|
|
Thomas Zipp Biographie
|
 |
 |
|
1966 |
|
Born in Heppenheim, Germany
|
|
1992 - 1998 |
|
Studied at the Freien Kunst Städelschule Frankfurt/M. and the Slade School London
|
|
2006 |
|
Guest professorship at Hochschule der Bildenden Künste Karlsruhe, Germany
|
|
|
|
Lives and works in Berlin
|
|
 |
| Expositions sélectionnées |
 |
 |
|
2012
|
|
BLACKOUT CHAMBERS, L´ARC DE CERCLE & DISSOCIATIVE AMNESIA, Berlin, Germany (solo)
|
|
2010
|
|
Galerie Rüdiger Schöttle, Munich, Germany (solo)
|
|
2010
|
|
(White Reformation CO-OP) MENS SANA IN CORPORE SANO, Kunsthalle Fridericianum, Kassel, Germany (solo)
|
|
2010
|
|
Nachtdarstellungen in der zeitgenössischen Malerei, Städtische Galerie Delmenhorst, Germany
|
|
2010
|
|
Wystawa, Muzeum Sztuki Nowoczesnej, Warsaw, Poland
|
|
2009 - 2010
|
|
Faces, Kunstverein Heppenheim, Germany (solo)
|
|
2009
|
|
The World’s Most Complete Congress Of Strange People, Galerie Guido W. Baudach, Berlin, Germany (solo)
|
|
2009
|
|
MENS AGITAT MOLEM (Luther & The Family of Pills), Sammlung Goetz, Munich, Germany (solo)
|
|
2009
|
|
ILSATIN, Francesca Kaufmann, Milan, Italy (solo)
|
|
2009
|
|
Galerie Seiler, Munich, Germany (solo)
|
|
2009
|
|
Die andere Seite, KAI 10 Raum für Kunst, Arthena Foundation, Düsseldorf, Germany
|
|
2009
|
|
Nothing is permanent, Albert Baronian, Profession: Galeriste, La Centrale électrique, European Centre for Contemporary Art, Brüssel, Belgium
|
|
2008
|
|
Das zweite Gesicht, Sammlung Südhausbau, Munich, Germany
|
|
2008
|
|
Thomas Zipp / Anouk De Clercq / Dolores Bouckaert, Museum Dhondt-Dhaenens, Deurle, Belgium
|
|
2008
|
|
Back to Black. Die Farbe schwarz in der aktuellen Malerei, Kestner, Hannover, Germany
|
|
2008
|
|
Butzer Hofer Meese Strode Zipp, Sammlung Sperling, Mainburg, Germany
|
|
2008
|
|
Thomas Zipp – White Dada, Alison Jacques Gallery, London, UK (solo)
|
|
2008
|
|
THOMAS ZIPP, PAINTINGS 2002-2007, Marc Jancou, New York, USA (solo)
|
|
2008
|
|
S.S.B.S.M. (sick souls by sick minds), Galerie Guido W. Baudach, Berlin, Germany (solo)
|
|
2008
|
|
Thomas Zipp, Harris Lieberman, New York, USA (solo)
|
|
2007
|
|
De Appel, Amsterdam, Netherlands (solo)
|
|
2007
|
|
MOOLeSDe (BIRDS), Patricia Low Contemporary, Gstaad, Switzerland (solo)
|
|
2007
|
|
Planet Caravan a Futuristic World Fair, Kunsthalle Mannheim, Germany (solo)
|
|
2007
|
|
Planet Caravan? Is there a life after death?, Kunstmuseum Mühlheim an der Ruhr, Germany (solo)
|
|
2007
|
|
Ballet Méchanique, Timothy Taylor Gallery, London, UK
|
|
2007
|
|
Yellow Snow, La Maison Jaune, Quebeck, Canada
|
|
2007
|
|
La Boum III, Warsaw, Poland
|
|
2007
|
|
Perspektive - Neuerwerbungen, Schenkungen und Wünsche der Sammlung für Gegenwartskunst im Lenbachhaus, Lenbachhaus Munich, Germany
|
|
2007
|
|
Kommando Friedrich Hölderlin Berlin, Galerie Max Hetzler/Galerie Guido W. Baudach, Osram-Höfe, Berlin, Germany
|
|
2007
|
|
Menschenbilder, Sammlung Südhausbau, Munich, Germany
|
|
2007
|
|
Made in Germany, Sprengelmuseum, Kunstverein, Kestnergesellschaft Hannover, Germany
|
|
2006 - 2007
|
|
Galerie Rüdiger Schöttle, Munich, Germany (solo)
|
|
2006 - 2007
|
|
Rings of Saturn, Tate Modern, London, UK
|
|
2006
|
|
Faster!Bigger!Better!, ZKM/Museum für Neue Kunst, Karlsruhe, Germany
|
|
2006
|
|
Of Mice and Men, 4th Berlin Biennial of Contemporary Art, Berlin, Germany
|
|
2006
|
|
Geist Über Materie, Patrick Painter Inc., Santa Monica, CA (solo)
|
|
2006
|
|
Uranlicht, Harris Lieberman Gallery, New York, USA (solo)
|
|
2006
|
|
EEEEEEE (God bless the (Lord Auch)), Galerie Guido W. Baudach, Berlin, Germany (solo)
|
|
2005
|
|
Achtung! Vision: N.I.B., Alison Jacques Gallery, London, England (solo)
|
|
2005
|
|
The Return of the Subreals, Oldenburger Kunstverein, Oldenburg, Germany (cat.) (solo)
|
|
2005
|
|
Nuevo Tychónico, Galeria Heinrich Ehrhardt, Madrid, Spain (solo)
|
|
2005
|
|
man muss das adjektiv abschaffen, Baronian_Francey, Brussels, Belgium (solo)
|
|
2005
|
|
Das neue Schwarz, Galerie Rüdiger Schöttle, Munich, Germany
|
|
2005
|
|
Security Check. Painting after Romanticism. Galerie Arndt&Partner, Zürich, Switzerland
|
|
2005
|
|
Almstadtstr. 50, Berlin (with Ralf Dereich, Ruth Detzer, Patricia Kaiser, Bernhard Lehner, Rut Massó, Jutta Rossmann, Tanja Tügel and Claudia Wieser)
|
|
2005
|
|
Galeria Heinrich Ehrhardt, Madrid (solo)
|
|
2004
|
|
Worldkanzler, Daniel Hug Gallery, Los Angeles (solo)
|
|
2004
|
|
The New Breed, Galerie Michael Neff, Frankkfurt/M. und Galerie Parisa Kind, Frankfurt/M., Germany (cat.) (solo)
|
|
2004
|
|
Made in Berlin, ArtForum, Berlin, Germany (cat.)
|
|
2004
|
|
Heimweh, Haunch of Venison, London
|
|
2004
|
|
Guido W. Baudach, Galerie Guido W. Baudach, Berlin, Germany (cat.)
|
|
2004
|
|
Kommando Pfannenkuchen, Daniel Hug Gallery, Los Angeles
|
|
2004
|
|
Central Station (Collection Harald Falckenberg), La Maison Rouge, Paris, France
|
|
2003
|
|
Hands up, Baby, hands up, Oldenburger Kunstverein, Germany
|
|
2003
|
|
actionbutton, Hamburger Bahnhof, Berlin, Germany (cat.)
|
|
2003
|
|
Inauguration, Marc Jancou Fine Art, New York
|
|
2003
|
|
Painting on the roof, Museum Abteiberg, Mönchengladbach, Germany (cat.)
|
|
2003
|
|
Neroin, Maschenmode, Galerie Guido W. Baudach, Berlin, Germany (solo)
|
|
2003
|
|
Marc Jancou Fine Art, New York
|
|
2002
|
|
FRIEDE, FREIHEIT, FREUDE, Maschenmode, Berlin, Germany
|
|
2002
|
|
Grosse Kunstausstellung Sommer 2002 im Pazifik, PAZIFIK, Berlin, Germany
|
|
2002
|
|
Schöne Aussicht, Herr Schweins, Galerie Otto Schweins, Cologne, Germany
|
|
2002
|
|
TIERE, Elternhaus Thomas Palme, Immenstadt, Germany
|
|
2001
|
|
Montana Sacra (Circles 5), ZKM, Karlsruhe, Germany
|
|
2001
|
|
Galerie Hilger, Vienna, Austria (solo)
|
|
2001
|
|
Musterkarte – Modelos de Pintura en Alemania, Galerie Heinrich Ehrhardt, Madrid, Spain (cat.)
|
|
2001
|
|
Exorcise the demons of perhaps, Maschenmode (Galerie Guido W. Baudach), Berlin, Germany (solo)
|
|
2001
|
|
Bis dass der Tod uns meidet (with Manfred Peckel and Philipp Zaiser), Galerie Hilger, Vienna, Austria (solo)
|
|
2001
|
|
Atrium Vagari (with Philipp Zaiser), Halle fur Kunst, Essen, Germany (solo)
|
|
2001
|
|
The Ölwechsel, Transmission Gallery, Glasgow, UK
|
|
2001
|
|
Viva November, Stadtische Galerie Wolfsburg, Germany
|
|
2001
|
|
Bayrle, Jensen, Neumeier, Vatter, Zipp, Gesellschaft fur junge Kunst, Baden-Baden, Germany
|
|
2000
|
|
Maschenmode, Berlin, Germany (solo)
|
|
2000
|
|
Nobody loves an Albatros, Montparnasse, Berlin, Germany (solo)
|
|
2000
|
|
Deathrace 2000, Thread Waxing Space, New York, USA
|
|
2000
|
|
turning into a loop, Gallery Gio Marconi, Milan, Italy
|
|
2000
|
|
The Bridges – Art on the Highway, Fuori Uso 2000, Pescara, Italy (cat.)
|
|
2000
|
|
Landscape, Galerie Giti Nourbakhsch, Berlin, Germany
|
|
2000
|
|
Face The Black (Sammlung Zipp), Maschmode, Berlin, Germany
|
|
1999
|
|
Otto hat Besuch, OTTO, Copenhagen, Denmark
|
|
1999
|
|
Jugendsünden, HHK Hamburg, Germany
|
|
1999
|
|
Phantombüro, Kunstverein Frankfurt a. M., Germany
|
|
1999
|
|
Video Bar, Galerie Voges & Deisen, Frankfurt a. M., Germany
|
|
1999
|
|
Schlockweltall, Andersens Wohnung, Berlin, Germany
|
|
1999
|
|
Stuttgart 17.5.56 – Salem (Wisconsin USA) 3.3.77, Portikus, Frankfurt a. M., Germany (Cat.)
|
|
1999
|
|
Vivienne, Kunsthalle Lüneburg, Germany
|
|
1999
|
|
1. Diciembre 1999 - 29. Enero 2000 (mit Thilo Heinzmann), Galerie Heinrich Erhardt, Madrid, Spain (solo)
|
|
1998
|
|
Seilers Schlafzimmer, Helmut Seiler, Munich, Germany
|
|
1997
|
|
n.n. (with Thilo Heinzmann), Galerie ak, Frankfurt/M., Germany (solo)
|
|
1997
|
|
Kunststudenten stellen aus, Bundeskunsthalle, Bonn, Germany (cat.)
|
|
1995
|
|
Filmcuts, Galerie neugerriemschneider, Berlin, Germany (cat.)
|
|
1995
|
|
Fenster für Elke Martin, Kunstverein Frankfurt a. M., Germany
|
|
 |
 |
 |
|
|
| Littérature |
 |
 |
|
2006
|
|
“Emily Speers Mears, Thomas Zipp, Of Mice and Men,” 4th Berlin Biennial of Contemporary Art, Exhibition Guide, Hatje Cantz Verlag, 2006, pp. 128-129.
|
|
2006
|
|
Hafner, Hans-Juergen. “Vom Deuten und Bedeuten – Thomas Zipp bei Guido W. Baudach,” online Review, www.artnet.de, 8.3.2006
|
|
2006
|
|
Choire Sicha, “Sillman, Hesse, Walker. How ‘bout Utah for some art,” The New York Observer (online), Spring Preview 2006
|
|
2006
|
|
Hamacher, Sophie. “Berlin Critics’ Picks,” Artforum.com, February 2006
|
|
2006
|
|
Prince, Marc. “Pluralism and the ´isms of art history,” Art Monthly, February 2006 / No 293, pp.7-11
|
|
2005
|
|
Smith, Roberta. “A Carnival of Art, Money, Surf and Sand,” New York Times, 3.12.2005
|
|
2005
|
|
Thomas Zipp, Achtung! Vision: Samoa, The Family of Pills & The Return of the Subreals, Hatje Cantz Publisher, 2005
|
|
2005
|
|
“Heitere Qaeälnummern”, Der Spiegel, Nr. 34/2005: 127.
|
|
2004
|
|
“Thomas Zipp”, art, Nr.9 / September 2004: 56
|
|
2004
|
|
Veit Loers, „Ich komme Wohl, doch bleib ich nicht...“, Thomas Zipp , Neroin & The new Breed, Publisher Heckler und Koch, Berlin, 2004.
|
|
 |
|