Born: Yorkshire, UK
B.A. Fine Arts, Middlesex Polytechnic, London, UK
M.A. Fine Arts Chelsea School of Art, London, UK
Currently lives and works in New York, NY


Drawn To Disaster, Institute Of Contemporay Art, Maine College Of Art, Portland, ME
FuturePerfect, Derek Eller Gallery, New York, NY (solo)
A Torrent of Words: Contemporary Art and Language, Kohler Art Center, Sheboygan, WI
C’est la Vie: Vanitas from the 15th-21st Century, Musee Maillol, Paris, France
The Power of Paper, Saatchi Gallery, London, UK
Opportunities, Bravin Lee Programs, New York, NY
Sight Mapping, Herter Gallery, University of Massachusetts, Amherst, MA
Political Corect, BFAS Blondeau Fine Art Services, Geneva, Switzerland
Project for a New American Century, curated by Randi Hopkins, Rose Art Museum, Brandeis University, Waltham, MA
The Flight of Fake Tears: Large Narrative Drawing, Inova, School of the Arts, University of Wisconsin-Milwaukee, Milwaukee, WI
In the Beginning, University Art Gallery UCSD, San Diego, CA
The Other Mainstream II, Arizona State University Art Museum. Tempe, AZ
In My Solitude, Aeroplastics Contemporary, Brussels, Belgium
Don’t Look, Davis Museum and Cultural Center, Wellesley College, Wellesley, MA
Next Wave Art, curated by Dan Cameron, Brooklyn Academy of Music, New York, NY
Landscape (Distance and Removal), Württembergischer Kunstverein, Stuttgart, Germany
International Language, Holter Museum of Art, Helena, MT
Cosmologies, James Cohan Gallery, New York, NY
Panic Room, works from the Dakis Joannou Collection, curated by Kathy Grayson and Jeffrey Deitch, DESTE Foundation, Athens, Greece
Blessed are the Merciful, curated by Jerome Jacobs, Feigen Contemporary, New York, NY
Inaugural Group Exhibition, Derek Eller Gallery, New York, NY
Art on Paper 2006, Weatherspoon Art Museum, Greensboro, NC
Block Party: An Exhibition of Drawings, Daniel Weinberg Gallery, Los Angeles, CA
Summer Group Exhibition, Derek Eller Gallery, New York, NY
Kamp K48, curated by Scott Hug, John Connelly Presents, New York, NY
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, NY
Oracle of Truth, Aeroplastics Contemporary, Brussels, Belgium
Labyrinths: Jan Mancuska, Dominic McGill, Alyson Shotz, David Winton Bell Gallery, Brown University, Providence, RI
Greater New York 2005, P.S.1 Contemporary Art Center, Long Island City, NY
The Art of Aggression, curated by Jean Crutchfield & Robert Hobbs, ReynoldsGallery, Richmond, VA
Project for a New American Century, Derek Eller Gallery, New York, NY (solo)
Democracy Was Fun, White Box, New York, NY
A More Perfect Union, The Renaissance Society, Chicago, IL
Contemplating War, Johnson County Community College, Overland Park, KS
Building the Unthinkable, curated by Christian Stayner, Apex Art, New York, NY
Pop Agenda, Installation with Siemon Allen, Fusebox, Washington, DC
The World’s a Mess, It’s in My Kiss, Debs and Co., New York, NY
Futuribles, Arco’03, Madrid, Spain
B List, Hallwalls, Buffalo, NY
Tomorrow, Debs and Co., New York, NY (solo)


A. Z., “Panic Room: Works by Dakis Joannou Collection at DESTE Foundation”,, March 2006
Newhall, Edith. “American Gothic”, ARTnews, February 2006
Andrea Scott. “Greater New York 2005”, Time Out New York
Michael Kimmelman. “Greater New York 2005”, The New York Times, March 18, 2005
Steven Menashi. “Agitprop”, The New York Sun, July 22, 2004
Alice Thorson. “Artists Study War Once More”, The Kansas City Star, October, 24, 2004
Howard Rissatti. “Dominic McGill & Siemon Allen”, Artforum, Summer 2004
Glenn Dixon. “When History Throws Us an Endless Curve” The Washington Post, April 17, 2004
Sarah S. King. “Dominic McGill”, Art in America, February 2003
Nico Israel. “Dominic McGill”, Artforum, Summer 2002