|
|
James Hopkins Biographie
|
 |
 |
|
1976 |
|
Born Stockport, Cheshire, UK
|
|
1995 - 1998 |
|
BA Fine Art Sculpture, University of Brighton, UK
|
|
2000 |
|
Future Memories Award, Guernsey Museum & Art Gallery, Channel Islands, UK (winner)
|
|
2000 - 2001 |
|
Postgraduate Diploma in Fine Art, Goldsmiths College, London, UK
|
|
2001 - 2002 |
|
Fine Art, Goldsmiths College, London, UK
|
|
|
|
Lives and works in London, UK
|
|
|
|
The Saatchi Gallery, London, UK
|
|
|
|
Salomon Foundation, Annecy, France
|
|
|
|
Van Haerents Foundation, Brussels
|
|
|
|
Zabludowicz Trust, London, UK
|
|
|
|
Cohen Collection, Manchester, UK
|
|
|
|
Hamburger Kunsthalle, Germany
|
|
|
| Expositions sélectionnées |
|
|
|
2010
|
|
Dawnbreakers, John Hansard Gallery, Southampton, UK
|
|
2009
|
|
Eat Me-Drink Me, The Goss-Michael Foundation, Dallas, Texas, USA
|
|
2009
|
|
EastInternational, Norwich, UK
|
|
2009
|
|
The Beauty of the mistake, Lisbon, Portugal (forthcoming)
|
|
2009
|
|
Saxon, Schwartz Gallery, London (forthcoming)
|
|
2009
|
|
A Trick of the Light, Primo Alonso Gallery, London (forthcoming)
|
|
2009
|
|
Natural Wonders: New Art From London, Baibakov Art Projects, Moscow
|
|
2008
|
|
James Hopkins / Conrad Ventur, Unosunove, Arte Contemporanea, Rome, Italy
|
|
2008
|
|
Inside Outside, The New Art Center, Roche Court, Salisbury sculpture park
|
|
2008
|
|
Le renouveau du temps, Maison Guerlain, Paris
|
|
2008
|
|
Galleria 1/9 unosunove, Rome (solo)
|
|
2008
|
|
Gravity. Collection Ernesto Esposito, Centro-Museo Vasco de Arte Contemporaneo, Spain
|
|
2008
|
|
Mirrors and Secret Desires, Hamburger Kunsthalle, Hamburg, Germany
|
|
2008
|
|
Artists Playground, Sudeley Castle, UK
|
|
2008
|
|
The Other Way Around, Cosmic Gallerie Paris, France
|
|
2008
|
|
Hiroshima Art Document 2008, The former Bank of Japan Hiroshima branch, Japan
|
|
2008
|
|
The Freak Show, Mint Museum, Paris, France
|
|
2008
|
|
Artists’ Playground, Sudeley Castle garden sculpture exhibition, UK
|
|
2007
|
|
Max Wigram Gallery, London, UK (solo)
|
|
2007
|
|
World Receiver – 10th Anniversary of the Galerie der Gegenwart, Hamburger Kunsthalle, Hamburg, Germany
|
|
2007
|
|
Freak Show, Musée d’art contemporain, Lyon, France
|
|
2007
|
|
Triennale di Milano, Milan, Italy
|
|
2007
|
|
Goss-Michael Collection, New Foundation, Texas, USA
|
|
2007
|
|
Bienal de Escultura de Valladolid, Hospederia Patio of the Monastery of San Benito, Spain
|
|
2007
|
|
Space Oddity, Cosmic Gallery, Paris, France
|
|
2006
|
|
Wasted Youth, Cosmic Gallery, Paris, France , (solo)
|
|
2006
|
|
Hole In My Eye, Max Wigram Gallery, London, UK , (solo)
|
|
2006
|
|
Still Life, New Art Centre, Salisbury, UK
|
|
2006
|
|
Choosing my religion, Kunstmuseum Thun, Switzerland
|
|
2006
|
|
A Brighter Day, James Cohan Gallery, New York, USA
|
|
2006
|
|
Eretica: L’Arte contemporanea dalla trandescenza al profano, Palazzo di Sant’ Anna, Palermo, Italy
|
|
2005
|
|
All Boys (curated by Gary Webb), rue du Chantier, Brussels, Belgium
|
|
2005
|
|
Collection 2, Solomon Foundation, D’Arenthon, France
|
|
2005
|
|
Heliotrope, Whitechapel Project Space, London, UK, (solo)
|
|
2005
|
|
From This End To That, Rivington Arms Gallery, New York, USA, (solo)
|
|
2004
|
|
Selected Sculpture, MWprojects, London, UK
|
|
2004
|
|
Fata Morgana, Centre d’Art d‘Ivry, France
|
|
2004
|
|
Abstract Expressionism in Contemporary Figurative Sculpture, Johann Koenig Gallery, Berlin, Germany
|
|
2003
|
|
Mat COLLISHAW, James HOPKINS, Richard WOODS, Cosmic Gallery, Paris, France
|
|
2003
|
|
Limbo of the Lost, MWprojects, London, UK, (solo)
|
|
2003
|
|
Boiler Room, The Saatchi Gallery at County Hall, London, UK
|
|
2003
|
|
Chockerfuckinblocked, Jeffrey Charles Gallery, London, UK
|
|
2003
|
|
Jerwood Sculpture Prize, The Jerwood Space, London, UK
|
|
2002
|
|
Kontakte Keep on Living, Neon Gallery, London, UK
|
|
2002
|
|
Plinth, The Trade Apartment, London, UK
|
|
2001
|
|
Foyer, 291 Gallery, London, UK
|
|
2001
|
|
Hoax, Lux Gallery, London, UK
|
|
2001
|
|
Multispace, Gallery Expo 3000, Berlin, Germany
|
|
2001
|
|
All Back to Mine, Deptford X, London, UK
|
|
2001
|
|
Art Market, 291 Gallery, London, UK
|
|
1999
|
|
Arts Club, Decima Gallery, London, UK
|
|
1999
|
|
Medway Open, Rochester Art Gallery, Rochester, UK
|
|
1999
|
|
Bad Sense of Humour, The Bond Gallery, Birmingham, UK
|
|
1999
|
|
Analystic, 1 Gallery Court, London, UK
|
|
1999
|
|
Pagemakers, Gracefield Arts Centre, Gracefield and UK touring
|
|
1998
|
|
T.N.R.G Art Trail, St. Mary in the Castle, Hastings, UK
|
|
1998
|
|
Visual Assault, Winters Gallery, London, UK
|
|
1998
|
|
New Contemporary Fine Art, Cupola Gallery, Sheffield, UK
|
|
1998
|
|
Small Works, Bridgewater Arts Centre, Bridgewater, UK
|
|
1998
|
|
Scratch, Crackle and Pop, Phoenix Gallery, Brighton, UK
|
|
|
|
|
|
|
| Littérature |
|
|
|
2008
|
|
Francesca Gavin, Hell Bound: New Gothic Art, Laurence King Publishing, London, pp. 58–61
|
|
2008
|
|
The Great Deceiver, Dazed & Confused magazine, vol. 2 issue no.57, January 2008, pp. 135
|
|
2007
|
|
Claire Moulène, “The Freak Show” (review), ARTFORUM, November, p. 379-380
|
|
2007
|
|
Time Out London listings, issue no. 1947 December 12-18 2007
|
|
2006
|
|
Ossian Ward, Off the wall, Wallpaper, December, p. 70 – 73
|
|
2006
|
|
Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-Kristen Telfer Beith, Private Review–James Hopkins–Hole in My Eye–Max Wigram Gallery-London, Art Star Press, March 2006
|
|
2006
|
|
Sally O’Reilly, James Hopkins, Time Out, London, 1-8 March, p. 30
|
|
2006
|
|
Henri-Francois Debailleux, Hopkins, double vue, Liberation, Paris, 24 March, p.31
|
|
2005
|
|
Brian Sholis, James Hopkins, Artforum.com (New York Critics’ Picks), 3 October
|
|
2005
|
|
Mark Sanders, Another bonehead, Another Magazine, Issue 8, Spring/Summer, p. 108
|
|
2005
|
|
From This End To That, New Yorker, 2 October
|
|
2004
|
|
Larushka Ivan-Zadeh, Young at Art, The Evening Standard (ES Magazine supplement), London, June
|
|
2004
|
|
Charlotte Edwards, Studio Life, The Evening Standard, London, 24 September, pp. 46-47
|
|
2004
|
|
Colin Gleadell, Object of the week, The Daily Telegraph, London, 19 July
|
|
2003
|
|
Darian Leader, An Elastic Band Reality: James Hopkin’s Sculptures have the uncanny ability to make you see sound and lose time, Modern Painters, Issue 16, Summer, pp. 90-93
|
|
2003
|
|
Charlotte Mullins, James Hopkins, The Financial Times, London, July
|
|
2003
|
|
Sarah Harrison, James Hopkins, Time Out, London, 23-30 July, p. 51
|
|
2003
|
|
Hepzibah Anderson, Evening Standard (Metro Life supplement), London, 27 June – 3 July, p. 41
|
|
2003
|
|
Jessica Lack, James Hopkins, The Guardian (Guide supplement), London, 31 May – 6 June, p. 35
|
|
2003
|
|
Andrew Lambirth, Formidable power, The Spectator, London, 17 May, p. 71
|
|
2003
|
|
Philip Hensher, Saatchi moves, The Mail on Sunday, London, 13 April, p. 75
|
|
2003
|
|
Hepzibah Anderson, Jerwood Sculpture Prize, Evening Standard (Metro Life supplement), London, 7 – 13 March
|
|
2003
|
|
Colin Gleadell, Adventures in Saatchiland, Telegraph Magazine, London, 29 March, pp. 46 - 53
|
|
2003
|
|
Fisun Güner, Showing room for growth: Art Review Jerwood Sculpture Prize, Metro, London, 26 February, p. 22
|
|
2003
|
|
Shortlist announced: Jerwood Sculpture Prize, a-n magazine, March Issue, p. 23
|
|
2003
|
|
Demir Anaid, Retinal Stain, The Art Newspaper, December
|
|
2003
|
|
Demir Anaid, Persistence Retinienne, Le Journal Des Arts, December 5-8
|
|
2003
|
|
Simon Ford, ArtMonthly, June / No 267, p18-19.
|
|
2002
|
|
Dee O’Connell, Work In Progress, The Observer Magazine (supplement), London, 8 September, pp. 22 – 27
|
|
2001
|
|
Nathan Joseph, Distortion Peddler, P.U.R.E, Issue 1, p. 29
|
|
|
|
|
|