|
|
Joe Amrhein Biographie
|
 |
 |
|
1953 |
|
Born in Sacramento, CA
|
|
2000 |
|
Parsons Fine Arts Dept. New York Studio Program Lecture Series; Artist/Gallerist talk
|
|
2000 |
|
The 2000 Everson Biennial, Everson Museum, Syracuse, NY, March-May
|
|
2001 |
|
Visiting Critic, ISCP (International Studio & Curatorial Program), NY, NY
|
|
2001 |
|
Visiting Critic, Columbia University, Graduate School of Fine Arts, NY, NY
|
|
|
|
American River College, Sacramento, CA
|
|
1994 - pres |
|
Owner/Director of Pierogi 2004, an artist run gallery located in Williamsburg, Brooklyn
|
|
|
| Expositions sélectionnées |
|
|
|
2006
|
|
Caren Golden Gallery, Material Abuse, New York, NY
|
|
2006
|
|
New Art. New York: Reflections on the Human Condition, Curated by Margaret Mathews-Berenson
|
|
2006
|
|
Traveling: Trierenberg corporate Kunsthalle, Taun, Austria
|
|
2006
|
|
Red Bull Kunsthalle, Hangar 7, Salzburg, Germany
|
|
2005
|
|
Another Year In LA, Abecedarian, Los Angeles, CA -solo
|
|
2005
|
|
Brian Gross Fine Art, San Francisco, CA -solo
|
|
2005
|
|
The Luggage Store, San Francisco, CA. 3-person exhibition Dogenhaus, Leipzig, Germany (3-person, with Reed Anderson and Ati Maier)
|
|
2005
|
|
Laumeier Sculpture Park, Public Notice II; Paintings In the Landscape, St. Louis, MO. Curated by Gregory Volk and Sabine Russ
|
|
2005
|
|
Castle Gallery, The College of New Rochelle, R3, Reading ‘Ritin ‘Ritmetic, 30 Years Later. Curated by Susan M. Canning
|
|
2005
|
|
Julie Saul Gallery, World Play, New York, NY
|
|
2005
|
|
Vertex List, Brooklyn, NY
|
|
2005
|
|
SAFN Museum, Reykjavik, Iceland
|
|
2005
|
|
Project, Brian Gross Fine Art, San Francisco, CA -solo
|
|
2004
|
|
The Brooklyn Museum, Open House, Brooklyn, NY
|
|
2004
|
|
The Adrich Contemporary Art Museum, The Drawn Page, Ridgefield, CT
|
|
2004
|
|
Open House, The Brooklyn Museum, Brooklyn, NY
The Drawn Page, The Adrich Contemporary Art Museum, Ridgefield, CT
|
|
2003
|
|
Roebling Hall, Brooklyn, NY -solo
|
|
2003
|
|
Real Art Ways, Hartford, CT
|
|
2003
|
|
Next/Next Visual Arts, BAM (Brooklyn Academy of Music), Brooklyn, NY
|
|
2003
|
|
BQE Part II, curated by Christian ViverosFauné, White Box, New York, NY
|
|
2003
|
|
Word Works, Adam Baumgold Gallery, New York, NY
|
|
2003
|
|
Summer Reading, curated by Larry Wolczac, Schroeder Romero, Brooklyn, NY
|
|
2003
|
|
B-List, Hallwalls, Buffalo, NY
|
|
2003
|
|
American Dream, Ronald Feldman Gallery, curated by Ronald Feldman, New York, NY
|
|
2003
|
|
Valence, Ecole des Beaux Arts, France
|
|
2002
|
|
POST, Artifact (Quote), Los Angeles, CA -solo
|
|
2002
|
|
Galerie Bernard Jordan, Sublime-in-Reverse, Paris, France -solo
|
|
2002
|
|
Sublime-in-Reverse, Galerie Bernard Jordan, Paris, France -solo
|
|
2002
|
|
Overt Operation, Joseph Helman Gallery, New York, NY
|
|
2002
|
|
EXIT Art, Art 2002 SOS Save Our Senate, Benefit for the Democratic Senatorial Campaign Committee, October 29
|
|
2002
|
|
Selection One; Made in Brooklyn, curated by Phong Bui, Wythe Studio, Brooklyn, NY
|
|
2002
|
|
ACME; 25 Years, 25 Artists, Michael Himovitz Gallery, Sacramento, CA
|
|
2002
|
|
Proximity, curated by Robin Hill, The Work Space
|
|
2002
|
|
Artifact (Quote), POST, Los Angeles, CA -solo
|
|
2001
|
|
Leytonstone Center for Contemporary Art, Leytonstone, UK -solo
Roebling Hall, Brooklyn, NY -solo
|
|
2001
|
|
Leytonstone Center for Contemporary Art, Leytonstone, UK -solo
|
|
2001
|
|
Roebling Hall, Slightly Cryptic, Brooklyn, NY -solo
|
|
1996
|
|
Earl McGrath Gallery, Strata Series, New York, NY -solo
|
|
1996
|
|
Earl McGrath Gallery, New York, NY -solo
|
|
1989
|
|
Turske & Turske Gallery, Zurich, Switzerland -solo
|
|
1987
|
|
Turske & Whitney Gallery, Los Angeles, CA -solo
|
|
1986
|
|
Ivory/Kimpton Gallery, San Francisco, CA -solo
|
|
1985
|
|
Fiona Whitney Gallery, Los Angeles, CA -solo
|
|
|
|
|
|
|
| Littérature |
|
|
|
|
|
Patricia Rosoff, "Real Art Ways/Hartford, Joe Amrhein: Retro and Re-Site," Art New England, August/September 2003. p.28
|
|
|
|
"Word Works," The New Yorker, August 11, 2003. p. D15
|
|
|
|
Huntington, Richard. "Humor, 'bad art' blur all lines in 'B-List' show," Buffalo News, May 2, 2003
|
|
|
|
Schmerler, Sarah, "Profile: Open Files," Art on Paper, January 2003
|
|
|
|
Johnson, Ken, "'Overt Operation,' Joseph Helman," The New York Times, January 10, 2003.
|
|
|
|
Patricia Rosoff, "Real Art Ways/Hartford, Joe Amrhein: Retro and Re-Site," Art New England, August/September 2003. p.28
|
|
|
|
"Word Works," The New Yorker, August 11, 2003. p. D15
|
|
|
|
Huntington, Richard. "Humor, 'bad art' blur all lines in 'B-List' show," Buffalo News, May 2, 2003
|
|
|
|
Schmerler, Sarah, "Profile: Open Files," Art on Paper, January 2003
|
|
|
|
Johnson, Ken, "'Overt Operation,' Joseph Helman," The New York Times, January 10, 2003.
|
|
|
|
Yablonsky, Linda. "Borough Sprawl: The Brooklyn Museum celebrates its new entrance with an unruly show of work by local artists," Time Out New York, Issue No.448, April 29May 6, 2004. pp.72-3
|
|
|
|
K.R. "Opening, Prospect Heights: The Brooklyn Museum Comes Home," New York Magazine, April 19, 2004. p. 104
|
|
|
|
"Joe Amrhein," The New Yorker, November 17, 2003. p.40
|
|
|
|
Illus. Time Out NY, November 613, 2003. p.64.
|
|
|
|
Kalm, James, "Joe Amrhein: Slightly Cryptic, Roebling Hall," The Brooklyn Rail, November 2003. p.10.
|
|
|
|
Maine, Stephen, "Dateline Brooklyn," artnet.com, October 29, 2003
|
|
|
|