|
|
Tanja Alexia Hollander Biographie
|
 |
 |
|
1972 |
|
Born St. Louis, Missouri
|
|
1994 |
|
Bachelor of the Arts, Hampshire College, Amherst, Massachusetts
|
|
 |
| Expositions sélectionnées |
 |
 |
|
2006
|
|
New Photographs, Jim Kempner Fine Art, New York City, New York (solo)
|
|
2005
|
|
View: New Photographs, Bernard Toale Gallery, Boston, Massachusetts (solo)
|
|
2005
|
|
Recent Work, Addison Arts Gallery, Santa Fe, New Mexico (solo)
|
|
2004
|
|
Recent Work, Jim Kempner Fine Art, New York City, New York (solo)
|
|
2004
|
|
Recent Work, Zero Station, Portland, Maine (solo)
|
|
2004
|
|
Outside, Jim Kempner Fine Art, New York City
|
|
2004
|
|
Sites Unseen: Photographic Visions of the Vernacular Landscape, Colby College Museum of Art, Waterville, Maine
|
|
2004
|
|
Recent Acquisitions, Bates College Museum of Art, Lewiston, Maine
|
|
2004
|
|
Juried Biennial, Center for Maine Contemporary Art, Rockport, Maine
|
|
2004
|
|
Introducing, Addison/Parks Gallery, Santa Fe, New Mexico
|
|
2003
|
|
Photographs by Seven Contemporary Artists, Jim Kempner Fine Art, New York City, New York
|
|
2003
|
|
Composition 101, Center for Maine Contemporary Art, Rockport, Maine
|
|
2003
|
|
Zero Portfolio, Zero Station, Portland, Maine
|
|
2003
|
|
Six Maine Photographers, Hampshire College, Amherst, Massachusetts
|
|
2003
|
|
The Bruce Brown Collection, Colby College Museum of Art, Waterville, Maine
|
|
2002
|
|
Open House: Summing Up, Portland Museum of Art, Portland, Maine
|
|
2002
|
|
The Land that Time Forgot, Harlem Flophouse, New York City, New York
|
|
2002
|
|
Past, Present, Future, Center for Maine Contemporary Art, Rockport, Maine
|
|
2002
|
|
Almost Home, Fuller Museum, Brockton, Massachusetts
|
|
2002
|
|
CMCA 2002 Juried Biennial, Center for Maine Contemporary Art, Rockport, Maine
|
|
2002
|
|
McLellan-Sweat House Open House Commission, Portland Museum of Art, Portland, ME (solo)
|
|
2001
|
|
New Work, Miller Block Gallery, Boston, Massachusetts (solo)
|
|
2001
|
|
Portland Museum of Art Biennial, Portland Museum of Art, Portland, ME
|
|
2001
|
|
Local Color: Six Contemporary Photographers, Portland Museum of Art, Portland, ME
|
|
2001
|
|
Domestic Culture: home in visual culture, ICA@MECA, Portland, Maine
|
|
2001
|
|
150 x 150, Gallery @Greene Street, Boston, MA
|
|
2001
|
|
Interiors & Signs of the times: 20th century photographs, UNE Museum, Portland, Maine
|
|
2001
|
|
Selections from the Biennial, Blain House, Augusta, Maine
|
|
2000
|
|
Depth of Field, Elements Gallery, Rockland, Maine
|
|
2000
|
|
Three Photographers, Miller/Block Gallery, Boston, MA
|
|
2000
|
|
Photographing Maine: 1850-2000 (Part 1), Center for Maine Contemporary Art, Rockport, ME
|
|
2000
|
|
Artcetera, Boston AIDS Auction, Boston, MA
|
|
2000
|
|
Alumni Exhibition, Hampshire College, Amherst, MA
|
|
2000
|
|
Home, Elements Gallery, Rockland, ME
|
|
2000
|
|
Rouse, June Fitzpatrick Gallery, Portland, ME (solo)
|
|
1999
|
|
Fringe Festival, Recontres Internationales de la Photographie, Arles, France
|
|
1999
|
|
New England Artists Trust Congress V, Creative Arts Workshop, New Haven, Connecticut
|
|
1998
|
|
The Hotel Naked, Foto Fest '98, Mother Dog Studios, Houston, Texas
|
|
1998
|
|
Cock, Maine Photo Co-op, Portland, ME (solo)
|
|
1997
|
|
friction, Elements Gallery, Rockland, ME (solo)
|
|
1997
|
|
Delilah Pottery, Portland, ME (solo)
|
|
1997
|
|
Still, S. Browning Salon, St. Louis, MO (solo)
|
|
1996
|
|
Still, Dead Space Gallery, Portland, ME (solo)
|
|
1996
|
|
Self-portraits by Four Maine Artists, St. Joseph's College, Windham, Maine
|
|
1995
|
|
The Women Who Made Dead Space, Dead Space Gallery, Portland, Maine
|
|
1995
|
|
The Fragile Body: A Day Without Art, South Bend Regional Museum of Art, South Bend, Indiana
|
|
1995
|
|
PhotoNominal '95, Forum Gallery, Jamestown, New York
|
|
1994
|
|
Sexy American Self-Portrait Installation, Dead Space Gallery, Portland, ME (solo)
|
|
1994
|
|
Sexy American Self Portrait Installation, Hampshire College Main Gallery, Amherst, Massachusetts (solo)
|
|
|
|
Bates College Museum of Art, Lewiston, Maine
|
|
|
|
Fidelity Investments, Boston, Massachusetts
|
|
|
|
Polo: Ralph Lauren, New York City, New York
|
|
|
|
Portland Museum of Art, Portland, Maine
|
|
|
|
Repertoire Furniture, Boston, Massachusetts
|
|
|
|
Ritz-Carlton, Boston, Massachusetts
|
|
|
|
Sedey and Ray, St. Louis, Missouri
|
|
|
|
Sharon, Leary, and Detroy, Lewiston, Maine
|
|
|
|
Elie Tahari, New York City, New York
|
|
|
|
University of Maine Museum of Art, Bangor, Maine
|
|
|
|
Various private collections
|
|
 |
 |
 |
|
|
| Littérature |
 |
 |
|
2005
|
|
McQuaid, Cate. "Exhibit tracks the trend of mappin gout truth and beauty,"Boston Globe, Boston, Massachusetts, January 21, 2005.
|
|
2004
|
|
Keyes, Bob. "The future of photography," Maine Sunday Telegram, Portland, Maine, March 7, 2004.
|
|
2004
|
|
Corwin, Sharon. "Sites unseen: Photographic visions of the vernacular landscape," Colby College, Catalog, June 2004.
|
|
2004
|
|
Thompson, Chris. "A hard day's light," exhibition brochure, Zero Station, Portland, Maine, February 2004.
|
|
2004
|
|
Thompson, Chris. "A photographic dialogue," Port City Life Magazine, Portland, Maine, March/April 2004.
|
|
2003
|
|
Thompson, Chris. "Out of Pocket, Starting an art collection without a trust fund," Portland Magazine, Portland, Maine, December, 2003.
|
|
2003
|
|
Thompson, Chris. "Going Twice," The Portland Phoenix, Portland, Maine, December 5, 2003.
|
|
2002
|
|
McQuaid, Cate. "Two photography exhibits at the Fuller don't click," Boston Globe, Boston, Massachusetts, July 5, 2002.
|
|
2002
|
|
Parcellin, Paul. "Reviews, northeast," Art Papers Magazine, Atlanta, Georgia, November/December, 2002.
|
|
2002
|
|
Silver, Joanne. "Photo exhibit makes you feel at 'home'," Boston Herald, Boston, Massachusetts, June 7, 2002.
|
|
2002
|
|
Tapley, Lance. "Maine Artists who collect Maine Artists," Portland Magazine, Portland, Maine, September, 2002.
|
|
2001
|
|
Swinconeck, John. "PMA takes chance by showing color photography," The Times Record, Brunswick, Maine, February 22, 2001.
|
|
2001
|
|
Russell, Jenna, "Front window: Tanja Hollander sees the light," The Portland Phoenix, Portland, Maine, August 31, 2001.
|
|
2001
|
|
Russell, Jenna. "The few, the proud, the Biennial," The Portland Phoenix, Portland, Maine, April 6, 2001.
|
|
2001
|
|
McQuaid, Cate. "Photos on the edge," Boston Globe, Boston, Massachusetts, September 27, 2001.
|
|
2001
|
|
Gallant, Aprile. "Local Color: Six Contemporary Photographers," Portland Museum of Art, Catalog, March 2001.
|
|
2001
|
|
Isaacson, Philip. "Local Color: On road to equality w/ b&w," Maine Sunday Telegram, Portland, Maine, March 1, 2001.
|
|
2001
|
|
Beem, Edgar Alan. "Home is where the art is," Maine Times, Portland, Maine, March 29, 2001.
|
|
2001
|
|
Thompson, Chris. "Domestic Culture: home is where the heart is," The Portland Phoenix, Portland, Maine, March 16, 2001.
|
|
2001
|
|
Edgar Alan Beem. "The ascendancy of photography as art," Maine Times, Portland, ME, March 22, 2001.
|
|
2001
|
|
Bessire, H. C. Mark. "Domestic Culture: home in visual culture," Institute of Contemporary Art at MECA, exhibition brochure, March, 2001.
|
|
2001
|
|
Hall, Jessica Allen. "The artists voice," KZBH, Rockport, Maine, June 8, 2001.
|
|
2000
|
|
Beem, Edgar Alan. "One really big show," Maine Times, Portland, Maine, August 17, 2000.
|
|
2000
|
|
McQuaid, Cate. "Images of illuminating focus, depth," Boston Globe, Boston, Massachusetts, January 27, 2000.
|
|
1998
|
|
Seikonia, Annie. "Art review," Casco Bay Weekly, Portland, Maine, June 18, 1998.
|
|
1995
|
|
Merkle, Karen. "A provocative photonomial," Eerie Times, Eerie, Pennsylvania, February 25, 1995.
|
|
1994
|
|
Curtis, Wayne. "Dead Space Gallery to anchor an art scene," Casco Bay Weekly, Portland, Maine, October 6, 1994.
|
|
1994
|
|
Bornstein, Lisa. "Day without Art commemorates losses to AIDS," South Bend Tribune, South Bend, Indiana, December 2, 1994.
|
|
 |
|
|
|