Alexandre Calame  (Swiss, 1810-1864) 

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Alexandre Calame, Mountain Valley

 

Alexandre Calame
Mountain Valley
1836

Daxer & Marschall Kunsthandel
Alexandre Calame, A Storm-tossed Bay

 

Alexandre Calame
A Storm-tossed Bay
1858-1860

Daxer & Marschall Kunsthandel
Alexandre Calame, Landscape with a Boat in Stormy Waters near the Shores of Lake Neuchâtel

 

Alexandre Calame
Landscape with a Boat in Stormy Waters near the Shores of Lake Neuchâtel
Jean-Luc Baroni Ltd
 Résultats d’enchères passées (751)  Voir tout
Alexandre Calame, Ruine Unspunnen vor dem Blick auf Eiger, Mönch und Jungfrau

 

Alexandre Calame
Ruine Unspunnen vor dem Blick auf Eiger, Mönch und Jungfrau, 1860
Vente du: Jun 7, 2010
détails du lot
Alexandre Calame, Paysage de montagne avec lac

 

Alexandre Calame
Paysage de montagne avec lac, 1854
Vente du: Dec 3, 2007
détails du lot
Alexandre Calame, Orage

 

Alexandre Calame
Orage, 1843
Vente du: Mar 19, 2007
détails du lot
  Among the most celebrated Swiss landscape painters of the 19th century, Alexander Calame made a particular speciality of Alpine mountain scenes. Despite losing his right eye as a child, he was determined to make a career as an artist, and studied with the landscapist François Diday between 1829 and 1832. From 1828 he began producing vues pittoresques suisses in gouache, intended for sale as autonomous works of art, which allowed him a measure of financial independence. He first came to the attention of French collectors and connoisseurs at the Salon of 1839, where he exhibited a view set in the Bernese Oberland, entitled A Thunderstorm in Handeck. The painting was a great success in Paris, and was purchased by public subscription by the city of Geneva for the Musée Rath. At the Salon two years later one of his paintings, a View of the Valley of Ansasca, was purchased by the King, Louis-Philippe. By this time Calame’s success was assured. His paintings, worked up from oil sketches and drawings made sur le motif, were in great demand, and were purchased by collectors throughout Europe, and particularly in Russia. In 1854 he published a number of landscape drawings and studies in lithographic form as Leçons de dessin appliqué au paysage.


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