Chronologie

1951
Born in Syracuse, NY
1974
B.A. (Art History) Syracuse University, Syracuse, NY
2000
Died in New York

Expositions

2006 – 2007
Keeping Secrets, a traveling exhibition organized by Hayward Gallery, England. Curated by Richard Grayson. (solo)
2006
Drawings: Bruce Conner, Jacob El Hanani, Mark Lombardi, Gallery Joe, Philadelphia, PA
2006
Down By Law, Whitney Museum of American Art, New York. Curated by Bernadette Corporation.
2005 – 2006
Building and Breaking the Grid, Whitney Museum of American Art, New York, NY
2005 – 2006
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, NY
2005
Museo de Arte Carrillo Gil (macg), Mexico City, Vivisección, Dibujo contemporáneo (Curated by Marisol Argüelles)
2005
Traveling, The Art of Aggression: Iraqui Stories and Other Tales, Curated by Robert Hobbs and Jean Crutchfield:he Reynolds Gallery, Richmond Virginia
2005
The Moore Space, Miami, FL
2003 – 2005
Global Networks, a traveling exhibition organized by Independent Curators International, New York. Curated by Robert Hobbs. (Kat.) (solo)
2003 – 2005
Mark Lombardi: Global Networks, a traveling exhibition organized by Independent Curators International, New York. Curated by Robert Hobbs. (Catalogue) Opening at Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY. January 2003 Other locations include: Cleveland Museum of Contemporary Art, Cleveland, OH; Jean Paul Slusser Gallery, University of Michigan, Ann Arbor, MI; The Drawing Center, NY, NY;Faulconer Gallery, Grinnell College, Grinnell, IO (solo)
2004
Intense Focus, Elizabeth Leach Gallery, Portland, OR
2004
American Fine Arts, Election (Organized by James Meyer)
2004
The Whitney Museum of American Art Independent Study Program (ISP), Shifting Alliances
2004
German Hygiene Museum, Dresden, The Ten Commandments (Curated by Klaus Biesenbach and Ellen Blumenstein)
2004
O.K.-Centrum, Linz, Austria, Open House
2004
South First, Brooklyn, NY
2003
NGBK, Berlin, Germany (Kat.), World Watchers
2003
Atrium Gallery at the University of Connecticut Storrs and University of Connecticut Stamford, Doing Business: Dysfunctional Corporate Culture
2003
CAC (The Contemporary Arts Center), Cincinnati, OH, Somewhere better than this place (Kat.)
2003
Palais de Tokyo, Paris, France, GNS Global Navigation System (Kat.)
2003
The Vancouver Art Gallery, Vancourver, Canada, For the Record: Drawing Contemporary Life (Kat.)
2003
Galerie Christian Nagel, Köln, Germany, Haupt-und Nebenwege
2003
Axel Raben Gallery, New York, NY, Lost Worlds Apocalyptic & Utopian Visions
2003
Marlborough Gallery, New York, NY, High and Inside (curated by Maurice Tuchman, Kat.)
2003
Ronald Feldman Gallery, New York, NY, American Dream (Kat.)
2003
The New Museum of Contemporary Art, New York, NY, Living Inside the Grid (Kat.)
2003
Black & White Gallery, Brooklyn, NY, The Incredible Lightness of Being (curated by Phong Bui)
2003
Pierogi, Brooklyn, NY, Preparatory Drawings (Kat.) (solo)
2003
World Watchers, NGBK, Berlin, Germany (upcoming) (Catalogue)
2003
Global Priority, The Herter Art Gallery at the University of Massachusetts, Amherst, MA Curated by Grady Gerbracht and Susan Jahoda
2003
Somewhere better than this place, CAC (The Contemporary Arts Center), Cincinnati, OH (Catalogue)
2003
GNS Global Navigation System, Palais de Tokyo, Paris, France (Catalogue)
2003
For the Record: Drawing Contemporary Life, The Vancouver Art Gallery, Vancouver, Canada
2003
Lost Worlds Apocalyptic & Utopian Visions, Axel Raben Gallery, New York, NY
2003
High and Inside, curated by Maurice Tuchman, Marlborough Gallery, New York, NY
2003
privat I öffentlich, Häusler Contemporary, München, Germany
2003
American Dream, Ronald Feldman Gallery, New York, NY (Catalogue)
2003
Preparatory Drawings, Pierogi, Brooklyn, NY (Catalogue) (solo)
2002
The 8th Baltlic Triennial of International Art, Contemporary Art Centre, Vilnius, Lithuania, Center of Attraction (Kat.)
2002
Joseph Helman Gallery, New York, NY, Overt Operation
2002
La Plage, Neuchatel, Switzerland, Strategy
2002
Centre d’Art Contemporain GENEVE, Switzerland, Libres Echanges / Material World
2002
Contemporary Art Museum, St. Louis, MO, Terra Incognita: Contemporary Artist’s Maps and Other Visual Organizing Systems
2002
Graduate Center of the City University of New York, NY, Empire / State: Artists Engaging Globalization (curated Exhibition, Whitney Museum Independent Study Program)
2000
Sorenson Center for the Arts, Babson Park, MA, Silent Partners (solo)
2000
Gallery Joe, Philadelphia, PA, In Memory (solo)
2000
Silent Partners, Sorenson Center for the Arts, Babson Park, MA (solo)
2000
In Memory, Gallery Joe, Philadelphia, PA (solo)
1999
Vicious Circles: Drawings, Deven Golden Fine Art, New York (solo)
1999
Deven Golden Fine Art, New York, NY, Vicious Circles: Drawings (solo)
1998
Pierogi 2000, Brooklyn, NY, Silent Partners (solo)
1998
Museum of Contemporary Art, Washington, D.C., Crossing the Line: 1994-8 (solo)
1996
Lawndale Art and Performance Center, Houston, TX, Over The Line: Drawings 1994-6 (solo)
1996
Over the Line: Drawings 1994-6, Lawndale Art and Performance Center, Houston, TX (solo)

Publications

Laura Auricchio, “Connecting the dots: Mark Lombardi unravels webs of conspiracy at the Drawing Center, Time Out NY, November 20–27, 2003. p.86 (illus.)
Michael Kimmelman, “Webs Connecting the Power Brokers, the Money and, Ultimately, the World,”
The New York Times, November 14, 2003. p.E36 (illus.)
Tan Lin, “Following the Money,” Art in America, November 2003. pp. 142-147, 177 (illus.)
Eleanor Heartney, “The Sinister Beauty of Global Conspiracies: Mark Lombardi’s Delicate Drawings Show
Everything’s Connected (and Not in a Good Way),” The New York Times, Sunday Arts Section, October 26, 2003. p. AR31 (illus.)
Elena Sorokina, “Williamsburg–das New Yorker Galerienwunder,” Junge Kunst, Nr. 56, Fall 2003. pp.22-27 (illus.)
Stéphane Roussel, “Polyculture de l’imaginaire,” Art Contemporain, 05-11 September, 2003.
Elisabeth Wetterwald, “GNS, Palais de Tokyo,” Art Press, September 2003.
Genevieve Breerette, “Des geographies imaginaries dominées par l’informatique,” Le Monde, 15 August, 2003.