Hendrik Goltzius  (Dutch, 1558-1617) 

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Trouvez des œuvres de Hendrik Goltzius en vente sur le marché de l'art au niveau mondial, les œuvres passées en vente aux enchères et les résultats de ventes, une biographie ainsi que d'autres informations sur l'artiste.
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Hendrik Goltzius, La Pietá

 

Hendrik Goltzius
La Pietá
1596

David Tunick, Inc.
Hendrik Goltzius, Roman Heroes

 

Hendrik Goltzius
Roman Heroes
1586

David Tunick, Inc.
Hendrik Goltzius, Hercules and Cacus

 

Hendrik Goltzius
Hercules and Cacus
1588

David Tunick, Inc.
Hendrik Goltzius, Christ Crowned with Thorns

 

Hendrik Goltzius
Christ Crowned with Thorns
1597

Harris Schrank Fine Prints
Hendrik Goltzius, Portrait of Hans Bol, Painter at the Age of 58

 

Hendrik Goltzius
Portrait of Hans Bol, Painter at the Age of 58
1593

Harris Schrank Fine Prints
Manner Of Hendrik Goltzius, The Annunciation in the background, through the open doorway, the Visitation

 

Manner Of Hendrik Goltzius
The Annunciation in the background, through the open doorway, the Visitation
Trinity Fine Art Ltd
 Résultats d’enchères passées (1684)  Voir tout
Hendrik Goltzius, Die Beschneidung Christi

 

Hendrik Goltzius
Die Beschneidung Christi
copper engraving

 

Détails du lot
Hendrik Goltzius, Die Verspottung Christi / Kreuzigung (2 works)

 

Hendrik Goltzius
Die Verspottung Christi / Kreuzigung (2 works)
copper engravings

 

Détails du lot
Circle Of Hendrik Goltzius, Sainte famille au rideau vert

 

Circle Of Hendrik Goltzius
Sainte famille au rideau vert, 1600
painting on woodpanel

 

Détails du lot
  Hendrick Goltzius, the most important Dutch artist of his generation and a founder of the seventeenth-century Haarlem school, was born in Muhlbracht in 1558. After learning the trade of glass painting from his father, Jan II Goltz, Hendrick studied with Dirck Volckertsz. Coornhert in Xanten, who taught him the art of engraving. In 1577, Goltzius settled in Haarlem, where he made numerous reproduced engravings for the Antwerp publisher Philip Galle, and by 1582 had established a flourishing atelier in which prints of his own invention were also made and published.
  In 1583, the Flemish painter-theoretician Carel van Mander arrived in Haarlem, and introduced Goltzius to the work of the Flemish artist Bartholomaeus Spranger (1546-1611). Goltzius was quickly seduced by Spranger's flamboyant mannerist style, and not only made many prints after his works, but also began to incorporate Spranger's elegantly attenuated figures and violent foreshortenings into his own engravings.
  In 1590, Goltzius travelled to Italy, where he studied ancient sculpture and paintings of the High Renaissance masters in Rome, Florence, Venice and Bologna. Upon his return to Haarlem the following year, Goltzius abandoned his earlier mannerist mode, turning instead to the more normative, classic forms of the Italian and Northern Renaissance, a change which would prove decisive for the rest of his career. Around the turn of the century, Goltzius exchanged his engraver's tools for the painter's brush, in part due to failing eyesight after years of close work with the burin, but also in response to the theory of his friend van Mander, who held painting above the graphic arts. Goltzius's paintings are relatively rare. Approximately fifty autograph works are known, and all date from between c.1600 and 1617, the year of the artist's death.
  Drawings, Engravings and Paintings by Goltzius can be found in most major institutions around the world.


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