|
|
Bill Beckley Biographie
|
 |
 |
|
1979 |
|
National Endowment for the Arts
|
|
1986 |
|
New York Council of the Arts
|
|
1997 |
|
Pollack-Krasner Grant
|
|
|
|
BFA Kutztown State University, PA
|
|
|
|
MFA Tyler School of Art, Temple University
|
|
|
|
Collection: Museum of Modern Art, NY
|
|
|
|
Collection: The Guggenheim Museum, NY
|
|
|
|
Collection: Whitney Museum of American Art, NY
|
|
|
| Expositions sélectionnées |
|
|
|
2006
|
|
Rosenbaum Contemporary, Boca Raton, FL (solo)
|
|
2004
|
|
Studio Trisorio, Rome (solo)
|
|
2004
|
|
Studio Trisorio, Naples (solo)
|
|
2003
|
|
Gallery Park Ryu-Sook, Seoul (solo)
|
|
2003
|
|
Galerie Hans Mayer, Dusseldorf (solo)
|
|
2001
|
|
Fourteen Stations, Tony Shafrazi Gallery, New York (solo)
|
|
2001
|
|
New Works, Galerie Hans Mayer, Berlin (solo)
|
|
2000
|
|
Selected works 1970-1999, John Gibson Gallery, New York (solo)
|
|
2000
|
|
Critic as Grist, curated by Michael Portnoy and Marianne Vitale, White Box Gallery, NY
|
|
2000
|
|
Narrative, Studio G7, Bologna
|
|
2000
|
|
Sammlung Hoffman, Berlin
|
|
2000
|
|
Daimler-Benz collection, Berlin
|
|
1999
|
|
Sammlung Falckenberg Museum de bildenden Kunst, Leipzig
|
|
1999
|
|
17 Contemporary Artists from America, Italy and Mexico, The Menile Collection, TX
|
|
1999
|
|
Heroines and Heros, Cynthia Broan Gallery, New York
|
|
1999
|
|
Americans in France, The Fish Market, Perpignan
|
|
1999
|
|
Anouk Tache and Carole Levy Gallery, Brussels (solo)
|
|
1998
|
|
Fotoz, Siqueiros Koll Gallery, Los Angeles
|
|
1998
|
|
Project Plans, John Gibson Gallery, New York
|
|
1998
|
|
Galerie Hans Mayer, Dusseldorf (solo)
|
|
1998
|
|
Galerie Milano, Milan (solo)
|
|
1998
|
|
Galeria Trisorio, Naples (solo)
|
|
1997
|
|
John Gibson Gallery, New York (solo)
|
|
1996
|
|
Ace Gallery, Los Angeles (solo)
|
|
1995
|
|
Five Easy Pieces, Ace Gallery, New York (solo)
|
|
|
|
|
|
|
| Littérature |
|
|
|
2000
|
|
Bill Beckley, 'Sticky Sublime', Introduction for Sticky Sublime, Allworth Press, and the School of Visual Arts, New York
|
|
2000
|
|
Bill Beckley, 'All Names Have Been Changed to Protect the Innocent', Afterward of Dialectic of Decadence by Donald Kuspit, Allworth Press, NY
|
|
1999
|
|
Bill Beckley, 'Sublimitas Mobilist', Introduction to Beauty and the Contemporary Sublime by Jeremy Gilbert-Rolfe, Allworth Press, and the School of Visual Arts, NY,
|
|
1999
|
|
Bill Beckley, 'Doubting Thomas', Introduction to Sculpture in the Ager of Doubt by Thomas McEvilley, Allworth Press, and the School of Visual Arts, NY
|
|
1998
|
|
Tony Godfrey, Conceptual Art, Phaidon Press, London
|
|
1998
|
|
Bill Beckley, 'The Beginning of the Art World', Introduction to The End of the Art World by Robert C. Morgan, Allworth Press, and the School of Visual Arts, New York
|
|
1997
|
|
Bill Beckley, 'Generosity and the Black Swan', Introduction to Uncontrollable Beauty (Edited by Bill Beckley), Allworth Press, and the School of Visual Arts, NY
|
|
|
|