|
|
|
1971
|
|
Born in Beaver, PA, USA
|
|
|
1990 - 1994
|
|
Pratt Institute, Brooklyn, New York, B.F.A.
|
|
|
1994 - 1996
|
|
Cranbrook Academy of Art, Bloomfield Hills, Michigan, M.F.A.
|
|
|
|
|
Currently lives and works in Geneva and Brooklyn
|
|
|
|
|
|
Expositions sélectionnées |
|
|
|
|
|
|
|
|
|
|
|
2009 |
|
Slow Ice, BLANCPAIN ART CONTEMPORAIN, Genève (solo) |
|
|
2009 |
|
Parades and Procession, Parasol Unit, Londres |
|
|
2008 |
|
Variety Show, curated by Jason Fulford, Aperture Foundation, New York |
|
|
2008 |
|
Là où je vais, je suis déjà, Le Printemps de Septembre, Toulouse |
|
|
2008 |
|
Abstraction Extension, Une scène romande et ses connexions, curated by Christian Besson, Julien Fronsacq, and Samuel Gross Fondation Salomon, Château d'Arenthon, Alex |
|
|
2008 |
|
Village Oblivia (avec inveromuto), RAUM, Bologna |
|
|
2008 |
|
On Procession, Indianapolis Museum of Art, Indiana |
|
|
2008 |
|
Hollow Trees & Storybook Ruins, Fri-Art, Fribourg (solo) |
|
|
2008 |
|
Forest Park Forest Zoo, The Box, Wexner Center for the Arts, Columbus Ohio (solo) |
|
|
2008 |
|
Pilgrim Motel, Gallery Praz-Delavallade, Berlin (solo) |
|
|
2008 |
|
The Alliance, do Art Bejing and do Art Seoul |
|
|
2008 |
|
Revisited, a proposition by Dan Walsh, La Salle de Bains, Lyon |
|
|
2007 |
|
Forest Park Forest Zoo, Sculpture Center, Long Island City, New York (solo) |
|
|
2007 |
|
Bastard Creature, basée sur deux expositions proposées par Steven Parrino en 1999 et 2003, Palais de Tokyo, Paris |
|
|
2007 |
|
The Happiness of Objects, une proposition de Sarina Basta, Sculpture Center, Long Island City, New York |
|
|
2007 |
|
Worker Drone Queen, une proposition de Nicolas Trembley, Centre Culturel Suisse, Paris |
|
|
2007 |
|
The Stable, une proposition de Jason Fulford and Leanne Shapton, OKOK Gallery, Seattle, Washington |
|
|
2007 |
|
Group Show, Specta, Copenhagen |
|
|
2007 |
|
Plastique, une proposition de John Tremblay, Cabinet des estampes, Genève |
|
|
2007 |
|
Forest Park Forest Zoo, Art | 38 | Basel, Art Statement, BLANCPAIN ART CONTEMPORAIN, Genève (solo) |
|
|
2007 |
|
What we do is secret, une proposition de Amy O’Neill, BLANCPAIN ART CONTEMPORAIN, Genève (solo) |
|
|
2007 |
|
Fantasy Forest Zoo, Sculpture Center, LIC, New York (solo) |
|
|
2007 |
|
Centre Culturel Suisse, Paris (solo) |
|
|
2007 |
|
The Golden West, Alexandre Pollazzon LTD, London (solo) |
|
|
2006 |
|
J and L Presents, Marcia Wood Gallery, Georgia |
|
|
2006 |
|
Parade Float Graveyard, Consortium, l'usine, Dijon (solo) |
|
|
2006 |
|
All we ever wanted was everything, Centre d’art contemporain La Synagogue de Delme, Delme |
|
|
2006 |
|
If I Were A Carpenter, Galerie Blancpain Stepczynski, Genève (solo) |
|
|
2006 |
|
Home Sweet Home, CCC, Tours, France (solo) |
|
|
2005 |
|
www.galeriebs.ch, galerie Blancpain Stepczynski, Genève |
|
|
2005 |
|
Happy Trails Supersized (from Parade Float Graveyard), Magasin, Grenoble, France (solo) |
|
|
2005 |
|
Enchanté Château, curated by Christian Bernard, Château Arenthon, France |
|
|
2005 |
|
Drawings, Gallery Specta, Copenhagen, Denmark |
|
|
2005 |
|
From the Street, curated by John Trembly, Champion Fine Arts, Los Angeles, California, United States |
|
|
2005 |
|
Drawings|Works on Paper, Spencer Brownstone Gallery, NY |
|
|
2005 |
|
The Vintage Years, Spectra Gallery, Copenhagen (solo) |
|
|
2004 |
|
Amy O’Neill Selected Drawings, Spectra Gallery, Copenhagen, Denmark (solo) |
|
|
2004 |
|
Happy Trails, Praz-Delavallade, Paris, France (solo) |
|
|
2004 |
|
Amy O’Neill, Pink Summer Gallery, Genova, Italy (solo) |
|
|
2004 |
|
None of the Above, curated by John Armleder, Swiss Institute, New York |
|
|
2004 |
|
Old Noah’s Ark (from Parade Float Graveyard) PS.1, Long Island City, NY, United States (solo) |
|
|
2004 |
|
Genesis Sculpture, curated by Stephanie Moisdon Trembley, Domaine Pommery, France |
|
|
2004 |
|
Fire in the Hole (screening), curated by John Armleder, Basel Art Fair, Basel, Switzerland |
|
|
2004 |
|
Group Show, curated by Fabrice Stroun at Peter Kilchman Gallery, Zurich, Switzerland |
|
|
2004 |
|
Doubtiful, L’Universite Rennes, Haute-Bretagne, France |
|
|
2003 |
|
Geneva News, Mamco, Geneva, Switzerland |
|
|
2003 |
|
Never Mind Your Step, curated by John Armleder, Kunsthalle Palazzo, Liestal, Switzerland |
|
|
2003 |
|
Jamming, Smart Project Space, Amsterdam |
|
|
2003 |
|
Vidya Gastaldon,Amy O’Neill, Pierre Vadi, Centre d’art contemporain, Geneva |
|
|
2003 |
|
First International Prague Biennial, Czechoslovakia |
|
|
2003 |
|
The Return of the Creature, curated by Steven Parrino, Künstlerhaus, Bregenz, Austria |
|
|
2003 |
|
Happiness and Pretence, Quebec City Biennial, Canada |
|
|
2003 |
|
Ojo De Dios, Spencer Brownstone Gallery, New York (solo) |
|
|
2003 |
|
dm-melkenburg, collaboration avec Emmanuel Piguet, Centre d’édition contemporaine, Geneva, Switzerland (solo) |
|
|
2002 |
|
Häagen-Dazs Monde, CAP, Fribourg, Switzerland (solo) |
|
|
2002 |
|
Animation:Videos, Centre d’edition contemporaine, Geneva, CH |
|
|
2002 |
|
7 Grays, curated by Dan Walsh, Paula Cooper Gallery, New York |
|
|
2001 |
|
How Is Everything? Everything’s Going To Be... Alright., curated by Bob Nickas, Elizabeth Cherry Contemporary Art, Tucson, AZ |
|
|
2001 |
|
Florida, Circuit, Lausanne, Switzerland (solo) |
|
|
2001 |
|
LOKN4U, Spencer Brownstone Gallery, New York (solo) |
|
|
2000 |
|
“Curtains” for Lyric Theatre, at Galerie Francesca Pia, Bern (solo) |
|
|
2000 |
|
Buy-Sellf, capcMusée d’art contemporain, Bordeaux |
|
|
2000 |
|
Etat des lieux # 2 | Préfiguration du Museum of Contemporary Art, Tucson (AZ) Collection JRP, curated by Lionel Bovier, Fri-Art · Centre d’art contemporain, Fribourg |
|
|
2000 |
|
2° / Summer Exhibition, Spencer Brownstone Gallery, New York |
|
|
1999 |
|
The Bastard Kids of Drella, Part 9, curated by Steven Parrino, Le Consortium, Dijon/France |
|
|
1999 |
|
xn 99, curated by Stéphanie Moisdon Tremblay (with the assistance of Lionel Bovier), Espace des Arts, Chalon-sur-Saône/France |
|
|
1997 |
|
A Tramp Abroad, Forde Espace d’art contemporain, Geneva (solo) |
|
|
|