|
|
Olafur Eliasson Biographie
|
 |
 |
|
1967 |
|
Born in Copenhagen, Denmark
|
|
1989 - 1995 |
|
Studied at the Royal Danish Academy of Art, Copenhagen, Denmark
|
|
|
|
Lives and works in Copenhagen, Denmark and Berlin, Germany
|
|
|
| Expositions sélectionnées |
|
|
|
2012
|
|
Little Sun, Tate Modern, London, UK (solo)
Your Uncertain Shadow, PKM Trinity Gallery, Seoul, Korea (solo)
|
|
2011
|
|
Your body of work, Pinacoteca do Estado de São Paulo, SESC Pompeia, and SESC Belenzinho, Sao Paulo, Brazil (solo)
Your emotional future, PinchukArtCentre, Kiev, Ukraine (solo)
Three to now, Harvard University Graduate School of Design Cambridge, Ma, USA (solo)
|
|
2010
|
|
Dopplereffekt. Bilder in Kunst und Wissenschaft, Kunsthalle zu Kiel, Germany (group)
Innen Stadt Außen, Martin‐Gropius‐Bau, Berlin, Germany (solo)
Multiple shadow house, Tanya Bonakdar Gallery, New York, US (solo)
Keppler was wrong, Galería Elvira González, Madrid, Spain (solo)
|
|
|
2009
|
|
The cubic structural evolution project," Hervey Bay Regional Gallery, Queensland, Australia; and Caloundra Regional Art Gallery, Australia (solo)
BEST OF AUSTRIA. Eine Kunstsammlung, Lentos Kunstmuseum Linz, Linz, New Zealand (group)
Camere 8: Olafur Eliasson, Giulio Paolini, Erwin Wurm, Galleria RAM radioartemobile, Rome, Italy (group)
Science versus Fiction, Bétonsalon, Paris, France (group)
Il Tempo del Postino, Theater Basel, Art 40 Basel, Switzerland (group)
The World Is Yours, Louisiana Museum of Modern Art, Copenhagen, Denmark (group)
FLASH! Light and movement (Valoa ja liikettä), Sara Hildén Art Museum, Tampere, Finland (group)
Arken Museum for Moderne Kunst, Ishøj, Denmark (group)
Mediated Experience: Olafur Eliasson’s books, Artelibro, Art Book Festival, Bologna, Italy (group)
The colour circle series, Niels Borch Jensen Galerie, Berlin (solo)
Is the sky part of a landscape, PKM Trinity Gallery, Seoul, Korea (solo)
Your chance encounter, 21st Century Museum of Contemporary Art, Kanazawa, Japan (solo)
Rethink Relations, Statens Museum for Kunst, Copenhagen, Denmark
The parliament of reality, permanent installation, The Center for Curatorial Studies (CCS Bard), Bard College, New York, commissioned by The Center for Curatorial Studies and The Luma Foundation (puclic project)
Sunspace for Shibukawa, permanent installation, Shibukawa, Japan, commissioned by Hara Museum ARC (public project)
Cirkelbroen, permanent installation, Christianshavns Kanal, Copenhagen, commissioned by Nordea Fonden (public project)
Your watercolour machine, Andersen's Contemporary, Copenhagen (solo)
Olafur Eliasson: Limboland, i8 Gallery, Reykjavik (solo)
The body as brain – the moving museum: Projekt Summlung (6), Kunsthaus Zug (solo)
Take your time: Olafur Eliasson, Museum of Contemporary Art, Chicago (solo)
Take your time: Olafur Eliasson, Museum of Contemporary Art, Sydney, Australia (solo)
50 Moons of Saturn, T2 Torino Triennale, Castello di Rivoli Museum of Contemporary Art, Turin, Italy (solo)
|
|
|
2008
|
|
Serpentine Gallery - The Experiment Marathon: Part 2, Reykjavik Arts Festival, Reykjavik
Moralische Fantasien, Kunstmuseum Thurgau, Warth, Switzerland
Revolutions - Forms that Turn, 16th Biennale of Sydney, Sydney, Australia
Infinite Ice: Traversing the Arctic and the Alps from 1860 to the present, Albertina, Vienna, Austria
U - Turn, Quadrennial for Contemporary Art, Copenhagen, Denmark
pleinarism, i8 Gallery, Reykjavik, Iceland
The Nature of Things, Fundacio Joan Miro, Barcelona (solo)
Yellow fog, Verbund Collection, Vienna (permanent exhibition) (solo)
New York City Waterfalls, East River, New York (solo)
YOUniverse, Third International Biennial of Contemporary Art, Seville, Spain
The New York City Waterfalls, temporary installation, New York, commissioned by Public Art Fund, New York (public project)
Tellurium for A. P. Møller Skolen, permanent installation, Schleswig, Germany, commissioned by The A.P.Møller and Chastine Mc‐Kinney Møller Foundation (public project)
Winter solstice, Equinox, Summer solstice, Jarla Partilager, Stockholm (solo)
Your mobile expectations: BMW H2R project, Pinakothek der Moderne, Munchen (solo)
la Naturalesa de Les Coses, Fundacio Joan Miro, Barcelona (solo)
Summer solstice, Jarla Partilager, Stockholm, Sweden
Take your time, The Museum of Modern Art and P.S.1, New York (solo)
Spatial vibration: string-based instrument, Tanya Bonakdar Gallery, New York (solo)
The inside of outside, neugerriemschneider, Berlin (solo)
The inside of outside, neugerriemschneider, Berlin (solo)
Yellow Fog, permanent installation at Verbund Zentrale, Am Hof, Vienna (public project)
The New York City Waterfalls, presented by Public Art Fund, in association with the City of New York (public project)
YOUniverse, Third International Biennial of Contemporary Art, Seville, Spain
Full House – American Art from the Collections of Guggenheim and Kiasma, Museum of Contemporary Art, Kiasma, Helsinki
Martin-Gropius-Bau, Berlin, Germany
Das Sehen sehen: Neoimpressionismus und Moderne; Signac bis Eliasson, Kunsthaus Zug, Switzerland
Thyssen-Bornemisza Art Contemporary: Collection as Aleph, Kunsthaus Graz, Austria
A Room of One’s Own, Castello di Rivoli, Turin, Italy
A Room of One’s Own, Castello di Rivoli, Turin, Italy
Serpentine Gallery - The Experiment Marathon: Part 2, Reykjavik Arts Festival, Reykjavik
Space for your future, Museum for Contemporary Art, Tokyo
Take Your Time: Olafur Eliasson, San Francisco Museum of Modern Art, San Francisco(solo)
|
|
|
2007
|
|
Nature Design. Von Inspiration zu Innovation, Museum für Gestaltung Zürich, Switzerland
Window/Interface, Mildred Lane Kemper Art Museum, Washington, D.C., USA
2move–Migrante Video, Zuiderzeemuseum Enkhuizen, The Netherlands
I can only see things when I move. Positionen zeitgenössischer Kunst auf Papir, Staatliche Kunstsammlungen Dresden–Kupferstich-Kabinett, Germany
Refract, Reflect, Project: Light Works from the Collection, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
Future systems: Rare Moments, Lentos, Kunstmuseum Linz, Germany
Re ‐ distribution of the sensible, Magnus Müller, Berlin, Germany
The Shapes of Space, Solomon R. Guggenheim Museum, New York, USA
Destroy, She Said, Julia Stoschek Collection, Düsseldorf, Germany
A North Light ‐ Cynosure, The Pier Arts Centre, Orkney, UK
Il Tempo del Postino, Manchester International Festival, UK
Serpentine Gallery Pavilion 2007, in collaboration with Kjetil Thorsen; temporary installation, commissioned by Serpentine Gallery, London, Uk (public project)
Serpentine Gallery Pavilion 2007 (with Kjetil Thorsen), commissioned by Serpentine Gallery, London (public project)
To lufthuller med lys, permanent installation, commissioned by Kolding Kommune for Kolding Bibliotek, Denmark (public project)
Take your time, San Francisco Museum of Modern Art, San Francisco (solo)
The cubic structural evolution project, National Gallery of Victoria, Melbourne (solo)
The body as brain-Lava floor: Projekt Sammlung (5), Kunsthaus Zug, Switzerland (solo)
Winter solstice, Jarla Partilager, Stockholm (solo)
Migratory Esthetics, Zuiderzeemuseum, Enkhuizen
The shadow studies. Projekt Sammlung (5), Kunsthaus Zug, Switzerland (solo)
Works on paper and other flat objects, PKM Gallery, Seoul (solo)
Your tempo, San Francisco Museum of Modern Art, San Francisco (solo)
|
|
|
2006
|
|
A laboratory of mediating space, Aedes am Pfefferberg, Berlin, Germany (solo)
Light lab (test I - XII), Portikus, Frankfurt am Main, Germany (solo)
Omgivelser, Andersen-S Contemporary, Copenhagen, Denmark (solo)
The endless study, Österreichische Friedrich und Lillian Kiesler - Privatstiftung, Vienna, Austria (solo)
Intensive Science, La Maison Rouge, Paris, France
Your rainbow panorama, permanent installation; competition, ARos Aarhus Kunstmuseum, Denmark, commissioned by ARoS AarhusKunstmuseum, Denmark (public project)
Eye see you, temporary installations for Louis Vuitton boutiques worldwide, 2006-07, commissioned by Louis Vuitton Malletier (public project)
Music wall, permanent installation, Alsion, Sønderborg, Denmark, commissioned by Syddansk Universitet, Odense, Denmark (public project)
Olafur Eliasson: Your Uncertainty of Colour Matching Experiment, Ikon Gallery, Birmingham
The Expanded Eye, Kunsthaus Zürich, Zurich
PHotoEspaña 06, PHotoEspaña, Madrid
Olafur Eliasson, Gallery Koyanagi, Tokyo
New perspective on the 70s, Moderna Museet, Stockholm
Not all is Visible: Works from the Astrup Fearnley Collection, Astrup Fearnley Museum of Modern Art, Oslo
Where are we going: Selections from the Francois Pinault Collection, Palazzo Grassi, Venice
Surprise, Surprise, Institute of Contemporary Arts London
Your engagement sequence, Tanya Bonakdar Gallery, New York, USA
Your waste of time, neugerriemschneider, Berlin, Germany
Eye on Europe: Prints, Books & Multiples / 1960 to Now, The Museum of Modern Art, New York
The Expanded Eye, Kunsthaus Zürich, Zurich
Nature Attitudes, Thyssen - Bornemisza Art Contemporary (T-B A21), Vienna, Austria
Kunstmuseum Bonn, Bonn
Tanya Bonakdar Gallery, New York, NY
Your waste of time, neugerriemschneider, Berlin (solo)
|
|
|
2005
|
|
Making Things Public: Atmosphären der Demokratie, Zentrum für Kunst und Medientechnologie, Karlsruhe
Tími, rými, tilvera, Reykjavik Arts Festival, Iceland
Your black horizon, 51st Venice Biennale (exhibited in Art Pavilion by David Adjaye,commissioned by Thyssen-Bornemisza Art Contemporary, Vienna); and Lopud Island, Croatia (2007)
Here Comes the Sun, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
Meant to be lived in (Today I’m feeling prismatic), Emi Fontana West of Rome, Jamie Residence, Pasadena, California, US (solo)
Notion motion, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands (solo)
The light setup, Lunds Konsthall, Sweden; and Malmö Konsthall, Sweden (solo)
Expérience de la durée, 8th Biennale d’Art Contemporain de Lyon, France
Arte all’Arte 10: Arte Architettura Paesaggio, Associazione Arte Continua, San Gimignano, Italy
Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles
Lichtkunst aus Kunstlicht, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
36 x 27 x 10, White Cube Berlin / Volkspalast, Palazzo della Repubblica, Berlin, Germany
36 x 27 x 10, White Cube Berlin / Volkspalast, Palazzo della Repubblica, Berlin, Germany
Museum Boijmans van Beuningen, Rotterdam, The Netherlands
Glass brick for the façades of the Icelandic National Concert and Conference Centre, Reykjavik, Iceland (public project)
Design by Henning Larsen Architects, expected completion in 2011, commissioned by Eignarhaldsfélagid Portus Ltd (public project)
Foksal Gallery Foundation, Warsaw
Malmö Konsthall, Malmö
Lunds Konsthall, Lund
Ellipse Foundatoin, The Netherlands
Your light shadow, Hara Museum of Contemporary Art, Tokyo, Japan (solo)
|
|
|
2005
|
|
Your light shadow, Hara Museum of Contemporary Art, Tokyo, Japan (solo)
|
|
2004
|
|
Minding the World, Aarhus Kunstmuseum, Denmark (solo)
|
|
2004
|
|
Your colour memory, Arcadia University Art Gallery, Glenside, Pennsylvania (solo)
|
|
2004
|
|
I only see things when they move, Aspen Art Museum, Colorado
|
|
2004
|
|
Your Lighthouse: Works with light, 1991-2004, Kunstmuseum Wolfsburg
|
|
2004
|
|
The Body as Brain, Kunsthaus Zug, Switzerland
|
|
2004
|
|
Olafur Eliasson: Photographs, The Menil Collection, Houston, TX
|
|
2004
|
|
Colour memory and other informal shadows, Astrup Fearnley
|
|
2004
|
|
Museum of Modern Art, Oslo (solo)
|
|
2004
|
|
Frost Activity, Hafnarhús, Reykjavík
|
|
2004
|
|
Double Exposure, Brigitte March Galerie, Stuttgart, Germany
|
|
2004
|
|
Everything Is Connected, he, he, he, Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway
|
|
2004
|
|
Reflecting the Mirror, Marian Goodman Gallery, New York, USA
|
|
2004
|
|
Monument to Now, Deste Foundation Centre for Contemporary Art, Athens, Greece
|
|
2004
|
|
ein ‐ leuchten, Museum der Moderne Salzburg, Austria
|
|
2004
|
|
Artists’ Favourites: Act II, Institute of Contemporary Arts, London, UK
|
|
2004
|
|
The Encounters in the 21st Century: Polyphony ‐ Emerging Resonances, 21st Century Museum of Contemporary Art, Kanazawa, Japan
|
|
2004
|
|
Moving Parts: Forms of the Kinetic (Bewegliche Teile: Formen des Kinetischen ),teirischer Herbst, Kunsthaus Graz, Austria; and Museum Tinguely, Basel, Switzerland
|
|
2004
|
|
Invisibile, Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy
|
|
2004
|
|
realityREAL: Arbeiten auf Papier, Galerie Gebr. Lehmann, Dresden, Germany
|
|
2004
|
|
The Amazing and The Immutable, University of South Florida Contemporary Art Museum, Tampa, Florida
|
|
2004
|
|
La Colmena, La Colección Jumex, Ecatepec de Morelos, Mexico
|
|
2004
|
|
Nouvelles Collections, Centre PasquArt, Biel/Bienne, Switzerland
|
|
2004
|
|
Umschreibung, permanent installation; competition, KPMG Deutsche Treuhand-Gesellschaft, Munich, Germany, commissioned by KPMG Deutsche Treuhand ‐ Gesellschaft, Berlin (public project)
|
|
2004
|
|
“Dufttunnel (Scent Tunnel): A Project for the Autostadt,” permanent installation, Autostadt, Wolfsburg, Germany, commissioned by Autostadt GmbH, Wolfsburg, Germany (public project)
|
|
2004
|
|
The other wall, permanent installation; competition, the New Oslo Opera, Norway, commissioned by KORO–Public Art Norway (public project)
|
|
2004
|
|
Forgetting, Brändström Stene Galerie, Stockholm
|
|
2003
|
|
Delight and other luminous Movements, Galleria Emi Fontana, Milan, Italy
|
|
2003
|
|
Sphere, permanent installation; competition, Fünf Höfe, Viscardihof, Munich, commissioned by HypoVereinsbank for Fünf Höfe development, Munich, Germany (public project)
|
|
2003
|
|
Chaque matin je me sens différent, Chaque soir je me sense le même, Musee d’Art Moderne de la Ville de Paris, France
|
|
2003
|
|
Overrgaden, Copenhagen
|
|
2003
|
|
The Cartographic Series I + II, Niels Borch Jensen Verlag + Druck, Berlin
|
|
2003
|
|
Udigten der aldrig taenker, Galleri Kirke Sonnerup, KR.Saby, Denmark
|
|
2003
|
|
Revisitar Canarias, Galería Elba Benítez, Madrid, Spain; travelled to Sala la Regenta, Las Palmas de Gran Canaria, Spain; and Sala La Granja, Santa Cruz de Tenerife, Spain
|
|
2003
|
|
The Straight or Crooked Way, Royal College of Art, London
|
|
2003
|
|
Utopia Station, 50th Venice Biennale, Italy; travelled to Mostra d’Oltremare, Naples, Italy; Haus der Kunst, Munich, Germany; Kunst + Projekte, Sindelfingen, Germany; and World Social Forum, Porto Alegre, Brazil
|
|
2003
|
|
Nuevos Proyectos,” Foundación NMAC, Cádiz, Spain
|
|
2003
|
|
Louise Lawler / Add to it; Portikus im Leinwandhaus: Tobias Rehberger / Olafur Eliasson & Zumtobel Staff, Portikus, Frankfurt am Main, Germany
|
|
2003
|
|
U‐Topos, 2nd Tirana Biennale, Albania
|
|
2003
|
|
Sitings: Installation Art 1969 ‐ 2002,” Museum of Contemporary Art, Los Angeles
|
|
2003
|
|
Einbildung: Das Wahrnehmen in der Kunst, Steirischer Herbst, Graz, Austria
|
|
2003
|
|
The Fifth System: Public Art in the Age of Post‐Planning, 5th Shenzhen International Public Art Exhibition, China
|
|
2003
|
|
The Weather Project, Turbine Hall, Tate Modern, London (solo)
|
|
2003
|
|
Danish Pavillion, 50th Venice Biennale
|
|
2003
|
|
Museum Boijmans van Beuningen, Rotterdam, NL
|
|
2003
|
|
Tanya Bonakdar Gallery, New York
|
|
2003
|
|
Funcionamento silencio, Museo Nacional Centro de Arte Reina Sofia
|
|
2003
|
|
Sonne statt Regen, Stadtsche Galerie im Lenbachhaus und Kunstbau Munchen, Munich
|
|
2003
|
|
Funcionamiento silencioso, Museo Nacional Centro de Arte Reina Sofia ‐ Palacio de Cristal, Parque del Retiro, Madrid, Spain
|
|
2003
|
|
Sonne statt Regen, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich, Germany
|
|
2003
|
|
The blind pavilion, Danish Pavilion, 50th Venice Biennale, Venice, Italy
|
|
2003
|
|
The body as brain: Projekt Sammlung (1), Kunsthaus Zug, Switzerland
|
|
2002
|
|
Chaque matin je me sens différent, chaque soir je me sens le même, Musée d’Art Moderne de la Ville de Paris, Paris, France
|
|
2002
|
|
Olafur Eliasson, i8 Gallery, Reykjavik, Iceland
|
|
2002
|
|
The cartographic series I + II, Niels Borch Jensen Galerie und Verlag, Berlin, Germany
|
|
2002
|
|
The Theory of Leisure, La Colección Jumex, Ecatepec de Morelos, Mexico
|
|
2002
|
|
Beyond Paradise: Nordic Artists Travel East, Museet for samtidskunst, Oslo; travelled to Danish Contemporary Art Foundation, Copenhagen; Finnish Fund for Art Exchange, Helsinki, Finland; Svenska Institutet, Stockholm, Sweden; Tadu Contemporary Art Gallery and additional venues, Bangkok, Thailand; National Art Galley and additional venues, Kuala Lumpur, Malaysia; and Fine Art Museum and Jin Wen Art Center, Shanghai, China (organized by Moderna Museet, Stockholm, Sweden)
|
|
2002
|
|
Claude Monet…bis zum digitalen Impressionismus, Fondation Beyeler, Riehen, Switzerland
|
|
2002
|
|
Opening Exhibition, Galleri Kirke Sonnerup, Kirke Saaby, Denmark
|
|
2002
|
|
From the Cool Light, Niels Borch Jensen Galerie und Verlag, Berlin, Germany
|
|
2002
|
|
The Object Sculpture, Henry Moore Institute, Leeds, UK
|
|
2002
|
|
Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collection, Solomon R. Guggenheim Museum, New York and Guggenheim Bilbao, Spain
|
|
2002
|
|
The air is blue (el aire es azul), Casa Luis Barragán, Mexico City, Mexico
|
|
2002
|
|
Mirror Mirror, Massachusetts Museum of Contemporary Art (Mass MoCA), North Adams, Massachusetts, USA
|
|
2002
|
|
Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures, AXA Gallery, New York; travelled to Scottsdale Museum of Contemporary Art, Arizona; International Museum of Art and Science, McAllen, Texas; Chicago Cultural Center, Illinois; Ulrich Museum of Art, Kansas; Wichita State University, Kansas; Bedford Gallery, Walnut Creek, Califonia; Boise Art Museum, Idaho; and Gemeentemuseum Helmond, The Netherlands. (organized by Independent Curators International, New York)
|
|
2002
|
|
Dialoghi Europei d’Arte: Città di Napoli, Castel dell’Ovo and Castel Nuovo, Naples, Italy
|
|
2001
|
|
Windspiegelwand (Wind Mirror Wall), permanent installation, Berlin, commissioned by Die Deutsche Gesellschaft für Technische Zusammenarbeit, Berlin, Germany (public project)
|
|
2001
|
|
i-8 Gallery, Reykjavik
|
|
2001
|
|
The structural evolution project, Mala galerija, Ljubljana, Slovenia
|
|
2001
|
|
Die dinge die du nicht siehst die du nicht siehst, Neuger Riemschneider, Berlin
|
|
2001
|
|
Seeing yourself sensing, The Museum of Modern Art, New York
|
|
2001
|
|
Surroundings surrounded, ZKM, Karlsruhe, Germany
|
|
2001
|
|
The mediated motion, Kunsthaus Bregenz, Germany
|
|
2001
|
|
Your only real thing is time, The Institute of Contemporary Art, Boston
|
|
2001
|
|
Freestyle: Werke aus der Sammlung Boros, Museum Morsbroich Leverkusen, Germany
|
|
2001
|
|
Neue Welt, Frankfurter Kunstverein, Frankfurt am Main, Germany
|
|
2001
|
|
En el Cielo, 49th Venice Biennale, Italy
|
|
2001
|
|
Black Box: Der Schwarzraum in der Kunst, Kunstmuseum Bern, Switzerland
|
|
2001
|
|
Projekt Nr. 30: 10 Years with Stalke Out Of Space, Stalke Galleri, Copenhagen
|
|
2001
|
|
Palomino, Galerie für Zeitgenössische Kunst, Leipzig, Germany
|
|
2001
|
|
Mega Wave: Towards a New Synthesis, Yokohoma 2001: International Triennale of Contemporary Art, Japan
|
|
2001
|
|
Aubette: Het verlangen naar een (andere) plaats, Museum Dhondt‐Dhaenens, Deurle, Belgium
|
|
2001
|
|
Projects 73: Olafur Eliasson; Seeing yourself sensing, The Museum of Modern Art, New York
|
|
2000
|
|
Surroundings surrounded, Neue Galerie am Landesmuseum Joanneum, Graz, Austria; and ZKM - Zentrum für Kunst und Medientechnologie Karlsruhe, Zentrum für Kunst und Medientechnologie Karlsruhe 2001
|
|
2000
|
|
Focus: Olafur Eliasson; Your intuitive surroundings versus your surrounded intuition, Art Institute of Chicago, Chicago, USA
|
|
2000
|
|
Olafur Eliasson, Kunstverein Wolfsburg, Germany
|
|
2000
|
|
Your now is my surroundings, Bonakdar Jancou Gallery, New York, USA
|
|
2000
|
|
Naust, Øygarden, Tjeldstø, Norway
|
|
2000
|
|
Wonderland, Saint Louis Art Museum, Missouri
|
|
2000
|
|
Benesse Prize Winners Exhibition, Naoshima Contemporary Art Museum, Kagawa, Japan
|
|
2000
|
|
Preis der Nationalgalerie für junge Kunst, Nationalgalerie im Hamburger Bahnhof–Museum für Gegenwart, Berlin
|
|
2000
|
|
Organising Freedom ‐ nordisk 90‐tals konst, Moderna Museet, Stockholm, Sweden and Charlottenborg Udstillingsbygning, Copenhagen, Denmark
|
|
2000
|
|
The Greenhouse Effect, Serpentine Gallery, London, UK
|
|
2000
|
|
Wanås 2000, Stiftelsen Wanås Utställningar, Knislinge, Sweden
|
|
2000
|
|
Kunstverein, Wolfsburg
|
|
2000
|
|
Your intuitive surroundings vs. your surrounded intuition, The Art Institute of Chicago; Neue Galerie Graz, Graz
|
|
2000
|
|
The only thing we have in common is that we are different, CCA Kitakyushu Project Gallery, Japan
|
|
2000
|
|
Your orange afterimage exposed, Gallery Koyanagi, Tokyo
|
|
2000
|
|
Your blue afterimage exposed, Masataka Hayakawa Gallery, Tokyo
|
|
2000
|
|
Aldrich Museum of Contemporary Art, Ridgefield
|
|
2000
|
|
The Curious Garden, Irish Museum of Modern Art, Dublin
|
|
2000
|
|
The movement meter for Lernacken, permanent installation, City of Malmö, commissioned by City of Malmö, Sweden (public project)
|
|
2000
|
|
Your now is my surroundings, Bonakdar Jancou Gallery, NY
|
|
2000
|
|
Naust, Øygarden, Tjeldstø, Norway
|
|
2000
|
|
Wonderland, Saint Louis Art Museum, Missouri, USA
|
|
2000
|
|
Benesse Prize Winners Exhibition, Naoshima Contemporary Art Museum, Kagawa, Japan
|
|
2000
|
|
Preis der Nationalgalerie für junge Kunst, Nationalgalerie im Hamburger Bahnhof–Museum für Gegenwart, Berlin, Germany
|
|
1999
|
|
Your position surrounded and your surroundings positioned, Dundee Contemporary Art, Dundee, Scotland
|
|
1999
|
|
De Appel Foundation, Amsterdam (with Job Koelewijn)
|
|
1999
|
|
Your Double Day Diary, Kunstverein Frankfurt
|
|
1999
|
|
Kunstverein Wolfsburg
|
|
1999
|
|
Beauty, Marc Foxx, Los Angeles
|
|
1999
|
|
Riflessi di una certa importanza, Emi Fontane, Milan
|
|
1999
|
|
Your Circumspection Disclosed, Castello di Rivoli, Turin
|
|
1999
|
|
Galleri Ingólfsstraeti, Reykjavik
|
|
1999
|
|
d’APERTutto, 48th Venice Biennale, Italy
|
|
1999
|
|
Sogni / Dreams, Fondazione Sandretto Re Rebaudengo, Turin, Italy
|
|
1999
|
|
Can You Hear Me?, 2nd ARS BALTICA Triennal of Photographic Art, Stadtgalerie im Sophienhof, Kiel, Germany; travelled to Kunsthalle Rostock, Germany; Contemporary Art Centre, Vilnius, Lithuania; Kunsthaus Dresden, Germany; Bergen Kunsthall/Bergens Kunstforening, Norway; and Galleria Otso, Espoo, Finland
|
|
1999
|
|
Carnegie International 1999/2000, Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA
|
|
1999
|
|
Children of Berlin: Cultural Developments 1989‐1999, P.S.1 Contemporary Art Center, Long Island City, New York
|
|
1999
|
|
German Open 1999: Gegenwartskunst in Deutschland, Kunstmuseum Wolfsburg, Germany
|
|
1999
|
|
Arte Continua, Casole d’Elsa I, San Gimignano, Italy
|
|
1999
|
|
Neste Stopp, Kunstfestivalen i Lofoten, Norway
|
|
1999
|
|
Yet untitled, Kunstverein Wolfsburg, Germany
|
|
1998
|
|
Olafur Eliasson, Galerie Peter Kilchmann, Zurich, Switzerland
|
|
1998
|
|
Yet untitled, neugerriemschneider, Berlin, Germany
|
|
1998
|
|
Nuit blanche, scènes nordiques: Les années 90, Musée d’Art Moderne de la Ville de Paris; travelled to Reykjavik Art Museum, Reykjavik, Iceland; Bergen Kunstmuseum, Norway; Porin Taidemuseo, Pori, Finland; and Göteborgs Konstmuseum, Sweden
|
|
1998
|
|
Sightings: New Photographic Art, Institute of Contemporary Arts, London
|
|
1998
|
|
Undergrund, Galerie Asbæk, Copenhagen
|
|
1998
|
|
Green river, intervention in Bremen, Germany, 1998; Moss, Norway, 1998; The Northern Fjallabak Route, Iceland, 1998; Los Angeles, CA, USA, 1999; Stockholm, Sweden, 2000; Tokyo, Japan, 2001 (public project)
|
|
1998
|
|
Yellow fog, temporary installation, The Jewish Museum, New York; permanent installation, Verbund Zentrale, Am Hof, Vienna, Austria (public project)
|
|
1998
|
|
Interferencias, Sala de Exposiciones del Canal de Isabel II, Madrid, Spain
|
|
1998
|
|
Nuit blanche, scènes nordiques: Les années 90, Musée d’Art Moderne de la Ville de Paris; travelled to Reykjavik Art Museum, Reykjavik, Iceland; Bergen Kunstmuseum, Norway; Porin Taidemuseo, Pori, Finland; and Göteborgs Konstmuseum, Sweden
|
|
1998
|
|
Seamless, de Appel arts centre, Amsterdam, Netherlands
|
|
1998
|
|
Do All Oceans Have Walls?, Gesellschaft für Aktuelle Kunst, Bremen, Germany
|
|
1998
|
|
Mai 98: Positionen zeitgenössischer Kunst seit den 60er Jahren, Kunsthalle Köln, Cologne, Germany
|
|
1998
|
|
La ville, le jardin, la mémoire, Villa Medici, Académie de France à Rome, Italy
|
|
1998
|
|
Kunst & Windenergie zur Weltausstellung, Rathaus der Landeshauptstadt Hannover, Germany
|
|
1998
|
|
Something Is Rotten in the State of Denmark, Kunsthalle Fridericianum, Kassel, Germany
|
|
1998
|
|
Projekt Nr. 12: Et blik på halvfemserne, Stalke Out of Space, Copenhagen / Amtsgården, Roskilde, Denmark
|
|
1998
|
|
Every Day, 11th Biennale of Sydney, Australia
|
|
1998
|
|
Edstrandska Stiftelsens Konstnärsstipendiater 1998, Rooseum Center for Contemporary Art, Malmö, Sweden
|
|
1998
|
|
Berlin / Berlin, 1st Berlin Biennial, Germany
|
|
1998
|
|
Cool Places: 7‐oji Baltijos šalių meno trienalé, Contemporary Art Center, Vilnius, Lithuania
|
|
1998
|
|
Auf der Spur: Kunst der 90er Jahren im Spiegel von Schweizer Sammlungen, Kunsthalle Zürich, Switzerland
|
|
1998
|
|
Light x Eight: The Hanukkah Project, Jewish Museum, New York, USA
|
|
1997
|
|
Schauplatz Museumsquartier: Zur Transformation eines Ortes, Kunsthalle Wien, Vienna, Austria
|
|
1997
|
|
Studija Islandija, Contemporary Art Centre, Vilnius, Lithuania
|
|
1997
|
|
Louisiana Udstillingen: Ny Kunst fra Danmark og Skåne, Louisiana Museum for Moderne Kunst, Humlebæk, Denmark
|
|
1997
|
|
On Life, Beauty, Translations and Other Difficulties, 5th International Istanbul Biennial, Turkey
|
|
1997
|
|
Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa
|
|
1997
|
|
The Curious Garden, Kunsthalle Basel, Basel, Switzerland
|
|
1997
|
|
Nye Fotos, Stalke Galleri, Copenhagen, Denmark
|
|
1997
|
|
Your sun machine, Marc Foxx Gallery, Los Angeles, USA
|
|
1997
|
|
Your windy corner, Galleri Andreas Brändström, Stockholm, Sweden
|
|
1996
|
|
Prospect 96: Photographie in der Gegenwartskunst, Frankfurter Kunstverein and Schirn
|
|
1996
|
|
Declining and becoming, Manifesta 1, Kunsthal Rotterdam, The Netherlands
|
|
1996
|
|
Remote Connections: Media Art in the Era of Displacement,” Neue Galerie am Landesmuseum Joanneum, Graz, Austria, travelled to Wäino Aaltonen Museum of Art, Turku, Finland; and Art Focus, Tel Aviv, Israel
|
|
1996
|
|
Skulpturparken ved Vestvolden – Hvidovre, Denmark
|
|
1996
|
|
Skriget. Borealis 8, ARKEN Museum for Moderne Kunst, Ishøj, Denmark
|
|
1996
|
|
Your strange certainty still kept, Tanya Bonakdar Gallery, New York, USA (solo)
|
|
1996
|
|
Tell me about a miraculous invention, Galleri Andreas Brändström, Stockholm, Sweden; and Malmö Konstmuseum, Sweden (solo)
|
|
1996
|
|
Your foresight endured, Galleria Emi Fontana, Milan, Italy (solo)
|
|
1995
|
|
Eine Beschreibung einer Reflexion, oder aber eine angenehme Übung zu deren Eigenschaften, neugerriemschneider, Berlin, Germany (solo)
|
|
1995
|
|
Thoka, Kunstverein in Hamburg, Germany (solo)
|
|
1995
|
|
Campo 95, Fondazione Sandretto Re Rebaudengo, 46th Venice Biennale, Italy; travelled to Sant'Antonino di Susa, Turin, Italy; and Malmö Konstmuseum, Sweden
|
|
1994
|
|
Europa '94, Junge europäische Kunst in München, MOC Messehallen, Munich, Germany
|
|
1994
|
|
Einige erinnern sich, dass sie auf dem Weg waren diese Nacht, Galerie Lukas & Hoffmann, Cologne, Germany (solo)
|
|
1994
|
|
Lilja Lever (Petrun, Vølven), Stalke Galleri, Copenhagen, Denmark (solo)
|
|
1994
|
|
No nights in summer, no days in winter, Forumgalleriet, Malmö, Sweden (solo)
|
|
1993
|
|
Black Box–Kunst under jorden, GLOBE Kuratorgruppe, Copenhagen, Denmark
|
|
1993
|
|
Opening Show, Galleri Nicolai Wallner, Copenhagen, Denmark
|
|
1993
|
|
Overdrive, 10 Young Nordic Artists, Project Room, Copenhagen, Denmark
|
|
|
|
|
|
|
|
|
|