Chronologie

1956
Born in Albuquerque, NM
1978
BA The University of Texas, Austin, TX
2006
Aspen Award for Art, Aspen Art Museum, Aspen, CO
Lives and works in New York, NY

Expositions

2015
Flames on the Side of My Face, Klaus Von Nichtssagend Gallery, New York, NY
Tony Feher/Tom Fairs, Kerry Schuss, New York, NY
2014
Tony Feher: Super Special Happy Group, Hiram Butler Gallery, Houston, TX (solo)
Tony Feher, Utah Museum of Fine Arts, Salt Lake City, UT (solo)
Tony Feher, The Lumber Room, Portland, OR (solo)
Tony Feher, Akron Art Museum, Akron, OH (solo)
Tony Feher: Two Works, James Harris Gallery, Seattle, WA (solo)
2013
Encore, Sikkema Jenkins & Co., New York, NY (solo)
GrandMa’sPussy, ACME., Los Angeles, CA (solo)
Tony Feher, DeCordova Sculpture Park and Museum, Lincoln, MA (solo)
Free Fall, Diverse Works, Houston, TX (solo)
Ecce Homo: Nayland Blake, Arch Connelly, Tony Feher, Oliver Herring, Christian Holstad, Geer Lankton, Hunter Reynolds, Christopher Tanner, Pavel Zoubok Gallery, New York, NY
Gravity of Sculpture: Part II, Dorsky Gallery, Long Island City, NY
2012
Tony Feher – A Work in Four Parts, Hiram Butler Gallery, Houston, TX (solo)
Tony Feher, Anthony Meier Fine Arts, San Francisco, CA (solo)
Tony Feher, Des Moines Art Center, Des Moines, IA; travels to Blaffer Art Museum at the University of Houston, Houston, TX; deCordova Sculpture Park and Museum, Lincoln, MA; and the Bronx Museum, New York, NY (solo)
Tony Feher: Extraordinary Ordinary, Ulrich Museum of Art, Wichita State University, Wichita, KS (solo)
ArtPace, San Antonio, TX (solo)
Anthony Meier Fine Arts, San Francisco, CA (solo)
Everyday Abstract – Abstract Everyday, curated by Matthew Higgs, James Cohan Gallery, New York, NY
Everyday Things: Contemporary Works from the Collection, Museum of Art at Rhode Island School of Design, Providence, RI
Economy of Means: Toward Humility in Contemporary Sculpture, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
2011
Ball Game, Dunn and Brown Contemporary, Dallas, TX
Works of Paper, ACME., Los Angeles, CA
Next On Line, Pace Gallery, New York, NY (solo)
Streams of Consciousness: The Histories, Mythologies, and Ecologies of Water, Salina Art Center, Salina, KS
Me gusta el plastico, MUPO, Oaxaca, Mexico
Towards the Third Dimension, David Floria Gallery, Inc., Aspen, CO
2010
On the Square, PaceWildenstein, New York, NY
Look Again, Marlborough Gallery, New York, NY, curated by Casey Fremont and Karline Moeller
Movement Schmoovement, La Mama La Galleria, New York, NY
Reflection, Nathan A. Bernstein & Co., Ltd., New York, NY, curated by Nicole Berry
At Home / Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies, Bard College, Annadale-on-Hudson, New York, NY
50 Years at Pace, The Pace Gallery, New York, NY
Vortexexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA
What Matters, Worcester Museum of Art, Worcester, MA
Arthouse at the Jones Center, Austin, TX (solo)
Lora Reynolds Gallery, Austin, TX (solo)
2009
Don’t Perish, Leo Koenig Inc. Projekte, New York, NY
Slough, David Nolan Gallery, New York, NY
Tony Feher: Wall Show, D’Amelio Terras, New York, NY (solo)
Tony Feher, Allison Miller and Mitzi Pederson ACME., Santa Monica, LA
Material Intelligence, Kettle’s Yard, Cambridge, UK
A Work in Progress, Usdan Gallery, Bennington College, Bennington, VT
ACME, Los Angeles, CA
Paper Trail v. 5: Intimate Gestures, Judi Rotenberg Gallery, Boston, MA
Vortexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA
Selections – Carl Andre, Massimo Bartolini, Tony Feher, Christian Holstad, Cornelia Parker, D’Amelio Terras, New York, NY
Blossom, D’Amelio Terras, New York, NY (solo)
2008
Anthony Meier Fine Arts, San Francisco, CA (solo)
Pace Wildenstein, New York, NY (solo)
D’Amelio Terras, New York, NY (solo)
Intimacy, The Fireplace Project, East Hampton, NY
Re: Place, Contemporary Arts Center, New Orleans, LA
Waste Not, Want Not, Socrates Social Park, Long Island City, NY
Styrofoam, RISD Museum of Art, Providence, RI
2007
Tony Feher: Some Time Soon, Art Museum of South Texas, Corpus Christi, TX
Tony Feher: Western Edition, ACME, Los Angeles, CA
Tony Feher: A Single Act of Carelessness Will Result in the Eternal Loss of Beauty, Efroymson Entrance Pavilion, Indianapolis Museum of Art, Indiana
Everyday Eden, a Public Art Fund Project, Brooklyn, NY
Extra-Ordinary: The Everyday Object In American Art, Austin Museum of Art, Austin, TX
Salvaged, Pace Wildenstein, New York, NY
Like color in pictures, Aspen Art Museum, Aspen, CO
2006
Tony Feher, The Suburban, Oak Park, IL (solo)
New York, Interrupted, PKM Gallery, Beijing, China
Aisle Five, Des Moines Art Center, Des Moines, IA
Water, Water, Everywhere, Contemporary Art Center of Virginia, Virginia Beach, VA
The Last Picture Show, Numark Gallery, Washington, DC
181st Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY
Transitional Objects, Neuberger Museum of Art, Purchase College, Purchase, NY
Contemporary Masterworks: St. Louis Collects, Contemporary Art Museum St. Louis, St. Louis, MO
Tony Feher, Chinati Foundation, Marfa, TX
2005
Anthony Meier Fine Arts, San Francisco, CA (solo)
The Chinati Foundation, Marfa, TX (solo)
Atomica: making the invisible visible, Esso Gallery and Lombard-Freid Fine Arts, New York, NY,
Spectrum, Galerie Lelong, New York, NY
Frontiers: Collecting the Art of Our Time, Worcester Art Museum, Worcester, MA
Decelerate, Kemper Museum of Contemporary Art, Kansas City, MO
Material Matters , Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
Water, Water Everywhere…, Marilu Knode, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
One-Armed Bandit, D'Amelio Terras, New York, NY
2004
The Wart on the Bosom of Mother Nature, D’Amelio Terras, New York, NY (solo)
Transport to Summer, Foundación La Caixa, Lleida, Spain (solo)
Bottle: Contemporary Art and Vernacular Tradition, Aldrich Contemporary Art Museum, Ridgefield, CT
How Sculptors See, Worcester Art Museum, Worcester, MA
Carl Berg Gallery, Los Angeles, CA
The Making of Things, Triple Candle, New York, NY
Disturbing the Peace, Danese Gallery, New York, NY
Atomica: Making the Invisible Visible, Esso Gallery and Lombard-Freid Fine Arts, New York, NY
Centraal Museum, Utrecht, the Netherlands, 'Vis Vitalis,' curated by Siebe Tettero (February 7 ­ May 9)
Serpentine Gallery, London, UK, 'State of Play,' curated by Rochelle Steiner (February 3 ­ March 28)
La Fundación La Caixa, Lleida, Spain, curated by Cira Pasqual Marquina (January 22 ­ February)
2003
Tony Feher, Arturo Herrera, Nancy Shaver, and Richard Tuttle, Brent Sikkema, New York, NY
Beside, ACME, Los Angeles, CA
Paper Chase, müller dechiara, Berlin, Germany
Plastic, Weatherspoon Art Museum, Greensboro, NC
Today’s Man, John Connelly Presents, New York, NY, travels to Hiromi Yoshii Gallery, Tokyo, Japan
Transparent, Numark Gallery, Washington, DC
Vessels: Fragments from the Lexicon, Jane Hartsook Gallery at Greenwich House Pottery, New York, NY
Stacked, D’Amelio Terras, New York, NY
Addison Gallery of American Art, Andover, MA, 'Tracing the Sublime' (December 16 ­ March 21, 2004)
Various venues, Istanbul, Turkey, 'Poetic Justice: 8th International Istanbul Biennial,' curated by Dan Cameron (September 20 ­ November 16)
Museum of Contemporary Art, Chicago, IL, 'Basic Instinct: Minimalism Past, Present, and Future,' curated by Dominic Molon (May 31 ­ September 14)
2002
Devin Borden Hiram Butler Gallery, Houston, TX (solo)
Cheryl Numark Gallery, Washington, D. C. (solo)
Miami Device 2002, Art Basel Miami Beach, curated by James Rondeau
Interstate, Texas Fine Arts Association / The Jones Center for Contemporary Art, Austin, TX
Aspects of Color, Anthony Meier Fine Arts, San Francisco, CA
New York, New Work, Now, The Currier Gallery, Manchester, NH
Systems Order Nature, Devin Borden Hiram Butler Gallery, Houston, TX
Strolling Through an Ancient Shrine and Garden, ACME, Los Angeles
5 Sculptures, D’Amelio Terras, New York, NY
Art Gallery of Ontario, Toronto, ON, Canada, 'Provisional Worlds,' curated by Jessica Bradley (November 20 ­ March 31, 2003)
Colección Jumex, Mexico City, 'Leisure Theory,' curated by Dan Cameron (Feb 1 ­ June)
University of California, Berkeley Art Museum, Berkeley, CA, Matrix 201a: 'I'm Tired of Toast,' curated by Adrienne Gagnon (September 22 ­ October 27)
Worcester Art Museum, Worcester, MA, 'Maybe/Enjoy' (April 25 ­ August 11)
2001
Group Show, ACME, Los Angeles, CA
D'Amelio Terras, New York, NY, 'Maybe' (November 17 - December 22)
UCLA Hammer Museum, Los Angeles, CA, 'Red Room and More' (November 13 - January 27, 2002)
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, 'Red Room and More' curated by Amada Cruz (June 24 - September 9)
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, 'Red Room and More' curated by Amada Cruz (June 24 - September 9)
Plant Life, curated by Patrick Callery, K.S. Art, New York, NY
Waterworks: U.S.Akvarell 2001, curated by Kim Levin, Nordiska Akvarellmeseet, Skarhamm, Sweden
New Work: Recent Additions to the Collection, Addison Gallery of American Art, Andover, MA
Re-Hacer: Selected Works from the Jumex Collection, Ex Teresa Art Actual, Mexico City, Mexico
Locating Drawing, curated by Maureen Mahoney, Lawing Gallery, Houston, TX
Highlights from the Permanent Collection: Pollock to today, (on continuous view) Whitney Museum of American Art, New York, NY
2000
Anthony Meier Fine Arts, San Francisco, CA (solo)
Acme Los Angeles, CA
ASISWAS, Storefront for Art and Architecture New York, NY
Summer Group Exhibition, Paula Cooper Gallery New York, NY
Vanitas in Cantemporary Art: Meditation on Life and Death, Virginia Museum of Fine Arts Richmond, VA
Drawings and Photographs, Matthew Marks Gallery, New York, NY
Balls, James Cohan Gallery, New York, NY
Summer Group Show, D’Amelio Terras, New York, NY
Déjà vu, curated by Amada Cruz, Art Miami 2000, Miami, FL
1999
Mercer Union, Toronto, Ontario, Canada (solo)
Probably best seen in the dark with the T.V. on, Addison Gallery of American Art, Phillips Academy, Andover, MA (solo)
D'Amelio Terras New York, NY
Numark Gallery Washington, DC
Works on Paper, D'Amelio Terras New York, NY
Neither/Nor, Grand Arts Kansas City, MO

1999 Drawings, Alexander and Bonin, New York, NY
Hubcap Star Solo, curated by Christopher Miles, The Claremont Graduate University, Claremont, CA
1998
Richard Telles Fine Art Los Angeles, CA (solo)
Polly Apfelbaum & Tony Feher, Koyanagi Gallery, Tokyo, Japan
Simple Matter, Numark Gallery, Washington, D.C.
Humble County, D'Amelio Terras, New York, NY
Aids Worlds: Between Resignation and Hope, curated by Frank Wagner, Center for Contemporary Art, Geneva, Austria
After Eden: Garden Varieties in Contemporary Art, Middlebury College Museum of Art, Middlebury, VT
Alternative Measures, curated by Susan Canning, Castle Gallery College of New Rochelle, New Rochelle, NY
1997
Siempre Contigo, Ezra and Cecile Zikha Gallery, Wesleyan University, Middletown, CT
Sculpture, D'Amelio Terras New York, NY
Sculpture, James Graham and Sons, New York, NY
Summer Exhibition, Wooster Gardens, New York, NY
1996
Project Room: Tony Feher, Boesky and Callery Fine Arts, New York, NY (solo)
Broadway Window Project, New Museum of Contemporary Art, New York, NY (solo)
Group Exhibition, Paula Cooper Gallery New York, NY
Thin Air: Examining the Ethereal, curated by Jane Dickson, Elsa Mott Ives Gallery, YWCA, New York, NY
no show, St. Marks Church-in-the-Bowery, New York,
Water, James Graham and Sons, New York, NY
Arts' Communities - AIDS Communities: Realizing the Archive Project, Center for the Arts, Boston, MA
1995
Richard Anderson Fine Arts New York, NY
Acme Los Angeles, CA
Thresholds: 10 American Sculptures, Serralves Foundation Porto, Portugal
Fresh Air/Tony Feher - Reading Room, Schmidt Contemporary Art, St. Louis, MO
Inaugural Exhibition, Paul Morris Gallery, New York, NY
In a Different Light, University Art Museum, University of California at Berkeley, Berkeley, CA
1994
Installation for Poetry and Performance, organized by Simon Watson, The Contemporary, New York, NY (solo)
Tony Feher at Wooster Gardens, The Gramercy International, New York, NY (solo)
Tony Feher and Michael Jenkins, Wooster Gardens, New York, NY
The Gramercy International, New York, with Paula Cooper Gallery, New York, NY
A Garden, Barbara Krakow Gallery, Boston, MA
Polly Apfelbaum, Tony Feher, and Claudia Matzko, Patrick Callery, New York, NY
Exhibition of Invited Artists, Paula Cooper Gallery New York, NY
Spring 1994 Exhibitions with Thomas Busch, P.S.1 Museum Long Island City, NY
1993
Tony Feher Sculpture, Wooster Gardens New York, NY
The Return of the Cadavre Exquis, The Drawing Center, New York, NY
Guest Room with Andrew Ong, Akim Kubinski, New York, NY
Futura Book Collection, Air de Paris, Nice, France
Wilhelmi-Holland Gallery, Corpus Christi, TX
Outside Possibilities '93, curated by Bill Arning, The Rushmore Festival, Woodbury, NY
Art Around the Park, Tompkins Square Park, New York, NY
The Art of Self-Defense and Revenge ... It's Really Hard, Momenta Art, New York, NY
Blur, curated by d.d. Chapin, 15 Renwick Street, New York, NY
Yours, organized by Michael Jenkins, Wooster Gardens, New York, NY
1992
The Auto-Erotic Object, curated by Julie Carson, Hunter College Gallery, New York, NY
The Anti-Masculine (Overlapping, but not corresponding to the feminine), Kim Light Gallery Los Angeles, CA
1991
Queer Show, Minor Injury, Brooklyn, NY
New Era Space, New York, NY
Tony Feher, Paula Hayes, Curtis Mitchell, Andrea Rosen Gallery, New York, NY
Gulliver's Travels, Sopgia Ungers, Koln, Germany
1990
Looking at a Revolution: Documenting the AIDS Activist Movement, Simon Watson Gallery, New York, NY
Andrea Rosen Gallery, New York, NY
Tony Feher - Nancy Brooks Brody, 134 Charles Street, New York, NY
AIDS/SIDA, Real Art Ways Hartford, CT
1989
Atomic Art, Max Fish New York, NY
1987
179 Ludlow, New York, NY
1985
New Work, Tower Gallery, New York, NY
1984
Group Show, 148 Church, New York, NY
1981
Corpus Christi State University, Corpus Christi, TX
First Time Out, Ceramics Invitational South Texas Art Mobile, Corpus Christi, TX
1980
Foundation Show, curated by Linda Cathcart, Art Museum of South Texas, Corpus Christi, TX
Underground Artists of the City, Gaslight Theater, Austin, TX

Collections publiques

San Francisco Museum of Modern Art, California
Solomon R. Guggenheim Museum, New York
Walker Art Center, Minneapolis, Minnesota
Whitney Museum of American Art, New York
Worcester Art Museum, Massachusetts
Addison Gallery of American Art, Andover, Massachusetts
Baltimore Museum of Art, Maryland
The Art Institute of Chicago, Illinois
Des Moines Art Center, Iowa
Henry Art Gallery, Seattle
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
Israel Museum, Jerusalem
La Colécion Jumex, Mexico City
Modern Art Museum of Fort Worth, Texas
Museum of Fine Arts, Houston

Publications

2008
Clarkson, Lamar. “Everyday Eden,” ARTnews, January 2008, pp. 131, illus.
2008
D’Arcy, David. “Spare Time,” Town and Country Magazine, January 2008, pp. 130-131, illus.
2008
Sheets, Hilarie M. “Message in a Bottle,” ARTnews, February 2008, pp. 110-113, illus.
2008
“The RISD Museum of Art Presents Styrofoam,” artdaily.org, 17 March 2008.
2008
“Tony Feher: Pick,” http://www.artcal.net/event/view/3/6661, 19 March 2008.
2007
Clonts, Lauren. “Extra-Ordinary: The Everyday Object In American Art,” austin360.com, August 2007.
2007
Maine, Stephen. “Welcome to the Junkyard,” The New York Sun, 19 July 2007.
2006
Ferguson, Russell. “Disregarded, Ordinary, and Suspect,” Chinati Foundation Newsletter, Vol 11, pp. 36-43, illus.
2006
Cudlin, Jeffry, “The Last Picture Show,” Washington City Paper, 1 December 2006.
2006
Marx, Jonathan, “New Frist exhibit gives visitors a colorful tour through modern world,” Tennessean.com, 10 November 2006.
2006
Morain, Michael, “Cleanup in ‘Aisle 5’? Not here,” DesMoinesRegister.com, 29 October 2006.
2006
“Transitional Objects: Contemporary Still Life,” artdaily.org, 17 October 2006.
2006
Selby, Mary. “ArtCRUSH,” The Aspen Times, August 26, 2006.
2006
Johnson, Ken. “For a Broad Landscape, an Equally Wide Survey,” New York Times, May 31, p. E5.
2006
Janku, Laura Richard, “Tony Feher,” artUS, March-April 2006.
2006
“Spectrum,” New Yorker, 23 January 2006.
2006
Thorson, Alice. “Deliberate Deceleration,” The Kansas City Star, January 8, illus.
2006
Malloy, Nancy. “Tony Feher,” The 181st Annual Exhibition, exhibition catalog, National Academy Museum, New York, illus.
2005
Dunbar, Elizabeth. Decelerate, exhibition catalog, Kemper Museum of Contemporary Art, Kansas City, MO
2005
Knode, Marilu. “Adapting Modernity,” Water, Water Everywhere…, exhibition catalog, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
2005
Richer, Francesca and Rosenzweig, Matthew. “Tony Feher,” No 1: First Works by 362 Artists, p. 130, illus.
2005
Chinati Foundation Newsletter, Vol 9, p. 85-86, illus.
2005
Bae, James, “Feher Transforms the Ordinary into Compelling Spaces,” The Big Bend Sentinel, October 6, 2005 Vol. 72 No. 27, p. 1-3, illus.
2004
Lentini, Lara Kristin, “New York, New York,” Art Papers, September/October 2004, p. 48.
2004
Tettero, Siebe. “Tony Feher: The Wart on the Bosom of Mother Nature,” Contemporary, No. 65, p. 69.
2004
Stern,, Steven, “Tony Feher,” Time Out New York, 24 June -1 July 2004, p. 70.
2004
Harris, Jane. “Genie in a Bottle: Tony Feher’s Witty, Twisted Readymades,” Village Voice, May 28, 2004.
2004
Spiher, David. “Glitter in a Magpie’s Eye,” Gay City News, 20-26 May, 2004.
2004
Johnson, Ken. “Tony Feher: The Wart on the Bosom of Mother Nature,” The New York Times, May 21, 2004, p. E27.
2004
Cullinan, Nicholas. “Review: State of Play,” Frieze. April, pp. 93-94.
2004
Millett, Ann. “Review: One Word: Plastic,” Art Papers. March-April, pp. 42-43.
2004
Falconer, Morgan. “Deep Play,” Art Monthly. March, pp. 7-10.
2004
Steiner, Rochelle. State of Play. London: Serpentine Gallery. ISBN 1870814126.
2004
Eleey, Peter. '8th Istanbul Biennial,' Frieze. January-February, p. 97.
2003
Bradley, Jessica. 'Provisional Worlds,' in Provisional Worlds. Toronto: Art Gallery of Ontario.
2003
Dixon, Glenn. 'The Pickup Artist,' City Paper, June 14-20, pp. 52-53, illus.
2003
Fyfe, Joe. 'Tony Feher at D'Amelio Terras', Art In America, April, p. 145, illus.
2003
Heartney, Eleanor. “Mending the Breach,” Art in America. December, pp. 74-79 and 118, illus.
2003
Kleeblatt, Norman. “Istanbul Biennial,” ARTnews. December, Vol. 102, No. 11, p.128.
2003
Morgan, Robert C. “Whose Justice? Reflections on the Istanbul Biennial,” NY Arts Magazine, November / December 2003, Vol. 8, No. 11/12, p. 43.
2003
Altug, Evrim. “Insanligin mavi kader çizgisi,” Radikal, September 22, 2003.
2003
Harwood, Andrew. “Art Chicago 2003: The Art Industrial Complex,” C: International Contemporary Art, Summer 2003, p. 48.
2003
Janku, Laura Richard. “San Francisco: ‘Aspects of Color,’” Sculpture, Vol. 22, No. 3, April 2003.
2003
Harwood, Andrew. “Provisional Worlds,” Flash Art, March/April 2003, p. XX.
2003
Deitcher, David. “Stacked: D’Amelio Terras, through Mar 22,” Time Out New York, March 13-20, 2003, Issue 389, p. 73.
2003
Johnson, Ken. “Art Guide,” The New York Times, Friday March 7, 2003, p. E46.
2003
Johnson, Ken. “Art in Review,” The New York Times, Friday, February 28, 2003, p. E45.
2002
Van der Voort, Jane. “Future in Plastics,” Toronto Sunday Sun, December 15, p. 26.
2002
Milroy, Sarah. “Out of the ordinary,” The Globe and Mail, December 3, p. R5.
2002
Goddard, Peter. “An art world made up of stuff,” Toronto Star, November 23, p. J8.
2002
Bradley, Jessica. “Provisional Worlds,” in Provisional Worlds. Toronto: Art Gallery of Ontario.
2002
Baker, Kenneth. “Minimalists under lens in ‘Aspects of Color,’” San Francisco Chronicle, November 9, p. D1.
2002
Hullinghorst, Joni. “The Currier goes to New York,” The Keene Sentinel, November 8, p. 13.
2002
Uncredited. “New art from New York,” New Hampshire Sunday News, September 29, E5.
2002
Shamaly, Erica. “Interstate: Tony Feher, Donald Moffett, Kay Rosen, and Leo Villareal,” Artlies, fall, pp. 64-65.
2002
Dawson, Jessica. “Tony Feher Makes His Point-of-Sale,” The Washington Post, June 20.
2002
Dixon, Glenn. “The Pickup Artist,” The Washington City Paper, June 14-20, 2002.
2002
Fyfe, Joe. “Tony Feher at D’Amelio Terras,” Art in America, April 2002
2002
Isé, Claudine. “Tony Feher,” Essay printed by the UCLA Hammer Museum to coincide with the exhibition by the artist, 13 November 2001 – 27 January 2002.
2002
Baker, Kenneth. “Minimalists under lens in Aspects of Color,” San Francisco Chronicle, Saturday, November 9, 2002.
2001
The New Yorker, “Tony Feher”, December 10, pp. 16-20
2001
Eisgrau, Robin “Isn’t that just crate?” offoffoff.com, 29 November 2001.
2001
Cotter, Holland. “Across the Hudson Highlands, Sculptures Are Sprouting Inside and Out,” The New York Times, Friday, July 20, 2001. p E35.
2001
LaBelle, Charles. “Lost and Found,” Frieze, February 2001, #56. pp. 88 - 89.
2001
Mahoney, Robert. 'Tony Feher, Maybe', Time Out New York, December 13-27, p. 85, illus.
2001
Ise, Claudine. 'Tony Feher', exhibition brochure, UCLA Hammer Museum, Hammer Projects, Los Angeles.
2001
Cruz, Amada. Tony Feher. Annondale-on-Hudson, NY: Center for Curatorial Studies Museum, Bard College. Essays by Bill Arning,Amada Cruz and John Lindell, interview with the artist by Adam Weinberg.
2000
Levin, Kim. “Tony Feher,” The Village Voice, February 8, 2000.
2000
Smith, Roberta. “Tony Feher,” The New York Times, February 4, 2000. p. E33.
2000
Miles, Christopher. “Tony Feher. ACME,” Artforum, Summer 2000. p. 189.
2000
Lindell, John. “Tony Feher,” Purple, Summer 2000. p. 306.
2000
Moreno, Gean. “Déja vu,” New Art Examiner, May 2000. p.59.
2000
Morgan, Robert C. “Tony Feher,” Artpress, May 2000. p. 67.
2000
“Tony Feher,” Storefront for Art and Architecture brochure, January 13 - February 12, 2000.
2000
“Art & About: Untitled Tony Feher show,” Glue Magazine, March/April 2000. p. 67.
1999
On View,” New York, December 13, 1999. p. 110.
1999
“Tony Feher,” The New Yorker, December 13, 1999. p. 19.
1999
“Tony Feher,” The Village Voice, December 7, 1999. p. 105.
1999
Johnson, Ken. “Tony Feher,” The New York Times, December 3, 1999. p. E41.
1999
“Tony Feher,” The Art Newspaper, December 1999. p. 74.
1999
Ebony, David. “Tony Feher at D’Amelio Terras,” artnet.com, November 25, 1999.
1999
Gilbert, Chris. “Tony Feher: No Simple Matter,” Sculpture Magazine, September 1999. pp. 10 -11.
1999
Morrow, David. “A Few of My Favorite Feher’s,” C Magazine, No. 62, August 1999. pp. 24 - 29.
1999
Wagner, Frank. Aids Worlds - Between Resignation and Hope, catalogue from exhibition at Center for Contemporary Art, Geneva, June 1999.
1998
Cameron, Dan. “Tony Feher,” Cream, London: Phaidon Press, 1998.
1998
Woznicki, Krystian. “New York Trash and Cosmic Heights,” The Japan Times, Tokyo, September 20, 1998.
1998
Arning, Bill. “Beyond Minimalism,” Gallery Koyanagi, September 1998.
1998
“Tony Feher at Richard Telles,” dART International, April/June 1998. p. 33.
1998
Miles, Christopher. “Tony Feher: Richard Telles Fine Art,” Zingmagazine, Summer 1998. pp. 180 - 181.
1998
Felshin, Nina. “Tony Feher,” Siempre Contigo, catalogue from exhibition at Wesleyan University.
1998
Heartney, Eleanor: After Eden, catalogue from the exhibition at the Middlebury College Museum of Art. pp. 8 - 9.
1998
Arning, Bill. “Tony Feher,” Honcho, March 1998, Vol. 21, No. 3. pp. 82 - 84.
1998
Zimmer, William. “Show of Work Resembling Items at Hand,” The New York Times, March 15, 1998. Weekend section, p. 16.
1998
Canning, Sue. Alternative Measures, catalogue from the exhibition at the College of New Rochelle, February 1998.
1998
Ise, Claudine. “Recycled Treasures,” The Los Angeles Times, February 6, 1998. p. F20.
1998
LaBelle, Charles. “Tony Feher,” World Art, No. 15. p. 74.
1997
Atkins, Robert. Art Speak, New York: Abbeville Press, 1997. Second Edition, pp. 164 - 165.
1997
Caniglia, Julie. “Tony Feher,” Artforum, Vol. XXXVI, No. 2, October 1997. pp. 100 - 101.
1997
Clifford, Katie. “Tony Feher,” Art Papers, Vol. 21, Issue 5, September/October 1997. p. 57.
1997
ASCII Weekly, Tokyo, September 22, 1997. pp. 53 - 53.
1997
Fineman, Mia. “Tony Feher: Alchemist,” artnet.com, July 1997.
1997
Levin, Kim. “Village Choices: Summer Exhibition,” The Village Voice, Vol. XLII, No. 29, July 22, 1997. p. 18.
1997
Greene, David A. “Tony Feher: Sculpture,” newyork.sidewalk.com. June 9, 1997.
1997
Watson, Simon. “Openings,” Simon Says, Issue: Silencio = Muerte, Volume 10, Summer 1997.
1997
Arning, Bill. “Tony Feher,” Time Out New York, June 5 – 12, 1997.
1997
“Tony Feher,” The New Yorker, May 26, 1997.
1997
Smith, Roberta. “Tony Feher,” The New York Times, May 23, 1997.
1997
Green, David A. “Object Lesson,” The Village Voice, Vol. XLII, No. 20, May 20, 1997.
1997
Cotter, Holland. “Art and Aids: The Stuff Life is Made Of...,” Art in America, Vol. 85, No. 4, April 1997. pp. 51 - 55.
1996
Lovelace, Carey. “Saying No Go to SoHo: West Chelsea becomes the hot art gallery spot,” Newsday, Friday, December 20, 1996. p. B21.
1996
Arning, Bill. “Days with Art,” The Village Voice, December 10, 1996. Vol. XLI, No. 50. p. 95.
1996
Peck, Dale. “no nudes” essay from no show, catalogue from the exhibition at St. Mark”s Church-in-the-Bowery.
1996
Arning, Bill. “Water,” Time Out New York, No. 48, August 21 – 28, 1996. p. 29.
1996
Cash, Stephanie. “Tony Feher at Richard Anderson,” Art in America, Vol. 84, No. 4, April 1996. p. 115.
1996
Isreal, Nico. “Tony Feher: Richard Anderson Gallery,” Artforum, Vol. XXXIV, No. 7, March 1996. pp. 102 - 103
1996
“Soil,” xxx fruit, Issue No. 2, January 1996. pp. 72 - 73.
1996
Arts’ Communities - AIDS Communities: Realizing the Archive Project, catalogue from the exhibition at BCA, Boston, Massachusetts. p. 37.
1996
Griffin, Tim and Pedersen, Victoria. “Gallery Gazing: Navigating the Constellations of Installations,” Paper, January 1996. p. 98.
1995
Levin, Kim. “Choices: Art Short List, Tony Feher,” The Village Voice, November 21, 1995, Vol XL, No. 47. p. 10.
1995
Mahoney, Robert. “Tony Feher,” Time Out New York, No. 8, November 15 – 22, 1995. p. 24.
1995
Smith, Roberta. “The Lasting Impact of Some Witty 70’s Ephemera,” The New York Times, November 12, 1995. p. 45.
1995
Murphy, Tim. “This Generation: Nine Gay Artists...And A Thousand Ways To Define Queer Art,” HX, Vol. 5, #46, November 11, 1995.
1995
Brea, José Luis. “Reviews - "Threshold’,” Artforum, Vol. XXXIV, No. 3, November 1995. p. 97.
1995
Threshold: Ten American Sculptors, catalogue from the exhibition at the Serralves Foundation, Porto, Portugal. Essays by Dan Cameron, Fernando Pernes and Joao Fernandes. pp. 40, 41, and supplement.
1995
Faria, Oscar. “Nos Limites da Escultura,” Público: Zoom (Porto, Portugal), June 2, 1995. p. 16 - 17.
1995
Faria, Oscar. “Escultura para ver devagar,” Público (Porto, Portugal), June 1, 1995. p. 76.
1995
In a Different Light, catalogue from the exhibition at University Art Museum, Berkeley, CA. Edited by Nayland Blake, Lawrence Rinder and Amy Scholder.
1995
Blake, Nayland., Killian, Kevin., and Rinder, Lawrence. “Preview: The Secret Histories,” Artforum, February 1995. pp. 23 -24, 104.
1995
Katz, Vincent and Victoria Pederson. “Artistic Endeavors,” Paper, January 1995. p. 82.
1994
Watson, Simon. “kampfen, klagen und auch hoffen,” Art, December 1994. pp. 52 - 55
1994
Gimelson, Deborah. “Art & Commerce,” The New York Observer, May 16, 1994.
1994
Cameron, Dan. “Critical Edge,” Art & Auction, January 1994.
1993
Levin, Kim. “Voice Choices,” The Village Voice, November 16, 1993.
1993
Holmquist, Karl. “Oppningar Och Nernissager i Stockholm Och New York,” Material, October 1993.
1993
Hirsch, David. “Random Elements, Tony Feher at Wooster Gardens,” New York Native, October 11, 1993.
1993
Harris, William. “Urgent Images, Art and AIDS,” ARTnews, May 1993.
1993
Scott-Hartland, Bree. PWA Coalition Newsline, May 1993.
1993
Fujimori, Manami. “New York Art Review,” BT, April 1993.
1993
Smith, Roberta. “Group Shows in SoHo for a Weekend of Gallery Hopping; Things of Beauty,” The New York Times, January 15, 1993.
1992
Moore, Patrick. The Estate Project for Artists With Aids Report.
1992
Glueck, Grace. “Gallery Watch,” The New York Observer, November 2, 1992.
1992
Carson, Julie. The Auto-Erotic Object, catalogue from the exhibition at Hunter College Gallery, New York.
1992
Levin, Kim. “Choices,” The Village Voice, October 30, 1992.
1992
Atkins, Robert. “Scene and Heart,” The Village Voice, August 4, 1992.
1991
Schwabsky, Barry. “Mitchell/Feher/Hayes,” Arts Magazine, November 1991.
1991
Smith, Roberta. “Three Artist Who Favor Chaos,” The New York Times, August 2, 1991.
1990
Smith, Roberta. “So Big and So Dressed Up, New Galleries Bloom in SoHo,” The New York Times, May 11, 1990.
1990
Buchuerlag, Damont. Gulliver's Travels, catalogue from the exhibition at Galerie Sophia Ungers, Köln, Germany.
1990
Hirsch, David. “Personal Monuments,” New York Native, February 12, 1990.