|
|
Ricky Swallow Biographie
|
 |
 |
|
1993 - 1997 |
|
Bachelor of Fine Art, Major: Drawing, Victorian College of the Arts, Melbourne, Victoria
|
|
|
|
Lives and works in Los Angeles
|
|
|
|
1999 Contempora 5 Art Award, Victoria, Australia
|
|
|
|
1998 Emerging Artists Grant, The Australia Council
|
|
 |
| Expositions sélectionnées |
 |
 |
|
2009
|
|
National Gallery of Victoria, Melbourne (solo)
|
|
2009
|
|
Mythologies, Museum of Mankind, London
|
|
2009
|
|
Soft Sculpture, National Gallery of Australia, Canberra
|
|
2008
|
|
Imaginary Thing, Aspen Art Museum, Colorado
|
|
2008
|
|
Tell Tchaikovsky the News, Curated by Torbjørn Rødland, Standard (Oslo), Oslo
|
|
2008
|
|
Mark Foxx Gallery, Los Angeles (solo)
|
|
2008
|
|
Ballad of a Thin Man, The Suburban, Oak Park, Illinois (solo)
|
|
2007
|
|
Douglas Hyde Gallery, Dublin (solo)
|
|
2007
|
|
Kunsthalle Vienna, Vienna, Austria (solo)
|
|
2007
|
|
Red Eye: Los Angeles Artists from the Rubell Family Collection, Miami, Florida, USA
|
|
2007
|
|
Goth: Reality of the Departed World, Yokohama Museum of Art, Japan
|
|
2007
|
|
Sculptors Drawing, Aspen Art Museum, Colorado, USA
|
|
2007
|
|
Makers and Modelers: Works in Ceramic, Gladstone Gallery, New York
|
|
2006
|
|
PS1/MoMA, New York (solo)
|
|
2006
|
|
Stuart Shave/Modern Art, London (solo)
|
|
2006
|
|
The Past Sure Is Tense, Art Gallery of Western Australia, Perth (solo)
|
|
2006
|
|
Summer exhibition, Stuart Shave/Modern Art, London
|
|
2005
|
|
Getting Emotional, ICA, Boston, 18 May – 5 September
|
|
2005
|
|
Australian Pavillion, Venice Biennale (solo)
|
|
2005
|
|
Killing Time, Gertrude Contemporary Art Space, Victoria (solo)
|
|
2004
|
|
Strange Weather, Modern Art, London
|
|
2004
|
|
Living Together is Easy, Art Tower Mito, Mito, Japan
|
|
2004
|
|
The Ten Commandments, Curated by Klaus Biesenbach, Deutsches Hygiene-Museum, Dresden
|
|
2003
|
|
Field Recordings, Tomio Koyama Gallery, Tokyo (solo)
|
|
2003
|
|
Possible Worlds, Artspace, Auckland, New Zealand
|
|
2003
|
|
Art and Film, Centre for Contemporary Photography, Melbourne, Australia
|
|
2003
|
|
Still Life, Art Gallery of New South Wales, Sydney
|
|
2003
|
|
Variations on the Theme of Illusion, Emily Tsingou Gallery, London
|
|
2003
|
|
Some Things We Like, Asprey Jacques Gallery, London
|
|
2003
|
|
Guided By Heros, Curated by Raf Simons, Z33, Hasselt
|
|
2003
|
|
Extended Play, Art Remixing Music, Govett Brewster Art Gallery
|
|
2003
|
|
Roll Out, Curated by Ricky Swallow, Karyn Lovegrove Gallery, Los Angeles
|
|
2003
|
|
The Fourth Sex, Adolescent Extremes, Stazione Leopolda, Florence
|
|
2002
|
|
Tomorrow in Common, Andrea Rosen Gallery, New York, New York (solo)
|
|
2002
|
|
Wooden Problem, Karyn Lovegrove Gallery, Los Angeles, California (solo)
|
|
2002
|
|
A Sculpture Now, First Floor Artists and Writers Space, Melbourne, Victoria (solo)
|
|
2002
|
|
Remix, Tate Liverpool, Liverpool, England
|
|
2001
|
|
Bootylicious, Ian Potter Museum of Art, Melbourne University
|
|
2001
|
|
A Person Looks at a Work of Art, Heide Museum of Modern Art, Melbourne
|
|
2001
|
|
Casino 2001, SMAK, Gent
|
|
2001
|
|
Good Work, Dunedin Public Art Gallery, City Gallery, Wellington
|
|
2001
|
|
Swallow Swenson, Museum of Contempoary Art, Sydney
|
|
2001
|
|
Rubik 13, Sarah Cottier Gallery, Sydney
|
|
2001
|
|
None More Blacker, 200 Gertrude Street Gallery, Melbourne
|
|
2001
|
|
Utopia / ROR, Kiasma Museum of Contempoary Art, Helsinki # Kunsthalle zu Kiel
|
|
2001
|
|
For those who came in late: Matrix 191 Project, University of California Berkeley (solo)
|
|
2001
|
|
Art Museum, Berkeley, California (solo)
|
|
2001
|
|
Above Ground Sculpture, Hamish McKay Gallery, Wellington, New Zealand (solo)
|
|
2000
|
|
Plastruct, Karyn Lovegrove Gallery, Los Angeles, California (solo)
|
|
2000
|
|
Unplugged, Darren Knight Gallery, Sydney, Australia (solo)
|
|
2000
|
|
# Ricky Swallow: Above Ground Sculpture, Project Room, Dunedin Public Art Gallery, Dunedin, December 16, 2000 – March 4, # Individual Ape, Hot Rod Tearoom, Oslo (solo)
|
|
2000
|
|
Keith Edmier, Ricky Swallow, Erick Swenson, Andrea Rosen Gallery, New York
|
|
2000
|
|
The Retrieved Object, Linden Art Gallery, Melbourne
|
|
2000
|
|
Are You Experienced?, The Physics Room, Christchurch
|
|
2000
|
|
Uncommon World, National Gallery of Australia, Canberra
|
|
2000
|
|
Spin Me Round, Metro Arts, Brisbane
|
|
2000
|
|
Drawn From Life, Marianne Boesky Gallery, New York
|
|
2000
|
|
Terra Mirabilis, Centre for Visual Arts, Cardiff
|
|
2000
|
|
Brand New Master Copy, UKS Gallery, Oslo
|
|
2000
|
|
Rent, Overgaden Gallery, Copenhagen
|
|
1999
|
|
The Multistylus Programme, Studio 12, 200 Gertrude Street, Melbourne (solo)
|
|
1999
|
|
Spellbound, Karyn Lovegrove Gallery, Los Angeles
|
|
1999
|
|
Make It Yourself, 200 Gertrude Street Gallery, Melbourne
|
|
1999
|
|
Contempora 5, The Ian Potter Museum of Art, Melbourne
|
|
1999
|
|
Group Drawing Exhibition, Hamish McKay Gallery, Wellington
|
|
1999
|
|
Signs Of Life, Melbourne International Biennial, Melbourne
|
|
1999
|
|
Multiples, Ivan Anthony Gallery, Auckland
|
|
1999
|
|
Walkmen, with David Jolly and David Noonan, Synaesthesia Music
|
|
1998
|
|
Repo Man, Darren Knight Gallery, Sydney (solo)
|
|
1998
|
|
Rubik 3 Video vs Watercolor, 36 Wellington St, Collingwood
|
|
1998
|
|
Misty V’s City Lights 2000, City Lights, Hosier Lane
|
|
1998
|
|
Institutional Transit Lobby, 200 Gertrude Street Gallery
|
|
1998
|
|
Injection, Performance Space, Sydney
|
|
1998
|
|
Video Soup, Collective Gallery, Edinburgh
|
|
1998
|
|
Taken, Curated by Jon Cattapan, R.M.I.T Project Space
|
|
1998
|
|
Hobby Core, Curated by Ricky Swallow, Stripp Gallery
|
|
1998
|
|
Beaux Arts Art in the World ‘98, Passage de Retz, Paris
|
|
1998
|
|
Metamorphosis, Mornington Peninsula Regional Gallery
|
|
1998
|
|
All This And Heaven Too, Adelaide Biennial Exhibition, Art Gallery of South Australia
|
|
1998
|
|
Wild Kingdom, Institute of Modern Art, Brisbane
|
|
1998
|
|
Going Nowhere, Curated by Julia Gorman, Grey Area ArtSpace Inc, Melbourne
|
|
1998
|
|
Ear to the Ocean, with Michael Graeve, Grey Area Art Space Inc, Melbourne
|
|
1998
|
|
Diorama, Curated by Charlotte Day, 200 Gertrude Street Gallery, Melbourne
|
|
1998
|
|
Gathering, Curated by Ricky Swallow, Platform 2, Melbourne
|
|
1997
|
|
The Lighter Side of the Dark Side, Grey Area Art Space, Inc., Melbourne, Australia (solo)
|
|
1997
|
|
Small World, Teststrip, Auckland (solo)
|
|
1996
|
|
Before My Eyes A Bedroom Monster, Stop 22 Gallery, Melbourne
|
|
 |
 |
 |
|
|
| Littérature |
 |
 |
|
2008
|
|
GOTH: Reality of the departed world, Yokohama Museum of Art, Japan
|
|
2008
|
|
Younger Than Yesterday, exhibition catalogue, published by Kunsthalle Vienna
|
|
2008
|
|
Stunda, Hilary. Contemporary Still Life: A Conversation With Ricky Swallow, Sculpture Magazine, Vol. 27 No. 5, June
|
|
2008
|
|
Red Eye: Los Angeles Artists from the Rubell Family Collection, exhibition catalogue, published Rubell Family Collection, Miami
|
|
2007
|
|
Dunne, Aidan. Ricky Swallow, The Irish Times, May 30
|
|
2007
|
|
White, Lucy. Sculpting Matters of Life and Death, The Irish Metro, May 22
|
|
2007
|
|
Farman, Marie. Dandy Magazine, Issue 16, April/May
|
|
2007
|
|
Ricky Swallow, exhibition catalogue, Douglas Hyde Gallery, Dublin, Ireland
|
|
2006
|
|
Stockholder, Jessica. Ricky Swallow, The New York Times, February 21
|
|
2006
|
|
Smee, Sebastian. Ricky Swallow, The Australian, December 15
|
|
2006
|
|
Ricky Swallow, V&A magazine, Winter 2005-2006, p. 96
|
|
2005
|
|
Ricky Swallow in Venice, Art & Australia, Vol. 42 No. 4, Winter 2005, p. 577-579
|
|
2005
|
|
Conway Morris, Roderick. Pushing Boundaries at Venice Biennale, International Herald Tribune, 14th June
|
|
2005
|
|
McDonald, John. Life studies, The Australian Financial Review magazine, June
|
|
2005
|
|
Sanders, Mark. Another Bonehead, Another magazine, Spring / Summer
|
|
2005
|
|
Dawne, Tony. The best art jamboree in the world, The Times, June 23
|
|
2005
|
|
Brooks, Richard. A beginner’s guide to the Biennale, Culture – The Sunday Times, June 19
|
|
2005
|
|
This Time Another Year, Australia Venice Biennale
|
|
2005
|
|
Paton, Justin. Ricky Swallow, Field Recordings, New Art Series, Craftman House
|
|
2005
|
|
Wullschlaher, Jackie. Old and new in the city of pageantry, Financial Times, June 15
|
|
2005
|
|
Hook, Line and Sinker, Art Review, June, p. 74-75
|
|
2005
|
|
McDonald, John. Life Studies, The Australian Financial Review Magazine, June, p. 22-25
|
|
2005
|
|
Sooke, Alastair. Ten Hot Biennale Artists, The Daily Telegraph, June 4
|
|
2005
|
|
Herbert, Martin. Bone Idol, Modern Painters, May, p. 68-73
|
|
2005
|
|
Brennan, Betsy. Flying High, Vogue Living, March-April
|
|
2005
|
|
Next Big Thing- Chiselled Features, The Sunday Times Magazine, March 20
|
|
2005
|
|
I-D Magazine, December 2004-January
|
|
2005
|
|
Arevalo, Pilar. Personal History, Oyster, p. 52-55
|
|
2004
|
|
Hutak, Michael. Wood for thought, the Bulletin, November
|
|
2004
|
|
Fitzerald Michael. Still life at high speed, Time, September 20, p. 68-69
|
|
2004
|
|
Coslovich, Gabriella. Talking flight from fame, the Age, September 1
|
|
2004
|
|
Fortescue, Elizabeth. Tipping the bucket on time and tide, the Daily Telegraph, August 30
|
|
2004
|
|
Hallett, Bryce. Perfection and perseverance: artist carving a reputation, the Sunday Morning Herald, August 25
|
|
2004
|
|
Artlink, Vol. 25 No. 1, August, cover and p. 12-13
|
|
2004
|
|
Ann Low, Lenny. Swallow flying solo as he prepares for Venice Hype, the Sunday Morning Herald, June 30
|
|
2004
|
|
Barclay, Alison. Ricky’s Venetian Class, Herald Sun, June 16
|
|
2004
|
|
Sorensen, Rosemary. Venice Beckons, The Courier Mail, June 16
|
|
2003
|
|
Higgs, Matthew. Openings: Steven Shearer, Artforum, October
|
|
2003
|
|
Exhibition Review, Artforum, Vol XLII No. 1, September
|
|
2003
|
|
Paton, Justin. The Was and May, Art Monthly Australia, March 2003, cover and p. 3-6
|
|
2002
|
|
Safe, Gerogina. Master of the Universe, The Weekend Australian, December 21-22
|
|
2002
|
|
Johnson, Ken. Art in Review, The New York Times, Friday September 20
|
|
2002
|
|
Wallis, Simon. Remix catalogue, TATE Liverpool, Artist‚ Entries, p. 72-73
|
|
2002
|
|
Myers, R, Terry. Wooden Problem, review, Contemporary, September
|
|
2002
|
|
Spiderland, Artist p. 1,2,3,4, Issue 3, Sydney, Australia
|
|
2001
|
|
Artist Pages, Casino 2001 catalogue, p. 190-191
|
|
2001
|
|
Kent, Rachel. Classical Contemporary, Swallow Swenson, catalogue text, MCA, Sydney, Australia
|
|
2001
|
|
Zoo 10, 09 2001, Artist profile, p. 156,157, London
|
|
2001
|
|
Gawronski, Alex. A sum and it’s parts, Rubik @ Sarah Cottier, review, Eyeline Spring 2001, Issue 46, Australia
|
|
2001
|
|
Zuckerman Jacobson, Heidi. Ricky Swallow, Matrix Gallery, Berkeley 2001
|
|
2001
|
|
Palmer, Daniel. Shadow Play, Frieze, Issue 58
|
|
2001
|
|
Brae, Marah. The Voyeur Awakes, Art and Australia, April 2001
|
|
2001
|
|
Travis, Lara. None More Blacker, catalogue text, 200 Gertrude Street Gallery, Australia
|
|
2001
|
|
Paton, Justin. The Recreation Room, catalogue text, Above Ground Sculpture # Dunedin Public Art Gallery, Dunedin, New Zealand, 2001
|
|
2000
|
|
Koestenbaum, Wayne. Commodity Fetishism in Sculpture, Artforum, Best of 2000
|
|
2000
|
|
Brennan, Stella. Economies of Scale, + Artist Page, Pavement Magazine, Issue 44, NZ
|
|
2000
|
|
James, Bruce. Odd Birds in Swallows Nest, The Sydney Morning Herald, 4 November
|
|
2000
|
|
Tonkin, Steven. Uncommon World, catalogue text, NGA, Canberra, Australia
|
|
2000
|
|
Pestorius, David. Spin Me Round, catalogue text, Metro Arts, Brisbane, Australia
|
|
2000
|
|
Preview, Rent. Australian Centre of Contemporary Art, Contemporary Visual Arts, 29
|
|
2000
|
|
Yaman, Ebru. The Weekend Australian, January 1-2
|
|
2000
|
|
Fenner, Felicity. New Life In Melbourne, Art in America, January, p. 74-77
|
|
2000
|
|
Koop, Stuart. Rent Art, notes on the works, Ojeblikket, Special Issue no 3
|
|
2000
|
|
Walaker, Jan. Monkey Business, Interview and artist pages, Hot Rod Issue 6, Oslo, Norway
|
|
2000
|
|
Krister, Bo. Brand New Master Copy, catalogue intro, UKS Gallery, Oslo, Norway
|
|
1999
|
|
Colless, Edward. The World Ends When It’s Parts Wear Out, Memory Made Plastic, Ricky Swallow
|
|
1999
|
|
Frost, Andrew. Ricky Swallow, Monument magazine, Issue 33
|
|
1999
|
|
Nicholson, Tom. Signs of Life, Melbourne International Biennial review, Art & Australia, vol. 37
|
|
1999
|
|
Rooney, Robert. Show Them the Money, The Weekend Australian, September 25
|
|
1999
|
|
Nicholson, Tom. Contempora 5 catalogue, Ian Potter Museum of Art, Melbourne
|
|
1999
|
|
Palmer, Daniel. Melbourne International Biennial, Frieze, no 48, September # Clabburn, Anna. Plentiful Life Signs, The Age, Melbourne, 9th June
|
|
1999
|
|
Palmer, Daniel. Review. Walkmen, Frieze, no 46, May
|
|
1999
|
|
Chapman, Chris. Space 1999, Quick Responses, 1999 Melbourne International Biennial, May
|
|
1999
|
|
Rooney, Robert. A Little Chaos, but Definite Life Signs, The Australian, May 21 # O’Connel, Stephen. Repo Man, review, Like art magazine, Issue 7, summer 1998-99
|
|
1999
|
|
Palmer, Daniel. Hobby Core, review, Like art magazine, Issue 7 summer 1998-99
|
|
1998
|
|
Hjorth, Larissa. Hobby Core, Log Magazine, Christchurch, New Zealand, September
|
|
1998
|
|
Smee, Sebastion. Are we not men?, Sydney Morning Herald, September 18
|
|
1998
|
|
McDonald, Ewen. All this and Heaven Too, Art & Australia vol 36
|
|
1998
|
|
Sequeira, David, Cues. Metaphors and Dialogues, Real Time, August
|
|
1998
|
|
Engberg, Juliana. No radio, Art and Text, August, October
|
|
1998
|
|
McKenzie, Robyn. Being and Time, the new existentialism, Beaux Arts, Art in the World 98 (catalogue edition)
|
|
1998
|
|
Nicholson, Tom. Leagues Under the Sea, Like art magazine, Issue 5, March
|
|
1998
|
|
McQualter, Andrew. All This And Heaven Too, Catalogue text, A G S A
|
|
1998
|
|
Koop, Stuart. Diorama, 200 Gertrude Street Gallery, review, Art and Text, January
|
|
1997
|
|
Huppatz, DJ. The Lighter Side of The Dark Side, review, Artlink, December 1997
|
|
1997
|
|
McQualter, Andrew. Science Fiction, Ricky Swallow, Globe E on Line Art Journal, Nov 97
|
|
1997
|
|
Clabburn, Anna. Replanting Our Natural Heritage, review, The Age 29, October 1997
|
|
1997
|
|
Day, Charlotte. Dioramas and The Invention of Nature, Catalogue text, Diorama, 200 Gertrude Street Melbourne
|
|
 |
|