Angus Fairhurst  (British, 1966-2008) 

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Angus Fairhurst Biographie
1966   Born in Kent, England
1985 - 1986   Canterbury Art College, Kent
1986 - 1989   Goldsmith’s College, London
Expositions sélectionnées
2009   Passports. In Viaggio Con l'Arte, Milan, Italy
2009   In Between the Lines: Recent British Drawings, Trinity Contemporary, London, UK Time OutBeijing Video art festival, Beijing, touring to Shanghai, Hong Kong, Kuala Lumpur, Singapore, Bangalore, Mumbai, Dubai and Tokyo
2009   Contemporary Eye: Material Matters, Pallant House Gallery, Chichester, UK
2009   Vlassis Caniaris. In Contrapunto, National Bank of Greece Cultural Foundation, MIET, Athens, Greece
2009   Nudes, Galeria Fortes Vilaca, Sao Paulo, Brazil
2009   Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York (NY), USA
2009   Waddesdon Manor, Buckinghamshire, UK (solo)
2009   Angus Fairhurst, Arnolfini, Bristol, UK (solo)
2008   Angus Fairhurst, Sadie Coles HQ, London, UK (solo)
2008   Sterling Stuff, Kings Palace Gallery, London, UK
2008   You dig the Tunnel, I’ll Hide the Soil, White Cube Hoxton, London, UK
2006   Prints, Sadie Coles HQ, London, UK
2006   Implosion: 10th Anniversary Exhibition, Anton Kern Gallery, New York (NY), USA
2006   Dada’s Boys, The Fruitmarket Gallery, Edinburgh, Scotland, UK
2006   In the darkest hour there may be light: Works from Damien Hirst's Murderme Collection, Serpentine Gallery, London, UK
2006   All the Best: The Deutsche Bank Collection & Zaha Hadid, Singapore Art Museum, Singapore, China (cat.)
2006   Under Construction, THE SHORE INSTITUTE OF THE CONTEMPORARY ARTS, curated by Barbara MacAdam, Long Branch, NJ
2006   Dark, MUSEUM BOIJMANS VAN BEUNINGEN, Rotterdam, The Netherlands
2006   Survivor, Bortolami Dayan, New York
2006   Gegenstände/Handlungsformen, Badischer Kunstverein, Karlsruhe
2006   Big City Lab, 11. Artforum Berlin
2006   Nothing But Pleasure, BAWAG Foundation, Vienna
2006   Prints, Sadie Coles HQ, London
2006   Grimm Fine Art, Amsterdam (solo)
2006   Unwit, Paul Kasmin Gallery, New York (solo)
2005   Notnot, Vacio 9, Madrid (solo)
2005   Bazar de Verão, Galeria Fortes Vilaça, São Paolo, Brazil
2005   Cross Section, Paul Kasmin Gallery, New York
2005   Threshold, MW Projects, London
2005   Notnot, GALLERY VACIO 9, Madrid, Spain (solo)
2005   Threshold, MAX WIGRAM GALLERY, London
2005   Vertigo, SUDELEY CASTLE, Winchcombe, Gloucestershire, England
2005   Y[oung] B[ritish] A[rtists] Criss-Crossed, GALLERI KAARE BERNSTEN, Oslo
2005   Out of the Melting Pot, DEXIA BANQUE INTERNATIONALE À LUXEMBOURG, Luxembourg
2005   Nieuwe Edities, Grimm Fine Art, Amsterdam, The Netherlands
2005   Looking at Words, Andrea Rosen Gallery, New York (NY), USA
2004   Summer Exhibition, ROYAL ACADEMY, London
2004   Collage, BLOOMBERG SPACE, London
2004   Incommunicado, CITY ART CENTRE, Edinburgh
2004   57th Aldeburgh Festival, Contemporary British Sculpture at Snape (Angus Fairhurst, Damien Hirst, Sarah Lucas), SNAPE, England
2004   Unwork, CONTEMPORARY FINE ARTS, Berlin, Germany (solo)
2004   Dysuniversal, GEORG KARGL, Vienna, Austria (solo)
2004   Drunkenmasters (Angus Fairhurst, Liam Gillick, Cerith Wyn Evans), GALERIA FORTES VILACA, São Paolo, Brazil (solo)
2004   In-A-Gadda-Da-Vida, TATE BRITAIN (with Sarah Lucas and Damien Hirst), London, England (solo)
2004   Contemporary Fine Arts, Berlin (solo)
2004   Georg Kargl, Vienna (solo)
2003   Trickfilm, BUCHMANN GALERIE, Cologne
2003   Sterling Stuff: Fifty Sculptors, SIGURJON OLAFSSON MUSEUM, Reykjavik and ROYAL ACADEMY OF ARTS, London
2003   In Retrospect: Thirty Sculptors, GALLERY PANGOLIN, Chalford, England
2002   Sterling Stuff: Fifty Sculptors, GALLERY PANGOLIN, Chalford, England
2002   Generator, SPACEX GALLERY, Exeter, England
2002   Iconoclast: Beyond the Image Wars, ZKM, Karlsruhe, Germany
2002   Why Bother?, The Burger King Exhibition, BURGER KING, London
2002   Man in the Middle, SAMMLUNG DEUTSCHE BANK, Frankfurt am Main, Germany
2002   The Unblinking Eye: Lens-based work from the IMMA Collection, IRISH MUSEUM OF MODERN ART, Dublin
2002   Alphadelta Gallery – Artio Gallery, Athens, Greece (solo)
2001   This Does Not Last More Than One Second, Spacex Gallery, Exeter (solo)
2001   Angus Fairhurst More or Less, China Art Objects Gallery, Los Angeles (solo)
2001   This Does Not Last More Than Ten Seconds, Kunsthalle St Gallen, Switzerland (solo)
2001   This Does Not Last More Than One Second, SPACEX GALLERY, Exeter, England (solo)
2001   More or Less Angus Fairhurst, SADIE COLES HQ, London, England (solo)
2001   Casino 2001, S.M.A.K. Gent, Belgium
2001   Open Plan P3 – The Marathon, ALPHADELTA GALLERY – ARTIO GALLERY, (curated by Sofia and Dimitria Vamiali), Athens, Greece
2001   Animations, P.S.1 CONTEMPORARY ART CENTER, New York
2001   Alternative Currents, THE MAC, MCKINNEY AVENUE CONTEMPORARY, Texas
2001   Century City: Art and Culture in the Modern Metropolis, TATE MODERN, London
2001   Lens and Paper – the Beauty of Intimacy, GEMEENTEMUSEUM, THE HAGUE and tour to STAATLICHE KUNSTHALLE BADEN-BADEN and MUSEUM HAUS AM WALDSEE, Berlin
2001   KUNSTHALLE, St. Gallen, Switzerland (PERFORMANCE)
2001   EXETER, Phoenix (PERFORMANCE)
2000   Apocalypse, THE ROYAL ACADEMY, London
2000   Video-vibe, BRITISH SCHOOL IN ROME, Italy
2000   00, BARBARA GLADSTONE GALLERY, New York
2000   Body Beautiful, GALERIE JENNIFER FLAY, Paris
2000   Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing, THE LIVING ART MUSEUM, Reykjavik
2000   About Collage, TATE LIVERPOOL, Liverpool, England
2000   Sanssouci Oder: Die Kunst Der Entsorgung, BADISCHER KUNSTVEREIN, Karlsruhe, Germany
2000   The Anagrammatical Body, ZKM CENTRE FOR MEDIA ART AND TECHNOLOGY, Karlsruhe, Germany
2000   Sex and the British, GALERIE THADDEAUS ROPAC, Salzburg, Austria and Paris
2000   Hoxton HQ, SADIE COLES HQ AT HOXTON HOUSE, London
2000   Psycho, Art and Anatomy, ANNE FAGGIONATO, London
200   More or Less Angus Fairhurst, Sadie Coles HQ, London (solo)
1999   The Trouble with Comedy, CONTEMPORARY FINE ARTS, Berlin Art Fair, Berlin, Germany (solo)
1999   The Foundation, URSULA BLICKLE STIFTUNG, Kraichtal, Germany and KUNSTHALLE ST. GALLEN, St. Gallen, Switzerland (solo)
1999   Art Lovers, LIVERPOOL BIENNIAL, Liverpool, England
1999   Gallery Swap, SADIE COLES HQ AT CONTEMPORARY FINE ARTS, Berlin
1999   The Anagrammatical Body, NEUE LANDESMUSEUM, Graz, Austria
1999   Lowest Expectations, THE SCALA, London (PERFORMANCE)
1999   Lowest Expectations, BRITISH COUNCIL, Cologne, Germany (PERFORMANCE)
1999   Lower Expectations, URSULA BICKLE STIFUNG, Kraichtal, Germany (PERFORMANCE)
1998   Low Expectations, BUROFRIEDRICH, Berlin (PERFORMANCE)
1998   Low Expectations, FLEX, Vienna (PERFORMANCE)
1998   Thinking Aloud, KETTLE’S YARD, Cambridge and tour to CAMDEN ARTS CENTRE, London
1998   Maximum Diversity, GALERIE KRINZINGER IN DEN BENGER FABRIK BREGENEZAND ATELIERHAUS DER AKADEMIE DER BILDENDEN KUNSTE, Vienna
1998   Crossings, KUNST ZUM HOREN UND SEHEN, Kunsthalle, Vienna (touring exhibition)
1998   The Missing Link, SADIE COLES HQ, London, England (solo)
1998   Standing Stock Still, ANTON KERN GALLERY, New York (solo)
1998   Odd-Bod Photography (with Sarah Lucas), SADIE COLES HQ, London and KOLNISCHER KUNSTVEREIN, Cologne, Germany (solo)
1997   Stand Still and Rot, CONTEMPORARY FINE ARTS, Berlin (solo)
1997   Dimensions Variable, BRITISH COUNCIL, touring exhibition
1997   Package Holiday, HYDRA WORKSHOPS, Hydra, Greece
1997   Painting, Photography, Drawing, ANTON KERN GALLERY, New York
1997   Contemporary British Drawings, SANDRA GERING GALLERY, New York and GALERIE PAUL ANDRIESSE, Amsterdam
1997   Other Men’s Flowers, THE BRITISH SCHOOL IN ROME, Italy
1997   From Figure to Object, KARSTEN SCHUBERT LTD. and FRITH STREET GALLERY, London
1997   Top Ten Expectations, ICA, London (PERFORMANCE)
1997   Low Expectations, CABLE FACTORY, Helsinki (PERFORMANCE)
1996   Plastic, ARNOLFINI GALLERY, Bristol and tour to WALSALL MUSEUM AND ART GALLERY, Walsall, England
1996   Full House, KUNSTMUSEUM, Wolfsburg, Germany
1996   Domestic Violence, RHONA HOFFMANN GALLERY, Chicago
1996   A Small Shifting Sphere of Serious Culture, ICA, London and tour (video programme)
1996   Other Men’s Flowers, AUREL SCHEIBLER, Cologne, Germany
1996   Low Expectations, DEAN STREET, London (PERFORMANCE)
1996   Lexopewctations, ANTON KERN GALLERY, New York (PERFORMANCE)
1996   Low Lower Lowest, JAY JOPLING/WHITE CUBE, London (solo)
1996   The Artist Has Left, (with Lothar Hempel) ANTON KERN GALLERY, New York (solo)
1996   A Cheap and Ill-fitting Relationship, PAUL ANDRIESSE GALLERY, Amsterdam (solo)
1996   A False Dawn On The Road To Personal And Artistic Freedoms, RIDINGHOUSE EDITIONS, London (solo)
1995   Low Expectations, BRIXTON ACADEMY, London (PERFORMANCE)
1995   Low Expectations, 56A CLERKENWELL ROAD, London (PERFORMANCE)
1995   Brilliant! New Art From London, WALKER ART CENTRE, Minneapolis, touring to CONTEMPORARY ART MUSEUM, Houston
1995   Corpus Delicti, PORTALEN, Copenhagen
1994   Karaoke Football, PORTIKUS NO 58, Frankfurt am Main, Germany
1994   Some Went Mad, Some Ran Away, SERPENTINE GALLERY, London, touring to NORDIC ARTS CENTRE, Helsinki; Kunstverein, Hanover, Germany; MUSEUM OF CONTEMPORARY ART, Chicago
1994   Not Self Portrait, KARSTEN SCHUBERT LTD., London
1994   Gallery Connections, KARSTEN SCHUBERT LTD., London (solo)
1994   Drawings and Cartoons, 71 HARTHAM ROAD, London (solo)
1993   All Evidence of Man Removed, KARSTEN SCHUBERT LTD., London (solo)
1993   Privacy, OPOS, Milan, Italy
1993   Other Men’s Flowers, FACTUAL NONSENSE, London
1992   Twenty Fragile Pieces, GALERIE ANALIX, Geneva, Switzerland
1992   Etats Specifiques, MUSÉE DES BEAUX ARTS, Le Havre, France
1992   Mat Collishaw, Angus Fairhurst, Abigail Lane, VIAFARINI, Milan, Italy
1992   Man Abandoned by Space, GALERIE ANALIX, Geneva, Switzerland (solo)
1991   Some Went Mad, Some Ran Away, KARSETN SCHUBERT LTD., London (solo)
1991   Gambler, BUILDING ONE, London
1991   Modern Medicine, BUILSING ONE, London
1990   You in Mind, KARSTEN SCHUBERT LTD., London (solo)
1988   Freeze, PLA BUILDING, London
  Collections
Tate, London, UK
Walker Art Centre, Minneapolis (MI), USA
Simmons & Simmons, London, UK
European Parliament EVN Austria
Government Art Collection, London, UK
Celebrity Cruises
Littérature
2006   Survivor, Bortolami Dayan, New York, 2006
2006   David Hopkins, Dada’s Boys, Edinburgh: The Fruitmarket Gallery, 2006
2006   Sari Carel, New York Critics Picks, Artforum, Mai 2006
2005   Jennifer Allen, Angus Fairhurst / Contemporary Fine Arts, Artforum, Febuar 2005
2005   Visionaire 46: Uncensored by Mario Testino, New York: Visionaire Publishing, 2005
2005   Y[oung] B[ritish] A[rtists] Criss-Crossed, Oslo: Kaare Bernsten Galleri, 2005
2005   Out of the Melting Pot, Luxembourg: Dexia, Banque Internationale à Luxembourg, 2005
2004   In-A-Gadda-Da-Vida, London: Tate Britain / Tate Publishing
2004   Jones, Dafydd, In-A-Gadda-Da-Vida, ARTREVIEW, April
2004   Renton, Andrew, There is life after Hoxton, EVENING STANDARD, Jan 6
2004   Haw, Alex, London: Bloomberg Space, CONTEMPORARY, no. 63
2004   Gronlund, Melissa, Tate Britain: In-A-Gadda-Da-Vida, CONTEMPORARY, no. 63
2004   Furness, Rosalind, In-A-Gadda-Da-Vida, MODERN PAINTERS, Summer
2004   Reynolds, Nigel, A six-legged calf in paradise, THE TELEGRAPH, March 3
2004   Kent, Sarah, The Eden Project, TIME OUT, Feb. 25-March 3
2004   Katrin Wittneven, Augensterne, Tagesspiegel, 4. Dezember 2004, S. 49.
2004   Stripped Bare: The Body Revealed in Contemporary Art, London: Merrell Publishers
2004   Summer Exhibition, London: Royal Academy
2004   Waldemar Januszczak, The rot of ages, The Sunday Times, 7. März 2004
2004   Richard Dyer, Angus Fairhurst, Damien Hirst, Sarah Lucas: In-A-Gadda-Da-Vida, Contemporary, no. 61, März 2004
2003   Andrew Hale, (Interview) ‘The Art of Fragility’, GQ
2003   Proof of Principle, Arnhem, Netherlands: Akzo Nobel Art Foundation
2003   In Retrospect: Thirty Sculptors, Chalford, England: Gallery Pangolin
2002   Biesenbach, Klaus, Animations, New York: P.S.1 Contemporary Arts Centre, Dutch Magazine (ill)
2002   Man in the Middle, Germany: Sammlung Deutsche Bank
2002   Sterling Stuff, Chalford, England: Gallery Pangolin
2002   Falconer, Morgan and Pablo Lafuente, Art Rocks! The Group Show, ARTREVIEW, Vol. LIII, May
2002   Generator, FLUX, Issue 33, October-November
2001   Balth, Carel, Lens and Paper – the Beauty of Intimacy, Gemeentemuseum, The Hague
2001   Strauss, Dorothea, This Does Not Last More Than Ten Seconds, Kunsthalle St.Gallen, Switzerland (cat.).
2001   Kertess, Klaus, 00, Barbara Gladstone Gallery, New York
2001   Artists Project, Exquisite Corpse, Tate, The Art Magazine, Issue 26, Autumn
2001   Malik, S & D. & S. Vamiali, Open Plan P3; The Marathon, Athens. (cat.)
2001   Herbert, Martin, Review, TIME OUT, LONDON, March 28 – April 4
2001   Hackworth, Nick, Less is Less—More or Less, EVENING STANDARD, March 23
2001   Bussel, David, Art School Rock, I-D MAGAZINE, April
2001   Testino, DUTCH MAGAZINE, #34, July/August
2001   Art Athina 2001, GALLERY GUIDE: ATHENS, Autumn/Winter
2000   Shone, Richard, Puerile 69: Angus Fairhurst, Michael Landy, Sarah Lucas, Gillian Wearing, Reykjavik: The Living Art Museum
2000   Perrella, Cristiana and Daniela Cascella, Video-vibe – art music and video in Britain, Rome: British School in Rome
2000   Psycho, Art and anatomy, London: Anne Faggianato (cat.)
2000   Stepken, Angelika, Sanssouci Oder: Die Kunst Der Entsorgung, Karlsruhe, Germany: Badischer Kunstverein (cat.)
2000   Rosenthal, Norman, Sex and the British, Salzburg, Austria: Galerie Thaddeaus Ropac (cat.)
1999   Stallabrass, Julian, High Art Lite, London: Verso Books
1999   Wiebel, Peter and Christina Steinle, The Anagrammatical Body, Graz, Austria Neu Galerie am Landesmuseum Joanneum (cat.)
1999   Dwiezor, Yilmaz, Angus Cook, Jorg Heiser, Dorothea Strauss, Angus Fairhurst, Kraichtal, Germany: Ursula Blickle Stiftung (cat.)
1999   Lewisohn, Cedar, Art and Rock Stars, From White Cube to Gold Disk, FLASH ART, March-April
1999   Gibbons, Fiachra, Sensation’s over, now it’s Apocalypse, THE GUARDIAN, May 3
1999   Artists Portfolio, POP, # 01, Autumn/Winter
1998   Guha, Tania, Angus Fairhurst, TIME OUT LONDON, November 16
1998   Sanders, Mark, No Sex Please We’re British, DAZED AND CONFUSED MAGAZINE, October
1998   Wentworth, Richard, Thinking Aloud, London: SBC National Touring Exhibitions (cat.)
1998   Aliaga, Juan Vicente, Angus Fairhurst/Sarah Lucas, ARTFORUM, Sept.
1998   Buck, Louisa, Moving Targets: A User’s Guide to British Art Now, London: Tate Gallery Publishing
1998   Maximum Diversity, Vienna: Galerie Krinzinger in der Benger Fabrik, Bregenez and Academy of Arts (cat.)
1998   Self Portraits, Rotterdam, Netherlands: Caldic Collection (cat.)
1998   Arning, Bill, Standing Stock Still, TIME OUT (NEW YORK), June 11
1997   Dimensions Variable, London: The British Council (cat.)
1997   Package Holiday, London: Sadie Coles HQ / Hydra, Greece: Hydra Workshops (cat.)
1996   A False Dawn On The Road To Personal And Artistic Freedoms, London: Ridinghouse Editions
1996   Cummings, Neil, Plastic, Bristol, England: Arnolfini Gallery (cat)
1996   Angus Fairhurst and Gary Hume, Arena
1996   Contemporary British Art in Print, Edinburgh: Scottish National Gallery for Modern Art and Paragon Press (cat.)
1996   Avgikos, Jan, Angus Fairhurst and Lothar Hempel, ARTFORUM, No. 36, February
1996   Bussel, David, First Expectations, FRIEZE January/February
1996   Harris, Mark, Angus Fairhurst, ART MONTHLY, No. 202, December
1996   Sound and Vision, THE ART NEWSPAPER, No. 64, November
1996   Art, ‘New Haven, Connecticut, ART NEWS, Vol. 95, March
1995   Brilliant! New Art from London, Minneapolis (MN): Walker Art Centre (cat.)
1995   Christiansen, Torben, Andrew Renton, Corpus Delicti, Copenhagen: Portalen (cat.)
1994   Muir, Gregor, Angus Fairhurst, FRIEZE, Summer
1993   Archer, Michael, Art Schubert Ltd, ARTFORUM, Vol. 32, December
1993   Romano, Gianni, Privacy, Milan: Opos (cat.)
1992   Angus Fairhurst, Geneva, Switzerland: Galerie Analix (cat.)
1992   Romano, Gianni, Twenty Fragile Pieces, Geneva, Switzerland: Galerie Analix (cat.)
1991   Gillick, Liam and Andrew Renton, Technique Anglaise, London: Thames and Hudson
1991   Man Abandoned by Colour, (artist’s project), FRIEZE, pilot issue
1990   Gillick, Liam, Gambler, London: Building One (cat.)
1990   Fairhurst, Angus, Modern Medicine, London: Building One (cat.)
1990   Renton, Andrew, Modern Medicine, FLASH ART INTERNATIONAL, Summer
1990   It’s A Maggot Farm, ARTSCRIBE, November/December
1988   Jeffrey, Ian, Freeze, London: PLA Building (cat.)




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