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1986
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graduated from Normal Department of the Zejiang Art Academy.
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1990
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founded Red Humour International. Since 1991 has been working and exhibiting collaborative with Thorsdottir Thor’s Daughter’s Pulverization Service.
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1995
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graduated from the Hochschule für bildende Künste in Hamburg.
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Lives and works in Hamburg and Shanghai.
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Expositions sélectionnées |
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2003 |
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A Strange Heaven: Contemporary Chinese Photography, Galerie Rudolfinum, Prague, Czech Republic, toured to Art Museum Tennis Palace, Helsinki |
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2002 |
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Paris-Pekin, Espace Cardin, Paris
The 1st Guangzhou Triennial – Reinterpretation, A Decade of Experimental Chinese Art (1990-2000), Guangdong Museum of Art, Guangzhou, China |
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2001 |
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III Biennale Mercosul, Porto Alegre, Brazil
The 1st Chengdu Biennale, Chengdu Contemporary Art Museum, Chengdu, China |
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2001 |
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Today No Water, Ethan Cohen Fine Arts, New York
Thing’s Right(s) –Ethan Cohen Fine Arts, New York (Solo) |
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2000 |
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Conceptualist Art: Points of Origin 1950s-1980s, the Walker Art Center; Miami Art Museum Continental Shift, Musee d’Art Moderne Liege, Belgium
Nordicliveart.org, Paletten, Gothenburg, Sweden |
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1999 |
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Thing’s Right(s) – Cuxhaven 1999, Cuxhavener Kunstverein, Germany
Vege-Pleasure, Hanart T Z Gallery, Hong Kong(Solo) |
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1999 |
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Power of the Word, Taiwan Museum of Art, Taizhong, Taiwan. Toured in Grinnell College, Iowa; Hamilton College, New York; University of Arizona, Arizona and Skidmore College, New York until January 2002. Stipendiaten, Kunsthaus, Hamburg |
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1998 |
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Inside Out – New Chinese Art, Asia Society Galleries, New York,
P.S 1 Contemporary Art Center, New York;
toured in San Francisco Museum of Modern Art; Contemporary Art Museum of Mexico; Tacoma Art Museum and Henry Art Gallery, Seattle; National Gallery of Art, Canberra; and Hong Kong Museum of Art until 2000 Conceptualist Art: Points of Origin 1950s-1980s, Queens Museum of Art, New York. Toured in Vancouver Art Gallery, Canada in 2001 Berlin/Berlin, Platform, Berlin, Germany
NEID 7 Release, Künstlerhaus Bethanien, Berlin, Germany Schnittstelle/Produktion, Shedhalle, Zürich, Switzerland
...es grünt so grün..., Bonner Kunstverein, Germany |
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1998 |
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Vege-Pleasure, Ingolfsstraeti 8 Gallery, The Reykjavik Art Festival 1998, Iceland (Solo) |
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1997 |
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The 7th Bienal International E.D.C.R., Portugal Another Kind of Communism, The Cable Gallery, Helsinki |
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1996 |
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Unfrieden..., Hamburger Woche der Bildende Kunst, Hamburg
The Scream, Arken Museum of Modern Art, Ishoj, Copenhagen |
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1996 |
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Please Don’t Move, Bahnwärterhaus, Gallery der Stadt, Esslingen (Solo) |
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1995 |
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Der Abschied von der Ideologie, Kampnagelfabrik, Hamburg, Germany
Nordic Wells, Nordic House Reykjavik Des del País del Centre – Avantguardes artístiques Xineses, Centre d’Art Santa Mònica, Barcelona, Spain |
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1993 |
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China’s New Art, Post-1989, Hong Kong Arts Festival, Hong Kong Arts Centre; toured in Vancouver Art Gallery, Vancouver; University of Oregon Art Museum, Eugene; Fort Wayne Museum of Art, Indiana; Salina Arts Center, Kansas; Chicago Cultural Center, Illinois; San Jose Museum of Art, California from 1994 to 1997 Mao Goes Pop, Museum of Contemporary Art, Sydney Made in Hamburg, Kunsthaus, Hamburg, Germany
Chinese Avant-Garde, Museum of Modern Art, Oxford, UK.
Toured in Brandts Klaedefabrik, Odensee, Denmark and Kunsthall Rotterdam, The Netherlands. La Biennale APERTO, Venice Fontanelle, Kunstspeicher, Potsdam, Germany
Fragmented Memory – The Chinese Avant-Garde in Exile, Wexner Center for the Arts, Ohio Museum fur Kunst und Gewerbe, Frankfurt |
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1991 |
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Today No Water, 22 Bar, Reykjavik (Solo) |
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2007 |
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China Art Book. Uta Grosenick / Caspar Schübbe (Ed.), 680 pages, approx. 850 images, trilingual: Engl./Ger./Chin., Dumont Buchverlag, Cologne 2007. www.chinaartbook.de |
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