Pier Francesco Mola  (Italian, 1612-1666) 

whitespace

Trouvez des œuvres de Pier Francesco Mola en vente sur le marché de l'art au niveau mondial, les œuvres passées en vente aux enchères et les résultats de ventes, une biographie ainsi que d'autres informations sur l'artiste.
envelope Recevez des alertes email sur cet artiste !  
Œuvres d’art mises en vente
Dans les galeries (3)
Marchands vendeurs (3)

Œuvres vendues
Dans des ventes aux enchères passées (450)

Calendrier
Expositions (2)

Plus d'informations
Biographie
Monographies
Rapports analytiques artnet
Rapports du marché artnet
* services payés

Œuvres d’art mises en vente


Pier Francesco Mola, Infant Satyrs Playing by a Plynth

 

Pier Francesco Mola
Infant Satyrs Playing by a Plynth
The Art Collection, Inc.
Pier Francesco Mola, Mezzo busto di vecchio con barba, piangente (San Pietro penitente?)

 

Pier Francesco Mola
Mezzo busto di vecchio con barba, piangente (San Pietro penitente?)
Robilant & Voena
Pier Francesco Mola, Euclid with Disciple

 

Pier Francesco Mola
Euclid with Disciple
Robilant & Voena
 Résultats d’enchères passées (450)  Voir tout
Circle Of Pier Francesco Mola, Narcissus and echo

 

Circle Of Pier Francesco Mola
Narcissus and echo
oil on canvas

 

Détails du lot
Pier Francesco Mola, Bacchus overseeing the crushing of grapes by his satyrs

 

Pier Francesco Mola
Bacchus overseeing the crushing of grapes by his satyrs
oil on canvas

 

Détails du lot
Circle Of Pier Francesco Mola, The vision of Saint Bruno

 

Circle Of Pier Francesco Mola
The vision of Saint Bruno
oil on canvas

 

Détails du lot
  Born in the town of Coldrerio, in the Swiss canton of Ticino, Pier Francesco Mola settled with his family in Rome at the age of four.
  He entered the Roman studio of Cavaliere d’Arpino at a young age, and later worked in Bologna as an assistant to Francesco Albani. To the influence of Arpino and Albani was added that of Pietro Testa, whom he met in Lucca in 1637, and Guercino, in whose Bolognese studio he may have spent time in the 1640’s. Of equal importance to the development of his artistic style were two long stays in Venice, between 1633 and 1640 and again from 1641 to 1647, after which Mola settled for good in Rome.
  His only signed and dated painting is the splendid ‘Oriental Warrior’ of 1650, now in the Louvre.
  He joined the Accademia di San Luca in 1655, and the following year contributed to the redecoration of the Palazzo del Quirinale, painting a fresco of ‘Joseph Greeting His Brothers’ on the end wall of the palace gallery.
  By 1658 he was working for Prince Camillo Pamphili, for whom he painted frescoes at the Pamphili palaces at Nettuno and Valmontone. Later patrons included Queen Christina of Sweden, while an invitation from Louis XIV to work in France was turned down on the grounds of the artist’s poor health.
  In 1662 Mola was elected principe of the Accademia di San Luca in Rome.
  A large number of drawings by Mola survive today, the majority of which are in pen and brown ink, with a handful in red or black chalk. Relatively few drawings by Mola may be identified as preparatory studies for his paintings, however. Many remain unrelated to finished works and, in many cases, seem to have been done for the artist’s own pleasure; this is certainly true of a large number of caricatures.


artnet – Le monde de l'art en ligne. ©2014 Artnet Worldwide Corporation. Tous droits réservés. artnet® est une marque déposée d'Artnet Worldwide Corporation, New York, NY, USA.