Born in Seattle, USA
1978 – 1979
The Camden School of Art, London, England
1978 – 1979
Fine Arts & academic course work, University of British Columbia, Vancouver, Canada
BFA, University of Victoria, Victoria, Canada
1984 – 1985
MFA Sculpture, Yale University, New Haven, USA
John Solomon Guggenheim Fellowship Award, Visual Art
August Seeling Preis, Freundeskreis Wilhelm Lehmbruck Museum e.V., Duisburg, Germany
Currently Director of Graduate Studies in Sculpture at Yale University, New Haven, USA
Lives and works in New Haven, USA


2010 – 2011
Peer out to see, Museo Nacional Centro de Arte Reina Sofia, Palacio de Cristal, Madrid, Spain
La Pintura y sus Alrededores, Galerie naechst St. Stephan, Vienna, Austria
Connecticut Contemporary, Wadsworth Atheneum, Hartford, USA
Jessica Stockholder, Galerie Thomas Schulte, Berlin, Germany (solo)
Like Color in Pictures, Aspen Art Museum, Aspen, USA
Paint, Vancouver Art Gallery, Vancouver, Canada
Space Between, Galerie Nathalie Obadia, Paris, France (solo)
Jessica Stockholder, Kissing the Wall: Works, 1988-2003, Blaffer Art Gallery, University of Houston, Houston, USA (solo)
Jessica Stockholder, Susan Inglett Gallery, New York, USA (solo)
Jessica Stockholder: Of Standing Float Roots in Thin Air, MoMA P.S.1 Contemporary Art Center, New York, USA (solo)
Jessica Stockholder, Mitchell-Innes & Nash, New York, USA (solo)
Air Padded Table Haunches, Art Unlimited, Basel, Switzerland
Kunsthallen Brandts Klaedefabrik, Odense, Denmark (solo)
Sculpture and prints, Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy (solo)
Rawhide Harangue of Aching Indices As Told By Light, School of the Museum of Fine Arts, Boston, USA (solo)
Gallerie d’arte moderna e contemporanea, Palazzo Massari Ferrara, Torino, Italy (solo)
Sam Ran Over Sand or Sand Ran Over Sam, Rice University Art Gallery, Houston, USA (solo)
New sculpture, Sable-Castelli Gallery, Toronto, Canada (solo)
Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy (solo)
GAM Torino, Italy (solo)
Rice University Art Gallery, Houston, USA (solo)
Sable-Castelli Gallery, Toronto, Canada (solo)
Kunst Stoff, Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria
Under Pressure:Prints from Two Palms Press, The Cooper Union School of Art, New York, USA
Gorney Bravin + Lee, New York, USA (solo)
TV Tipped Toe Nail & the Green Salami, Chelsea Art Museum, New York, USA (solo)
Galerie Rolf Ricke, Cologne, Germany (solo)
CAPC, Musée d’art contemporain de Bordeaux, France (solo)
Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (solo)
Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany (solo)
Baltic Art Center, Visby, Sweden (solo)
Galleria Raffaela Cortese, Milan, Italy (solo)
Art Downtown: New Photography, Wall St Rising, New York, USA
Print Publisher's Spotlight, Barbara Krakow Gallery, Boston, USA
Beyond the Pale: Material Possibilities, Neuberger Museum of Art, Purchase, USA
Under Pressure: Prints from Two Palms Press, University Gallery, University of Massachusetts, Amherst, USA
Camera Works, Marianne Boesky Gallery, New York, USA
American Art from Sammlung Goetz, Rudolfinum, Prague, Czech Republic
Prints & Multiples, Senior & Shopmaker Gallery, New York, USA
Objective Color, Yale University Art Gallery, New Haven, USA
Galerie Nächst St. Stephan, Vienna, Austria (solo)
Gorney Bravin + Lee, New York, USA (solo)
Galerie Nathalie Obadia, Paris, France (solo)
Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder) and installation: Pictures at an Exhibition, Kunstmuseum St. Gallen, St. Gallen, Switzerland (solo)
Bucknell Art Gallery, Bucknell University, Lewisburg, USA (solo)
Tom Solomon's Garage, Los Angeles, USA
Studio la Città, Verona, Italy
Nott Memorial Art Museum Union College, Schenectady, USA
Una nuova tradizione americana, Galleria Oddi Baglioni Rome, Italy
Re-Fab: Painting Abstracted, Fabricated, Contemporary Art Museum University of South Florida, Tampa, USA
Elena Sisto, Lisa Hoke, Jessica Stockholder, Dru Arstark Gallery, New York, USA
Color in Space: Pictorialism in Contemporary Sculpture, David Winton Bell Gallery, List Art Center Brown University, Providence, USA
New York - Positionen Aktueller Malerei, Studiogalerie Kunstverein Mus. Schloss Morsbroich Leverkusen, Germany
On Target, Horodner Romley Gallery, New York, USA
Sweet for Three Oranges, Sala Montcada de la Fundacion 'la Caixa' Barcelona, Spain
Jay Gorney Modern Art, New York, USA
S.L. Simpson Gallery, Toronto, Canada
Painting outside Painting: 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C.
Country Sculpture, Installation: Ho, Le Consortium, Dijon, France
Unbound: Possiblities in Painting, Installation: Fa, Hayward Gallery, London, England
Pink Lady, Weatherspoon Art Gallery, University of North Carolina, Greensboro, USA
Joan Snyder/Jessica Stockholder, Jay Gorney Modern Art, New York, USA
Reveillon '94, Stux Gallery, New York, USA
Joe's Garage, TZ'Art & Co. New York, USA
Ethereal Materialism, Apex Art, New York, USA
Symphonie en Sous-Sol, Galerie Renos Xippas, Paris, France
John Dunn, Adelheid Mers, Carla Preiss, Jessica Stockholder, John Dunn, Adelh, N.A.M.E. Gallery, Chicago, USA
Information Service, Goethe House, New York, USA
Untitled, Postmasters Gallery, New York, USA
The Beauty Show, Four Walls, New York, USA
Don't Look Now, Thread Waxing Space, New York, USA
The Little House on the Prairie, Marc Jancou Gallery, London, England
Balkenhal, Dunham, Gilliam, Hirst, McCaslin, Stockholder, Weinstein, Dunha, Baumgartner Galleries, Washington, D.C.
Herr Schlelermachers Sista Dröm: Förställningar om Måleriet, Galerie Nordenhake, Stockholm, Sweden
Galerie Ludwig, Krefeld, Germany
Edge of Hothouse Glass, Galerie des Arènes, Carré d'Art Musée d'Art Contemporain de Nîmes, France
As Long as it Lasts, Installation: Ca, Witte de With, Rotterdam, The Netherlands
Testwall: Small 3 Dimensional Multiples, TZ'Art & Co. New York, USA
Galerie Nathalie Obadia, Paris, France
Jours Tranquilles à Clichy, Tennisport Arts, New York, USA
Ordnung und ZerStörung, Lothringer Strasse 13, Munich, Germany
The Good, the Bad, and the Ugly.. a Modest Proposal, Galerie Jousse Seguin, Paris, France
John Good Gallery, New York, USA
Anniversary Exhibition, Daniel Weinberg Gallery, Santa Monica, USA
Mettlesome & Meddlesome: Selections from the Collection of Robert J. Schiffler, The Contemporary Arts Center, Cincinnati, USA
American Fine Arts, New York, USA
Simply Made in America, The Aldrich Museum of Contemporary Art, Ridgefield, USA
Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, USA
Cultural Fabrication, John Good Gallery, New York, USA
Women Artists not included in Documenta 9, Kunstlerhaus Stuttgart, Stuttgart, Germany
Sea Floor Movement to Rise of Fire Place Stripping, Kunsthalle Zürich, Zürich, Switzerland
SpICE BOXed Project(ion), Galerie Metropol, Vienna, Austria
Flower Dusted Prosies, American Fine Arts Co. New York, USA
Growing Rock Candy Mountain - Grasses in Canned Sand, Westfälischer Kunstverein Munster, Germany
Peter Nadin and Jessica Stockholder, Warren Adelson Gallery, New York, USA
Outside America: Going into the 90s, Fay Gold Gallery, Atlanta, USA
UNTITLED Seepage: Sandwashed, Sundried & Shrinkwrapped, Ezra and Cecile Zikha Gallery, Center for Arts Wesleyan University, Middletown, USA
Skin Toned Garden Mapping, The Renaissance Society at the Univ. of Chicago, Chicago, USA
Near Weather Wall; Making a Clean Edge II, Witte de With Rotterdam, The Netherlands
Daniel Weinberg Gallery, Santa Monica, USA
Jürgen Meyer, Jessica Stockholder, Franz West, Christine Burgin Gallery, New York, USA
American Artists of the Eighties, Palazzo delle Albere, Trento, Italy
Plastic Fantastic Lover (object a), Blum Helman Warehouse, New York, USA
Awards in the Visual Arts 10, Traveling Exhibit, Southeastern Center for Contemporary Art, Winston-Salem, USA
Sculptor's Drawings, Paula Cooper Gallery, New York, USA
The Museum of Natural History, Barbara Farber Gallery, Amsterdam, The Netherlands
Physicality: an Exhibition on Color Dimensionality in Painting, The Gallery, New York, USA
1991 Biennial, Whitney Museum of American Art, Installation: Re, Whitney Museum of American Art, New York, USA
Stuttering, Stux Gallery, New York, USA
The Technological Muse, Katonah Museum of Art, Katonah, USA
Contigent Realms, The Whitney Museum of Art at Equitable Center, New York, USA
Detritus, Jack Tilton Gallery, New York, USA
Stendhal Syndrome: The Cure, Andrea Rosen Gallery, New York, USA
Daniel Weinberg Gallery, New York, USA
Information, Terrain, San Francisco, USA
Pop 90, Postmasters Gallery, New York, USA
Les Choix des Femmes, Le Consortium and L'Espace Frac et l'Usine, Dijon, France
Mary Heilmann and Jessica Stockholder, Isabella Kacprzak Gallery, Cologne, Germany
Where it Happened, American Fine Arts, New York, USA
Mixing Food with the Bed, The Mattress Factory, Pittsburgh, USA
Berkshire Art Association 1989 Exhibition of Painting and Sculpture, Berkshire Museum, Pittsfield, USA
American Fine Arts Company, New York, USA
A Climate of Site, Barbara Farber Gallery, Amsterdam, The Netherlands
Galerie Xavier Hufkens, Brussels, Belgium
Artists and Curators, John Gibson Gallery, New York, USA
Indoor lighting for my father, Mercer Union Toronto, Ontario, Canada
It's not over 'til the fat lady sings, Contemporary Art Gallery Vancouver, Canada
Wall Sandwich, Installation, Melinda Wyatt Gallery, New York, USA
In-side Out, Art Culture Resource Center, Toronto, Canada
No Title, Open Space Gallery, Victoria, Canada (solo)


Jessica Stockholder, Kissing the Wall: Works, 1988-2003 Copyright 2003 by Blaffer Gallery
Cohen, David. Arts & Letters: Gallery-Going, in: The New York Sun, 5 Nov; p. 15
Smith, Roberta. Review: Jessica Stockholder, in: The New York Times, 31 October; p.E41
Yablonsky, Linda. Art Reviews: Jessica Stockholder, in:Time Out New York, 23 – 30 October; p. 79
Dannatt, Adrian. Contemporary Commercial Galleries: Jessica Stockholder Table Top Sculpture, No. 140, October; p. 3
Tumlir, Jan. Trespassing: Houses x Artists, in: Frieze, Summer; p. 120
Yablonsky, Linda. Even the Kitchen Sink, in: ARTnews, May; pp. 136-139, cover
Strati, Maria Cristina. Stockholder at Raffaella Cortese, Arte & Critica, nr. 30/31
Mitchell, Charles Dee. Making the Case for Pleasure, in: Art in America, November; pp.122-129
Schjeldahl, Peter. Desert Songs: A Maverick biennial in Santa Fe, in: The New Yorker, 13 August.
Rush, Michael. Santa Fe, Searching for the Meaning, in: The New York Times, 8 July; p.AR 31