|
|
Matthew Higgs Biographie
|
 |
 |
|
1983 - 1984 |
|
Blackburn School of Art (Foundation)
|
|
1983 - 1984 |
|
Blackburn School of Art (Foundation)
|
|
1984 - 1987 |
|
Newcastle-upon-Tyne Polytechnic, BA (Hons Fine Art)
|
|
1984 - 1987 |
|
Newcastle-upon-Tyne Polytechnic, BA (Hons Fine Art)
|
|
|
| Expositions sélectionnées |
|
|
|
2009
|
|
Art in Crisis – Pictures in Peril, Murray Guy, New York, NY (solo)
|
|
2009
|
|
Art in Crisis – Pictures in Peril, Murray Guy, New York, NY (solo)
|
|
2008
|
|
Wilkinson, London, UK (solo)
|
|
2008
|
|
Are You Happy, The Apartment, Vancouver, BC, Canada (solo)
|
|
2008
|
|
Tractatus Logico-Catalogicus,VOX contemporary image, Montreal, Canada
|
|
2008
|
|
The Overlooked Space, Plug In ICA,Winnipeg, Canada
|
|
2008
|
|
Friends & Family, Anton Kern Gallery, New York, NY
|
|
2008
|
|
Not So Subtle Subtitle, Casey Kaplan Gallery, New York, NY
|
|
2008
|
|
A New High In Getting Low (NYC), John Connelly Presents, New York, NY
|
|
2008
|
|
Wilkinson, London, UK (solo)
|
|
2008
|
|
Are You Happy, The Apartment, Vancouver, BC, Canada (solo)
|
|
2008
|
|
Tractatus Logico-Catalogicus,VOX contemporary image, Montreal, Canada
|
|
2008
|
|
The Overlooked Space, Plug In ICA,Winnipeg, Canada
|
|
2008
|
|
Friends & Family, Anton Kern Gallery, New York, NY
|
|
2008
|
|
Not So Subtle Subtitle, Casey Kaplan Gallery, New York, NY
|
|
2008
|
|
A New High In Getting Low (NYC), John Connelly Presents, New York, NY
|
|
2007
|
|
Two Years, Whitney Museum of American Art, New York, NY
|
|
2007
|
|
Ashtray, KS Art, New York, NY
|
|
2007
|
|
Matthew Buckingham, Francis Cape, Kota Ezawa, Matthew Higgs, Murray Guy, New York, NY
|
|
2007
|
|
Abstraction, Michael Kohn Gallery, Los Angeles, CA
|
|
2007
|
|
I Like to Watch, The Canal Chapter, New York NY
|
|
2007
|
|
EX LIBRIS: Matthew Higgs and Peter Wuethrich, University Gallery Umass, Amherst, MA (solo)
|
|
2007
|
|
Jack Hanley, Los Angeles, CA (solo)
|
|
2007
|
|
Type Face, James Harris Gallery, Seattle, WA
|
|
2007
|
|
Two Years, Whitney Museum of American Art, New York, NY
|
|
2007
|
|
Ashtray, KS Art, New York, NY
|
|
2007
|
|
Matthew Buckingham, Francis Cape, Kota Ezawa, Matthew Higgs, Murray Guy, New York, NY
|
|
2007
|
|
Abstraction, Michael Kohn Gallery, Los Angeles, CA
|
|
2007
|
|
I Like to Watch, The Canal Chapter, New York NY
|
|
2007
|
|
EX LIBRIS: Matthew Higgs and Peter Wuethrich, University Gallery Umass, Amherst, MA (solo)
|
|
2007
|
|
Jack Hanley, Los Angeles, CA (solo)
|
|
2007
|
|
Type Face, James Harris Gallery, Seattle, WA
|
|
2006
|
|
Nicole Klagsbrun, New York, NY
|
|
2006
|
|
Mid-Life Crisis, Salander-O'Reilly Gallery, New York, NY
|
|
2006
|
|
What goes around comes around, Murray Guy, New York, NY (solo)
|
|
2006
|
|
Nicole Klagsbrun, New York, NY
|
|
2006
|
|
Mid-Life Crisis, Salander-O'Reilly Gallery, New York, NY
|
|
2006
|
|
What goes around comes around, Murray Guy, New York, NY (solo)
|
|
2005
|
|
Looking at Words: the formal presence of text in modern and contemporary works on paper, Andrea Rosen Gallery, New York, NY
|
|
2005
|
|
Rub Out the Word, curated by Michael Wilson, d.u.m.b.o. Arts Center, Brooklyn NY
|
|
2005
|
|
in words and pictures, Murray Guy, New York, NY
|
|
2005
|
|
Exploding Plastic Inevitable, Bergdorf Goodman, New York, NY
|
|
2005
|
|
Looking at Words: the formal presence of text in modern and contemporary works on paper, Andrea Rosen Gallery, New York, NY
|
|
2005
|
|
Rub Out the Word, curated by Michael Wilson, d.u.m.b.o. Arts Center, Brooklyn NY
|
|
2005
|
|
in words and pictures, Murray Guy, New York, NY
|
|
2005
|
|
Exploding Plastic Inevitable, Bergdorf Goodman, New York, NY
|
|
2004
|
|
Small: The Object in Film, Video, and Slide Installation, The Whitney Museum of American Art, New York NY
|
|
2004
|
|
The Book Show, The Nunnery, London, UK
|
|
2004
|
|
Priceless, The Suburban, Oak Park, IL (solo)
|
|
2004
|
|
Small: The Object in Film, Video, and Slide Installation, The Whitney Museum of American Art, New York NY
|
|
2004
|
|
The Book Show, The Nunnery, London, UK
|
|
2004
|
|
Priceless, The Suburban, Oak Park, IL (solo)
|
|
2003
|
|
Art Isn’t Easy, Murray Guy, New York, NY (solo)
|
|
2003
|
|
Video Lounge, Art Basel Miami, Miami FL
|
|
2003
|
|
Pages, curated by Buzz Specter, Cristina Rose/Josée Bienvenu Gallery, New York, NY
|
|
2003
|
|
Video Lounge, Art Basel Miami, Miami FL
|
|
2003
|
|
Pages, curated by Buzz Specter, Cristina Rose/Josée Bienvenu Gallery, New York, NY
|
|
2003
|
|
Rendered, Sara Meltzer Gallery, New York, NY
|
|
2003
|
|
Welcome Home, Gavin Brown’s enterprise, New York, NY
|
|
2003
|
|
Art Isn’t Easy, Murray Guy, New York, NY (solo)
|
|
2003
|
|
Rendered, Sara Meltzer Gallery, New York, NY
|
|
2003
|
|
Welcome Home, Gavin Brown’s enterprise, New York, NY
|
|
2002
|
|
mixer 02, Monique Meloche Gallery, Chicago, IL
|
|
2002
|
|
New Originals, Richard Salmon, London, UK
|
|
2002
|
|
Not Worth Reading, Anthony Wilkinson Gallery, London, UK (solo)
|
|
2002
|
|
Not Worth Reading, Anthony Wilkinson Gallery, London, UK (solo)
|
|
2002
|
|
mixer 02, Monique Meloche Gallery, Chicago, IL
|
|
2002
|
|
New Originals, Richard Salmon, London, UK
|
|
2001
|
|
A Private Reading, Senior & Shopmaker Gallery, New York, NY
|
|
2001
|
|
A Private Reading, Senior & Shopmaker Gallery, New York, NY
|
|
2000
|
|
Look Now, Pay Later, Murray Guy, New York, NY (solo)
|
|
2000
|
|
Look Now, Pay Later, Murray Guy, New York, NY (solo)
|
|
|
|
|
|
|
|
|
|