|
|
Meg Cranston Biographie
|
 |
 |
|
1960 |
|
Born in Baldwin, New York,
|
|
1982 |
|
Kenyon College B.A.; Anthropology/Sociology
|
|
1986 |
|
California Institute of the Arts M.F.A.; Studio Art
|
|
1988 |
|
Jan van Eyck Akademie, Maastricht, The Netherlands Studio Art
|
|
1990 |
|
Penny McCall Foundation (Artist Grant)
|
|
1994 |
|
John Simon Guggenheim Memorial Foundation Fellowship
|
|
1993 - 1998 |
|
Lecturer at Department of Art, University of California, Los Angeles
|
|
1998 |
|
New School of Social Research Faculty Development, New York
|
|
2000 |
|
Architectural Foundation of America, Art in Public Places Award
|
|
1987 - 2001 |
|
Senior Lecturer at Otis College of Art and Design, Los Angeles
|
|
2001 |
|
C.O.L.A. Individual Artist’s Grants, Los Angeles Cultural Affairs
|
|
2004 |
|
Anonymous Was A Woman Artists Grant
|
|
2001 - 2005 |
|
Professor at Otis College of Art and Design, Los Angeles
|
|
|
|
Lives and works in Venice, California
|
|
|
| Expositions sélectionnées |
|
|
|
2009
|
|
Meg Cranston, Aachener Kunstverein, Aachen, Germany (solo)
|
|
2008
|
|
Every Dog in the Pound, Mercer Union, Toronto, Canada (solo)
|
|
2008
|
|
The Pleasure of Obvious Problems. Dunedin Public Art Gallery, Dunedin, New Zealand (solo)
|
|
2008
|
|
California Video, Getty Museum of Art, Los Angeles (Catalogue), USA
|
|
2008
|
|
Parcours Interdit, Künstlerverein Malkasten, Düsseldorf, Germany
|
|
2008
|
|
Scala Paradisi (with Aleana Egan, Alex Frost, Joanne Greenbaum, Lone Haugaard Madsen, Albert Oehlen, Roseline Rannoch), Walter Swennen bei Schürmann Berlin, Germany
|
|
2007
|
|
The Pleasure of Obvious Problems. Artspace, Auckland, New Zealand (solo)
|
|
2006
|
|
Oleon. Mary Younakof Galleri S.E, Bergen, Norway
|
|
2006
|
|
Los Angeles Art Now. (with Erin Cosgrove, Meg Cranston, Monique Van Genderen, Patti Rojani a.o.) I-20 Gallery, New York, USA
|
|
2006
|
|
KLF, (with Thomas Grünfeld, Julius Popp, Markus Huemer, Rachel The Hoeber, Richard Louderback, Jim Mc Dowell, Desmond Mc Vay, Earnest Merritt, Manuel Ocampo a.o.) 4 F Gallery, Los Angeles, USA
|
|
2006
|
|
Wonder and Horror of the Human Head. (with John Baldessari, Giolliosa Fuller, Julian Hoeber, Richard Louderback, Jim Mc Dowell, Desmond McVay, Earnest Merritt, Manuel O Campo a.o) 4-F Gallery, Los Angeles, USA
|
|
2006
|
|
Meg Cranston and Peter Robinson, Kapinos Galerie, Berlin, Germany
|
|
2006
|
|
Venetia Kapernekas Gallery, New York (solo)
|
|
2006
|
|
Artspace, Auckland (survey) New Zealand (solo)
|
|
2005
|
|
Museum for Contemporary Art, Seigen, Germany (solo)
|
|
2005
|
|
Galerie Michael Janssen, Cologne (solo)
|
|
2005
|
|
Happy Lion Gallery, Los Angeles (solo)
|
|
2005
|
|
Walk to Remember, LACE Los Angeles
|
|
2005
|
|
10 Years!. Galerie Michael Janssen, Cologne, Germany
|
|
2005
|
|
Echo/Anti Echo. (with Cindy Bernard, Sam Durant, David Hatcher, Jill Miller, Jason Rhoades), Barbara Thumm, Berlin, Germany
|
|
2004
|
|
Paper. Patricia Faure Gallery, Santa Monica, USA
|
|
2004
|
|
Me, Myself 7 I. University Galleries, Florida Atlantic University, Florida, USA
|
|
2004
|
|
Schumann Collection, K21 Museum, Dusseldorf
|
|
2004
|
|
Michael Janssen Gallery, Cologne (solo)
|
|
2003
|
|
Leo Koenig Gallery, New York (solo)
|
|
2003
|
|
Golden. (with JP Munro, Ry Rocklen, Thaddeus Strode, Rob Thom) Galerie Michael Janssen, Cologne, Germany
|
|
2003
|
|
Magical Death. ART Unlimited, ART34 BASEL, Switzerland (solo)
|
|
2003
|
|
Recent Works. The Happy Lion Gallery, Los Angeles, USA (solo)
|
|
2002
|
|
Meg Cranston and Jeffery Vallance, Rosamund Felsen Gallery, Los Angeles, USA
|
|
2002
|
|
COLA. Individual Artist Fellowships. Japanese American National Museum, Los Angeles, USA
|
|
2002
|
|
Rosamund Felsen Gallery, Santa Monica (solo)
|
|
2002
|
|
Happy Lion, Los Angeles (solo)
|
|
2002
|
|
Heads or Tails, Galerie Praz-Delavallade, Paris
|
|
2001
|
|
Featherweight, Susan Hobbs Gallery, Toronto
|
|
2001
|
|
L.A. Scene, Numark Gallery, Washington, D.C
|
|
2001
|
|
Goldman Tevis Gallery, Los Angeles (solo)
|
|
2001
|
|
Structures of Knowledge. Raid Projects, Los Angeles, USA
|
|
2000
|
|
Printed Matter, New York, USA (solo)
|
|
2000
|
|
Galerie Michael Kapinos, Berlin, Germany (solo)
|
|
2000
|
|
Venetia Kapernekas Fine Art, New York (solo)
|
|
2000
|
|
1301PE, Los Angeles (solo)
|
|
2000
|
|
L.A. EX, Marstell, Bayerisches Staatsschauspiel, Munich, Germany
|
|
2000
|
|
Focus on Pain, on Destruction, Power, Death, Venetia Kapernekas Fine Art, New York
|
|
1999
|
|
Life is Elsewhere, Theoretical Events (Larner, Baldessari, McCarthy, Ruscha, Cranston), Milan
|
|
1999
|
|
54 x 54x 54, MOCA, London
|
|
1999
|
|
Rosamund Felsen Gallery, Santa Monica (solo)
|
|
1999
|
|
A Girl Like You. Galerie Praz-Delavallade, Paris, France
|
|
1999
|
|
Painting: Fore and Aft. ACME, Los Angeles, USA
|
|
1998
|
|
Deep Storage - Arsenal der Erinnerung. Kunstmuseum Düsseldorf, Düsseldorf / P.S.1, New York, USA
|
|
1998
|
|
Henry Art Gallery, Seattle, USA
|
|
1998
|
|
Double Trouble: The Patchett Collection. Museum of Contemporary Art, San Diego, USA
|
|
1998
|
|
Kunstverein Leipzig, Projektgalerie Elsterpark (solo)
|
|
1998
|
|
Galerie Praz de La Vallade, Paris (solo)
|
|
1998
|
|
Dogenhaus Projekt, Berlin (solo)
|
|
1998
|
|
Witte de With Center for Contemporary Art, Rotterdam (solo)
|
|
1998
|
|
The Unreal Person: Portraiture in the Digital Age, Huntington Beach Art Center
|
|
1998
|
|
Life Lessons, Laguna Beach Museum of Art
|
|
1997
|
|
Deep Storage: Haus der Kunst, Munich (traveling) (catalog)
|
|
1997
|
|
Performa 97, Performance festival organized by Michael Kapinos, various venues, Berlin, Germany
|
|
1997
|
|
Callery & Boesky Gallery, New York (solo)
|
|
1997
|
|
Display: An International Exhibition of Painting. Charlottenborg Exhibition Hall, Copenhagen, Denmark
|
|
1997
|
|
L.A. Drawings, Galerie Tanya Rumpff, Haarlem, The Netherlands
|
|
1996
|
|
It‘s Only Rock and Roll. Contemporary Arts Center, Cincinnati, Ohio / Lakeview Museum of Arts and Sciences, Peoria, Illinois / Virginia Beach Center for the Arts, Virginia / Tacoma Art Museum, Washington / Jacksonville Museum of Contemporary Art, Florida / Dean Lesher Regional Center for the Arts, Bedford Gallery, Walnut Creek, California / Phoenix Art Museum, Phoenix / Lowe Art Museum, Coral Gables, Florida / Milwaukee Art Museum, Milwaukee / Arkansas Art Center, Little Rock, Arkansas, USA
|
|
1996
|
|
Rosamund Felsen Gallery, Santa Monica, California (solo)
|
|
1996
|
|
The Power of Suggestion; Narrative and Notation in Contemporary Drawing, Museum of Contemporary Art, Los Angeles (catalog)
|
|
1995
|
|
Meg Cranston, Chris Wilder, Sarah Cottier Gallery, Sydney, Australia
|
|
1995
|
|
Biblio Vertigo, Northern Illinois University Art Museum, Chicago
|
|
1995
|
|
Galerie Etienne Ficheroulle, Brussels (solo)
|
|
1995
|
|
CBD Gallery, Sydney, Australia (solo)
|
|
1995
|
|
Galerie Tanja Grunert , Cologne (solo)
|
|
1995
|
|
A Glimpse of the Norton Collection: As Revealed by Kim Dingle. Santa Monica Museum, Santa Monica, USA
|
|
1995
|
|
From L.A. With Love. Galerie Praz-Delavallade, Paris, France
|
|
1995
|
|
I Love What I am Doing. Randolph Street Gallery, Chicago, USA
|
|
1995
|
|
Meg Cranston, Chris Wilder. Sarah Cottier Gallery, Sydney, Australia
|
|
1994
|
|
LOS ANGELES: Mind Quakes. Breda Fotographia‚ 94, Breda, Netherlands
|
|
1994
|
|
Arrested Childhood. Center for Contemporary Art, Miami, USA
|
|
1994
|
|
[cut] - Los Angeles - 90‘ernes. Kunstscene, Konstforeningen, Copenhagen, Denmark
|
|
1994
|
|
I Myself & Me, The Interart Center, New York, USA
|
|
1994
|
|
The Media & Art Exhibition ‚94. Magic Media Company, Hurth, Germany
|
|
1994
|
|
Karsten Schubert Gallery Ltd., London (solo)
|
|
1994
|
|
Icebox, Athens, Greece (solo)
|
|
1994
|
|
Gallery, Santa Monica, CA (solo)
|
|
1994
|
|
Jenseits von Edan (East of Eden), Museum Schloss Mosigkau, Germany
|
|
1993
|
|
Open ‘93: Emergency, Aperto, ‘93, La Biennale di Venezia, Venice, Italy
|
|
1993
|
|
Space of Time: Contemporary Art from the Americas, Americas Society, New York (traveling) (catalog)
|
|
1993
|
|
Carnegie Museum of Art, Pittsburgh (catalog) (solo)
|
|
1993
|
|
Paper Trails: The Eidectic Image, Contemporary American Works on Paper. Krannert Museum, University of Illinois at Urbana-Champaign, Illinois, USA
|
|
1993
|
|
Into The Lapse. Karsten Schubert Gallery Ltd., London / Bruno Brunnet Fine Arts, Berlin, Germany
|
|
1993
|
|
Influx. Gallery 400, The University of Illinois, Chicago, USA
|
|
1993
|
|
Karsten Schubert Gallery Ltd., London, UK (solo)
|
|
1993
|
|
Galerie Marc Jancou, Zurich, Switzerland (solo)
|
|
1993
|
|
Galerie Tanja Grunert, Cologne, Germany (solo)
|
|
1992
|
|
Flux Attitudes. New Museum of Contemporary Art, New York, USA
|
|
1992
|
|
120 Minuten! Galerie Esther Schipper, Cologne, Germany
|
|
1992
|
|
Histories. Galerie Karin Schorm, Vienna, Austria
|
|
1992
|
|
Songs of Innocence, Songs of Experience. Whitney Museum in Equitable Center, New York, USA
|
|
1992
|
|
Helter Skelter, Museum of Contemporary Art, Los Angeles, USA
|
|
1992
|
|
1301, Santa Monica, CA (solo)
|
|
1992
|
|
Untitled, Galerie Max Hetzler, Cologne, Germany
|
|
1991
|
|
Korper und Korper, Grazer Kunstverein, Graz, Austria
|
|
1991
|
|
Ealan Wingate Gallery, New York (solo)
|
|
1991
|
|
The Lick of the Eye, Shoshana Wayne Gallery, Los Angeles, USA
|
|
1991
|
|
When Objects Dream and Talk in Their Slee,. Jack Tilton Gallery, New York, USA
|
|
1991
|
|
Tres Instalaciones. Galeria Sloane Racotta, Mexico City, Mexico
|
|
1991
|
|
Facts and Rumors. Witte de With Center for Contemporary Art, Rotterdam, The Netherlands
|
|
1991
|
|
Olin Art Gallery, Kenyon College, Ohio, USA (solo)
|
|
1991
|
|
Galerie Tanja Grunert, Cologne, Germany (solo)
|
|
1990
|
|
Marc Richards Gallery, Los Angeles, USA (solo)
|
|
1990
|
|
Koury Wingate Gallery, New York, USA (solo)
|
|
1990
|
|
Spirit of our Times. Santa Barbara Contemporary Art Forum, Santa Barbara, USA
|
|
1990
|
|
CologneShow. Galerien Grunert, Hetzler, Sprüth a.o., Cologne, Germany
|
|
1990
|
|
Koury/Wingate Gallery, New York (solo)
|
|
1990
|
|
Meg Cranston. Sarah Seager, Thaddeus Strode, Galerie Schurr, Stuttgart
|
|
1989
|
|
I to Eye, Cirrus Gallery, Los Angeles
|
|
1989
|
|
Marc Richards Gallery, Los Angeles (solo)
|
|
1989
|
|
Hand Made: The Nature of the Object. Bard College, New York, USA
|
|
1989
|
|
Sculpture. Laurie Rubin Gallery, New York, USA
|
|
1988
|
|
Santa Monica Museum of Art (catalog) (solo)
|
|
1988
|
|
An Exhibition, Curated by John Baldessari, Jeffrey Linden Gallery, Los Angeles
|
|
1987
|
|
2001 1/2 Loughelton Gallery, New York
|
|
1987
|
|
The New Who’s Who, Hoffman/Borman Gallery, Los Angeles
|
|
1987
|
|
The New Who‘s Who. Hoffman Borman Gallery, Los Angeles, USA
|
|
1987
|
|
Breaking the Looking Glass (East). Holly Solomon Gallery, New York, USA
|
|
1987
|
|
Breaking the Looking Glass (West). Fahey Klein Gallery, Los Angeles
|
|
1986
|
|
T.V. Generations, Los Angeles Contemporary Exhibitions, (catalog)
|
|
|
|
|
|
|
| Littérature |
|
|
|
2008
|
|
Nico Israel, Tirdad Zolghadr, Carole Ann Klonarides, Meg Cranston. Hot Pants in a Cold, Cold, World
|
|
2008
|
|
Works 1987-2007, ARTSPACE & Clouds and JRP Ringier, New Zealand
|
|
2007
|
|
Good Morning Evil Genius, 2nd Cannons, Los Angeles (Text and image by Meg Cranston) ( Artist book)
|
|
2001
|
|
Gellatly, A. L.A. -ex Performances, Reine Cantz, Munich
|
|
1994
|
|
Jahresing 41: Jahrbuch fur moderne Kunst“, (Yearbook for Modern Art),Verlag Silke Schreiber
|
|
|
|