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1976 - 1978
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Vassar College, studied for 2 years with Alton Pickens.
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1979 - 1982
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Kansas City Art Institute, Bachelors of Fine Arts, Studied with Dale Eldred
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1983 - 1984
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Kunstakademie Dusseldorf as part of a Deutscher Akademischer Austauchdienst award. Awarded for study with Gunther Uecker and Joseph Beuys
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1987 - 1989
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Yale University, Masters of Fine Arts, studied with Vito Acconci, Frank Gehry and Claus Oldenburg, Alice Aycock, and others
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Expositions sélectionnées |
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2010 |
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Michael Rees, Social Object, Chelsea Art Museum, Chelsea, New York, United States, curated by Koan Jeff Baysa and Nina Colosi (solo) |
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2009 |
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Michael Rees: Model Behavior, Deborah Colton Gallery, Houston, Texas, United States (solo) |
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2009 |
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Putto 4 over 4, Zentrum fur Medien Kunst, Karlsruhe, Germany, curated by Peter Weibel, ongoing (solo) |
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2008 |
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Converge: Ghraib Bag, at Art Omi, Ghent, New York, United States (solo) |
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2008 |
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e-form, Mimetic Immersion and Activated Spectatorship in Virtual Sculpture, showing |
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2008 |
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Tree Blob, The Beijing Today Art Museum, Beijing China and Duolon Museum of Modern Art, Shanghai, China |
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2008 |
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Make Tank, The Lab, 501 Lexington Avenue New York, New York, United States |
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2008 |
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Prem McKeig, Robert Gero, Michael Rees, Matthew West, curated by Michael Rees |
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2008 |
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Switcher Sex, Video Works and Photography from the Teutloff Collection, The Slought Foundation, curated by Aron Levy. Artists include: Matthew Barney, Tracy Emin, Diane Arbus, Alfredo Jaar, Nan Goldin, Andres Serrano, and others. Philadelphia, Pennsylvania, United States |
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2007 |
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Converge, Sculpture and Animation, Art Omi, Ghent, New York, United States (solo) |
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2006 |
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Putto 4 over 4 v2, Private collection, Greenwich, Connecticut, United States (solo) |
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2006 |
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Converge, Sculpture and Animation, Art Omi, Ghent, New York, United States (solo) |
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2006 |
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The Hedonistic Imperative, Deborah Colton Gallery, Houston, TX, curated by Graham Guerra |
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2005 |
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More Better Future, Rheineger Gallery, Cleveland institute of Art, Cleveland, Oh, curated by Saul Ostrow |
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2005 |
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Unrelated, Artists' Space, Saratoga Springs, NY, curated by Peter Dudek |
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2005 |
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Sculptural information, Exploratorium at the Palace of Fine Arts, San Francisco, California, curated by Pam Winfrey |
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2005 |
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Group Exhibition, Bitforms Gallery, Art Koln, Koln, Germany |
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2005 |
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The Hedonistic Imperative, Jack the Pelican, Brooklyn, NY, curated by Graham Guerra |
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2005 |
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Putto 2x2x2x4, Sculpture and Animation, Permanent Installation 12th Street between Broadway and Central, Kansas City, Mo (solo) |
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2005 |
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Symbolic Logic, the Sculpture of Michael Rees, Panorama Art, Koln, West Germany (solo) |
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2005 |
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Putto 4 over 4 (1/3) at the MARTa Museum curated by Jan Hoet. Herford, Germany (solo) |
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2005 |
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Putto 4 over 4 (2/3) at the Decordova Museum, curated by George Fifield, Lincoln, MA (solo) |
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2005 |
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bitforms Seoul, Korea |
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2005 |
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Kemper Art Museum, Kansas City, public commission, sculpture/animation |
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2005 |
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MARTa Museum, Herford Germany |
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2005 |
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Putto 2x2x2x4, Sculpture and Animation, Permanent Installation 12th Street between Broadway and Central, Kansas City, Missouri, United States (solo) |
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2005 |
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Acquired by the Kemper Museum of Contemporary Art, Kansas City, Missouri, United States |
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2005 |
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Symbolic Logic, the Sculpture of Michael Rees, Panorama Art, Koln, West Germany |
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2004 |
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Integrating the Digital Consciousness, Deborah Colton Gallery, Houston, TX |
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2004 |
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Group Exhibition, Silver Mine Arts Space, New Canaan, CT |
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2004 |
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Byte, Nassau County Museum |
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2004 |
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Michael Rees @ the Aldrich Museum of Contemporary Art, Ridgefield, Ct. |
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2004 |
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Large and Moving @ The Aldrich Museum of Contemporary Art, Ridgefield, Ct (solo) |
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2003 |
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Sculpture: Large, Small, and Moving, Bitforms Gallery, New York, New York (solo) |
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2003 |
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Sculpture: Large, Small, and Moving, bitforms Gallery, New York, New York |
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2003 |
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2003 Consciousness and Process in the work of Michael Rees and Michael Somoroff”, K99, Kologne West Germany |
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2003 |
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“Nown”: In the action of the animated person, place, thing, and quality, Woods Street Gallery, Pittsburgh. |
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2003 |
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From Code to Commodity: Genetics in Visual Art, The New York Academy of Sciences. Curated by Dorothy Nelkin and Suzanne Anker |
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2003 |
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Media Art, Daejeon-New York, Special Effects, Daejeon Municipal Museum of Art, Dae Jeon, South Korea, curated by Lawrence Rinder. |
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2003 |
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Fetish Human Fantastic, Boursein Gallery, Istanbull Turkey, curated by Michelle Thursz. |
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2002 |
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Project Room Gorney Bravin + Lee, New York, New York |
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2002 |
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ten, Universal Concepts Unlimited, New York, New York |
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2002 |
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Project Room Gorney Bravin + Lee, New York, New York (solo) |
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2002 |
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ten, Universal Concepts Unlimited, New York, New York (solo) |
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2001 |
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BitStreams, Whitney Museum of American Art New York |
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2001 |
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Ten, Universal Concepts Limited New York |
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2001 |
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Project Room, Gourney, Bravin & Lee New York |
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2000 |
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Photasm, Hunter College New York |
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2000 |
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NOISE, Kettle's Yard, Whipple Museum (History of Science) Cambridge U, England |
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1999 |
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Digital Hybrids, McDonough Museum of Art Younstown, OH |
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1999 |
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Artificial Sculpture (WYSIWIG), Forum For Contemporary Art St. Louis, MO |
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1999 |
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InterSculpt, The City Hall of the 6th Arrondisement Paris, France |
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1999 |
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Mind into Matter, The Computer Museum Boston, MA |
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1998 |
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Pop Surrealism, The Aldrich Museum of Contemporary Art Conneticut |
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1998 |
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(re)Meditation: The Digital in Contemporary American Printmaking, University of South Florida Contemporary Art Mus Florida |
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1998 |
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The Spatial Qualities of the Digital Print: from Printmaking to Sculpture, Calcografia Nacional Madrid, Spain |
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1998 |
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New Surrealism, Pamela Achincloss Gallery New York |
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1998 |
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Gallerie Simmone Stern New Orleans, LA |
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1998 |
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From Ear to Ear, Central Fine Arts Inc. New York |
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1998 |
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The Ecstatic Body, Grand Arts Kansas City, MO |
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1997 |
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Digital Psyche, The Kemper Museum of Contemporary Art & Design Kansas City, MO |
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1996 |
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Imaginary Anatomy, Pasinger Fabrik Munich, Germany |
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1995 |
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The 1995 Whitney Biennial, The Whitney Museum of American Art New York |
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1995 |
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Summer Fling, Basilico Fine Art New York |
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1995 |
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Home Noeticus, Basilico Fine Arts New York |
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1994 |
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The Figure as Fiction, The Cincinnati Art Center Cincinnati, OH |
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1993 |
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The Elusive Object: Recent Sculpture from the Permanent Collection of the Whitney Museum, The Whitney Museum of American Art New York |
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1993 |
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Basilico Fine Arts New York |
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1992 |
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Tony Shafrazi Gallery New York |
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1991 |
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303 Gallery New York |
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