|
|
|
1978
|
|
Born in Birmingham. England
|
|
|
1997 - 1998
|
|
Walsall College of Art and Technology, BTEC National Diploma Foundation in Art and Design, Walsall
|
|
|
1998 - 2000
|
|
BA Photography, First Class. The University of Derby
|
|
|
2002 - 2004
|
|
MFA with Distinction For Research. Royal College of Art, London
|
|
|
|
|
Research Posts and Awards
|
|
|
|
|
2004 Artist Lecture. The University of Derby.
|
|
|
|
|
2004 The Photographers’ Gallery Prize.
|
|
|
|
|
2004 Hooper’s Gallery Commission 2004.
|
|
|
|
|
2003 Part Time Visiting Lecturer The University of Derby.
|
|
|
|
|
2002 British Student ‘Tom Gower Award’ Institute of Photography.
|
|
|
|
|
|
Expositions sélectionnées |
|
|
|
|
|
|
|
|
|
|
|
2010 - 2011 |
|
No New Thing Under the Sun, Royal Academy of Arts, The Tennant Gallery, London, UK |
|
|
2010 |
|
Haunted, Guggenheim Museum, New York |
|
|
2010 |
|
Victoria Miro Gallery, London (solo) |
|
|
2009 |
|
Order from Chaos: Ori Gersh/Idris Khan/Boo Ritson, Convento de Santa Inés, Seville |
|
|
2009 |
|
Natural Wonders: New Art from London, Baibakov Art Projects, Moscow |
|
|
2009 |
|
Silent Writings, Espace Culturel Louis Vuitton, Paris |
|
|
2009 |
|
The Collection, Victoria Miro Gallery, London |
|
|
2009 |
|
Silent Writings, Espace Culturel Louis Vuitton, Paris, France |
|
|
2009 |
|
Still Revolution: Suspended in Time, Museum of Contemporary Canadian Art, Toronto, Canada |
|
|
2009 |
|
Kunsthaus Mürz, Mürzzuschlag, Austria |
|
|
2008 |
|
Under Erasure, Temple Bar Gallery & Studios, Dublin, Ireland |
|
|
2008 |
|
Bookish - When books become art, Lewis Glucksman Gallery, Cork, Ireland |
|
|
2008 |
|
Sound of Art, Museum der Moderne Salzburg, Salzburg, Austria |
|
|
2008 |
|
Fragile, 7 Howick Place, London, England (solo) |
|
|
2008 |
|
Every…, K20, Dusseldorf (solo) |
|
|
2008 |
|
Bury St Edmunds Art Gallery, England |
|
|
2008 |
|
P2P, Casino Luxembourg, Forum d’art contemporain, Luxembourg |
|
|
2008 |
|
Yours, Mine, Ours, University Gallery, University of Essex, Colchester |
|
|
2008 |
|
Order from Chaos: Ori Gersh/Idris Khan/Boo Ritson, CAF-Andalusian Center of Photography, Spain |
|
|
2007 |
|
Mario Testino at Home (curated by Mario Testino), Yvon Lambert Gallery, New York |
|
|
2007 |
|
All Tomorrow’s Pictures, ICA, London |
|
|
2007 |
|
Yvon Lambert Gallery, New York (solo) |
|
|
2007 |
|
Thomas Schulte Galerie, Berlin (solo) |
|
|
2006 |
|
A Memory After Bach’s Cello Suites, film installation, Yvon Lambert Gallery, Paris (solo) |
|
|
2006 |
|
A Memory After Bach’s Cello Suites, film installation, inIVA, London (solo) |
|
|
2006 |
|
Victoria Miro Gallery, London (solo) |
|
|
2006 |
|
Fraenkel Gallery, San Francisco (solo) |
|
|
2006 |
|
Imposing Order: Contemporary Photography and the Archive, San Francisco Museum of Modern Art |
|
|
2005 |
|
Something of the Night. Leeds City Gallery |
|
|
2005 |
|
Andmoreagain, Open Eye Gallery, Liverpool |
|
|
2005 |
|
To be continued… Helsinki Kunsthalle, Helsinki, Finland (British Council) |
|
|
2005 |
|
Regeneration – 50 Photographers of Tomorrow, Musée de l’Elysée, Lausanne, Switzerland / Galleria Corso Como, Milan |
|
|
2005 |
|
Young Masters, 148a St. John Street, London |
|
|
2005 |
|
Photography 2005, Victoria Miro Gallery, London |
|
|
2004 |
|
Photo Paris represented by The Photographers Gallery |
|
|
2004 |
|
Project Space: ‘The Truth Society’ Northern Gallery of Contemporary Art, Sunderland |
|
|
2004 |
|
Arrivals. Pump House Gallery, Battersea, London |
|
|
2004 |
|
On The Edge, Hiscox Gallery, London |
|
|
2004 |
|
Summer Show, Hoopers Gallery, Clerkenwell, London |
|
|
2004 |
|
Show 1 MA, Royal College of Art |
|
|
2004 |
|
Photography 2004, Royal College of Art |
|
|
2003 |
|
Auslander. The Dahl Gallery, Lucerne Switzerland |
|
|
2003 |
|
Essen Arts Festival, Folkwang Museum, Essen Germany |
|
|
2003 |
|
Another Way Is Possible, Royal College of Art, London |
|
|
2001 |
|
Future Focus, The Q Gallery, Derby (solo) |
|
|
2000 |
|
Courts, The City Gallery, Leicester (solo) |
|
|
2008 |
|
Helen Sumpter, Time Out, In the Studio: Idris Khan, 5 – 11 June 2008 |
|
|
2008 |
|
Idris Khan every…, K20, Dusseldorf |
|
|
2007 |
|
Idris Khan, Yvon Lambert Gallery, New York |
|
|
2007 |
|
Aoife Rosenmeyer, Art World, Idris Khan, October/November 2007 |
|
|
2007 |
|
The New Yorker (arts events), Idris Khan, 24 October 2007 |
|
|
2007 |
|
Leo Benedictus, The Guardian, Idris Khan’s best shot, 2 August 2007 |
|
|
2007 |
|
Miranda Gavin, British Journal of Photography, The Ideas Factory, 20 June 2007 |
|
|
2007 |
|
Nick Hackworth, Quintessentially, Idris Khan, Summer 2007 |
|
|
2006 |
|
Lucy Soutter, Source, The Collapsed Archive, Issue 49, Winter 2006 |
|
|
2006 |
|
Vitamin PH: New Perspectives in Photography, pp142-143, text by Alison Green |
|
|
2006 |
|
Matt Price, Flash Art, Idris Khan, November/December 2006 |
|
|
2006 |
|
Mark Durden, Next Level, Unfreezing Photography: Idris Khan, Ed 01, Volume 05, 2006 |
|
|
2006 |
|
Eliza Williams, Art Monthly, Review, October 2006 |
|
|
2006 |
|
Michael Glover, Independent, A real maelstrom of talent, 20 September 2006 |
|
|
2006 |
|
Sally O’Reilly, Time Out, Idris Khan, 13 September 2006 |
|
|
2006 |
|
Nick Hackworth, Evening Standard, Ghosts in the Gallery, 5 September 2006 |
|
|
2006 |
|
Geoff Dyer, Guardian, Between the Lines, 2 September 2006 |
|
|
2006 |
|
Brian Dillon, Tate etc, The Revelation of Erasure, Issue 8, Autumn 2006 |
|
|
2006 |
|
Mark Rappolt,Art Review, Born of Frustration: Idris Khan’s Icons of Iconoclasm, Issue 2, August 2006 |
|
|
2006 |
|
Paul Fitzpatrick, Aesthetica, Idris Khan, Issue 14, August/Sept/October 2006 |
|
|
2006 |
|
Kenneth Baker, San Francisco Chronicle, Letting go of handlebars with artist’s echoes of Duchamp, 10 June 2006 |
|
|
2006 |
|
Ticky Hedley-Dent, Evening Standard Magazine, The Hot List, 21 April 2006 |
|
|
2005 |
|
Michael Glover, Independent Magazine, Talent 2006, 31 December 2005 |
|
|
2005 |
|
V&A Magazine, The underexposed: Seven leading photographers and commentators tip the photographic stars of the future, Winter 05/06 |
|
|
2005 |
|
Charles Darwent, Art Review, Look to the future, August 2005 |
|
|
2005 |
|
Huma Qureshi, Libas, Under the Layers, Vol. 18. Issue 4, 2005 |
|
|
2005 |
|
William Ewing, Nathalie Herschdorfer, Jean-Christophe Blaser, ‘Regeneration’ Thames and Hudson, June 2005 |
|
|
2005 |
|
Alicia Miller, Source, A Generational Statement, April 2005 |
|
|
2005 |
|
Mark Durden, Photoworks, Susan Sontag 1933-2004 On On Photography, April 2005 |
|
|
2005 |
|
Brian Dillon, Modern Painters, Photography 2005, March 2005 |
|
|
2005 |
|
Creative Review, February 2005 |
|
|
2005 |
|
Previews, Dazed and Confused, January 2005 |
|
|
2005 |
|
Peter Chapman, The Independent, Private View |
|
|
2005 |
|
Joanna Pitman, The Times, Young and Original: Six visual artists in the frame, 19 January 2005 |
|
|
2005 |
|
Sue Steward, Evening Standard, A focus on six of the best, 19 January 2005 |
|
|
2005 |
|
Fisun Guner, Metro London, Much ado about Nothingness, 18 January 2005 |
|
|
2004 |
|
Portfolio. Catalogue of Contemporary Photography, Issue 40 December 2004 |
|
|
2004 |
|
Next Level, Edition No.2, vol. 3, November |
|
|
2004 |
|
Royal College of Art Magazine, Contemporary Photography 2004 |
|
|
2004 |
|
Nick Hackworth, Dazed And Confused, October 2004 |
|
|
2004 |
|
Ken Edwards, Blueprint, A Fresh New Crop, Issue No. 221, July 2004 |
|
|
2004 |
|
Charlotte Edwards, Independent, Cream of the Crop, 4 July 2004 |
|
|
2004 |
|
Art Review: Top 25 Young London Artists, June 2004 |
|
|
2004 |
|
Metro London, Royal College of Art, Pick of the Best, June 2004 |
|
|
|