|
|
Sarah Lucas Biographie
|
 |
 |
|
1982 - 1983 |
|
Working Men's College, London
|
|
1983 - 1984 |
|
London College of Printmaking
|
|
1984 - 1987 |
|
Goldsmith's College, London
|
|
|
|
Lives and works in London
|
|
|
| Expositions sélectionnées |
|
|
|
2009
|
|
“Nuds,” Sadie Coles HQ, London (solo)
|
|
2009
|
|
“Collection: MOCA’s First Thirty Years,” Museum of Contemporary Art, Los Angeles
|
|
2009
|
|
“The Female Gaze: Women Look at Women,” Cheim and Read, New York
|
|
2009
|
|
“British Subjects: Identity and Self Fashioning 1965 – 2009, Neuberger Museum, Purchase, New York
|
|
2008
|
|
“Sarah Lucas”, Sadie Coles HQ, London
|
|
2008
|
|
"Female Trouble," Pinakothek der Moderne, Munich
|
|
2008
|
|
"The Left Hand of Darkness," El Proyecto, New York
|
|
2008
|
|
"God & Goods: Spirituality and Mass Confusion," Villa Manin Centro d'Art Contemporanea,
|
|
2008
|
|
"Depreciation and Devastation," Gavin Brown's Enterprise at Passerby, New York
|
|
2007
|
|
“Souflé”, Kunstraum Innsbruck, Austria
|
|
2007
|
|
“Hamster Wheel” Venice Biennale, Venice (cat.), travelling to “Printemps de September”, Toulouse and Centre d’Art Santa Monica Barcelona
|
|
2007
|
|
Perceval, Public Art Fund, Doris C. Freeman Plaza, New York
|
|
2007
|
|
“Unmonumental”, The New Museum, New York
|
|
2007
|
|
“An Archaeology: Zabludowicz Collection,” Project Space 176, London.
|
|
2007
|
|
“The Third Mind,” Palais de Tokyo, Paris
|
|
2007
|
|
“So Wrong, I’m Right, Eddie Martinez, William J. O’Brien, Roman Wolgin and Jonas Wood,” Blum and Poe, Los Angeles
|
|
2007
|
|
"Global Feminisms," Brooklyn Museum, New York
|
|
2007
|
|
"Held Together with Water: Art from the Sammlung Verbund," Vienna, Austria
|
|
2007
|
|
"Happy Birthday: Sarah Lucas, Barbara Bloom," Christophe Daviet-Thery, Paris
|
|
2006
|
|
"Perceval," Public Art Fund, New York
|
|
2006
|
|
Vanitas, De Hallen, Frans Hals Museum, Haarlem. The Netherlands
|
|
2006
|
|
Sarah Lucas, Tate Liverpool, Liverpool (solo)
|
|
2006
|
|
DEFAMATION OF CHARACTER, P.S.1 MoMA, Long Island
|
|
2006
|
|
Printemps de Septembre 2006, Printemps de Septembre, Toulouse
|
|
2006
|
|
Glasgow International 2006, Glasgow International
|
|
2006
|
|
Lichtkunst aus Kunstlicht, ZKM, Karlsruhe
|
|
2006
|
|
Rundlederwelten, Martin Gropius Bau, Berlin
|
|
2006
|
|
In the darkest hour there may be light, Serpentine Gallery, London
|
|
2006
|
|
All Hawaii Entrées/Lunar Reggae, Irish Museum of Modern Art, Dublin
|
|
2006
|
|
Defamation of Character, PS 1 MoMA, New York
|
|
2006
|
|
Eye on Europe: Prints, Books, & Multiples/1960 to Now, MOMA, New York
|
|
2005
|
|
FRAGILE, Analix Forever, Genf
|
|
2005
|
|
Skulptur. Prekärer Realismus, Kunsthalle Wien
|
|
2005
|
|
FROM ABOVE, Georg Kargl, Wien
|
|
2005
|
|
Atomkrieg, Kunsthaus, Dresden
|
|
2005
|
|
Just love me, Fries Museum, Leeuwarden
|
|
2005
|
|
Curry Expo, Contemporary Fine Arts, Berlin
|
|
2005
|
|
Drunk vs. Stoned 2, Gavin Brown, New York
|
|
2005
|
|
A view of women, De Hallen, Haarlem
|
|
2005
|
|
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin
|
|
2005
|
|
GOD IS DAD, Gladstone Gallery, New York, cat. (solo)
|
|
2005
|
|
Sarah Lucas Retrospective, Kunsthalle Zurich; Kunstverein Hamburg; Tate Liverpool (solo)
|
|
2004
|
|
In-A-Gadda Da-Vidda, (with Angus Fairhurst and Damien Hirst), Tate Britain, cat.
|
|
2004
|
|
Empreinte Moi, Galrie Emmanuel Perrotin, Paris
|
|
2004
|
|
Gifted, The Arts Gallery, University of the Arts London, London
|
|
2004
|
|
Drunk vs. Stoned, General Store in association with Gavin Brown’s enterprise, New York
|
|
2004
|
|
Werke aus der Sammlung Boros, ZKM, Karlsruhe, Germany
|
|
2004
|
|
Esprit/Spirit, Galerie Nathalie Obadia, Paris
|
|
2004
|
|
Atomkrieg, Kunsthaus Dresden, Germany
|
|
2004
|
|
57th Aldeburgh Festival, Contemporary British Sculpture at Snape (Angus Fairhurst, Damien Hirst, Sarah Lucas), Snape, England
|
|
2004
|
|
Sculpture: Precarious Realism between Melancholie and the Comic, Kunsthalle Vienna
|
|
2004
|
|
From Above, Georg Kargl, Vienna
|
|
2003
|
|
Temple of Bacchus (with Colin Lowe and Roddy Thomson), Milton Keynes Gallery, England, cat. (solo)
|
|
2002
|
|
Charlie George, Contemporary Fine Arts, Berlin (solo)
|
|
2002
|
|
Sarah Lucas, room installation at Tate Modern, London (solo)
|
|
2001
|
|
CAKE, Sarah Lucas at Counter Editions, London (solo)
|
|
2000
|
|
Self Portraits 1990-98, Tomio Koyama Gallery, Tokyo (solo)
|
|
2000
|
|
Sarah Lucas: Beyond the Pleasure Principle, Freud Museum, London (solo)
|
|
2000
|
|
Sex and the British, Galerie Thaddeus Ropac, Paris
|
|
2000
|
|
New British Art, Tate British Millbank, London
|
|
2000
|
|
The Fag Show, Sadie Coles HQ, London (solo)
|
|
1999
|
|
Beautiness, Contemporary Fine Arts, Berlin (solo)
|
|
1998
|
|
Odd-bod Photography, Sadie Coles HQ London
|
|
1998
|
|
The Old In Out, Barbara Gladstone Gallery New York (solo)
|
|
1998
|
|
Sensation: Young British Artists in the Saatchi Collection, Brooklyn Museum Brooklyn, New York
|
|
1997
|
|
The Law, St. John's Lofts London (solo)
|
|
1997
|
|
Bunny Gets Snookered, Sadie Coles HQ London
|
|
1997
|
|
Car Park, Ludwig Museum Köln, Cologne (solo)
|
|
1996
|
|
Sarah Lucas, Museum Boymans-van Beuningen Rotterdam (solo)
|
|
1996
|
|
Sarah Lucas, Portikus Frankfurt am Main, Germany
|
|
1996
|
|
Is Suicide Genetic?, Contemporary Fine Arts, Berlin (solo)
|
|
1995
|
|
Supersensible, Barbara Gladstone Gallery, New York (solo)
|
|
1994
|
|
Got a Salmon on (Prawn), Anthony d'Offay Gallery, London, Where's My Moss” White Cube, London
|
|
1993
|
|
The Shop with Tracy Emin , 103 Bethnal Green Road, London (solo)
|
|
1993
|
|
From Army to Armani with Tracey Emin, Galerie Analix, Geneva (solo)
|
|
1992
|
|
Penis Nailed To A Board, City Racing Gallery, London (solo)
|
|
1992
|
|
The Whole Joke, 8 Kingly Street, London (solo)
|
|
|
|
|
|
|
| Littérature |
|
|
|
2009
|
|
White, Michelle, “Sarah Lucas,” Modern Painters, February 2009, pp 88
|
|
2009
|
|
Fox, Dan, “Sarah Lucas,” Frieze, March 2009, pp151-152
|
|
2008
|
|
"The Approval Matrix," New York Magazine, January 21-28, pp 97
|
|
2008
|
|
"Sarah Lucas", Arte Contemporanea: Cinque, Mondadori 2008
|
|
2008
|
|
"Sarah Lucas", Arte Contemporanea: Sei, Mondadori 2008
|
|
2008
|
|
Wolin, Joseph, “Who’s Afraid of Jasper Johns?” Modern Painters, September 2008, p. 108.
|
|
2008
|
|
God & Goods: Spiritualità e Confusione di Massa/Spirituality and Mass Confusion (Udine, Italy: Villa Manin Centre for Contemporary Art)
|
|
2008
|
|
Excerpt: Se;ections from the Jeanne Greenberg Rohatyn Collection, Vasser College, NY, 2008.
|
|
2007
|
|
Nochlin, Linda(ed.), Global Feminisms, Brooklyn Musuem/Merrell, 2007
|
|
2007
|
|
Parreno, Phillipe(ed.), All Hawaii Entrees/ Lunar Reggae, Charta/Irish Museum of Modern Art, 2007
|
|
2007
|
|
Unmonumental: The Object in the 21st Century, Phaidon, New York, 2007
|
|
2007
|
|
Segal, Monica and Richard, Contemporary Realism: The Seavest Collection, Collectors Press Books, Portand, 2007
|
|
2006
|
|
Sarah Lucas. La poétesse philisophe, Marie-Thérèse Perrin (Hrsg.) Ausst. Kat. Printemps de septembre à Toulouse, Vol. 3, 2006
|
|
2005
|
|
Sarah Lucas, Yilmaz Dziewior, Beatrix Ruf (Hrsg.), Ausst. Kat, Kunsthalle Zürich, Kunstverein in Hamburg, Ostfildern Ruit 2005.
|
|
2005
|
|
Christiane Hoffmans, Kruder Feminismus, Welt am Sonntag, 24. Juli 2005, S. 66
|
|
2005
|
|
Uta Baier, Brave Schülerin, Die Welt, 22. Juli 2005, S. 27.
|
|
2005
|
|
Johanna di Blasi, Sarah Lucas’ zartherbe Zoten, Monopol, Nr. 3, Juni/Juli 2005, S. 142
|
|
2005
|
|
Art Now Vol 2, Taschen, New York, 2005
|
|
2005
|
|
GOD IS DAD, (Gladstone Gallery, New York)
|
|
2005
|
|
Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo, ed. Francesco Bonami, Skira Editore S.p.A., Milano, 2005
|
|
2005
|
|
Empreinte Moi, Galerie Emmanuel Perrotin, Miami
|
|
2005
|
|
Mahon, Alyce, Eroticism & art, Oxford University Press, New York, 2005
|
|
2005
|
|
Dickins, Rosie, The Usborne Book of Art, Usborne Press, 2005
|
|
2004
|
|
Gifted (The Arts Gallery, London: University of the Arts)
|
|
2004
|
|
In-A-Gadda-Da-Vida (London: Tate Britain / Tate Publishing)
|
|
2004
|
|
Just Love Me. Post-Feminist Art of the 1990’s from the Goetz Collection (Bergen Art Museum, Bergen, Norway)
|
|
2004
|
|
Sexes: images- pratiques et pensées contemporaines (Collection dirigée par Fabrice Bousteau: beaux arts magazine: livres)
|
|
2004
|
|
Antje Majewski et al., Atomkrieg (New York: Lukas and Sternberg)
|
|
2004
|
|
Cumming, Laura, Family Favourites: The Fourth Plinth, The Observer, 18. Januar 2004
|
|
2004
|
|
Renton, Andrew, There is life after Hoxton, Evening Standard, 6. Januar 2004
|
|
2004
|
|
Walsh, Holly, Sarah Lucas, Colin Lowe and Roddy Thomson, Frieze, Nr. 76, Summer 2004, S. 121-122, ill.
|
|
2004
|
|
Jones, Dafydd, In-A-Gadda-Da-Vida, ArtReview, Volume LIV April 2004
|
|
2004
|
|
Sumpter, Helen, Dead Bird Show, Time Out, 30. Dezember-7. Januar 2004
|
|
2004
|
|
Herbert, Martin, The Fourth Plinth, Time Out, 30. Dezember-7. Januar 2004
|
|
2004
|
|
Art 35 Basel, Swiss Magazine, Juni 2004
|
|
2004
|
|
Gronlund, Melissa, Tate Britain: In-A-Gadda-Da-Vida, Contemporary, no. 63, 2004
|
|
2003
|
|
Roken in de kunst: van Jan Steen tot Pablo Picasso (Rotterdam, The Netherlands: Kunsthal Rotterdam / Amsterdam: Ludion)
|
|
2003
|
|
A Bigger Splash: Uma Seleção de Arte Britânica da Coleção da Tate 1960-2003 / A Bigger Splash: A Selection of British Art from Tate Collection 1960-2003 (São Paulo: Brasil Connects)
|
|
2003
|
|
Bad Behaviour from the Arts Council Collection (London: Hayward Gallery Publishing)
|
|
2003
|
|
BIDA 2003 – Bienal Internacional del Deporte en el Arte (Salamanca, Spain)
|
|
2003
|
|
La Biennale di Venezia 50th International Art Exhibition “Dreams and conflicts: The Dictatorship of the Viewer”, (Venice, Giardini della Biennale – Arsenale)
|
|
2002
|
|
Face Off: A Portrait of the Artist (Cambridge, England: Kettle’s Yard)
|
|
2002
|
|
Bice Curiger, Kunst Expansiv – Zwischen Gegenkultur und Museum (Regensburg, Germany: Lindinger + Schmid Verlag GdbR)
|
|
2002
|
|
Gill Saunders, Wallpaper in Interior Decoration (London: V&A Publications)
|
|
2002
|
|
Tim Marlow on Tate Modern (London: Spafax Publishing)
|
|
|
|