|
|
VALIE EXPORT Biographie
|
 |
 |
|
1940 |
|
born in Linz, Austria
|
|
1988 |
|
Festival award, San Francisco International Video Festival
|
|
1991 |
|
Cultural Award Austria (film)
|
|
1991 - 1995 |
|
Professorship, Visuelle Kommunikation, Hochschule der Künste, Berlin, Germany
|
|
2000 |
|
Oskar Kokoschka-Preis
|
|
2004 |
|
International award of Art and Culture, Kulturfonds der Stadt Salzburg
|
|
1995 - 2005 |
|
Professorship, Medienkunst, Kunsthochschule für Medien, Cologne, Germany
|
|
|
|
Lives and works in Vienna, Austria
|
|
|
|
Since 1989 professorship, Film und Video, Universität Wisconsin, Milwaukee
|
|
|
|
National Technical School, Vienna
|
|
 |
| Expositions sélectionnées |
 |
 |
|
2012
|
|
Fremde überall - Foreigners everywhere, Contemporary Art from the Pomeranz Collection, Jüdisches Museum, Wien, Austria (solo)
|
|
2012
|
|
Reflecting Fashion - Kunst und Mode seit der Moderne, MUMOK, Wien, Austria
|
|
2012
|
|
Alice im Wunderland der Kunst, Hamburger Kunsthalle, Hamburg, Germany
|
|
2010 - 2011
|
|
Zeit und Gegenzeit, Unteres Belvedere Wien/Vienna, Austria (solo)
|
|
2010 - 2011
|
|
Zeit und Gegenzeit, Lentos Kunstmuseum Linz, Austria (solo)
|
|
2010
|
|
The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York, USA
|
|
2010
|
|
Visceral Bodies, Vancouver Art Gallery, Vancouver, Canada
|
|
2010
|
|
Bilder in Bewegung. Künstler & Video_Film, Ludwig Museum, Cologne, Germany
|
|
2010
|
|
Pictures by Women: A History of Modern Photography, Museum of Modern Art, New York, USA
|
|
2010
|
|
Tradition und Avantgarde. Kunst in Österreich 1945-1980, Museum Liaunig, Neuhaus/Suha
|
|
2010
|
|
aus/gezeichnet/zeichnen, Käthe Kollwitz Museum, Cologne, Germany
|
|
2010
|
|
Galerie Belvedere, Vienna, Austria (solo)
|
|
2010
|
|
Lentos Kunstmuseum, Linz, Austria (solo)
|
|
2010
|
|
Stadtbilder - Fotoinstallation, Kubus EXPORT: Der Transparente Raum, Vienna, Austria (solo)
|
|
2009
|
|
The Israel Museum, Ticho House, Jerusalem (solo)
|
|
2009
|
|
Indomitable Women, Centre de Cultura Contemporania, Barcelona, Spain
|
|
2009
|
|
100 Years (version #2, ps1, nov 2009), P.S.1, Performa 09, New York, USA
|
|
2009
|
|
Die Fragilität des Seins, Museum der Moderne, Rupertinum, Salzburg, Austria
|
|
2009
|
|
DAS GESPINST – Die Sammlung Schürmann zu Besuch im Museum Abteiberg, Museum Abteiberg, Mönchengladbach, Germany
|
|
2009
|
|
See this sound, Lentos Kunstmuseum, Linz, Asutria
|
|
2008
|
|
k48 - Offensive für zeitgenössische Wahrnehmung, Wien (solo)
|
|
2008
|
|
Diana und Aktaion - Der verbotene Blick auf die Nacktheit, museum kunst palast, Düsseldorf
|
|
2008
|
|
Street Art Street Life, Bronx Museum of the Arts, New York.
|
|
2008
|
|
Female Trouble. Die Kamera als Spiegel und Bühne weiblicher Inszenierungen, Pinakothek München
|
|
2008
|
|
MATRIX. Geschlechter | Verhältnisse | Revisionen, MUSA, Wien
|
|
2008
|
|
ARCO Feria Internacional de arte contemporáneo, Madrid, Charim Galerie Wien
|
|
2008
|
|
40jahrevideokunst.de MAMCS - Musée d´Art Moderne et Contemporain, Strasbourg
|
|
2008
|
|
re.act feminism Performancekunst der 1960er und 70er Jahre bis heute, Akademie der Künste, Berlin
|
|
2008
|
|
Medium Religion, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
|
|
2008
|
|
System Mensch. Werke aus der Sammlung des MdM Salzburg, MdM Salzburg Museum der Moderne, Rupertinum, Salzburg, Austria
|
|
2008
|
|
The Art of Participation: 1950 to Now, San Francisco Museum of Modern Art, San Francisco
|
|
2008
|
|
Index - The Swedish Contemporary Art Foundation, Stockholm, Sweden (solo)
|
|
2008
|
|
Athens School of Fine Arts, Athens, Greece (solo)
|
|
2008
|
|
CUC Charim Ungar Contemporary Berlin, Berlin, Germany (solo)
|
|
2008
|
|
Studio Stefania Miscetti, Rome, Italy (solo)
|
|
2008
|
|
WACK ! Art and the Feminist Revolution P.S.1, New York, USA
|
|
2007
|
|
Performance Saga. Begegnungen mit Wegbereiterinnen der Performance-Kunst Centre Georges Pomidou, Paris (solo)
|
|
2007
|
|
Österreichische PavilllionLa Biennale di Venezia,Venedig (solo)
|
|
2007
|
|
Österreichisches Filmmuseum, Wiener Festwochen, Wien. (solo)
|
|
2007
|
|
Stadtturm Gmünd. (solo)
|
|
2007
|
|
Charim Galerie, Vienna. (solo)
|
|
2007
|
|
Klemens Gasser & Tanja Grunert, New York (solo)
|
|
2007
|
|
Galerie Stampa, Basel.
|
|
2007
|
|
True Romance. Allegorien der Liebe von der Renaissance bis heute Kunsthalle, Wien
|
|
2007
|
|
Voice & Void: 2006 Hall Curatorial Fellowship Exhibition, Aldrich Contemporary Art Museum, Ridgefield
|
|
2007
|
|
Tiempos de Vídeo. 1965-2005, Caixa Forum, Barcelona.
|
|
2007
|
|
Momentos estelares. La fotografía en el siglo Círculo de Bellas Artes, Madrid.
|
|
2007
|
|
pong.mythos Kornhausforum, Bern.
|
|
2007
|
|
Perspektive 07, Lenbachhaus, München
|
|
2007
|
|
What does the jellyfish want?, Museum Ludwig Köln
|
|
2007
|
|
INTO ME / OUT OF ME, Museo d'arte Contemporanea Rom
|
|
2007
|
|
2nd Moscow Biennale of Contemporary Art
|
|
2007
|
|
Mapping the City, Stedelijk Museum Post CS Amsterdam
|
|
2007
|
|
small is beautiful, Österreichisches Museum für angewandte Kunst, MAK, Vienna
|
|
2007
|
|
Filme und Videos, VIENNAFAIR The International Contemporary Art Fair, Vienna
|
|
2007
|
|
The Museum of Contemporary Art, Los Angeles
|
|
2007
|
|
WACK ! Art and the Feminist Revolution, Austrian Cultural Forum, New York
|
|
2007
|
|
Documents and Works from the Generali Foundation Collection, Museum of Contemporary Art, Belgrade
|
|
2007
|
|
KONTAKT Belgrade ...works from the Collection of Erste Bank Group, Stedelijk Museum, Amsterdam
|
|
2007
|
|
Mapping the City, Museum der Moderne, Salzburg
|
|
2007
|
|
2nd Moscow Biennale of Contemporary Art, Moscow
|
|
2007
|
|
Mapping the City, Stedelijk Museum Post CS, Amsterdam
|
|
2007
|
|
What does the jellyfish want? Museum Ludwig Cologne, Brooklyn Museum, New York
|
|
2007
|
|
Global Feminisms: New Directions in Contemporary Art, Galerie Lelong, New York
|
|
2007
|
|
Role Play: Feminist Art Revisited 1960-1980, Lenbachhaus, Munich
|
|
2007
|
|
documenta 12, Kassel
|
|
2007
|
|
La Biennale di Venezia / 52nd International Art Exhibition, Venice
|
|
2007
|
|
art - athina 2007, International Contemporary Art Fair Athens
|
|
2007
|
|
Charim Galerie Wien, Generali Foundation, Vienna
|
|
2007
|
|
SAMMLUNG, Klemens Gasser & Tanja Grunert, Inc., New York
|
|
2006
|
|
Simultan, Fotomuseum Winterthur, Switzerland
|
|
2006
|
|
Museo Nacional Centro de Arte Reina Sofia Madrid
|
|
2006
|
|
Jenseits des Kinos: Die Kunst der Projektion, Hamburger Bahnhof Berlin
|
|
2006
|
|
40 Jahre Videokunst.de. Digitales Erbe: Ausstellung zur Videokunst in Deutschland von 1963 bis heute, Kunsthalle Bremen, Germany
|
|
2006
|
|
Museum der Bildenden Künste Leipzig / ZKM, Karlsruhe, Germany
|
|
2005
|
|
Take Two. Worlds and Views: Contemporary Art from the Collection, MoMA The Museum of Modern Art, New York
|
|
2005
|
|
simultan. zwei sammlungen österreichischer fotografie, Museum der Moderne, Salzburg, Austria
|
|
2005
|
|
Der Traum vom Ich, der Traum von der Welt - Set 2 aus der Sammlung des Fotomuseums Winterthur, Winterthur, Switzerland
|
|
2005
|
|
behind the facts - interfunktionen 1968-1975, Kunsthalle Fridericianum, Kassel (cat.)
|
|
2005
|
|
Open Systems: Art in the World, c. 1970, Tate Modern, London
|
|
2005
|
|
Occupying Space Sammlung Generali Foundation, Witte de With, TENT, Nederlands Fotomuseum, Rotterdam
|
|
2005
|
|
eine werkschau, Kunst Der Gegenwart, Wien, Germany (solo)
|
|
2004
|
|
Galerie Im Traklhaus, Salzburg
|
|
2004
|
|
Camden Arts Centre and The Freud Museum, London, England (solo)
|
|
2004
|
|
Maes & Matthys Gallery,Antwerp, Belgium (solo)
|
|
2004
|
|
Un día en 1967, Centro Andaluz De Arte Contemporáneo, Sevilla, Spain (solo)
|
|
2003
|
|
Centre National de la Photographie, Paris, France (solo)
|
|
2002
|
|
Patrick Painter Inc., Santa Monica, CA (solo)
|
|
2001
|
|
En el Cielo, an exhibition at Venice Biennale, 2001 (solo)
|
|
2001
|
|
Ob/De + Con(Struction), Goldie Paley Gallery, Moore College of Art, College of Art, Philadelphia; Santa Monica Museum of Art, Santa Monica, CA (catalogue) (solo)
|
|
2000
|
|
Galerie im Taxispalais, Innsbruck, Austria (solo)
|
|
1999
|
|
Konzeptuelle Fotografie, Galerie Wilma Tolksdorf, Frankfurt, Germany (solo)
|
|
1998
|
|
Psycho Prognose, Aachener Kunstverein, Aachen, Germany (solo)
|
|
1998
|
|
Trans: Territorien oder die Häuser der Schildkröten (Trans: Territories of the Houses of Turtles), Residenzgalerie, Salzburg, Austria (solo)
|
|
1998
|
|
Werkschau III VALIE EXPORT, Fotogalerie Wien, Vienna (solo)
|
|
1997
|
|
Images of Contact, Deitch Projects, New York, NY (solo)
|
|
1997
|
|
Split:Reality VALIE EXPORT, Retrospective, Museum moderner Kunst Stiftung Ludwig, Vienna (solo)
|
|
1997
|
|
Galerie Fotohof, Salzburg, Austria (solo)
|
|
1997
|
|
Masken: Versuch über die Schoa (Masks: An Essay on the Schoa), Glasstelen, Installation im öffentlichen Raum, Jüdisches Museum, Vienna (solo)
|
|
1996
|
|
Klemens Gasser & Tanja Grunert, Inc., New York, NY (solo)
|
|
 |
 |
 |
|
|
| Littérature |
 |
 |
|
2006
|
|
Rolig, Stella. “Interview with Valie Export” ABCDARCO, International Contemporary Art Fair 25th Edition, Madrid, Spain, 2006: 15 (catalogue).
|
|
2005
|
|
Von Taube, Annika. “Branded for Life for Art,” Sleek Issue No 9, Winter 2005 - 2006: pgs.170 & 175.
|
|
2003
|
|
Estep, Jan, Salvesen, Britt. Subjective Realities: Works from the Refco Collection of Contemporary Photography, GZD, Germany, 2003: 106-7 (catalogue)
|
|
2003
|
|
Stahel, Urs. Playing with Images, Investigating with Images-Conceptual and Staged Photography, Well, What is Photography?, Fotomuseum Winterthur, Scalo, 2003: 20-29 (catalogue).
|
|
2003
|
|
Lovelace, Carey. “Feminism at 40” Art in America, no.5, May 2003: 67-73.
|
|
2003
|
|
Luthe, Nanna. “Valie Export: Mediale Anagramme, “ Springerin, Band IX, Heft, March 2003
|
|
2003
|
|
Schneider, Julia Gwendolyn. “Valie Export: Mediale Anagramme,” Camera Austria, March 2003
|
|
2003
|
|
Konig, Oliver. “Valie Export. GroBe Werkschau in Berlin, “ Kondensat, berlin art info, March 16, 2003
|
|
2003
|
|
Felber, Gerald. “Wie sich Leib zur Landschaft fugt, “ Kolnische Rundschau, March 6, 2003
|
|
2003
|
|
Clausnitzer, Beate. “Ertapptes Ich, “ Die Zeit, March 5, 2003
|
|
 |
|