Alexandre-Évariste Fragonard  (French, 1780-1850) 


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Alexandre-Évariste Fragonard, Rodrigo de Bivar “El Cid” and his father, Don Diego


Alexandre-Évariste Fragonard
Rodrigo de Bivar “El Cid” and his father, Don Diego
circa 1827

Stair Sainty Gallery
Alexandre-Évariste Fragonard, The Three Graces


Alexandre-Évariste Fragonard
The Three Graces
Jean-Luc Baroni Ltd
 Résultats d’enchères passées (162)  Voir tout
Attributed To Alexandre-Évariste Fragonard, Profilbildnis von Gustav III., König von Schweden (1746-1792)


Attributed To Alexandre-Évariste Fragonard
Profilbildnis von Gustav III., König von Schweden (1746-1792)
en grisaille, tondo


Détails du lot
Alexandre-Évariste Fragonard, Sittande kvinna


Alexandre-Évariste Fragonard
Sittande kvinna
chalk on paper


Détails du lot
Alexandre-Évariste Fragonard, Don Juan, Zerlina et Donna Elvira


Alexandre-Évariste Fragonard
Don Juan, Zerlina et Donna Elvira
watercolor and gouache


Détails du lot
  The son of the painter Jean-Honoré Fragonard, Evariste Fragonard studied with his father before entering the studio of Jacques-Louis David at an early age. A precocious student, he made his Salon debut in 1793 at the age of only thirteen, exhibiting a drawing of Timoleon Sacrificing his Brother. A few months later he won two second prize medals at the great concours held in the Year II of the Republic. He continued to show regularly at the Salon until 1842, exhibiting drawings, scenes from Napoleonic history and, from around 1820 onwards, troubadour paintings. Equally adept at large-scale history scenes and intimate cabinet pictures, Fragonard was in great demand throughout his later career. In 1810 he received a commission to paint a series of grisailles for the Palais Bourbon, and later won several further official commissions, including a series of historical subjects for the museum at Versailles. He also painted a Martyrdom of Saint James for the church of Saint-Jacques-du-Haut-Pas in Paris, as well as another canvas for the Cathedral in Strasbourg. Fragonard was also active as a sculptor and, like his father, produced designs for lithographs and book illustrations, notably Baron Taylor’s Voyages pittoresques, published in 1824. Between 1806 and 1839 he created decorative patterns for Sèvres porcelain. Several of his surviving drawings and sketches are in the Louvre, the Musée Fragonard in Grasse and the Manufacture de Sèvres.

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