Emily Jacir  (Palestinian, 1970) 


Trouvez des œuvres de Emily Jacir en vente sur le marché de l'art au niveau mondial, les œuvres passées en vente aux enchères et les résultats de ventes, une biographie ainsi que d'autres informations sur l'artiste.
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Œuvres d’art mises en vente
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Marchands vendeurs (3)

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Dans des ventes aux enchères passées (5)

Expositions (1)

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Articles (24)

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Œuvres d’art mises en vente

Emily Jacir, ex libris (AP 4561)


Emily Jacir
ex libris (AP 4561)

Alexander and Bonin
Emily Jacir, ex libris (H 591)


Emily Jacir
ex libris (H 591)

Alexander and Bonin
Emily Jacir, Embrace


Emily Jacir

Anthony Reynolds Gallery
Emily Jacir, Sexy Semite


Emily Jacir
Sexy Semite

Anthony Reynolds Gallery
Emily Jacir, Where we Come From (detail)


Emily Jacir
Where we Come From (detail)

Anthony Reynolds Gallery
Emily Jacir, Nothing Will Happen (eight normal Saturdays in Linz)


Emily Jacir
Nothing Will Happen (eight normal Saturdays in Linz)

Anthony Reynolds Gallery
 Résultats d’enchères passées (5)  Voir tout
Emily Jacir, Omayma (from Where We Come From)


Emily Jacir
Omayma (from Where We Come From), 2002-2003
c-print and printed wall text


Détails du lot
Emily Jacir, Parure d'habit composée d'une paire de boutons de manchettes en forme d'étriers et trois boutons de plastron carrés (set of 2)


Emily Jacir
Parure d'habit composée d'une paire de boutons de manchettes en forme d'étriers et trois boutons de plastron carrés (set of 2), 1970
diamond and white gold


Détails du lot
Emily Jacir, Rizek0, from Where we come from series (set of 4)


Emily Jacir
Rizek0, from Where we come from series (set of 4), 2002-2003
printed text and four mounted color coupler prints, mntd


Détails du lot
1992   BA in Fine Art, University of Dallas, Irving, Texas, USA
1994   MFA studies, Memphis College of Art, Memphis, USA
1998 - 1999   Whitney Independent Study Program, New York, USA
  Lives and works in Ramallah and New York
2011   Inshallah: The Future of a Promise, Magazini del Sale, Venice (Biennale di Venezia official programme)
2011   Plot for a Biennial: Sharjah Biennial 10, Sharjah, UAE
2010   Emily Jacir: Stazione, Alberto Peola, Torino, Italia
2010   affiliations, Beirut Art Centre
2010   Krieg/Individuum, Ausstellungshalle zeitgenössische Kunst, Münster
2010   The Last Newspaper, The New Museum, New York
2010   21st Century: Art in the first decade, Queensland Art Gallery | Gallery of Modern Art
2010   Exposed: Voyeurism, Surveillance and the Camera, Tate Modern
2010   There is always a cup of sea to sail in, 29th Bienal de São Paulo, Brazil
2009   Emily Jacir: Hugo Boss Prize, Guggenheim Museum, New York (solo)
2009   Palestine c/o Venice, evento collaterale alla 53. Esposizione Internazionale d’Arte, Biennale di Venezia, Venezia (a cura di Salwa Mikdadi)
2009   Deutsche Börse Photography Prize 2009, The Photographers’ Gallery, London
2008   Passageworks; Contemporary Art from the Collection, San Francisco Museum of Modern Art, San Francisco
2008   The object quality of the problem (on the space of Palestine/Israel), The Henry Moore Institute, Leeds
2008   Mediterranee II, Carre d’Art, Nimes
2008   Collection Video & Films; Isabelle & Jean-Conrad Lemaitre, Kunsthalle zu Kiel, Germany
2008   Disputed Territories: Emily Jacir, A Space Gallery, Toronto (solo)
2007   Emily Jacir, Villa Merkel, Galerien Der Stadt Esslingen Am Neckar, Germany (solo)
2007   Emily Jacir, Kunstmuseum St. Gallen, Switzerland (solo)
2007   Emily Jacir, Alberto Peola, Torino (solo)
2007   Unbound, Contemporary Art Plaform, London
2007   La Biennale di Venezia, Italy
2007   Bound, Open Eye Gallery, Liverpool
2007   Recognise, Contemporary Art Platform, London
2007   Taipei Biennial, Taipei Fine Arts Museum, Taiwan
2006   Now, Here, Over There, Fonds regional d’art contemporain de Lorraine
2006   Re: location, Alexander and Bonin, New York
2006   Venice-Instanbul, Instanbul Modern, Instanbul, Turkey
2006   Sao Paulo Biennale, Sao Paulo
2006   Biennale of Sydney, Sydney
2006   Sincerity, Finesilver Gallery, San Antonio, TX
2006   When Artists Say We, Artists Space, New York
2006   Dark Places, Santa Monica Museum of Art, Santa Monica, CA
2006   Now Voyager, Islip Art Museum, East Islip, NY
2006   Made in Palestine, touring exhibition, Bridge Gallery, New York
2006   The Only Book, The Center for Book Arts, New York
2006   The Wall & the Check Points, The Khalid Shoman Foundation - Darat il Funun, Amman, Jordan
2006   Without Boundary: Seventeen Ways of Looking, The Museum of Modern Art, New York, NY
2006   Taking place…Charlottenborg Exhibition Hall, Copenhagen, DK
2006   Slow Revolution, The Rotunda Gallery, New York, NY
2006   Une vision du monde - la collection video d’Isabelle et Jean-Conrad Lemaitre, La Maison Rouge, Paris (cat.)
2005   Emily Jacir, Anthony Reynolds Gallery, London. (solo)
2005   Where We Come From, The Jerusalem Fund Gallery, Washington D.C. (solo)
2005   accumulations, Alexander and Bonin, New York, NY (solo)
2005   This May Be What Parallel Looks Like, video screening, Sculpture Center, Long Island City, NY
2005   Episode 2 [To Lose without Being a Loser] and Episode 3 [Democracies], Tirana Biennale, Tirana, Albania
2005   General Ideas: Rethinking Conceptual Art 1987-2005, CCA Wattis Institute for Contemporary Arts, S. Francisco, California
2005   Classified Materials: Accumulations, Archives, Artists, Vancouver Art Gallery, Vancouver
2005   EindhovenIstanbul, Van Abbe Museum, Eindhoven, The Netherlands (cat.)
2005   In the Poem about Love you don't write the word Love, CCA, Glasgow
2005   In absentia: Collective Contemporary Art Exhibition, Centre d’art Passerelle, Brest
2005   Made in Palestine, touring exhibition, T.W. Wood Gallery and Arts Center, Montpellier
2005   Made in Palestine, touring exhibition, SomArts Cultural Center, San Francisco
2005   Mirage, Alexander and Bonin, New York
2005   Getting Emotional, ICA, The Institute of Contemporary Art, Boston
2005   Always a little further, Arsenale , 51 Biennale Internazionale d’Arte, Venice, Italy
2005   HOME, Cork, Ireland
2005   Mediterranean Encounters, Parco Orcynus Orca, Messina; Castle of Scilla, Reggio Calabria
2005   7th Sharjah International Biennial, Sharjah, United Arab Emirates.
2005   Flight 405, Galerie Sfeir-Semler, Beirut, Lebanon.
2005   Do Not Interrupt Your Activities, Royal College of Art, London (cat.)
2005   Desenhos: A-Z, [Drawings: A-Z], Porta 33, Funchal, Ilha da Madeira
2005   The Art of Aggression: Iraqi Stories and Other Tales, Reynolds Gallery, Inc., Richmond, VA
2005   Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas, USA
2004   'Wherever I Am', Modern Art Oxford, Oxford, UK
2004   ---, Künstlerhaus Bremen, Bremen, Germany
2004   Museum of Modern Art, Arnhem, Netherlands
2004   The Khalil Sakakini Cultural Centre, Ramallah, Palestine
2004   Kunstraum Innsbruck, Innsbruck, Austria
2004   'Cover Girl: The Female Body and Islam in Contemporary Art', ISE Cultural Foundation, New York, USA
2004   'Neither Here Nor There: Video Artists Navigate Cultural Displacement', Cheekwood Museum of Art, Nashville, Tennessee, USA
2004   '5th Gwangju Bienniale', Joongoe Park, Gwangju, Republic of Korea
2004   'PhotoEspaña 2004', Madrid, Spain
2003 - 2004   'Where We Come From', Nuova Icona, Venezia, Italy and Debs & Co., New York, USA
2003   Belongings, O-K Center for Contemporary Art, Linz, Upper Austria
2003   'Los Angeles International Art Biennial Invitational', Frumkin Duval Gallery, Santa Monica, USA and Al Ma’Mal Foundation, Jerusalem,
2003   '8th Istanbul Biennale', Istanbul, Turkey
2003   'Cynical Culture', Galerie Schüppenhauer, Cologne, Germany
2003   'VEIL', Institute of International Visual Arts (inIVA), Touring Exhibition; Liverpool, Walsall, Oxford and Stockholm
2000   'From Paris to Riyadh (Drawings for my mother)', University Gallery, University of the South, Sewanee, Tennessee, USA
2011    Rachel Spence, ‘A Spring In Their Step’, FT.com, 3 June
2011    Nazanin Lankarani, ‘Echoes of Political Unrest at Venice Biennale’, International Herald Tribune, 26 May
2010    21st Century Art in the First Decade, (catalogue) Queensland Art, Gallery of Modern Art
2010    Joshua Decter, ‘Emily Jacir, Alexander and Bonin’, ArtForum, January
2010    Christophe Leclercq, ‘Histoire(s) de Deception’, Art 21, Autumn 2010
2009    Morgan Falconer, ‘Emily Jacir’, Art Monthly, April
2009    Doris Bittar, ‘Crossing Boundaries’, Canvas, March/April
2009    T.J. Demos, ‘Emily Jacir’, Flash Art, March
2009    Kurt Mueller, Caitlin Haskell, ‘The Activist Impulse, Austin’, Art Papers, Jan/ Feb
2009    Michael Z. Wise, ‘Borders Crossing Between Art and Life’, www.nytimes.com, 30 January
2009    Jackie Wullschlager, ‘Saatchi and the Middle East’, www.ft.com (Financial Times), 30 January
2008    Penelope Curtis, ‘The object quality of the problem’, The Henry Moore Institute (cat.)
2008    Kirsty Bell, ‘Another Country’, Frieze, April (ill.)
2008    Portfolio; Reinvent the wheel, March
2008    Daniela Mett, ‘Stimmen im Schrank’, Weltkunst online, 22 February
2008    Nicole Busing and Heiko Klaas, ‘Poesie und Irritationen im Alltag’, Nordsee Zeitung, 30 January
2008    Jens Ronnau, ’Audiovisuelle Kost zwischen Dreiecksbeziehung und Wiedergeburt’, Schleswig-Holsteinische Landeszeitung, 19 January
2007    Ossian Ward, ‘Critics Choice’, Time Out, August 29th – 4th September
2007    http://universes-in-universe.org, October
2007    www.kunstmuseumsg.ch, September
2007    Carola Serminato, ‘Emily Jacir’, Espoarte, no. 46, 4th May
2007    Alberto Peola, ‘Emily Jacir’, Flash Art, no 263, 4th May
2007    ‘Emily Jacir’, Futuro Contemporary Art, 3rd April
2007    Barbara Reale, ‘Emily Jacir’, Exibart.com
2007    Lisa Parola, ‘Quel concerto negato per Emily e un simbolo’, La Stampa, TorinoSette, 9th February
2006    Rasha Salti, 'Emily Jacir', Zones of Contact - 2006 Biennale of Sydney (cat.) (ill.)
2006    Demos, T.J. "Life Full of Holes." Grey Room 24, Summer
2006    Kaelen Wilson-Goldie, New Art For A New Middle East, Art and Auction, March
2006    Cotter, Holland. "Made in Palestine." The New York Times, March
2006    Emily Jacir’, Une Vision du Monde la Collection Video d’Isabelle et Jean-Conrad Lemaitre, February (cat.) (ill.)
2006    Neit Mulholland, ‘In the Poem About Love You Don’t Write the Word Love’, ArtReview, February
2005    Emily Jacir, Where We Come From, Ulrich Museum of Art, Wichita, Kansas
2005    Martin Coomer, Emily Jacir – Anthony Reynolds Gallery, June 29, 2005
2005    Kerryn Greenberg, Eva Meyer Hermann, Istanbul-Eindhoven, Vanabbemuseum
2005    Frances Richard, “Emily Jacir”, ArtForum, May
2005    Lori Waxman, “Emily Jacir”, www.artforum.com
2005    Alejandra Aguado, “Do Not Interrupt Your Activities”, Royal College of Art Galleries
2004    Gilane Tawadros, “Changing States: Contemporary Art and Ideas in an Era of Globalisation”, InIva, London
2004    Anna Kafetsi, “Transcultures” The National Museum of Contemporary Art, Athens
2004    Francesco Bonami, “Non Toccare La Donna Bianca”, Fondazione Sandretto Re Rebaudendo, Turin
2004    Andrew Nairne and Suzanne Cotter, “Wherever I Am”, Museum of Modern Art, Oxford
2004    Stella Rollig; John Menick; Edward Said; Christian Kravagna, “Emily Jacir: belongings”, Folio Verlag Wien
2004    Caroline Lagnado, “Whitney Biennial well worth the visit”, Tufts Daily, April 8
2004    Editors, “Emily Jacir”, This Much is Certain , Catalogue from the Royal College of Art, March to April
2004    Tyler Green, “Hit the Road, Whitney”, Wall Street Journal-Editorial page, March 30
2004    Jerry Saltz, “The O.K. Corral”, The Village Voice, March 15, 2004.
2004    Michael Kimmelman, “Touching all bases at the Biennial”, New York Times, March 12
2004    Celia McGee, “Whitney Sticks its Thumb Out”, New York Daily News, March 11, 2004.
2004    Holland Cotter, “Duck! It’s Whitney Biennial Season Again”, New York Times, March 7
2004    Kate Ledogar, “Screaming from the Gallery: Road Trip!”, Boston Weekly Dig, March
2004    Karen Rosenberg, “Biennial Favorites,” New York Magazine, p. 38, March 1
2004    Tom Vanderbilt, “Emily Jacir,” Artforum, p.140 –141, February
2004    Martin Sturm, et al., Emily Jacir: belongings Exhibition Catalog, January
2003    Emily Jacir: belongings. Arbeiten/Works 1998-2003, O-K Center for Contemporary Art, Linz, Austria
2003    Emily Jacir (im)mobility, Al-Ma’mal Foundation for Contemporary Art, Jerusalem
2003    T.J. Demos, “Desire in Diaspora: Emily Jacir,” Art Journal, vol. 62, no. 4 (Winter 2003), pp.68-80
2003    Tory Dent, “Emily Jacir”, PARACHUTE, 012, Fall
2003    Washington Report on Middle East Affairs, p. 32-33, November, Vol. XXII, No.9.
2003    Contemporary Art from the Islamic World, Online Magazine, 4th Issue, October, 22
2003    Eleanor Heartney, “Emily Jacir at Debs & Co.,” Art in America, October
2003    Kelly Klaasmeyer, “Peace Through Art, ‘Made in Palestine,” Humanizes the Middle East Conflict,” The Houston Press, July and August
2003    Editors, “So Much in a Simple Request,” The Los Angeles Times, July 18
2003    Tom Breidenbach, “Emily Jacir- Debs & Co,” Artforum, Summer
2003    Editors, “Emily Jacir Where We Come from Installation at the 8th Istanbul Biennial
2003    Kirsten Butler, “Enter the Ghost, Exit the Ghost, Re-enter the Ghost,” Empire/State Catalog
2003    Edward Said, “Emily Jacir”, Grand Street, Issue 72, Fall
2003    Holly Myers, “So Much in a Simple Request,” L.A. Times, July 18
2003    Louise Roug, “The Talking Pictures,” The Los Angeles Times (Calendar Weekend), July 10
2003    Holland Cotter, “Empire/State-Artists Engaging Globalization,” The New York Times, July 5
2003    Laura Auricchio, “Homeland,” Time Out New York, June 19-26
2003    Paul Bass,“Where We’re Going”, The New Haven Advocate, June 19
2003    Eugenie Tsai, “Emily Jacir, ‘Where We Come From’,” Time Out New York, May 8-15
2003    Editors, “Emily Jacir”, The New Yorker, May 12
2003    Holland Cotter, “Emily Jacir,” The New York Times, May 9th
2003    Kim Levin, “Emily Jacir,” The Village Voice, Shortlist, April 23-29
2003    Kyle MacMillan, “Timely exhibit of Arab works offers new view of raging political debate,” The Denver Post, February 28
2002    Rebecca Faulkner, “Marked Space,” 5, Rebirth
2002    Benjamin Young, “In Translation,” Social Sectors Catalog, Vienna
2002    Regina Urban, “New York im Untergrund,” Nurnberger, April 11
2002    Uma, “Vom Kunstbunker zu den Konfliktherden der Welt,” Abendzeitung, April 11
2002    Matthew McAllester, “Seeking Art Amid the Chaos,” Newsday, April 4, 2002
2002    Linda Yablonsky, “Unjustified,” Time Out New York, February 14-21
2001    Editors, “Emily Jacir”, Fisuras de la Cultura Contemporanea, Summer
2001    Editors, “My America (I am still here),” Economies/Exchanges, n.paradoxa, vol.8, July
2001    Oz Shelach, "Ohel Yizkor for the Nakba," Ha'aretz, May 18
2001    Jacqueline S. Stoeckler, "Exiles and Cosmopolitans," Afterimage, vol. 28, Jan./Feb
2000 - 2001    Herkenhoff, “Emily Jacir,” P.S.1 Studio Program Catalog
2000    Carlos Basualdo, “A Worthless Question, Many Invaluable Answers,” Moderna Galerija
2000    Carrie Lambert, “Pointing at P.S.1,” Greater New York Writer’s ProjectBrian Holmes, "Carnival in the Eye of the Storm:Kosov@,” Afterimage, September/October
2000    Susan Canning, "Greater New York Bucks the Biennial," Art Papers, July/August
2000    Colwell Carol, DWCA 1995 National Juried Exhibition Catalog, Irving Art Center, Irving, TX.
2000    Rebecca Faulkner, "Traveling Towards (Dis)appearance: A Response to Emily Jacir's Drawings," Barnard Feminist Art Conference and Greater New York Catalog
2000    Delinda C. Hanley, “Made in Palestine: A Stirring Exhibit Rocks Houston and Hits the Road”

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