|
|
Siobhan Hapaska Biographie
|
 |
 |
|
1985 - 1988 |
|
Middlesex Polytechnic, London
|
|
1990 - 1992 |
|
Goldsmith's College, London
|
|
1998 |
|
Winner IMMA / Glen Dimplex Artists Award
|
|
2001 |
|
Irish Representative at Venice Biennale
|
|
|
|
Lives and works in London
|
|
|
| Expositions sélectionnées |
|
|
|
2008
|
|
‘Neo Futur – ver de nouveaux imaginaires’, les Abattoirs, Musee d’art moderne at contemporain, Toulouse
|
|
2008
|
|
Micro-narratives: tentation des petites realites, Muséed'ArtModerne de Saint Etienne
|
|
2007
|
|
Camden Art Centre, London (solo)
|
|
2007
|
|
Tanya Bonakdar Gallery, New York (solo)
|
|
2005
|
|
Configured, Tanya Bonakdar Gallery, New York
|
|
2005
|
|
British Art Show 6, BALTIC The Centre for Contemporary Art, Gateshead, UK (touring)
|
|
2005
|
|
‘Printemps de septembre’ à Toulouse, France
|
|
2005
|
|
Extreme Abstraction, Albright Knox Gallery, Buffalo
|
|
2005
|
|
‘Variations on the theme of illusion’, Emily Tsingou Gallery, London
|
|
2004
|
|
Playa de Los Intranquilos, Pier Trust, London (solo)
|
|
2003 - 2004
|
|
cease firing on all fronts, Kerlin Gallery, Dublin (solo)
|
|
2003
|
|
‘Variations on the theme of illusion’, Emily Tsingou Gallery, London
|
|
2003
|
|
Magasin 3, Stockholm Konsthall, Stockholm
|
|
2002
|
|
Second Skin, Henry Moore Institute, Leeds
|
|
2002
|
|
Tanya Bonakdar Gallery, New York (solo)
|
|
2002
|
|
‘Love, Labour & Loss’, Tullie House Museum & Art Gallery, Carlisle and Royal Albert Memorial Museum & Art Gallery, Exeter
|
|
2002
|
|
Shine, The Lowry, Manchester
|
|
2002
|
|
Something Else, Turku Art Museum, Finland
|
|
2001
|
|
'ARS 01 - Unfolding Perspectives' Museum of contemporary Art, Kiasma, Helsinki
|
|
2001
|
|
Deutsche Bank Collection of Contemporary Art, Scottish National Gallery of Modern Art, Edinburgh
|
|
2001
|
|
‘Landscape’, British Council International Touring Exhibition‘, Museum of Modern Art, Rio de Janeiro; Museum de Arte de Sao Paulo, Brazil, Musue de Arte Contemporanea de Niterói, Brazil
|
|
2001
|
|
Exhibition of British Sculpture, Taipei Fine Arts Museum, Taiwan; Singapore Art Museum, Singapore
|
|
2001
|
|
Irish Pavillion, 49th Venice Biennale (solo)
|
|
2001
|
|
Kerlin Gallery, Dublin (solo)
|
|
2000 - 2001
|
|
‘Shifting Ground: Fifty Years of Irish Art’, Irish Museum of Modern Art, Dublin
|
|
2000 - 2001
|
|
‘Landscape’, British Council International Touring Exhibition: ACC Gallery, Weimar, Germany; Haus of Artists, Moscow; Peter and Paul Fortress, Moscow; GallerieNazionaledi Arte Moderna, Roma; Centro Cultural del Conde Duque, Madrid; Sophia Municipal Gallery of Art, Bulgaria
|
|
2000 - 2001
|
|
SiobhánHapaska, Charles Long, Ernesto Neto; Magasin 3, Stockholm Konsthall, Stockholm
|
|
2000 - 2001
|
|
‘Sensational’, Shrewsbury Museum and Art Gallery
|
|
2000
|
|
‘Artifice’, Deste Foundation, Athens; Centre for Contemporary Art, Thessaloniki (with Adam Chodzko, Tacita Dean, Graham Gussin, Stephen Murphy, Simon Starling, Jane and Louise Wilson)
|
|
2000
|
|
‘Conversation’, Milton Keynes Gallery, London
|
|
2000
|
|
Screen, Arts Council of England touring exhibition
|
|
1999
|
|
‘0044’, PS1, New York and Allbright-Knox Art Gallery, Buffalo, Crawford Municpal Art Gallery, Cork
|
|
1999
|
|
Arts Council of England Collection, Aberystwyth Arts Centre and tour Screen, Arts Council of England touring exhibition
|
|
1999
|
|
‘Saatchi in Sheffield’, Mappin Art Gallery
|
|
1999
|
|
Sezon Museum of Art, Tokyo, Japan (solo)
|
|
1999
|
|
Statement, BonakdarJancou Gallery, Basel Art Fair (solo)
|
|
1998
|
|
IMMA / Glen Dimplex Artists Award Exhibition, Irish Museum of Modern Art, Dublin
|
|
1998
|
|
Here To Stay’, Arts Council of England Collection, Plymouth Arts Centre, Plymouth
|
|
1998
|
|
Michael Jansen, Cologne
|
|
1998
|
|
Speed, Whitechapel Art Gallery, London
|
|
1998
|
|
Seamless, De Appel, Amsterdam
|
|
1998
|
|
Screen, Arts Council of England touring exhibition
|
|
1997
|
|
new found land scape, Kerlin Gallery, Dublin
|
|
1997
|
|
Plastic, WürttembergischerKunstverein, Stuttgart
|
|
1997
|
|
Screen, Ridinghouse Editions, London
|
|
1997
|
|
StädtischeAusstellungshalleamHawercamp, Münster
|
|
1997
|
|
Craft, Richard Salmon, London, Kettles Yard, Cambridge
|
|
1997
|
|
Enjoy, SchlossAgathenburg, Agathenburg
|
|
1997
|
|
Ago, Entwistle Gallery, London (solo)
|
|
1997
|
|
Tanya Bonakdar Gallery, New York (solo)
|
|
1997
|
|
Oriel, Arts Council of Wales Gallery, Cardiff (solo)
|
|
1997
|
|
Residue, Douglas Hyde Gallery, Dublin
|
|
1996
|
|
Kerlin Gallery, Dublin
|
|
1996
|
|
Rhona Hoffman, Chicago
|
|
1996
|
|
The Book is on the Table, Entwistle Gallery, London
|
|
1995 - 1996
|
|
Saint Christopher's Legless, Institute of Contemporary Arts, London (solo)
|
|
1993
|
|
Mandy Loves Declan 100%, Boote Gallery, New York
|
|
1993
|
|
Wonderfu Life, Lisson Gallery, London
|
|
1993
|
|
Eyewitness, Shaftsbury Avenue, London
|
|
1993
|
|
Making People Disappear, Cubitt Street Gallery, London
|
|
1993
|
|
Barclays Young Artist Award, Serpentine Gallery, London
|
|
1992
|
|
How did these children come to be like that, Goldsmiths Gallery, London
|
|
1990
|
|
Guinness Peat Aviation Awards for Emerging Artists, Gallagher Gallery, Dublin
|
|
|
|
|
|
|
| Littérature |
|
|
|
2007
|
|
Hester R Westly, Art Monthly, November 07, No 311, pg 5
|
|
2006
|
|
Esme West ed., New Art on View, pg149 2006 Scala Publishers, London
|
|
2005
|
|
2005 ‘When Beauty Shocks you into Silence’, Richard Dorment, The Daily Telegraph, Tuesday Sept 27th, 2005
|
|
2005
|
|
British Art Show 6, pg. 84-85
|
|
2005
|
|
Printemps de septembre a Toulouse, Volume 2: VERTIGES, pg.124-127
|
|
2004
|
|
‘SiobhánHapaska – Peer’, David Barrett, Art Monthly, July-August 2004
|
|
2004
|
|
Luke Clancy, Art Review, March 2004
|
|
2003
|
|
Cristin Leach, Sunday Times, November 30th 2003
|
|
2003
|
|
Aidan Dunne, The Irish Times, 29th December, 2003
|
|
2002
|
|
‘Second Skin’ Contemporary April Issue, Mark Gisbourne
|
|
2001
|
|
‘Mayday’ Circa Autumn Issue, Patrick Murphy
|
|
2001
|
|
‘Biennale Babylon’ Art in America, Sept.. Marcia E. Vetrocq
|
|
2001
|
|
‘Towards Futures Past’, NY Arts Vol 6, No2.Caoimhin Mac Giolla Leith
|
|
2001
|
|
‘And so this is Christmas’ The Irish Times, 18 January, Aidan Dunne
|
|
2001
|
|
‘Through the Looking Glass’, The Sunday Tribune, 14 January, Marianna Hartigan
|
|
2001
|
|
‘God gets a science lesson’, The Sunday Times, 22 January, MedbRuane
|
|
2000
|
|
SiobhánHapaska/ Charles Long/ Ernesto Neto; Magasin 3 Stockholm Konsthall catalogue
|
|
2000
|
|
Landscape, catalogue, The British Council
|
|
2000
|
|
SiobhánHapaska, Saison Art Programme, Tokyo, catalogue
|
|
1998
|
|
Catalogue, IMMA/Glen Dimplex Artists Award, Irish Museum of Modern Art, Dublin IMMA/Glen Dimplex Artists Award Review, Irish Times, 7 April
|
|
1998
|
|
IMMA/Glen Dimplex Artists Award, Marian Lovett, Sunday Times, 25 April
|
|
1997
|
|
Catalogue, Oriel Gallery, Wales
|
|
1997
|
|
‘Out There’ Frieze, Jennifer Higgie, Issue 37, December
|
|
1997
|
|
‘BLIMEY! From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst’. Pg 148
|
|
1996
|
|
Time Out, January, Martin Croomer
|
|
1996
|
|
Art Monthly, February, Juan Cruz
|
|
1996
|
|
Frieze, March/April, Matthew Collins
|
|
1996
|
|
Artifice, Issue 4, Dave Beech
|
|
|
|
|
|