|
|
Shannon Ebner Biographie
|
 |
 |
|
1971 |
|
Born in Englewood, NJ
|
|
|
|
Lives and works in Los Angeles, CA
|
|
 |
| Expositions sélectionnées |
 |
 |
|
2012
|
|
Ecstatic Alphabets, curated by Laura Hoptman, The Museum of Modern Art, New York, NY
|
|
2011
|
|
Vision is Elastic. Thought is Elastic, curated by Moyra Davey & Zoe Leonard, Murray Guy,
|
|
2011
|
|
The Artist Theater Program, REDCAT, Los Angeles, CA
|
|
2011
|
|
How Soon is Now, Garage Center for Contemporary Culture, Moscow, Russia
|
|
2011
|
|
The Spectacular of Vernacular, Walker Museum of Art, Minneapolis, MN
|
|
2011
|
|
The Air We Breathe, curated by Apsara DiQunizio, San Francisco Museum of Modern Art,
|
|
2011
|
|
Illuminations, 54th Venice Biennale, Venice, Italy
|
|
2011
|
|
Glee, curated by Cecilia Alemani, Blum & Poe, Los Angeles, CA
|
|
2011
|
|
September 11, curated by Peter Eleey, MoMA PS1, Long Island City, NY
|
|
2011
|
|
Hammer Museum/LAXART, Los Angeles, CA (solo)
|
|
2011
|
|
Dia Art Foundation, Artist Web Project, New York, NY (solo)
|
|
2010
|
|
Frieze Projects with Dexter Sinister, London, England (solo)
|
|
2010
|
|
Kaufmann Repetto, Milan, Italy (solo)
|
|
2010
|
|
Rencontres d'Arles Discovery Award 2010, curated by Hans Ulrich Obrist, Arle, France
|
|
2010
|
|
Papier photo, Galerie Chez Valentin, Paris, France
|
|
2010
|
|
all we ever wanted was everything, Elizabeth Foundation for the Arts Project Space, New York, NY
|
|
2010
|
|
The 2010 Berlin Biennale, Berlin, Germany
|
|
2010
|
|
Signal Hill, Altman Siegel Gallery, San Francisco, CA (solo)
|
|
2009
|
|
Wallspace, New York, NY (solo)
|
|
2009
|
|
Saints and Sinners, curated by Laura Hoptman, The Rose Art Museum, Waltham, MA
|
|
2009
|
|
A Wild Night and a New Road, Altman Siegel Gallery SF, San Francisco, CA
|
|
2008
|
|
Catawampus, curated by Amy Granat & Matt Keegan, Midway Contemporary Art, Minneapolis,
|
|
2008
|
|
The World Is All That Is The Case, curated by Arthur Ou, Hudson Franklin, New York, NY
|
|
2008
|
|
Untitled (Vicarious), Gagosian Gallery, New York, NY
|
|
2008
|
|
Imaginary Thing, curated by Peter Eleey, Aspen Art Museum, Aspen, CO
|
|
2008
|
|
History Keeps Me Awake at Night: A Geneology of Wojnarowicz, PPOW, New York, NY
|
|
2008
|
|
Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan, New York, NY
|
|
2008
|
|
The 2008 Whitney Biennial, The Whitney Museum of American Art, New York, NY
|
|
2007
|
|
Looking Back—curated by Clarissa Dalrymple, White Columns, New York, NY
|
|
2007
|
|
Read Me! Text in Art, curated by Malik Gaines, The Armory Center for the Arts, Pasadena, CA
|
|
2007
|
|
Catawampus (for H.D.), curated by Matt Keegan and Amy Granat, Shane Campbell Gallery, Oak Park, IL
|
|
2007
|
|
I am Eyebeam, organized by Melanie Schiff and Lorelei Stewart, Gallery 400 at the University of Illinois at Chicago, Chicago, IL
|
|
2007
|
|
Shannon Ebner, P.S.1 Contemporary Art Center, Long Island City, NY (solo)
|
|
2007
|
|
The Sun & the Sign, Wallspace, New York, NY (solo)
|
|
2007
|
|
A New Reality: Black-and-White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, (Ex. cat) New Brunswick, NJ
|
|
2007
|
|
Learn to Read, curated by Vincent Honore & Maeve Polkinhorn, Tate Modern, London, UK
|
|
2007
|
|
Last Attraction Next Exit, curated by Neville Wakefield, Ridley Road, London, UK
|
|
2007
|
|
Uncertain States of America: American Art in the 3rd Millenium, curated by Daniel Birnbaum,Gunnar B. Kvaran, Hans Ulrich Obrist, (travelling to venues in France and Poland)
|
|
2007
|
|
Shared Women, curated by Eve Fowler, Emily Roysdon and A.L. Steiner, LACE, Los Angeles, CA
|
|
2006
|
|
Interventions, Thomas Solomon Gallery, Los Angeles, CA
|
|
2006
|
|
Psychogeographies, Glendale College of Art Gallery, Glendale, CA
|
|
2006
|
|
Uncertain States of America: American Art in the 3rd Millenium, curated by Daniel Birnbaum, Gunnar B. Kvaran, Hans Ulrich Obrist, Serpentine Gallery, London, UK
|
|
2006
|
|
Cataract, Wallspace, New York, NY
|
|
2006
|
|
The California Biennial, Orange County Museum of Art, Orange County, CA
|
|
2006
|
|
Art Rock, Rockefeller Plaza, New York, NY (solo)
|
|
2006
|
|
Intersections: Atlanta Collects Photography, High Museum of Art, Atlanta, GA
|
|
2006
|
|
Shifting Tropologies, curated by Trevor Richardson, Herter Gallery, University of Massachusetts Amherst, Amherst, MA (Ex. cat)
|
|
2006
|
|
Locale, curated by Kris Kuramitsu, Margo Leavin Gallery, Los Angeles, CA
|
|
2006
|
|
Too Much Love, curated by Amy Adler, Angles Gallery, Los Angeles, CA
|
|
2006
|
|
Le Retour de la Colonne Durutti, curated by Gyonata Bonvincini, Isabella Bortolozzi, Berlin, Germany
|
|
2006
|
|
Trace, curated by Shamim M. Momin, The Whitney Museum at Altria, New York, NY
|
|
2006
|
|
Chaos or Control, curated by James Welling, UCLA School of Architecture Gallery, Los Angeles, CA
|
|
2006
|
|
Aantekeningen, curated by Public Holiday Projects, Expodium, Utrecht, The Netherlands
|
|
2006
|
|
Monuments for the USA, curated by Ralph Rugoff, White Columns, New York, NY (ex. catalogue, touring from the CCA Wattis Institute)
|
|
2005
|
|
The Plain of Heaven, curated by Peter Eleey for Creative Time, New York, NY (Ex. cat)
|
|
2005
|
|
Dead Democracy Letters, Wallspace, New York, NY (solo)
|
|
2005
|
|
Talk to the Land, curated by Matt Keegan, Andrew Kreps Gallery, New York, NY
|
|
2005
|
|
Response, curated by Matthew Distel, Morlan Art Gallery, Transylvania University, Lexington, KY
|
|
2005
|
|
Wordplay, Julie Saul Gallery, New York, NY
|
|
2005
|
|
Post No Bills, curated By Matthew Higgs, White Columns, New York, NY
|
|
2005
|
|
Sugartown, Participant Inc., New York, NY
|
|
2005
|
|
The Picture is the Problem, curated by Walead Beshty, The Pelham Art Center, Pelham, NY
|
|
2005
|
|
Monuments for America, curated by Ralph Rugoff, CCA Wattis Institute for Contemporary Arts, San Francisco, CA (Ex. cat)
|
|
2005
|
|
Manufactured Self, The Museum of Contemporary Photography, Chicago, IL
|
|
2004
|
|
High Desert Test Site 4, Joshua Tree, CA
|
|
2004
|
|
Strange Animal, organized by Giovanni Jance in conjunction with Andrea Zittel and High Desert Test Sites, LACE, Los Angeles, CA
|
|
2004
|
|
Itineraries, curated by Christopher Balaschak, Gallery Luisotti, Los Angeles, CA
|
|
2003
|
|
High Desert Test Site 3, Joshua Tree, CA
|
|
2003
|
|
Sea, curated by Benjamin Donaldson & Lisa Kereszi, Jen Bekman, New York, NY
|
|
2003
|
|
Margo Victor Presents, Los Angeles, CA (solo)
|
|
2002
|
|
Anti-Form, New Photographic Work from Los Angeles, curated by James Welling, Society for Contemporary Photography, Kansas City, MO
|
|
2002
|
|
Project Room exhibition, Lemonsky: projects + editions, Los Angeles, CA
|
|
2000
|
|
Graduate Thesis Exhibition, Yale University Art Gallery, New Haven, CT
|
|
1998
|
|
Illegal Performance (an experimental-text-based performance), The Judson Church, New York, NY
|
|
1998
|
|
Pedestrian Union, St. Mark’s Poetry Project, New York, NY
|
|
 |
| Selected Public Collections |
 |
 |
|
|
|
The Whitney Museum of American Art, New York
|
|
|
|
Art Gallery of New South Wales, Sydney, Australia
|
|
 |
|
|
|