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Matthew McCaslin Biographie
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1957
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Born in Bayshore, NY
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1980
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BFA, Parsons School of Design, New York, NY
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Lives and works in Brooklyn, NY
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Expositions sélectionnées |
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2011 |
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Matthew McCaslin - On the corner of 5th and Main, Triple V, Paris 8solo) |
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2010 |
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Seven Artists Inspired by Hanukkah, The Jewish Museum of New York, New York |
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2010 |
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Edition 5 Erstfeld, Haus für Kunst Uri, Altdorf |
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2010 |
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FIAT LUX! Opere Luminose, Velan Center for Contemporary Art, Turin |
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2010 |
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Portrait de l’artiste en motocycliste, Musée des beaux-arts de La Chaux-de-Fonds, Neuchâtel |
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2009 |
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Portrait de l’artiste en motocycliste, MAGASIN-Centre National d’art Contemporain de Grenoble, Grenoble |
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2009 |
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Totem & tabou, Galerie de multiples, Paris |
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2009 |
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Reinventing Ritual: Contemporary Art and Design for Jewish Life, The Jewish Museum of New York, New York |
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2009 |
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Slough, David Nolan Gallery, New York |
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2009 |
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The Eventual, Futura, Praha |
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2009 |
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The Eventual, Futura Gallery, Prague, Czech Republic |
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2009 |
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N’importe quoi, Musée d’Art Contemporain Lyon, France |
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2009 |
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Crossroads, Gering & López, New York, NY (solo) |
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2008 |
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Chance Discovery, Brandstrom Galleri, Stockholm, Sweden (solo) |
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2008 |
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The World is Turning, Fred, London (solo) |
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2008 |
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Micro-narratives, Musee d’art Moderne, St. Etienne, France |
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2008 |
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The Morning After: Videoarbeiten der Sammlung Goetz, Weserburg Museum fur |
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2008 |
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Video Review, Castello di Rivara, Centro d´arte contemporane, Rivara (TO) |
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2008 |
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Arbeiten mit der Sammlung Rolf Ricke, Villa Merkel & Bahnwärterhaus, Esslingen |
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2008 |
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35th anniversary exhibition, Mario Mauroner Contemporary Art Salzburg, Salzburg |
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2008 |
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No desing, Galerie de multiples, Paris |
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2008 |
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The Morning After - Videoarbeiten der Sammlung Goetz, Neues Museum Weserburg Bremen, Bremen |
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2008 |
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Dan Walsh, and more…, La Salle de bains, Lyon |
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2007 |
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Ghosts, Galerie de multiples, Paris |
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2007 |
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The Incomplete, Chelsea Art Museum, New York |
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2007 |
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Lust for Life. Die Sammlung Ricke, Kunstmuseum Liechtenstein, Vaduz |
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2007 |
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In the Eye of the Storm – Im Auge des Zyklons, Kunstmuseum St. Gallen, St. Gallen |
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2007 |
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The Eventual, FRAC - Bourgogne, Dijon |
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2007 |
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Touch-down, Galerie Friedrich, Basel |
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2007 |
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Active Constellation, The Brno House of Arts - Central Building, Brno |
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2007 |
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Link, MITTERRAND+CRAMER/FINE ART/GENEVE, genf |
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2007 |
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48th October Salon: Micro-narratives, Belgrade, Serbia |
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2007 |
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Multiples Galerie de Multiples, Paris, France (solo) |
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2007 |
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Electric Painting, Galerie Scmidt MacZollek, Cologne, Germany (solo) |
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2006 |
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Summer Light, Sandra Gering Gallery, New York |
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2006 |
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Review : vidéos et films de la collection Pierre Huber, Le Magasin, Grenoble, France |
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2006 |
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Selections from the Collection, Kunstmuseum St. Gallen, Switzerland |
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2006 |
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Kit O’ Parts, La Salle de Bains: past, present and future, CAN, Neuchatel, Switzerland |
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2006 |
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The Other, Galeria Javier Lopez, Madrid, Spain (solo) |
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2006 |
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Slipstream, Sima Galerie, Nurnberg, Germany (solo) |
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2006 |
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Lightworks, Galeria Javier López, Madrid |
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2006 |
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PARADISO & INFERNO, Mario Mauroner Contemporary Art Salzburg, Salzburg |
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2006 |
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On the Ball, Anselm Dreher, Berlin |
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2006 |
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Made in USA, Galerie de multiples, Paris |
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2006 |
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LichtWerke - Kunst und Licht seit den 1960er Jahren, Museum Moderner Kunst Stiftung Ludwig, Wien |
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2005 |
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In-Formation, Galéria Jana Koniarka, Trnava |
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2005 |
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Summertime, Mario Mauroner Contemporary Art, Vienna |
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2005 |
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Private View 1980-2000 - Collection Pierre Huber, Musée cantonal des Beaux-Arts, Lausanne |
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2005 |
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Domicile/Privee-Public, Musée d'Art moderne de Saint-Etienne, Saint-Etienne |
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2005 |
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The giving person, Palazzo delle Arti di Napoli, Neapel |
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2005 |
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Sandra Gering Gallery, New York (solo) |
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2005 |
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Flying, Evelyne Canus Gallery, Basel, Switzerland (solo) |
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2005 |
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Avance Rapido: Media Art de la Coleccion Goetz , Centro Cultural Conde Duque, Madrid, Spain |
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2005 |
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Sweet Temptations - Dialogues with the Collecton of Rolf Ricke, Museum of Modern Art, St. Gallen, Switzerland |
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2005 |
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Drawing Show, Galeries Schmidt MacZollek |
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2005 |
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The Giving Person, Museum of Modern Art, Naples, Italy |
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2005 |
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especial, Galerie Schmidt Maczollek, Cologne |
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2005 |
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FAST FORWARD Media Art de la Colección Goetz, Museo Municipal de Arte Contemporáneo de Madrid /Centro Cultural del Conde Duque, Madrid |
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2004 |
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A Angles vifs, capcMusee d’art contemporain de Bordeaux |
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2004 |
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Editions Fawbush Collection, Sandra Gering Gallery, New York |
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2004 |
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Sleepwalking on the 27th Floor, Museum of Modern Art, St. Etienne, France (solo) |
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2004 |
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Adrift, Feigen Contemporary, New York (solo) |
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2004 |
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Winter Light, Socrates Sculpture Park, New York (solo) |
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2003 |
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New Science, Galeria Javier Lopez, Madrid, Spain (solo) |
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2003 |
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Electric Circus, Galerie Friedrich, Basel Switzerland (with Kay Rosen) (solo) |
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2002 |
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La Salle de Bains, Lyon, France (solo) |
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Selected Public Collections |
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Portland Art Museum, Portland, OR
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Neues Museum, Staatliches Museum für Kunst und Design in Nürnberg, Nürnberg
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FRAC - Franche-Comté, Besançon
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FRAC - Nord-Pas de Calais, Dunkerque
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Musée d'Art Moderne et Contemporain, Straßburg
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The Wanas Foundation, Knislinge (Sweden)
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Kunstmuseum St. Gallen, St. Gallen
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MIT List Visual Arts Center, Cambridge, MA
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MOCA Grand Avenue, Los Angeles, CA
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Schwendener, Martha, “Matthew McCaslin,” Time Out New York, November 1-8, 2001, p. 58 |
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Feaster, Felicia, “Image Conscious,” Creative Loafing, December 23, 2000, p. 44. |
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Harris, Susan, “Matthew McCaslin at Feigen Contemporary”, Art in America, May 2000, pg.163 |
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“Joyful and Triumphant, a Sparkling City Beckons,” The New York Times, December 25, 2000. |
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“Matthew McCaslin,” The New Yorker, December 27-January 3, 2000. |
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Cullum, Jerry, “Video That Aspires to be Collectible Art,” The Atlanta Journal-Constitution, December 22, 2000, p. Q8. |
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Sirmans, Franklin, “The Light Show (review), Time Out New York, October 12-19, 2000, issue no. 264, p. 58. |
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Stark, Rachael, “’The Light Show’ and ‘Maintaining the Myth of Control,’” NYArts, October 2000, p. 67 |
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Ise, Claudine, “Light Show: Matthew McCaslin,” Los Angeles Times, January 1, 1999, p. F33. |
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Bell, J. Bowyer, “Matthew McCaslin (review),” Review, December 15, 1999, p. 39. |
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