|
|
|
|
|
|
Andrew Masullo Biographie
|
|
|
|
|
|
|
|
|
|
|
|
1957
|
|
Born September 6, Elizabeth, New Jersey
|
|
|
1979
|
|
B.A., Studio Art, Rutgers University, New Brunswick, New Jersey
|
|
|
1988
|
|
Pollock-Krasner Foundation Grant
|
|
|
1989
|
|
CAPS Grant, New York State Council on the Arts
|
|
|
2011
|
|
Guggenheim Foundation Fellowship
|
|
|
|
|
|
Expositions sélectionnées |
|
|
|
|
|
|
|
|
|
|
|
2013 |
|
Mary Boone Gallery, New York (solo) |
|
|
2012 |
|
Brick Walk Fine Art, Hartford, CT (solo) |
|
|
2012 |
|
Gallery Paule Anglim, San Francisco (solo) |
|
|
2012 |
|
“Twee Abstraction,” Tiger Strikes Asteroid, Philadelphia |
|
|
2012 |
|
“A#Abstr-action”, Galerija Contra, Koper, Slovenia |
|
|
2012 |
|
2012 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) |
|
|
2011 |
|
“Forrest Bess: 100 Years,” Kirk Hopper Fine Art, Dallas (catalogue) |
|
|
2011 |
|
“Cries & Whispers,” Sam Lee Gallery, Los Angeles |
|
|
2011 |
|
“Object / Image,” Tibor de Nagy, New York |
|
|
2011 |
|
Steven Zevitas Gallery, Boston (solo) |
|
|
2011 |
|
Daniel Weinberg Gallery, Los Angeles (solo) |
|
|
2011 |
|
“Andrew Masullo, Stephen Mueller, Thomas Nozkowski, Alan Shields, Peter Young,” Texas Gallery, Houston |
|
|
2011 |
|
“bodybraingame,” Rhona Hoffman Gallery, Chicago; curated by Hudson |
|
|
2011 |
|
“Assembly,” Edward Thorp Gallery, New York |
|
|
2011 |
|
“self-referral nonobjective,” Feature Inc., New York |
|
|
2011 |
|
“Katherine Bernhardt, Alfred Jensen, Chris Johanson, Chris Martin, Andrew Masullo, Judith Scott,” Mitchell-Innes & Nash, New York |
|
|
2011 |
|
“Channel to the New Image,” Friedrich Petzel Gallery, New York |
|
|
2011 |
|
“Jim Schmidt Presents: Abstraction,” Philip Slein Gallery, St. Louis, MO |
|
|
2011 |
|
Thomas Ammann Fine Art, Basel Art Fair, Switzerland |
|
|
2011 |
|
“i am not monogamous, i heart poetry,” Feature Inc., New York |
|
|
2010 |
|
“Wall-to-Wall,” Daniel Weinberg Gallery, Los Angeles |
|
|
2010 |
|
Feature Inc., New York (solo) |
|
|
2010 |
|
“who loves the sun,” Susanne Hilberry Gallery, Ferndale, MI |
|
|
2010 |
|
“Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,” American Academy of Arts and Letters, New York |
|
|
2010 |
|
“Invitational Exhibition of Visual Arts,” American Academy of Arts and Letters, New York |
|
|
2010 |
|
“The Jewel Thief,” The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY; curated by Ian Berry and Jessica Stockholder |
|
|
2009 |
|
“Abstract Alchemists,” Heather James Gallery, Palm Desert, CA |
|
|
2009 |
|
“Paintings,” Daniel Weinberg Gallery, Los Angeles |
|
|
2009 |
|
“Put Together,” Steven Zevitas Gallery, Boston |
|
|
2009 |
|
“Populate This Form,” Feature Inc., New York |
|
|
2009 |
|
Texas Gallery, Houston (solo) |
|
|
2009 |
|
Daniel Weinberg Gallery, Los Angeles (solo) |
|
|
2008 |
|
Gallery Paule Anglim, San Francisco (solo) |
|
|
2008 |
|
“Another Damned Drawing Show, Daniel Weinberg Gallery, Los Angeles |
|
|
2008 |
|
“The Idea of Nature,” 33 Bond, New York; curated by William Weiss |
|
|
2007 |
|
Steven Zevitas Gallery, Boston (solo) |
|
|
2007 |
|
Daniel Weinberg Gallery, Los Angeles (solo) |
|
|
2007 |
|
“Block Party II: An Exhibition of Drawings,” Daniel Weinberg Gallery, Los Angeles |
|
|
2007 |
|
“Thoughts,” Feature Inc., New York |
|
|
2007 |
|
“Open End,” Kinkead Contemporary, Culver City, CA; curated by David McDonald |
|
|
2006 |
|
“Summer Group Show,” Baumgartner Gallery, New York |
|
|
2006 |
|
Naoto Nakagawa, Andrew Masullo, Alexander Ross: Paintings, Feature Inc., New York, NY |
|
|
2006 |
|
Gallery Paule Anglim, San Francisco (solo) |
|
|
2006 |
|
Baumgartner Gallery, New York, NY (solo) |
|
|
2005 - 2006 |
|
The O Show, The Shore Institute of the Contemporary Arts, Long Branch, NJ. Traveled to Berrie Center Art Galleries, Ramapo College, Mahway, New Jersey. Curated by MatCH-Art. |
|
|
2005 |
|
Around About Abstraction, Weatherspoon Museum, Greensboro, North Carolina. Curated by Ron Platt. |
|
|
2005 |
|
"Surface," Lucas Schoormans Gallery, New York, curated by Tate Dougherty |
|
|
2004 |
|
Colored Pencil, K.S. Art, New York |
|
|
2004 |
|
Joan T. Washburn Gallery, New York (solo) |
|
|
2003 |
|
Best in Show, Marcel Sitcoske Gallery, San Francisco |
|
|
2002 |
|
Gallery Artists Group Exhibition, Zolla/Lieberman Gallery, Chicago |
|
|
2002 |
|
Nina Bovasso, David Dupuis, Andrew Masullo, Derek Eller Gallery, New York |
|
|
2002 |
|
Joan T. Washburn Gallery, New York (solo) |
|
|
2001 |
|
Zolla/Lieberman Gallery, Chicago (solo) |
|
|
2001 |
|
Gallery Artists Group Exhibition, Zolla/Lieberman Gallery, Chicago |
|
|
2000 |
|
Basel Art Fair, Switzerland, Thomas Ammann Fine Art |
|
|
2000 |
|
Gallery Paule Anglim, San Francisco (solo) |
|
|
2000 |
|
Joan T. Washburn Gallery, New York (solo) |
|
|
1999 |
|
Thomas Ammann Fine Art, Zürich (solo) |
|
|
1999 |
|
The Stroke, Exit Art, New York. Curated by Ross Bleckner |
|
|
1998 |
|
Derek Eller Gallery, New York (solo) |
|
|
1998 |
|
Little, Jeffrey Coploff Gallery, New York |
|
|
1998 |
|
Summer Group Show, Derek Eller Gallery, New York |
|
|
1998 |
|
From Here to Eternity: Painting in 1998, Max Protech Gallery, New York. Curated by Ruth Kaufmann. |
|
|
1997 |
|
Alive and Well, Elizabeth Harris Gallery, New York |
|
|
1997 |
|
Purely Painting, Elizabeth Harris Gallery, New York |
|
|
1996 |
|
Box, Fotohui Cramer Gallery, New York |
|
|
1996 |
|
André Emmerich Gallery, New York (solo) |
|
|
1995 |
|
Love Flight of a Pink Candy Heart: A Compliment to Florine Stettheimer, Holly Solomon Gallery, New York. Curated by Michael Duncan (Catalog) |
|
|
1995 |
|
Benefit Exhibition, White Columns, New York |
|
|
1995 |
|
Geometric Abstraction, Grimaldis Gallery, Baltimore |
|
|
1995 |
|
Geometry, Allene Lapides Gallery, Santa Fe |
|
|
1994 |
|
André Emmerich Gallery, New York (solo) |
|
|
1994 |
|
Craig Cornelius Gallery, New York (solo) |
|
|
1994 |
|
“Whateva,” Dru Arstark Gallery, New York |
|
|
1994 |
|
“Al dente,” Caren Golden Fine Art, New York; curated by Randy Wray |
|
|
1994 |
|
“Abstraction,” Rhona Hoffman Gallery, Chicago |
|
|
1994 |
|
André Emmerich Gallery, Basel Art Fair, Switzerland |
|
|
1994 |
|
“Retouching the Family Album,” Patricia Shea Gallery, Los Angeles |
|
|
1993 |
|
“Here’s Looking at Me: Contemporary Self-Portrait,” Espace Lyonnais d’Art Contemporain, Lyon, France; curated by Bernard Brunon (catalogue) |
|
|
1993 |
|
Bockley Gallery, Minneapolis, MN (solo) |
|
|
1992 |
|
“Paper,” Diane Brown Gallery, New York |
|
|
1992 |
|
“The Object is Bound,” Stephen Wirtz Gallery, San Francisco |
|
|
1991 |
|
“Just what is it that makes today’s homes so different, so appealing?,” The Hyde Collection, Glen Falls, NY; curated by Dan Cameron (catalogue) |
|
|
1991 |
|
“Not on Canvas,” Asher-Faure Gallery, Los Angeles |
|
|
1991 |
|
“The Library of Babel,” Hallwalls Contemporary Art Center, Buffalo, NY; White Columns, New York; curated by Todd Alden (catalogue) |
|
|
1991 |
|
Bockley Gallery, Minneapolis, MN |
|
|
1991 |
|
fiction/nonfiction, New York |
|
|
1990 |
|
“All Quiet on the Western Front? Part Two,” Espace Dieu, Paris |
|
|
1990 |
|
“Word as Image,” Bard College, Annandale-on-Hudson, New York |
|
|
1989 |
|
“Repetition: 1969–1989,” Hirschl & Adler Modern, Basel Art Fair, Switzerland |
|
|
1989 |
|
“Departures: Photography 1924–1989,” Hirschl & Adler Modern, New York (catalogue) |
|
|
1989 |
|
“Boîte Alerte,” Renée Fotouhi Fine Art, New York |
|
|
1988 |
|
“Andrew Masullo and Marilyn Minter,” fiction/nonfiction, New York |
|
|
1987 |
|
“Preview,” fiction/nonfiction, New York |
|
|
1986 |
|
“The Book Made Art,” Joseph Regenstein Library, University of Chicago; curated by Jeffrey Abt (catalogue) |
|
|
1985 |
|
“Mighty,” Small Works, Hand in Hand Gallery, New York |
|
|
1985 |
|
“Artworks/Bookworks,” Dallas Public Library, Dallas, TX |
|
|
1983 |
|
“R. Garratt, A. Masullo,” International With Monument, New York |
|
|
|
|
|
Selected Public Collections |
|
|
|
|
|
|
|
|
|
|
|
|
|
Cartin Collection, Hartford, CT
|
|
|
|
|
Montgomery Museum of Fine Art, AL
|
|
|
|
|
Progressive Insurance Company, Cleveland, OH
|
|
|
|
|
Provinzial Insurance Company, Dusseldorf
|
|
|
|
|
Sackner Archive of Concrete and Visual Poetry, Miami Beach, FL
|
|
|
|