|
|
Hilary Brace Biographie
|
 |
 |
|
1983 |
|
BFA Painting Western Washington State University, Bellingham, WA
|
|
1985 |
|
MFA Painting UC Santa Barbara, Santa Barbara, CA
|
|
1993 |
|
National Endowment for the Arts Fellowship for Works on Paper
|
|
1993 |
|
Purhase Award, Santa Barbara County Arts Commission
|
|
1997 |
|
Pollock-Krasner Foundation grant, 1997
|
|
2003 |
|
California Arts Council Fellowship
|
|
2005 |
|
Pollock-Krasner Foundation Grant
|
|
2006 |
|
Guggenheim Fellowship
|
|
|
| Expositions sélectionnées |
|
|
|
2006
|
|
World Without End, Valerie McKenzie Fine Art, New York, NY
|
|
2005
|
|
Craig Krull Gallery, Santa Monica, CA (solo)
|
|
2004
|
|
Edward Thorp Gallery, New York, NY
|
|
2004
|
|
Drawings VII, Koplin del Rio Gallery, Los Angeles, CA
|
|
2004
|
|
Drawings, Hunsaker Schlesinger Fine Art, Santa Monica, CA
|
|
2004
|
|
Mark Making, Schneider Museum of Art, Southern Oregon University, Ashland, OR
|
|
2003
|
|
Works on Paper, Edward Thorp Gallery, New York, NY
|
|
2003
|
|
Edward Thorp Gallery, New York, NY (solo)
|
|
2003
|
|
Craig Krull Gallery, Santa Moncia, CA (solo)
|
|
2002
|
|
Edward Thorp Gallery, New York, NY
|
|
2001
|
|
Craig Krull Gallery, Santa Moncia, CA (January and September) (solo)
|
|
2001
|
|
Craig Krull Gallery Santa Monica, CA (solo)
|
|
2000
|
|
Craig Krull Gallery, Santa Monica, CA (solo)
|
|
2000
|
|
Representing L.A., Frye Art Museum Seattle, WA
|
|
2000
|
|
Craig Krull Gallery Santa Monica, CA (solo)
|
|
2000
|
|
Representing L.A. Frye Art Museum, Seattle, WA, and South Texas Institute of Art, Corpus Christi. (catalog)
|
|
1999
|
|
The Great Drawing Show, 1550 to 1999, Kohn Turner Gallery Los Angeles, CA
|
|
1998
|
|
Small Images I, Ventura College Main Gallery Ventura, CA
|
|
1998
|
|
Elements, Los Angeles Municipal Art Gallery
|
|
1998
|
|
Landscapes of the Mind, Mt. San Jacinto Community College San Jacinto, CA
|
|
1998
|
|
Santa Barbara Contemporary Arts Forum Santa Barbara, CA
|
|
1998
|
|
Elements. Los Angeles Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA.
|
|
1997
|
|
Tatistchef/Rogers Gallery, Santa Monica (solo)
|
|
1997
|
|
Tatistcheff/Rogers Gallery Santa Monica, CA (solo)
|
|
1997
|
|
Mendenhall Gallery Pasadena, CA (solo)
|
|
1997
|
|
Romantic Landscape and Contemporary Art, Armory Center for the Arts Pasadena, CA (solo)
|
|
1996
|
|
Land-Inspired Imagery, Anne Reed Gallery Ketchum, ID
|
|
1996
|
|
Drawn Conclusions, Riverside Art Museum Riverside, CA
|
|
1995
|
|
Scissors, Paper, Stone; Nine Women Working, Santa Maria Museum Art Center Pasadena, CA
|
|
1995
|
|
Terrain: Observations of Nature, SOMA Gallery, San Diego, CA
|
|
1994
|
|
External Views, Internal Perceptions, Mt. San Antonio College, Walnut, CA
|
|
1994
|
|
New Realities, Tatistcheff/Rogers Gallery, Santa Monica, CA
|
|
1994
|
|
Anniversary Exhibition, SOMA Gallery, San Diego,CA
|
|
1994
|
|
Selections From the Janus Collection, Boise Art Museum, Boise, ID
|
|
1993
|
|
Sun Valley Center for the Arts and Humanities Sun Vallery, ID (solo)
|
|
1992
|
|
Hilary Brace, Wade Hoefer and Norman Lundin, SOMA Gallery, San Diego, CA
|
|
1992
|
|
A Room With a View, Ettinger Gallery, Art Institute of Southern California, Laguna Beach, CA
|
|
1992
|
|
The Landscape Revisited, Bakersfield Museum of Art, Bakersfield, CA
|
|
1992
|
|
New Year Group Show, Edith Caldwell Gallery, San Francisco, CA
|
|
1991
|
|
Santa Barbara Artists II, Santa Barbara Museum of Art, Santa Barbara, CA
|
|
1991
|
|
Five California Artists, Tatistcheff Gallery, New York, NY
|
|
1990
|
|
Pastel, Fine Arts Gallery, Cerritos College, Norwalk, CA
|
|
1990
|
|
Tatistcheff Gallery Santa Monica, CA (solo)
|
|
1989
|
|
Landscape: Theme and Variation, with James Murray and Paul Singdahlson
|
|
1989
|
|
New Work, Tatistcheff Gallery, Santa Monica, CA
|
|
1988
|
|
Professors’ Choice III, Scripps and Pamona Colleges galleries, Claremont, CA
|
|
1983
|
|
Chrysalis Gallery Fairhaven College, Bellingham, WA (solo)
|
|
1982
|
|
Multiples of Two, Western Gallery, Western Washington State University, WA
|
|
1980
|
|
Artists in Residence, American Embassy, Burkina Fasso, West Africa
|
|
|
|
SELECTED COLLECTIONS
Boise Art Museum, Boise, ID
Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT
Leonard and Susan Nimoy Collection, New York, NY (among other private collections)
Western Washington State University Art Gallery, Bellingham, WA
|
|
|
|
|
|
|
| Littérature |
|
|
|
|
|
Dinah Berland, “Three Rich, Moody Nature Walks,” The Long Beach Press Telegram, August 6, 1989
|
|
|
|
Nori Slrouzu, "Multiples," The Bellingham Herald, Oct. 8, 1982 (Reproduction)
|
|
|
|
David Pagel, "Benign Fantasy", Los Angeles Times, May 9, 1997, p. F16
|
|
|
|
William Wilson, "Tracing the Influences of Romantic Art", Los Angeles Times, May 3, 1997, p. F10 (Reproduction)
|
|
|
|
Collette Chattopadhyay, "Three perspectives on Drawing and Paper", Artweek, October 2, 1995, p.16-17 (Reproduction)
|
|
|
|
Joan Crowder, "Working Women", Scene; Santa Barbara News Press, June 30, 1995, p 11-12
|
|
|
|
Rick Heredia, "Landscape: Features of Light", Bakersfield Press, une 21, 1992, p. E1-E2
|
|
|
|
Los Angeles Times, Calendar Supplement Section, August 21, 1991. (Reproduction)
|
|
|
|
Joan Crowder, “The Bold Ones,” "Scene" section, Santa Barbara News Press, August 16,1991 (Reproduction)
|
|
|
|
Jeff Abshear, “Cream of the Crop,” The Independent, Santa Barbara, CA, August 22, 1991
|
|
|
|
Heather Lineberry, “California Landscapes” Art of California, March 1991, p. 10-15
|
|
|
|
Orville O. Clarke Jr., “Tatistcheff Gallery,” S.California Home and Garden, October 1990, p.32-33 (Reproduction)
|
|
|
|
Leah Ollman, “Every Picture Tells a Story,” Los Angeles Times, June 24, 2005, p. E24
|
|
|
|
Ken Johnson, New York Times, April 19, 2002, p. B34
|
|
|
|
The NewYorker, Art listings, May 5, 2002, p. 20
|
|
|
|
Leah Ollman,, Art in America, September, 2001, p. 160-161 (Reproduction)
|
|
|
|
Christopher Knight, "Above It All", Los Angeles Times, February 23, 2001 (Reproduction)
|
|
|
|
Leah Ollman, "Bracing Images", Los Angeles Times, February 4, 2000, p. F20
|
|
|
|
Leah Ollman, "Exposed to the Elements", Los Angeles Times, November 27, 1998, p. F39
|
|
|
|
Marina Walker, “Daydreams on Paper”, Scene; Santa Barbara News Press, July 17, 1998, p. 21 (Reproduction)
|
|
|
|
Devorah L. Knaff, "The Landscape as Portrait", The Press Enterprise, February 9, 1998, p. D3 (Reproduction)
|
|
|
|
Collette Chattopadhyay, "New Romantics at the Century's Cusp", Artweek, September, 1997, p. 12-13 (Reproduction)
|
|
|
|
|
|