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1977
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Born in Los Angeles, CA
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1999
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BFA San Francisco Art Institute, San Francisco, CA
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2000
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Painting and Popular Culture, Southern Connecticut University, School of Art, New Haven, CT
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2001
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MFA, Yale University, School of Art, New Haven, CT
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2001
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A Conversation with John Wilson, Yale University Art Gallery, New Haven, CT
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2001
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Notes on Modernism, Yale University Art Gallery, New Haven, CT
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2002
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Rema Hort Mann Foundation Grant Recipient
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2002
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The Artist Voice, Studio Museum in Harlem, New York, NY
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2003
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Kehinde Wiley, Boston Museum School of Fine Art, Boston, MA
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2008
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Americans for the Arts, Young Artist Award for Artistic Excellence
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2010
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USA Network, Character Approved Award
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2011
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Canteen Magazine, Artist of the Year Award
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2011
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New York City Art Teachers Association/United Federation of Teachers, Artist of the Year Award
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Expositions sélectionnées |
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2013 |
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30 Americans - Milwaukee Art Museum, Milwaukee, WI
contemporary magic - Virginia Museum of Contemporary Art (MOCA), Virginia Beach, VA
On Painting - Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria
Kehinde Wiley - Memling - Phoenix Art Museum, Phoenix, AZ
Kehinde Wiley | The World Stage: Israel - The Contemporary Jewish Museum San Francisco, San Francisco, CA |
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2012 |
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An Economy of Grace, Sean Kelly Gallery, New York, NY (solo)
The World Stage: Israel, Jewish Museum, New York, NY (solo)
The World Stage: France 1880-1960, Galerie Daniel Templon, Paris, France (solo)
Looped, Utah Museum of Contemporary Art, Salt Lake City, UT
The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO
The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN
30 Americans, Chrysler Museum of Art, Norfolk, VA
All I Want is a Picture of You, Angles Gallery, Los Angeles, CA
BAILA con Duende, Watts Towers Arts Center and Charles Mingus Youth Arts Center Campus, Los Angeles, CA
The Bearden Project, Studio Museum in Harlem, New York, NY
The Human Touch: Selections from the RBC Wealth Management Collection, Scottsdale Museum of Contemporary Art, Scottsdale, AZ |
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2011 |
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The World Stage: Israel, Roberts & Tilton, Culver City, CA (solo)
Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA
30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, DC
RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA
Who, What, Wear: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY
For a Long Time…, Roberts & Tilton, Santa Monica, CA
Capital Portraits: Treasures from Washington Private Collections 1730-2010, National Portrait Gallery, Smithsonian Institution, Washington, DC
Becoming: Photographs from the Wedge Collection, Nasher Museum of Art at Duke University, Durham, NC
Being American, School of Visual Arts, New York, NY
Parallel Perceptions, NYC Opera, New York, NY
Beyond Bling: Voices of Hip-Hop in Art, Ringling Museum of Art, Sarasota, FL |
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2010 |
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The World Stage: India-Sri Lanka, Rhona Hoffman Gallery, Chicago, IL (solo)
From Then to Now: Masterworks Contemporary African American Art, Museum of Contemporary Art, Cleveland, OH
The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor , Victoria H. Myhren Gallery, Denver, CO
Searching for the Heart of Black Identity: Art and the Contemporary African American Experience Kentucky Museum of Art and Craft, Louisville, KY
The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England
Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND
Summer Surprises Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Wild Thing, Roberts & Tilton, Culver City, CA
Pattern ID, Akron Art Museum, Akron, OH
Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA
The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY |
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2009 |
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The World Stage: Africa, Lagos, ArtSpace, San Antonio, TX (solo)
The World Stage: Brazil , Roberts and Tilton, Los Angeles, CA, catalogue (solo)
Black Light, Deitch Projects, New York, NY (solo)
Reconfiguring the Body in American Art, 1820-2009, National Academy Museum, New York, NY
Creating Identity: Portraits Today 21C Museum, Louisville, KY
Other People: Portraits from Grunwald and Hammer Collections, Hammer Museum, Los Angeles, CA |
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2008 |
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Recognize! Hip Hop and Contemporary, National Portrait Gallery, Washington DC
FOCUS: Kehinde Wiley, The Modern Art Museum of Fort Worth, TX
The World Stage: Africa, Dakar-Lagos, Studio Museum in Harlem, New York, NY
Down, Deitch Projects, New York, NY
30 Americans, Rubell Family Collection, Miami, FL
Macrocosm, Roberts & Tilton, Culver City, CA
21: Contemporary Art at the Brooklyn Museum, Brooklyn Museum, Brooklyn, NY
Selected Drawings, Museum of Contemporary Art, Cleveland, OH |
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2007 |
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Commemorating 30 Years (1976-2007): Part Three (1991 – 2007), Rhona Hoffman Gallery, Chicago, IL
Portland Art Museum, Portland, OR
The World Stage: China, John Michael Kohler Arts Center, Sheboygan, WI
Crossing the Line: African American Artists in the Jacqueline Bradley and Clarence Otis Jr. Collection, Cornell Fine Arts Museum, Orlando, FL
New York States of Mind, Queens Museum of Art, New York, NY
The Blake Byrne Collection , Nasher Museum of Contemporary Art, Duke University, NC
Clarence Otis, Jr. Collection, Cornell Fine Arts Museum, Orlando, FL |
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2006 |
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Columbus, Roberts & Tilton, Los Angeles, CA (solo)
Infinite Mobility, Columbus Museum of Art (solo)
Rhona Hoffman Gallery, Chicago, IL (solo)
Kehinde Wiley: Sorry We're Closed , Belgium (solo)
Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY
Do Not Stack, Roberts & Tilton, Los Angeles, CA
Black Alphabet: ConTEXTS of Contemporary African-American Art, Zacheta, National Gallery of Art, Warsaw, Poland
Hangar—7 Edition 4, Salzburg Airport, Salzburg, Austria
Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, DC
Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY |
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2005 |
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Rumors of War, Deitch Projects, New York, NY (solo)
WHITE, Conner Contemporary, Washington, DC (solo)
BOUND, Franklin Art Works, Minneapolis, MN (solo)
Relics and Remnants, Jamaica Center for Arts and Learning, New York
Neovernacular, Turner Gallery, Los Angeles, California
Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, GA
Neo-Baroque / Tema Celeste , Verona, Italy
Wiley/Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, DC |
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2004 |
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Eye of the Needle, Roberts & Tilton, Los Angeles, CA
Passing/Posing, The Paintings of Kehinde Wiley, The Brooklyn Museum of Art, October 8 - Brooklyn, NY (solo)
Glory, Glamour & Gold, The Proposition, New York, NY
She’s Come Undone, Greenberg Van Doren, New York, NY
The New York Mets and Our National Pastime, Queens Museum of Art, Queens, NY
Beauty, Kravets + Wehby, New York, NY
African American Artists in Los Angeles: A Survey Exhibition, City of Los Angeles Cultural Affairs Department, CA
Easter Realness, Rhona Hoffman Gallery, Chicago, IL (solo) |
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2003 |
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Re: Figure, Guhlberg Gallery, College of DuPage, Glen Ellyn, IL
Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic
New Wave, Kravets Wehby Gallery, New York, NY
Faux/Real, Deitch Projects, New York, NY
Pictures at an Exhibition, Roberts & Tilton, Los Angeles, CA
Superreal, Marella, Milan, Italy |
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2002 |
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Passing/Posing, Rhona Hoffman Gallery, Chicago, IL
Painting as Paradox, Artist Space, New York, NY
Mass Appeal, Gallery 101, Ottawa, Canada
Ironic/ Iconic, Studio Museum in Harlem, New York, NY
Black Romantic, Studio Museum in Harlem, New York, NY |
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2001 |
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It's Bigger Than Hip Hop, Rush Arts, New York, NY |
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Selected Public Collections |
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Brooklyn Museum of Art, Brooklyn, NY
Columbus Museum of Art, Columbus, OH
Denver Art Museum, Denver, CO
Detroit Institute of Arts, Detroit, MI
High Museum of Art, Atlanta, GA
Kansas City Art Museum, Kansas City, MO
Los Angeles County Museum of Art, Los Angeles, CA
Metropolitan Museum of Art, New York, NY
Miami Art Museum, Miami, FL
Milwaukee Art Museum, Milwaukee, WI
Modern Art Museum of Fort Worth, TX
Phoenix Art Museum, Phoenix, AZ
Studio Museum of Harlem, New York, NY
Toledo Museum of Art, Toledo, OH
Virginia Museum of Fine Arts, Richmond, VA
Walker Art Center, Minneapolis, MN
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2006 |
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Berwick, Carly, The New York Sun, March 9, 2006 |
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2006 |
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Mason, Christopher, Whitewall Magazine, Premier Issue March 2006 |
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2006 |
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Colman, David, Elle Décor Magazine, March 2006 |
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2005 |
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Golden, Thelma, Interview Magazine, October 2005 |
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2005 |
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Lewis, Sarah, De(i)fying the Masters, Art in America, April 2005 |
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2005 |
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Kehinde Wiley, Top Ten, ArtForum, April 2005 |
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2005 |
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Detrick, Ben, Paint it Black, Complex Magazine, April/ May 2005 |
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2005 |
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Golfar, Fiona, A Season for All Women: Ilona Rich, British Vogue, April 2005 |
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2005 |
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Wood, Eve, Kehinde Wiley Brooklyn Museum review, Flash Art, Jan-Feb 2005 |
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2004 |
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Fineman, Mia, The History of Art, in Baggy Jean and Bomber Jackets, New York Times, Arts & Leisure, December 19, 2004 |
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2004 |
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Brew-Hammond, Nana Ekua, It’s Bigger than hip-hop, METRO, NY Edition, December 21, 2004 |
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2004 |
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Kehinde Wiley, Museums Magazine Special Edition, 2004 |
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2004 |
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McGee, Celia, Artist going for Baroque on Harlem, New York, Daily News, October 7, 2004 |
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2004 |
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Gonzales, Michael A., Kehinde Wiley: Urban Baroque, Essence Magazine, November 2004 |
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2004 |
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Mwangaguhunga, Ron, Two new shows on the color line, New York Magazine, Sept. 13, 2004 |
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2004 |
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Walker, Dionne, A Portrait of the Artist as a Young Black Man: Kehinde Wiley, BET.com, September 2004 |
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2004 |
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Korot, Joyce B., The Neo-Baroque Era, Tema Celeste, Italy, New York, Issue No. 104 |
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2004 |
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Fashion Issue, Black Book Magazine, New York, Fall 2004 |
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2004 |
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Interview with Kehinde Wiley, Loyal Magazine, Stockholm, New York, Issue No. 8 |
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2004 |
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Fitch, Elizabeth, A Portrait of artist Kehinde Wiley, Amsterdam News, Vol.95, No.29/ July |
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2004 |
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Kehinde Wiley: Prince of Hip Hop Portraiture, SEULE Magazine, Summer 2004 |
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2004 |
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Hawkins, Margaret. "Gallery Glance: Kehinde Wiley." Chicago Sun Times, May 21 |
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2004 |
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Warsh, Larry. "Kehinde Wiley/ Museums Collect." Museums New York, Spring 2004 Issue |
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2003 |
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Murray, Derek. "Ironic/Iconic." Art in America, March Issue 2003 |
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2003 |
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Kerr, Merrily. "New Wave." Flash Art, March/ April 2003 |
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2003 |
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Cohen, Mark Daniel. "Real Art Ways." Hartford Current 2003 |
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2003 |
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Kim, Christine Y. “Kehinde Wiley Faux Real.” Issue Magazine, December |
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2003 |
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Myers, Holly. “Scenes far, far out of Tiepolo.” Los Angeles Times, November 7 |
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2003 |
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Wood, Eve. “Acerbic Beauty.” Artnet.com, October |
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2003 |
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Thompson, Bonsu. “Benefit II Society.” King Magazine, September-October |
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2003 |
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Stillman, Nick. “Art Seen.” The Brooklyn Rail, August-September |
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2003 |
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Sirmans, Franklin. “A Bling Bling Baroque.” One World Magazine, August-September. |
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2003 |
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Weisen, Barbara. “Re: Figure.” College of DuPage, The Guhlberg Gallery, April 3-May 22. |
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2003 |
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Jackson, Brian Keith. “B-Boy Stance.” Vibe, August |
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2003 |
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Cortez, Jaime. “Corpus No.1, An HIV Prevention Publication.” APLA, Los Angeles |
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2003 |
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Stein, Lisa. “Re: Figure Plays With Figurative Painting.” Chicago Tribune, May 5 |
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2002 |
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Plagens, Peter. "Kitsch as Kitsch Can." News Week, May 6, 2002 |
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2002 |
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Gessell, Paul. "At the Hip Hop." Ottawa Citizen, August 30, 2002 |
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2002 |
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Euteneier, Anita. "Hip Hop Appeal." Express, August 29, 2002 |
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2002 |
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Foster, Tonya. "(Re)Direct(ing) Light: Black is and Black Ain’t." Representations, ArtsWire Current, Summer 2002 |
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2002 |
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Samuel Menin & Michele Robecchi. "Focus Painting." Flash Art, October, 2002 |
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2002 |
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Cotter, Holland. "Ironic/Iconic." The New York Times, August 7, 2002 |
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2002 |
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Yablonsky, Linda. "Failing in Love." Time Out Magazine, May 9, 2002 |
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2002 |
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Kimmelman, Michael. " A Black World of Ins and Outs." |
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2002 |
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The New York Times,April 26, 2002 |
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2002 |
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Saltz, Jerry. "A World Apart." Artnet.com. May 8, 2002 |
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2002 |
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Ross, Andrew. "Andrew Ross on Black Romantic." Art Forum, April 2002 |
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2001 |
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McKanic, Arlene."Death, Pain, Anger, Redemption: It’s Bigger than Hip Hop." Greenwich Village Gazette |
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