|
|
Siobhan Hapaska Biographie
|
 |
 |
|
1963 |
|
Born in Belfast, Ireland
|
|
1985 - 1988 |
|
Middlesex Polytechnic, London, UK
|
|
1990 - 1992 |
|
Goldsmith's College, London, UK
|
|
1998 |
|
Winner IMMA / Glen Dimplex Artists Award
|
|
2001 |
|
Irish Representative at Venice Biennale
|
|
|
|
Lives and works in London
|
|
 |
| Expositions sélectionnées |
 |
 |
|
2012
|
|
Andréhn-Schiptjenko, Stockholm, Sweden (solo)
|
|
2012
|
|
La Conserva-centro de Arte Contempoaneo, Murcia, Spain (solo)
|
|
2011
|
|
A great miracle needs to happen there, Kerlin Gallery, Dublin, Ireland (solo)
|
|
2011
|
|
British Sculpture: A View Through the 20th Century, The Royal Academy of Arts, London, UK
|
|
2011
|
|
Causing Chaos, St. Andrew’s Museum, St. Andrew’s, Scotland
|
|
2010
|
|
Islands Never Found, Palazo Ducale, Genoa, Italy
|
|
2010
|
|
The State Museum of Contemporary Art, Thessaloniki, Greece
|
|
2010
|
|
St. Etienne Museum of Modern Art, Saint Etienne, France
|
|
2010
|
|
The Nose that Lost its Dog, Tanya Bonakdar Gallery, New York, USA (solo)
|
|
2010
|
|
The Curve Gallery, the Barbican Art Centre, London, UK (solo)
|
|
2010
|
|
Ormeau Baths Gallery, Belfast, UK (solo)
|
|
2009
|
|
The Nose that Lost its Dog, Glasgow Sculpture Studios Fall Program, Glasgow, UK (solo)
|
|
2009
|
|
Fifty Percent Solitude, Kerlin Gallery, Dublin, Ireland
|
|
2008
|
|
Life? Biomorphic Forms in Sculpture, Kunsthaus Graz, Graz, Austria
|
|
2008
|
|
Neo Futur – ver de nouveaux imaginaires, les Abattoirs, Musee d’art moderne at contemporain, Toulouse, France
|
|
2008
|
|
Micro-narratives: tentation des petites realites, Muséed'ArtModerne de Saint Etienne, St-Etienne cedex, France
|
|
2007
|
|
Camden Art Centre, London, UK (solo)
|
|
2007
|
|
Tanya Bonakdar Gallery, New York, USA (solo)
|
|
2007
|
|
Whitechapel Commissions for Bishop's Square, Whitechapel Art Gallery, Bishop's Square, London, UK
|
|
2005
|
|
British Art Show 6, Hayward Gallery, London, UK
|
|
2005
|
|
Configured, Tanya Bonakdar Gallery, New York, USA
|
|
2005
|
|
British Art Show 6, BALTIC The Centre for Contemporary Art, Gateshead, UK (touring)
|
|
2005
|
|
Vertiges, Printemps de septembre à Toulouse, Toulouse, France
|
|
2005
|
|
Extreme Abstraction, Albright Knox Gallery, Buffalo, USA
|
|
2005
|
|
Variations on the theme of illusion, Emily Tsingou Gallery, London, UK
|
|
2004
|
|
Playa de Los Intranquilos, Pier Trust, London, UK (solo)
|
|
2003
|
|
cease firing on all fronts, Kerlin Gallery, Dublin, Ireland (solo)
|
|
2003
|
|
Variations on the theme of illusion, Emily Tsingou Gallery, London, UK
|
|
2003
|
|
Magasin 3, Stockholm Konsthall, Stockholm, Sweden
|
|
2002
|
|
Second Skin, Henry Moore Institute, Leeds, UK
|
|
2002
|
|
Tanya Bonakdar Gallery, New York, USA (solo)
|
|
2002
|
|
Love, Labour & Loss, Tullie House Museum & Art Gallery, Carlisle and Royal Albert Memorial Museum & Art Gallery, Exeter, Devon, UK
|
|
2002
|
|
Shine, The Lowry, Manchester, UK
|
|
2002
|
|
Something Else: Irish Contemporary Art, Turku Art Museum, Turku, Finland
|
|
2002
|
|
Surface to Surface, curated by Max Henry, Mary Boone Gallery, New York, USA
|
|
2002
|
|
Mood River, Wexner Center, Columbus, Ohio, USA
|
|
2002
|
|
Landscape, British Council International Touring Exhibition, Casa Andrade Muricy, Curitiba, Brazil
|
|
2001
|
|
All Terrain: An Exploration of Landscape and Place, Contemporary Art Center of Virginia, Virginia, USA
|
|
2001
|
|
ARS 01 - Unfolding Perspectives' Museum of contemporary Art, Kiasma, Helsinkil, Finland
|
|
2001
|
|
Deutsche Bank Collection of Contemporary Art, Scottish National Gallery of Modern Art, Edinburgh, UK
|
|
2001
|
|
Landscape, British Council International Touring Exhibition, Museum of Modern Art Art, Rio de Janeiro; Museum de Arte de Sao Paulo, Brazil, Musue de Arte Contemporanea de Niterói, Brazil
|
|
2001
|
|
Exhibition of British Sculpture, Taipei Fine Arts Museum, Taiwan; Singapore Art Museum, Singapore
|
|
2001
|
|
Irish Pavillion, 49th Venice Biennale, Venice, Italy (solo)
|
|
2001
|
|
Kerlin Gallery, Dublin, Ireland (solo)
|
|
2000 - 2001
|
|
Shifting Ground: Fifty Years of Irish Art’, Irish Museum of Modern Art, Dublin, Ireland
|
|
2000 - 2001
|
|
Landscape, British Council International Touring Exhibition: ACC Gallery, Weimar, Germany; Haus of Artists, Moscow; Peter and Paul Fortress, Moscow; GallerieNazionaledi Arte Moderna, Roma; Centro Cultural del Conde Duque, Madrid; Sophia Municipal Gallery of Art, Bulgaria
|
|
2000 - 2001
|
|
SiobhánHapaska, Charles Long, Ernesto Neto; Magasin 3, Stockholm Konsthall, Stockholm, Sweden
|
|
2000 - 2001
|
|
Sensational, Shrewsbury Museum and Art Gallery, Shrewsbury, UK
|
|
2000
|
|
Artifice, Deste Foundation, Athens; Centre for Contemporary Art, Thessaloniki, Greece (with Adam Chodzko, Tacita Dean, Graham Gussin, Stephen Murphy, Simon Starling, Jane and Louise Wilson)
|
|
2000
|
|
Conversation, Milton Keynes Gallery, London, UK
|
|
2000
|
|
Screen, Arts Council of England touring exhibition
|
|
1999
|
|
0044, PS1, New York and Allbright-Knox Art Gallery, Buffalo, USA
|
|
1999
|
|
Arts Council of England Collection, Aberystwyth Arts Centre, Aberystwyth, UK
|
|
1999
|
|
Saatchi in Sheffield, Mappin Art Gallery, Sheffield, UK
|
|
1999
|
|
Sezon Museum of Art, Tokyo, Japan (solo)
|
|
1999
|
|
Statement, BonakdarJancou Gallery, Basel Art Fair (solo)
|
|
1999
|
|
Artist Statement for Bonakdar Jancou Gallery, Basel Art, Fair, Basel, Switzerland (solo)
|
|
1999
|
|
Tokyo International Forum, Yuraku-Cho Saison Art Program, Gallery, Aoyama, Tokyo, Japan (solo)
|
|
1999
|
|
Crawford Municpal Art Gallery, Cork, Ireland
|
|
1999
|
|
Screen, Arts Council of England touring exhibition
|
|
1998
|
|
The Glen Dimplex Artist's Award, The Irish Museum of Modern Art Dublin, Ireland
|
|
1998
|
|
IMMA / Glen Dimplex Artists Award Exhibition, Irish Museum of Modern Art, Dublin, Ireland Dublin
|
|
1998
|
|
Here To Stay, Arts Council of England Collection, Plymouth Arts Centre, Plymouth, UK Plymouth
|
|
1998
|
|
Galerie Michael Jansen, Cologne, Germany
|
|
1998
|
|
Speed, Whitechapel Art Gallery, London, UK
|
|
1998
|
|
Seamless, De Appel, Amsterdam, The Netherlands
|
|
1998
|
|
Screen, Arts Council of England touring exhibition
|
|
1997
|
|
New Found Landscape, Kerlin Gallery, Dublin, Ireland
|
|
1997
|
|
Documenta X, Kassel, Germany
|
|
1997
|
|
Plastik, Württembergischer Kunstverein, Stuttgart, Germany
|
|
1997
|
|
Screen, Ridinghouse Editions, London, UK
|
|
1997
|
|
Städtische AusstellungshalleamHawercamp, Münster, Germany
|
|
1997
|
|
Craft, Richard Salmon, London, Kettles Yard, Cambridge, UK
|
|
1997
|
|
Enjoy, Schloss Agathenburg, Agathenburg, Germany
|
|
1997
|
|
Ago, Entwistle Gallery, London, UK (solo)
|
|
1997
|
|
Tanya Bonakdar Gallery, New York, USA (solo)
|
|
1997
|
|
Oriel, Arts Council of Wales Gallery, Cardiff, Wales, UK (solo)
|
|
1997
|
|
Residue, Douglas Hyde Gallery, Dublin, Ireland
|
|
1997
|
|
A Print Portfolio from London, c/o Atle Gerhardsen, Oslo, Norway
|
|
1997
|
|
Douglas Hyde Gallery, Dublin, Ireland
|
|
1997
|
|
Ridinghouse Editions, London, UK
|
|
1996
|
|
Kerlin Gallery, Dublin, Ireland
|
|
1996
|
|
Rhona Hoffman, Chicago, USA
|
|
1996
|
|
The Book is on the Table, Entwistle Gallery, London, UK
|
|
1995 - 1996
|
|
Saint Christopher's Legless, Institute of Contemporary Arts, London, UK (solo)
|
|
1995
|
|
St. Christopher's Legless, Institute of Contemporary Arts, London, UK (solo)
|
|
1995
|
|
St. Christopher's Legless, Institute of Contemporary Arts, London, UK
|
|
1993
|
|
Mandy Loves Declan 100%, Boote Gallery, New York, USA
|
|
1993
|
|
Wonderful Life, Lisson Gallery, London, UK
|
|
1993
|
|
Eye Witness, Shaftesbury Avenue, London, UK
|
|
1993
|
|
Making People Disappear, Cubitt Street Gallery, London, UK
|
|
1993
|
|
Barclays Young Artist Award, Serpentine Gallery, London, UK
|
|
1992
|
|
How did these children come to be like that?, Goldsmiths Gallery, London, UK
|
|
1990
|
|
Guinness Peat Aviation Awards for Emerging Artists, Gallagher Gallery, Dublin, Ireland
|
|
 |
| Selected Public Collections |
 |
 |
|
|
|
Hirshhorn Museum and Sculpture Garden, Washington, DC, USA
|
|
|
|
Magasin 3, Stockholm, Sweden
|
|
|
|
Massachusetts Institute of Technology, Cambridge, USA
|
|
|
|
Moderna Museet, Stockholm, Sweden
|
|
|
|
The Tate Modern, London, United Kingdom
|
|
 |
| Littérature |
 |
 |
|
2007
|
|
Hester R Westly, Art Monthly, November 07, No 311, pg 5
|
|
2006
|
|
Esme West ed., New Art on View, pg149 2006 Scala Publishers, London
|
|
2005
|
|
2005 ‘When Beauty Shocks you into Silence’, Richard Dorment, The Daily Telegraph, Tuesday Sept 27th, 2005
|
|
2005
|
|
British Art Show 6, pg. 84-85
|
|
2005
|
|
Printemps de septembre a Toulouse, Volume 2: VERTIGES, pg.124-127
|
|
2004
|
|
‘SiobhánHapaska – Peer’, David Barrett, Art Monthly, July-August 2004
|
|
2004
|
|
Luke Clancy, Art Review, March 2004
|
|
2003
|
|
Cristin Leach, Sunday Times, November 30th 2003
|
|
2003
|
|
Aidan Dunne, The Irish Times, 29th December, 2003
|
|
2002
|
|
‘Second Skin’ Contemporary April Issue, Mark Gisbourne
|
|
2001
|
|
‘Mayday’ Circa Autumn Issue, Patrick Murphy
|
|
2001
|
|
‘Biennale Babylon’ Art in America, Sept.. Marcia E. Vetrocq
|
|
2001
|
|
‘Towards Futures Past’, NY Arts Vol 6, No2.Caoimhin Mac Giolla Leith
|
|
2001
|
|
‘And so this is Christmas’ The Irish Times, 18 January, Aidan Dunne
|
|
2001
|
|
‘Through the Looking Glass’, The Sunday Tribune, 14 January, Marianna Hartigan
|
|
2001
|
|
‘God gets a science lesson’, The Sunday Times, 22 January, MedbRuane
|
|
2000
|
|
SiobhánHapaska/ Charles Long/ Ernesto Neto; Magasin 3 Stockholm Konsthall catalogue
|
|
2000
|
|
Landscape, catalogue, The British Council
|
|
2000
|
|
SiobhánHapaska, Saison Art Programme, Tokyo, catalogue
|
|
1998
|
|
Catalogue, IMMA/Glen Dimplex Artists Award, Irish Museum of Modern Art, Dublin IMMA/Glen Dimplex Artists Award Review, Irish Times, 7 April
|
|
1998
|
|
IMMA/Glen Dimplex Artists Award, Marian Lovett, Sunday Times, 25 April
|
|
1997
|
|
Catalogue, Oriel Gallery, Wales
|
|
1997
|
|
‘Out There’ Frieze, Jennifer Higgie, Issue 37, December
|
|
1997
|
|
‘BLIMEY! From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst’. Pg 148
|
|
1996
|
|
Time Out, January, Martin Croomer
|
|
1996
|
|
Art Monthly, February, Juan Cruz
|
|
1996
|
|
Frieze, March/April, Matthew Collins
|
|
1996
|
|
Artifice, Issue 4, Dave Beech
|
|
 |
|