|
|
Maria Eichhorn Biographie
|
 |
 |
|
|
|
Lives and works in Berlin
|
|
 |
| Expositions sélectionnées |
 |
 |
|
since 2012
|
|
The Time Capsule in the Waterfall on the Steinach River, permanent installation, St. Gallen, Switzerland
|
|
2012
|
|
When Attitudes Became Form Become Attitudes, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
|
|
2012
|
|
In Deed. Certificates of Authenticity in Art, The Drawing Center, New York, USA
|
|
2009
|
|
Filmlexikon sexueller Praktiken, Galerie Eva Presenhuber, Zürich (solo)
|
|
2009
|
|
Voids – A Retrospective, Centre Pompidou, Paris
|
|
2009
|
|
Regift, The Swiss Institute / Contemporary Art, New York
|
|
2009
|
|
Wer setzt auf die 47?, Nassauischer Kunstverein Wiesbaden
|
|
2009
|
|
Voids – eine Retrospektive über leere Ausstellungen, Kunsthalle Bern
|
|
2008
|
|
Maria Eichhorn, Galerie Barbara Weiss, Berlin (solo)
|
|
2008
|
|
In the Stream of Life, bétonsalon, Paris
|
|
2008
|
|
Minimalism and Applied I, Objects for imaginative and real use , Daimler Contemporary Haus Huth, Berlin
|
|
2008
|
|
Museum as Medium, Museo de Arte Contemporánea de Vigo, Vigo
|
|
2008
|
|
Quobo, Kunst in Berlin 1989 – 1999 , Kumu Art Museum, Tallin
|
|
2008
|
|
Something for Nothing, Contemporary Art Center, New Orleans
|
|
2008
|
|
Terms of Use, Montehermoso Cultural Center Vitoria, Spain
|
|
2008
|
|
Toward Participation in Art , San Francisco Museum of Modern Art
|
|
2008
|
|
Versionen – Die Künstlerbibliothek, Galerie für zeitgenössische Kunst Leipzig, Leipzig
|
|
2007
|
|
Maria Eichhorn, Die Anteilscheine der Kunsthalle Bern, Grafische Sammlung, Kunstmuseum Bern
|
|
2007
|
|
Reading Back and Forth, steirischer Herbst 2007, Stadttmuseum Graz
|
|
2007
|
|
Quobo, Kunst in Berlin 1989 – 1999, Staatliches Kunstmuseum Nowosibirsk
|
|
2007
|
|
For a Special Place, Documents and Works from the Generali Foundation Collection, Austrian Cultural Forum, New York
|
|
2007
|
|
Bodypoliticx, Witte de With, Rotterdam
|
|
2007
|
|
For Sale, Cristina Guerra Contemporary Art, Lisboa
|
|
2007
|
|
'Aktiengesellschaft/Maria Eichhorn Public Limited Company', Van Abbe Museum, Eindhoven (solo)
|
|
2007
|
|
BIACS - Bienal Internacional de Arte Contemporáneo de Sevilla, Biennale Sevilla, Sevilla
|
|
2006
|
|
Apexart, One Brief Moment, New York
|
|
2006
|
|
Tallinn Art Hall, Capital (It Fails Us Now), Tallinn
|
|
2006
|
|
VOX, centre de l´image contemporaine, Montréal (solo)
|
|
2005
|
|
California Institute of Arts, CalArts 35 Year Reunion Exhibition, Valencia, CA
|
|
2005
|
|
Galleria Civica di Arte Contemporanea di Trento, Zero Interest/Interessi Zero. Artistic strategies for an economy in crisis, Trento
|
|
2005
|
|
Van Abbemuseum, Eindhoven
|
|
2005
|
|
Galerie Barbara Weiss, Berlin (solo)
|
|
2005
|
|
Die Anteilscheine der Kunsthalle Bern, Stiftung Kunsthalle Bern (solo)
|
|
2005
|
|
Istanbul Biennale, Istanbul
|
|
2005
|
|
Circa Berlin, Nikolaj Udstillingsbygning Copenhagen Contemporary Art Center, Copenhagen
|
|
2005
|
|
Occupying Space, Sammlung Generali Foundation, Haus der Kunst, Munich
|
|
2004
|
|
3. Berlin Biennale, Berlin
|
|
2004
|
|
16 Factures, Centre d'Art Santa Monica, Barcelona (solo)
|
|
2004
|
|
Liverpool Biennial, International 04, Tate Liverpool, Liverpool
|
|
2004
|
|
1. Internationale Biennale Lodz, Lodz
|
|
2004
|
|
Freie Universität, CAMPUS, Bozen (solo)
|
|
2004
|
|
Centre d’Art Santa Monica, 16 Factures, Barcelona (solo)
|
|
2003
|
|
Kasseler Kunstverein, Maria Eichhorn - korrespondenz@maria-eichhorn.de, Kassel (solo)
|
|
2003
|
|
Masataka Hayakawa Gallery, Prohibited Imports, Tokyo (solo)
|
|
2003
|
|
Frankfurter Kunstverein, Adorno. Die Möglichkeit des Unmöglichen, Frankfurt
|
|
2003
|
|
Museo de Arte Carrilo Gil, QUOBO. Kunst in Berlin, Mexico
|
|
2003
|
|
rum46, Gaestebud – Feast/Hospitality, Invitation, Arhus
|
|
2003
|
|
Kokerei Zollverein I, Zeitgenössische Kunst und Kritik, Die offene Stadt, Essen
|
|
2003
|
|
Sprengelmuseum, Kunst Garten Kunst, Hannover
|
|
2003
|
|
Restitutionspolitik, Kunstbau, Städtische Galerie im Lenbachhaus und Kunstbau, Munich (solo)
|
|
2002
|
|
23 Kurzfilme / 23 Filmplakate (1995/2002), Galerie Hauser & Wirth & Presenhuber, Zurich (solo)
|
|
2002
|
|
Dokumenta 11, Kassel
|
|
2002
|
|
Masataka Hayakawa Gallery, Maria Eichhorn’s work special presentation, Tokyo (solo)
|
|
2001
|
|
Galerie Barbara Weiss, Berlin (solo)
|
|
2001
|
|
Yokohama Triennale 2001, Yokohama
|
|
2001
|
|
Quobo: Kunst in Berlin 1989-1999, Nationalgalerie im Hamburger Bahnhof, Berlin
|
|
2001
|
|
Das Geld der Kunsthalle Bern / Money at the Kunsthalle Bern, Kunsthalle Bern (solo)
|
|
2000
|
|
Voilà, Musée d'Art Moderne de la Ville de Paris, Paris
|
|
2000
|
|
Gallery Prima Piano, Wo das Ausstellen keinen Ort der Präsentation hat, Rome (solo)
|
|
1999
|
|
1.Mai Film Medien Stadt, Portikus, Frankfurt am Main (solo)
|
|
1998
|
|
"The Artist's Reserved Rights Transfer and Sale Agreement" by Seth Siegelaub and ob Projansky, Salzburger Kunstverein (solo)
|
|
1997
|
|
Wandzeichnung / Wall Drawing, Kunstmuseum Zürich (solo)
|
|
1997
|
|
Der zerbrochene Spiegel, Kunsthalle Wien, Deichtorhallen Hamburg
|
|
1997
|
|
Skulptur. Projekte in Münster 1997, Münster
|
|
 |
 |
 |
|
|
| Littérature |
 |
 |
|
2011
|
|
Regina Wamper, Maria Eichhorn – Prohibited Imports, in: n.b.k. Diskurs, vol. 6, Freedom of Speech, Editors: Marius Babias, Florian Waldvogel, Verlag der Buchhandlung Walther König, Cologne, pp. 121–122
|
|
2010
|
|
Thomas Wulffen, La condition humaine, Kuenstler. Kritisches Lexikon der Gegenwartskunst, Maria Eichhorn, edition 92, No. 24, 2010, Zeit Kunstverlag Munich, pp. 2–9
|
|
2009
|
|
Maria Eichhorn/Swantje Hielscher, Fragen an Pedro De Llano, Sarat Maharaj, Mai-Thu Perret, Peer Golo Willi, Inaesthetik, Politics of Art, Nr. 1, June 2009, p. 35–70
|
|
2008
|
|
Rudolf Frieling, Maria Eichhorn, in: The Art of Participation. 1950 to Now, exhib.cat. San Francisco Museum of Modern Art, Ostfildern, p. 146–147
|
|
2008
|
|
Maria Eichhorn, The Artist's Contract. Interviews with Carl André, Micheael Asher, Daniel Buren, Paula Cooper, Hans Haacke, Jenny Holzer, Adrian Piper, Robert
|
|
2007
|
|
Maria Eichhorn, von 12,37 bis 36,08 = 24,94 von 100%, catalogue in the occasion of exhibition Reading Back and Forth, steirischer Herbst 2007
|
|
2007
|
|
Andrew Forster, Maria Eichhorn, Art Papers, March / April 2007, p.64
|
|
2007
|
|
Maria Eichhorn Aktiengesellschaft, exhibition ctatlogue, Verlag der Buchhandlung Walther König, Cologne
|
|
2006
|
|
Eichhorn, Publishing the fact that soemthing will remain unpublished / Veröffentlichen dass etwas unveröffentlicht bleibt., BuchVerlag Walther König, Cologne
|
|
2006
|
|
Review: Ciara Healy, Book: Maria Eichhorn: publishing the fact..., Circa 118, Winter 2006, p.62,63
|
|
2006
|
|
Nicolas Mavrikakis, Aux limites du réel, Voir, December 9
|
|
2006
|
|
Maria Eichhorn: On the Avertissement: Interview with Daniel Buren (1998), John C. Welchman (ed.), Institutional Critique and After, Zurich
|
|
2006
|
|
Maria Eichhorn: Joint Account No. 1711601, Bank of Fukuoka, Yahata Barnch 411, Gavin Everall (ed.), Make Everything New, A Project on Communism, London
|
|
2006
|
|
Maria Eichhorn, Maria Eichhorn Public LTD., Simon Sheikh (ed.), Capital (It Fails Us Now), Berlin
|
|
2006
|
|
Elizabeth Ferrell, The Lack of Interest in Maria Eichhorn’s Work, Alexander Alberro (ed.) Art After Conceptual Art, Cambridge, Mass. London
|
|
2006
|
|
Elizabeth Ferrell, Die fehlende Gewinnbeteiligung in Maria Eichhorns Arbeiten, Alexander Alberro (ed.) Art After Conceptual Art, Vienna
|
|
2006
|
|
Maria Eichhorn: Projections, exhibition catalogue, Vox, Centre de l’Image Contemporaine, Montréal,
|
|
2005
|
|
Literarische Kritik: Trajekte, Nr.11, 6. Jahrgang, September, p.26, 27, 28
|
|
2005
|
|
Ingrid Commandeur, Istanbul-De stad als biennale, Metropolis M, Vol. 26, No.4, August/September, p.17
|
|
2005
|
|
Holger Lauinger, „Vergesellschaftung von Grund und Boden?“ zu Maria Eichhorns Erwerb des Grundstücks Ecke Tibusstrasse / Breul, Gemarkung Münster, Flur 5, Nr. 672, Schrumpfende Städte, Band 2, Handlungskonzepte, ed. by Philipp Oswalt, Ostfildern-Ruit, p. 576ff.
|
|
2004
|
|
Alexander Alberro, Specters of Provenance: National Loans, the Königsplatz, and Maria Eichhorn’s “Politics of Restitution”, in: Grey Room 16, Winter 2004, The MIT Press, Cambridge, Massachusetts, p. 64- 81
|
|
2003
|
|
Maria Eichhorn: Restitutionspolitik / Politics of Restitution, exhibition catalogue, Helmut Friedel (ed.), Städtische Galerie im Lenbachhaus, Munich
|
|
2003
|
|
Maria Eichhorn: Maria Eichhorn Aktiengesellschaft, exhibition catalogue Documenta11
|
|
2003
|
|
Maria Eichhorn: 1. Mai Film Medien Stadt, exhibition catalogue, Portikus Frankfurt am Main
|
|
2002
|
|
Thomas Wulffen: Documenta11. Der Rundgang. Maria Eichhorn, in: Kunstforum International, Issue 161, p. 164-165
|
|
2002
|
|
Mai-Thu Perret: Maria Eichhorn. Kunsthalle Bern, in: Frieze, Issue 67, May 2002, p. 92
|
|
2002
|
|
Muscionico, Daniele, Kunstkino-Kunst – Maria Eichhorn bei Hauser & Wirth & Presenhuber, in: Neue Zürcher Zeitung, Zurich, no. 17, January 22, 2002, p. 42
|
|
2001
|
|
Maria Eichhorn: Das Geld der Kunsthalle Bern / Money at the Kunsthalle Bern, Vol. 1/2 exhibition catalogue, Kunsthalle Bern
|
|
1998
|
|
"The Artists Reserved Rights Transfer and Sale Agreement" by Seth Siegelaub and Bob Projansky, exhibition catalogue, Salzburger Kunstverein
|
|
1998
|
|
Christian Kravagna: Maria Eichhorn; in: Artforum, Nr.10, p. 141-142
|
|
1997
|
|
Skulptur. Projekte in Münster, exhibition catalogue, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster
|
|
 |
|