Chronologie

1978
Born Buffalo, NY
2000
BA of Music, Oberlin Conservatory, Oberlin, OH
2000
Commission of New Radio and Performing Arts with funding from the Jerome Foundation
2001
NYSCA New Media Grant sponsored by Harvestworks Digital Media
2002
Artport Gate Page, Whitney Museum of American Art
2005
Jury Prize San Simon, New York Underground Film Festival
2006
Creative Capital Grant D.I.Y.W.I.K.I.
Lives and works in New York

Expositions

2009
University of Michigan Museum of Art, Ann Arbor, MI, USA (forthcoming December) (solo)
2009
Montevideo, Amsterdam, The Netherlands (forthcoming August) (solo)
2009
Tracking Traces, Kiasma, Helsinki, Finland (forthcoming August, curated by Leevi Haapala)
2009
Pop Music as Subject for Visual Art, Kunsthaus Graz, Austria, (forthcoming, curated by DiedrichDiederischen)
2009
Younger than Jesus, New Museum, New York, USA (forthcoming April, curated by LaurenCornell, Massimiliano Gioni and Laura Hoptman)
2009
Abstract Cinema and Technology, Museum of Contemporary Art, Miami, FL, USA (forthcomingMarch, curated by Bonnie Clearwater with Kevin Arrow)
2009
The First Stop on the Super Highway, Nam June Paik Art Center, GyeonGi, Korea (forthcomingMarch, curated by Tobias Berger)
2009
Synthetic, Whitney Museum of American Art, New York, USA (curated by Carter Foster)
2009
Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA, USA (curated byLaura Hoptman)
2008
The Possibility of An Island, Museum of Contemporary Art, Miami, FL, USA
2008
Close Encounters- Facing the Future, American University Museum, Washington D.C., USA(curated by Donald Russell and Niels Van Tomme)
2008
Occupancy by more than 6’682’685’387 persons is Dangerius and Unlawful- Pierre Bismuthand collaborators, Cosmic Galerie, Paris, France
2008
Rock my Religion, Domus Artium O2, Salamanca, Spain (curated by Javier Panera)
2008
Sound of Art, Museum der Moderne, Salzburg, Austria
2008
Cory Arcangel + Olia Lialina and Dragon Espenschied, and/or gallery, Dallas, TX, USA
2008
Peer to Peer, Casino Luxembourg – Forum d’art Contemporain, Luxembourg
2008
Dennis Hopper and the New Hollywood, Cinématèque française (traveling) Superlight, San Jose Museum of Art, San Jose, CA, USA (curated by Steven Dietz,travelling to MOCA Cleveland)
2008
Adult Contemporary, Team Gallery, New York (solo)
2008
Galerie Thaddaeus Ropac, Salzburg, Austria (solo)
2008
Color Chart, MOMA, New York, USA
2008
Popshop, remixing icons of massculture, Mu Foundation, Eindhoven, Netherlands
2008
Holy Fire. Art of the Digital Age, iMAL Center for Digital Cultures and Technology, Bruxelles, Belgium
2007 – 2008
Northern Gallery for Contemporary Art, Sunderland, UK (forthcoming; touring to Spacex, Exeter, and Castlefield Gallery Manchester, cat.), (solo)
2007 – 2008
Max Wigram Gallery, London, UK, (solo)
2007
Brändström & Stene, Stockholm, Sweden, (solo)
2007
Galerie Guy Bartschi, Geneva, Switzerland, (solo)
2007
Galerie Thaddeus Ropac, Salzburg/Paris, (solo)
2007
Super Cinema, Solomon R. Guggenheim Museum, New York, USA (forthcoming)
2007
Automatic Update, MOMA, New York, USA
2007
Collection Part 1, Migros Museum, Zurich
2006
Time Frame, P.S.1, New York, USA
2006
Action, FRAC PACA, Marseille, France
2006
Outside the Box: New Cinematic Experiences, University of Akron, Akron, USA
2006
Experiments in Pop, Zentrum Paul Klee, Bern, Switzerland
2006
Interrupted, PMK Gallery, Beijing, China
2006
Bucolia, Galerie Thaddaeus Ropac, Salzburg, Austria
2006
Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan, Italy
2006
Virginia Commonwealth University, Richmond Virginia, USA, (solo)
2006
Galerie Thaddaeus Ropac, Paris, France, (solo)
2006
Team Gallery, New York, USA, (solo)
2006
Pioneering Video Artists, Orange County Museum Of Art, Santa Ana, USA
2005
New York Underground Film Festival, Anthology Film Archives, New York, USA
2005
International Film Festival, Rotterdam, The Netherlands
2005
disassembling 48k, Brändström & Stene, Stockholm, Sweden, (solo)
2005
Nerdzone Version 1, Migros Museum, Zurich, Switzerland (cat), (solo)
2005
Video Cube, Galerie Thaddaeus Ropac, Salzburg, Austria, (solo)
2005
Team Gallery, New York, USA, (solo)
2005
Moving Pictures, Dallas Center for Contemporary Art, Dallas, USA
2005
Collaborations, The Embassy, Edinburgh, UK
2005
Space 1026, Philadelphia, Pennsylvania (collaboration as part of the Beige Programming Ensemble)
2005
The Early Show, White Columns, New York, USA
2005
Carnegie Museum of Art, Pittsburgh, USA
2005
Artbase, New Museum of Contemporary Art, New York, USA
2005
Vox, centre de l’image contemporaine, Montreal, Canada
2005
Start Kapital, Standard, Oslo, Norway
2005
Greater New York, P.S.1, New York, USA (cat.)
2005
Growing up absurd, Herbert Read Gallery, Kent Institute of Art and Design, Canterbury, UK
2005
Cory Arcangel/Paperrad Project, Deitch Projects, New York, USA
2005
Summer Party Jam, Wood Street Galleries, Pittsburgh, Pennsylvania, USA
2005
Low level All Stars (performance program co-curated with RSG), Deitch Projects, NY, USA
2004
The Infinite Fill Group Show, Foxy Productions, New York, USA
2004
Welcome to the infinite fill zone, FACT, Liverpool, UK, (solo)
2004
LISTE (under the auspices of Team Gallery), Basel, Switzerland (cat), (solo)
2004
Database Imaginary, The Banff Centre, Alberta, Canada
2004
Expander, Royal Academy of Art at 6 Burlington Gardens, London, UK
2004
The New York/Liverpool Project, The Liverpool Biennial, Liverpool, UK (cat.)
2004
Pattern Playback, The Moore Space, Miami, FL, Florida
2004
The Whitney Biennial, The Whitney Museum of American Art, New York, NY, USA (cat.)
2004
Seeing Double: Emulation in Theory and Practice, Solomon R. Guggenheim Museum, New York, USA
2004
New York Underground Film Festival, Anthology Film Archives, New York, USA
2004
Premieres, The Museum Of Modern Art, New York, USA
2004
International Film Festival, Rotterdam, The Netherlands
2004
Art Plus Dance, Whitechapel Gallery, London, UK
2004
Pics ‘n Clips, Arthouse, Austin, Texas, USA
2003
Killer Instinct, New Museum of Contemporary Art, New York, USA
2003
Throwback, Team Gallery, New York, USA
2003
Blinky, Foxy Productions, Brooklyn, USA
2003
New York Underground Film Festival, Anthology Film Archives, New York, USA
2003
Blinky, Tate Britain, London, UK
2003
Game Engine, New York Video Festival, New York, USA
2003
Art Basel Miami Beach, Miami, Florida, USA
2003
Another Bad Creation, Deitch Projects, NY, USA
2003
Psych-Out 2k3 (co-curated with Seth Price), Anthology Film Archives/NYUFF, NY, USA
2002
Digital Media, American Museum of the Moving Image, New York, USA
2002
Unknown Pleasures, Daniel Reich Gallery, New York, USA
2002
Rodney Graham Film Program, Whitechapel Gallery, London, UK
2002
New York Underground Film Festival, Anthology Film Archives, New York, USA
2001
Interface: Exploring Possibilities, Fassbender Gallery, Chicago, USA

Collections publiques

Albright Knox Gallery, Buffalo, NY
Miami Museum of American Art, Miami, FL
Museum of Modern Art, New York, NY
Whitney Museum of American Art, New York, NY
Migros Museum für Gegenwartskunst, Zürich, Switzerland
Fonds Regional d’Art Contemporain Provence-Alpes-Cote d’Azur, Marseille, France

Publications

2009
Cory Arcangel / Shana Moulton / Jessica and Jacob Ciocci (Paper Rad) / Ryan Trecartin & Lizzie Fitch, Migros Museum, Zurich, Switzerland
2009
Tracking Traces, Kiasma, Helsinki, Finland (forthcoming August, curated by Leevi Haapala)
2009
Pop Music as Subject for Visual Art, Kunsthaus Graz, Austria, (forthcoming, curated by Diedrich Diederischen)
2009
Younger than Jesus, New Museum, New York, USA curated by Lauren Cornell, Massimiliano Gioni and Laura Hoptman
2009
Abstract Cinema and Technology, Museum of Contemporary Art, Miami, FL, USA (forthcoming March, curated by Bonnie Clearwater with Kevin Arrow)
2009
The First Stop on the Super Highway, Nam June Paik Art Center, GyeonGi, Korea (forthcoming March, curated by Tobias Berger)
2009
Synthetic, Whitney Museum of American Art, New York, USA (curated by Carter Foster)
2009
Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA, USA (curated by Laura Hoptman)
2009
University of Michigan Museum of Art, Ann Arbor, MI, USA (forthcoming December) (solo)
2009
Montevideo, Amsterdam, The Netherlands (forthcoming August) (solo)
2008
Galerie Thaddaeus Ropac, Salzburg, Austria(solo)
2008
Adult Contemporary, Team Gallery, New York\(solo)
2008
The Possibility of An Island, Museum of Contemporary Art, Miami, FL, USA
2008
Close Encounters- Facing the Future, American University Museum, Washington D.C., USA (curated by Donald Russell and Niels Van Tomme)
2008
Occupancy by more than 6’682’685’387 persons is Dangerius and Unlawful- Pierre Bismuth and collaborators, Cosmic Galerie, Paris, France
2008
Rock my Religion, Domus Artium O2, Salamanca, Spain (curated by Javier Panera)
2008
Sound of Art, Museum der Moderne, Salzburg, Austria
2008
Cory Arcangel + Olia Lialina and Dragon Espenschied,, and/ or gallery, Dallas, TX, USA
2008
Dennis Hopper and the New Hollywood, Cinématèque française (travelling)
2008
Superlight, San Jose Museum of Art, San Jose, CA, USA (curated by Steven Dietz, travelling to MOCA Cleveland)
2008
Color Chart, MOMA, New York, USA (curated by Ann Temkin, traveling to Tate Liverpool, with catalogue)
2008
Peer to Peer, Casino Luxembourg – Forum d’art Contemporain, Luxembourg
2008
Popshop, remixing icons of massculture, Mu Foundation, Eindhoven, Netherlands
2008
Holy Fire. Art of the Digital Age, iMAL Center for Digital Cultures and Technology, Bruxelles, Belgium
2007
Super Cinema, Solomon R. Guggenheim Museum, New York, USA
2007
Automatic Update, MOMA, New York, USA
2007
Collection Part 1, Migros Museum, Zurich
2007
Max Wigram Gallery, London, UK
2007
Northern Gallery for Contemporary Art, Sunderland, UK (touring to Spacex, Exeter, and Castlefield Gallery Manchester, cat.)
2007
Brändström & Stene, Stockholm, Sweden
2007
Galerie Guy Bartschi, Geneva, Switzerland
2007
Galerie Thaddeus Ropac, Salzburg/Paris
2006
Roberta Smith, Turning Games Into a New Kind of Art, The New York Times, January 21, p.B9.
2006
Barbara London, Best of 2006 Film (8 BIT), Artforum, Dec, p. 58
2006
Julia Cosgrove, Digital Underground, ReadyMade, June/July, pp. 62-65
2006
Susan Corrigan, Cory Arcangel: Fallen from Grace, i-D, June, p.36
2006
Mark Tribe, Cory Arcangel: An Interview, UOVO, Issue 11, pp.252-63
2006
Sophie, Fels, “Time Frame”, TimeOut NY, September, 7-13, p.147
2006
Marc Speigler, Game Art, Departures, May/June
2006
Emily Weiner, Motivational Speaker, TimeOut NY, May 18-24, p.80
2006
Nicolas Trembley, L’ange Techno, Numero, Spring, pp.38-40
2006
Anne Dugan, The air we breathe: Cory Arcangel, Code, Winter, pp.12-15
2006
Stephanie Murg, Walking the Green Carpet, ArtNews, February
2005
Gair Boase, Future Greats 2005, Art Review, London, December Issue, pp. 66-70
2005
Nick Stillman, Cory Arcangel Hack Man, Flash Art International, issue XXXVIII, May-June, pp. 116-117
2005
Brian Sholis, Cory Arcangel: Team Gallery/Cory Arcangel/Paper Rad: Deitch Projects, Artforum, April, p190-1
2005
Roberta Smith, Last Chance: Cory Arcangel, The New York Times, February 11, E28
2005
Roberta Smith, Cory Arcangel/Cory Arcangel and Paper Rad, The New York Times, February 4, E39
2005
Charlie Finch, The Museum Comes to Us: Art in 2050, Artnet.com, February 3 Martha Schwendener, Cory Arcangel & Beige, TimeOut, February 3-9, p 60
2005
Danielle Nussbaum, hacker's delight, Nylon, February, p 89
2005
Nick Stillman, Critics’ Picks: Cory Arcangel, Artforum.com, January 21
2005
Caitlin Jones, “My Art World Is Bigger Than Yours”, The Believer, December/January, P.3- 12
2005
Mark Stevens, “Best Emerging Artist: Cory Arcangel”, New York, December 19, p.59- 60
2005
Roberta Fallon, “Screen Play”, Philadelphia Weekly, December 17
2005
Arne Ehmann, “Cory Arcangel: Historische Compuiertechnologie”, PARNASS, September – October, p. 140 - 1
2005
Sarah Valdez, “Open Source Art”, Art in America, September, p. 146, 175
2005
Sarah Boxer, “Web Works That Insist on Your Full Attention,” The New York Times, June 28, p E1, E7
2005
Kimberly Chun, “Fault-line Transmissions,” San Francisco Bay Guardian, May 11-17
2005
Daniel Perlin, “Technarchy,” XLR8R, May, p.60 - 5
2005
Eli Sudbrack, “Assume Vivid Astro Focus and Cory Arcangel,” Tokion, March/April, p. 56- 7
2005
Paul Underwood, “Joysticking it to the Man”, Spin, March, p.39
2004
Ed Halter, Midtown Rushes: Premieres, Village Voice, November 17-23, p 60
2004
Sarah Valdez, Last Night, An Artist Saved My Life, Paper, November, p 62-4
2004
Sarah Douglas, London Letter, Artnet.com, October 27
2004
Karen Rosenberg, Last Shot: The Matrix Reloaded, New York, August, p 75-77
2004
Kim Levin, The Infinite Fill Group Show, Village Voice, August 18-24, p c46
2004
Merrily Kerr, The Infinite Fill Show, TimeOut, August 12-19, p 53 Smith, Roberta, The Infinite Fill Group Show, The New York Times, August 6, E32
2004
Roberta Smith, “The Infinite Fill Show”, The New York Times, August 6, p. E32
2004
Walter Robinson, Weekend Update, Artnet.com, August 2
2004
Lisa Delgado, Cory Arcangel's Pizza Party, Res, July/August
2004
Clive Thompson, Pac is Back, New York, July 19, p 48-9.
2004
Dominique Moloun, Une Instantane des arts numerique a New York, Images, Issue #5, pp. 88-93
2004
Simon Houpt, “FranckenArt: The mix and mash future,” The Globe and Mail, May 14
2004
CBS, “What’s Bizarre at the Whitney?”, CBS News Sunday Morning, May2
2004
Nick Stillman, 2004 Whitney Biennial, The Brooklyn Rail, April, p16
2004
Ben Sisario, Internet Art Survives, but the Boom is Over, The New York Times, March 31, p. 13
2004
Ed Halter, Mind the Gap, The Village Voice, March 17-23, p 62
2004
Jerry Saltz, The OK Corral, The Village Voice, March 17-23, p 80
2004
Michael Kimmelman, Touching All Bases At The Biennial, The New York Times, March 12, p. 38
2004
Peter Plagens, Art's 'Star Search, Newsweek, March 22, p 61
2004
Matt Wolf, Killer Instinct, Flash Art, March-April, p. 62
2003
James Gardner, Art of the game, New York Post, December 22, p 42
2003
Deborah Solomon, The 3rd Annual Year in Ideas: Video-Game Art, The New York Times Magazine, December 14, p 105
2003
A.O. Scott, Video Artists Escape Hollywood Sensibility to Explore Their Inner Worlds, The New York Times, July 23, E3
2003
Marisa S. Olson, Hacktivist: Cory Arcangel, Planet, Spring, p 13
2003
Misha Davenport, “Old Chips, but new music”, Cicago Sun-Times, March 23
2003
Holland Cotter, “Doing Their Own Thing, Making Art Together,” The New York Times, January 19, p. E1, 36
2003
Angela Gunn, “The personal Touch,” Time Out, January 9 – 16, p.44
2003
Misha Davenport, Old Chips, but new music, Chicago Sun-Times, March 23
2003
Holland Cotter, Doing Their Own Thing, Making Art Together, The New York Times, January 19, p E1, 36
2003
Angela Gunn, The Personal Touch, Time Out, January 9-16, p 44
2002
Holland Cotter, THE CRITICS/10 MOMENTS, The New York Times, December 29
2002
Holland Cotter, A Document made by Paul Thek and Edwin Klein, New York Times, December 20
2002
Holland Cotter, Art In Review: 'Unknown Pleasures ‘, The New York Times, May 17
2002
Reena Jana, KOPy Cats, Artforum, March
2002
3Kyle Gann, Pop Goes the Composer, Village Voice, April 10
2001
Vinyl Richie, Make The Music With Your Mouse, Life Sucks Die, Winter, pp. 28-29