Alfred Henry Maurer  (American, 1868-1932) 

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Alfred Henry Maurer, Floral Still Life

 

Alfred Henry Maurer
Floral Still Life
1926

James Reinish & Associates, Inc.
Alfred Henry Maurer, Still Life

 

Alfred Henry Maurer
Still Life
circa 1920

Scott White Contemporary Art
Alfred Henry Maurer, Two Heads

 

Alfred Henry Maurer
Two Heads
1925-1928

Hollis Taggart Galleries
Alfred Henry Maurer, Standing Nude

 

Alfred Henry Maurer
Standing Nude
circa 1927-1928

Hollis Taggart Galleries
Alfred Henry Maurer, Landscape

 

Alfred Henry Maurer
Landscape
circa 1914

Hollis Taggart Galleries
Alfred Henry Maurer, Floral Still Life

 

Alfred Henry Maurer
Floral Still Life
circa 1926

Hollis Taggart Galleries
Alfred Henry Maurer, Cubist Still Life with Green Chalice

 

Alfred Henry Maurer
Cubist Still Life with Green Chalice
circa 1928-1932

Hollis Taggart Galleries
Alfred Henry Maurer, Still Life

 

Alfred Henry Maurer
Still Life
circa 1908-1912

Hollis Taggart Galleries
Alfred Henry Maurer, Nude

 

Alfred Henry Maurer
Nude
circa 1927-1928

James Reinish & Associates, Inc.
 Résultats d’enchères passées (221)  Voir tout
Alfred Henry Maurer, The beach

 

Alfred Henry Maurer
The beach, 1901
Vente du: Dec 1, 1994
détails du lot
Alfred Henry Maurer, The woman in white

 

Alfred Henry Maurer
The woman in white, 1900
Vente du: May 19, 2011
détails du lot
Alfred Henry Maurer, The rendezvous

 

Alfred Henry Maurer
The rendezvous, 1904-1905
Vente du: May 21, 2009
détails du lot
  Alfred H. Maurer was born on April 21, 1868, the son of the Currier & Ives artist, Louis Maurer. He left school in 1884 to work in the family lithographic enterprise of Maurer and Heppenheimer. From 1885 until 1897 Maurer attended the National Academy of Design in New York where he studied under Edgar Ward. Maurer sailed for Paris in 1897 and embarked on a brief course of study at the Académie Julian. He resided in France from 1897-1901 and 1902-1914.
  Maurer officially launched his career in 1901 with fashionable Whistlerian and Chase-inspired fin-de-siècle portraits that garnered critical acclaim on both sides of the Atlantic. He simultaneously created a body of genre work that chronicled life at Parisian cafés, dance halls, and along the shore. By 1906-07 Maurer had embraced the aesthetics of Fauvism and accordingly he executed his paintings with expressive brushwork and in a striking new palette of saturated hues. He exhibited his Fauve imagery in important international exhibitions including the 1907 Salon d'Automne; he debuted it in the United States in 1909 in a two-man exhibition with John Marin at Alfred Stieglitz's New York gallery, "291."
  Prompted by wartime hostilities abroad Maurer returned to the United States in 1914. He resettled in New York and participated in a number of important exhibitions including the1916 Forum Exhibition held at Anderson Galleries. He exhibited regularly with the New York based Society of Independent Artists and was elected a director of this organization in 1919. In 1924 the New York dealer Erhard Weyhe bought the contents of Maurer's studio. He represented the artist for the remainder of his career.


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