary Art from China, Tate Liverpool, Liverpool, UK |
|
|
2007 |
|
Project 'We are the future', 2nd Moskow Biennial of Contemporary Art, Art Centre Winzavod, Moskow, Russia |
|
|
2007 |
|
Branded and on Display, Kannert Art Museum, University of Illinois, Champaign, USA |
|
|
2007 |
|
A Continuous Dialogue, Galleria Continua, San Gimignano, Italy |
|
|
2007 |
|
Galerie Urs Meile, Beijing-Lucerne, Lucerne, Switzerland (solo) |
|
|
2007 |
|
Traveling Landscapes, AedesLand, Berlin, Germany (solo) |
|
|
2006 |
|
Fragments, Galerie Urs Meile, Beijing, China (solo) |
|
|
2006 |
|
Antique Modernity – Breaking Traditions, Ethan Cohen Fine Arts, New York, USA |
|
|
2006 |
|
2006 Beaufort Outside, Museum of Modern Art, Oostende, Belgium |
|
|
2006 |
|
China zwischen Vergangenheit und Zukunft / Between Past and Future – New Photography and Video from China, Haus der Kulturen der Welt, Berlin, Germany |
|
|
2006 |
|
Regeneration. Contemporary Chinese Art from China and the US, Williams College Museum of Art, Williamstown, USA |
|
|
2006 |
|
China Power Station I, Serpentine Gallery, London, UK |
|
|
2006 |
|
Between Past and Future: New Photography and Video from China, Nasher Museum of Art at Duke University, Durham; Santa Barbara Museum of Art, Santa Barbara, USA |
|
|
2006 |
|
Herzog & de Meuron. No 250. Eine Ausstellung, Haus der Kunst, Munich, Germany |
|
|
2006 |
|
Busan Biennial 2006, Busan Museum of Modern Art, Busan, Korea |
|
|
2006 |
|
Misleading Trails, Samek Art Gallery, Bucknell University, Lewisburg; Schick Art Gallery, Skidmore College, Saratoga Springs; Boyden Gallery, St. Mary's College of Maryland, St. Mary's City, USA |
|
|
2006 |
|
Cityscapes 'Beijing Welcomes You'. Ein Stadtmodell von Lu Hao sowie Fotografien von Ai Weiwei, Kunsthaus Hamburg, Hamburg, Germany |
|
|
2006 |
|
A Continuous Dialogue, Galleria Continua, Beijing, China |
|
|
2006 |
|
Inspired by China – Contemporary Furnituremakers Expolre Chinese Traditions, Peabody Essex Museum, Salem, USA |
|
|
2006 |
|
China Contemporary. Architecture, Art and Visual Culture, Netherlands Architecture Institute, Rotterdam, The Netherlands |
|
|
2006 |
|
Black and Blue, Robert Miller Gallery, New York, USA |
|
|
2006 |
|
Art in Motion – Chinese Contemporary Art meets BMW Art Cars, Museum of Contemporary Art Shanghai, Shanghai, China |
|
|
2006 |
|
This Is Not For You – Sculptural Discourses, Thyssen-Bornemisza Art Contemporary, Vienna, Austria |
|
|
2006 |
|
Detours. Tactical Approaches to Urbanization in China, Eric Arthur Gallery, Faculty of Architecture, Landscape and Design, University of Toronto, Toronto, Canada |
|
|
2006 |
|
CHINA NOW. Faszination einer Weltveränderung, Sammlung Essl, Kunst der Gegenwart, Klosterneuburg / Vienna, Austria |
|
|
2006 |
|
Mahjong – Chinesische Gegenwartskunst aus der Sammlung Sigg, Hamburger Kunsthalle, Hamburg, Germany |
|
|
2006 |
|
MoCA Envisage / Entry Gate: Chinese Aesthetics of Heterogeneity, Museum of Contemporary Art Shanghai, Shanghai, China |
|
|
2006 |
|
The 5th Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Queensland, Australia |
|
|
2006 |
|
Zones of Contact, 15th Biennial of Sydney, Sydney, Australia |
|
|
2006 |
|
Territorial. Ai Weiwei und Serge Spitzer, Museum für Moderne Kunst, Frankfurt am Main, Germany |
|
|
2006 |
|
Altered, Stitched and Gathered, P.S. 1 Contemporary Art Center, Long Island City, New York, USA |
|
|
2005 |
|
The 2nd Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China |
|
|
2005 |
|
Misleading Trails, Fine Arts Gallery, Vanderbilt University, Nashville; Charlotte and Philip Hanes Art Gallery, Wake Forest University, Winston-Salem; University of North Texas Art Gallery, Denton; Altgeld Gallery, Northern Illinois University, DeKalb, USA |
|
|
2005 |
|
Regeneration. Contemporary Chinese Art from China and the US, Arizona State University Art Museum, Tempe, USA |
|
|
2005 |
|
Convergence at E116'/N40', Platform China Contemporary Art Institute, Beijing, China |
|
|
2005 |
|
Between Past and Future: New Photography and Video from China, Victoria and Albert Museum, London, UK |
|
|
2005 |
|
A Strange Heaven – Contemporary Chinese Photography, Tennis Palace Art Museum, Helsinki, Finland |
|
|
2005 |
|
Mahjong - Chinesische Gegenwartskunst aus der Sammlung Sigg, Kunstmuseum Bern, Berne, Switzerland |
|
|
2005 |
|
1st Monpellier Biennial of Chinese Contemporary Art, Montpellier, France |
|
|
2005 |
|
Cina. Prospettive d'Arte Contemporanea / China: As Seen by Contemporary Chinese Artists, Provincia di Milano, Spazio Oberdan, Milan, Italy |
|
|
2005 |
|
Between Past and Future: New Photography and Video from China", Seattle Art Museum, Seattle, USA |
|
|
2005 |
|
Herzog & de Meuron. An Exhibition, Tate Modern, London, UK |
|
|
2005 |
|
Regeneration. Contemporary Chinese Art from China and the US, University Art Gallery, University of California San Diego, La Jolla, USA |
|
|
2005 |
|
No 250. An Exhibition. Beauty and Waste in the Architecture of Herzog & de Meuron, Netherlands Architecture Institute, Rotterdam, The Netherlands |
|
|
2004 |
|
Silknet – Emerging Chinese Artists, Galerie Urs Meile, Beijing-Lucerne, Lucerne, Switzerland |
|
|
2004 |
|
Persona3, China Art Archives & Warehouse, Beijing, China |
|
|
2004 |
|
Le Printemps de Chine, CRAC ALSAC, Altkirch, France |
|
|
2004 |
|
Regeneration, Contemporary Chinese Art from China and the US, David Winton Bell Gallery, List Art Center Brown University, Providence, USA |
|
|
2004 |
|
Regeneration. Contemporary Chinese Art from China and the US, John Paul Slusser Gallery, University of Michigan, Ann Arbor, USA |
|
|
2004 |
|
On the Edge – Contemporary Chinese Photography & Video, Ethan Cohen Fine Arts, New York, USA |
|
|
2004 |
|
Robert Miller Gallery, New York, USA (solo) |
|
|
2004 |
|
Kunsthalle Bern, Switzerland (solo) |
|
|
2004 |
|
Caermerklooster - Provinciaal Centrum voor Kunst en Cultur, Gent, Belgium (solo) |
|
|
2004 |
|
Chinese Object: Dreams & Obsessions, Salvatore Ferragamo Gallery, New York, USA |
|
|
2004 |
|
Between Past and Future: New Photography and Video from China, Museum of Contemporary Art Printemps Chicago and The David and Alfred Smart Museum of Art, Chicago; ICP International Center of Photography, New York, USA |
|
|
2004 |
|
Modern Style in East Asia, Beijing Tokyo Art Projects, Beijing, China |
|
|
2004 |
|
Herzog & de Meuron. No 250. Eine Ausstellung, Schaulager, Basel, Switzerland |
|
|
2003 |
|
Galerie Urs Meile, Beijing-Lucerne, Lucerne, Switzerland (solo) |
|
|
2003 |
|
New Zone - Chinese Art, Zacheta National Gallery of Art, Warsaw, Poland |
|
|
2003 |
|
A Strange Heaven - Contemporary Chinese Photography, Galerie Rudolfinum, Praha, Czech Republic |
|
|
2003 |
|
Junction. Chinese Contemporary Architecture of Art, Lianyang Architecture Art Museum, Shanghai, China |
|
|
2003 |
|
Cement – Marginal Space in Contemporary Art, Chamber Fine Arts, New York, USA |
|
|
2002 |
|
Art from a Changing World, Ludwig Forum for International Art, Henie Onstad Kunstsenter, Hoevikodden, Norway |
|
|
2002 |
|
1st Guangzhou Triennale 2002, Guangdong Museum of Art, Guangzhou, China |
|
|
2002 |
|
China - Tradition und Moderne, Museum Ludwig Galerie Oberhausen, Oberhausen, Germany |
|
|
2001 |
|
TAKE PART II, Galerie Urs Meile, Beijing-Lucerne, Lucerne, Switzerland |
|
|
2001 |
|
TU MU. Young Chinese Architecture, Aedes Galerie, Berlin, Germany |
|
|
2001 |
|
TAKE PART I, Galerie Urs Meile, Beijing-Lucerne, Lucerne, Switzerland |
|
|
2000 |
|
Fuck off, EastLink Gallery, Shanghai, China |
|
|
2000 |
|
Portraits, Figures, Couples and Groups, BizArt, Shanghai, China |
|
|
2000 |
|
Our Chinese Friends, ACC Galerie and Galerie der Bauhaus-Universität (in collaboration with Galerie Urs Meile, Beijing-Lucerne), Weimar, Germany |
|
|
1999 |
|
"Innovations Part I", CAAW, Beijing, China |
|
|
1999 |
|
Exposition China 1999, San Francisco Limn Gallery, USA |
|
|
1999 |
|
Innovations Part I, China Art Archives & Warehouse, Beijing, China |
|
|
1999 |
|
d'Apertutto, La Biennale di Venezia, 48. Esposizione Internationale d'Arte, Venice, Italy |
|
|
1999 |
|
Modern China Art Foundation Collection, Caermersklooster - Provinciaal Centrum voor Kunst en Cultuur, Gent, Belgium |
|
|
1999 |
|
Concepts, Colors and Passions, China Art Archives & Warehouse, Beijing, China |
|
|
1998 |
|
Double Kitsch: Painters from China, Max Protetch, New York, USA |
|
|
1997 |
|
A Point of Contact, Korean, Chinese, Japanese Contemporary Art, Daegu Art & Culture Hall, Taegu, Korea |
|
|
1996 |
|
Begegnung mit China, Ludwig Forum für Internationale Kunst, Aachen, Germany |
|
|
1995 |
|
Configura 2 - Dialog der Kulturen, Angermuseum, Galerie am Fischmarkt, Erfurt, Germany |
|
|
1995 |
|
Change-Chinese Contemporary Art Exhibition, Goteborg Museum, Goteborg, Sweden |
|
|
1993 |
|
Chinese Contemporary Art – The Stars 15 Years, Tokyo Gallery, Tokyo, Japan |
|
|
1989 |
|
The Star: Ten Years, Hanart Gallery, Hong Kong |
|
|
1989 |
|
The Stars: Ten Years, Hanart Gallery, Taipei, Taiwan |
|
|
1988 |
|
Old Shoes - Safe Sex, Art Waves Gallery, New York, USA (solo) |
|
|
1987 |
|
The Star at Harvard: Chinese Dissident Art, Fairbank Center for East Asian Research, Harvard University, Cambridge, USA |
|
|
1986 |
|
China's New Expression, Municipal Gallery, New York, USA |
|
|
1986 |
|
Avant-Garde Chinese Art, Albany University Art Museum, New York, USA |
|
|
1982 |
|
Asian Foundation, San Francisco, USA (solo) |
|
|
1980 |
|
The second 'Star Exhibition', National Art Museum of China, Beijing, China |
|
|
1979 |
|
The first 'Star Exhibition', outside the National Art Museum of China, Beijing, China |
|
|
2007 |
|
China Art Book. Uta Grosenick / Caspar Schübbe (Ed.), 680 pages, approx. 850 images, trilingual: Engl./Ger./Chin., Dumont Buchverlag, Cologne 2007. www.chinaartbook.de |
|
|
2007 |
|
Jocks, H-N. (2007). Ai Weiwei. Das Märchen von 1001 Chinesen. Kunstforum International, August-September, Bd. 187, pp. 428-443. |
|
|
2007 |
|
Tinari, P. (2007). A Kind of True Living. Artforum International, Summer 2007. pp. 453-459 |
|
|
2007 |
|
Hopfener, B. (2007). Kunst aus China auf der Art Basel. Steigende Nachfrage. Available: http://www.artnet.de/magazine/news/hopfener/hopfener06-14-07.asp. Last accessed 21 June 2007 |
|
|
2007 |
|
Frilanz, J. (2007). I Don’t Love Art. www.artnet.de, 08.06.07 |
|
|
2007 |
|
Neidhart, C. (2007). Der Chinesentransporter. Weltwoche, 22.07. pp. 74-76 |
|
|
2007 |
|
Tobler, K. (2007). Manche hatten nicht mal einen Namen. SonntagsZeitung, 27.Mai 2007, p. 54 |
|
|
2007 |
|
Merewether, C. (2007). Ai Weiwei. The Freedom of Irreverence. Art Asia Pacific, 53. pp. 108-111. |
|
|
2007 |
|
Smith, K. (2007). Ai Weiwei. In: Tate Liverpool, The Real Thing. Contemporary Art from China. Liverpool: Tate Liverpool. pp. 30-42. |
|
|
2007 |
|
Mingels, G. (2007). Ein Nest für das neue China. Das Magazin, 15. pp 24-37. |
|
|
2007 |
|
Yao, P. J. (2007). Ai Weiwei. Contemporary Art & Investment, April 2007, pp 22-23. |
|
|
|