|
|
Xing Danwen Biographie
|
 |
 |
|
1967 |
|
Born in Xian, Shaanxi Province, China
|
|
1982 - 1986 |
|
Studied Fine Art (Painting) at the Xi'an Academy of Fine Arts, Shaanxi Province, China
|
|
1988 - 1992 |
|
BFA at the Central Academy of Fine Arts, Beijing, China
|
|
1998 - 2000 |
|
Chairman's Grant from School of Visual Arts, New York, USA
MFA Photo and Related Media at the School of Visual Arts, New York, USA
Grant & Fellowship from Asian Cultural Council, New York, USA
|
|
2003 |
|
Best Publishing Project Award from Les Rencontres d’Arles Festival, Arles, France
|
|
2008 |
|
Finalists for ING REAL photography award, Netherlands
|
|
|
|
Currently lives and works in Beijing, China
|
|
|
| Expositions sélectionnées |
|
|
|
2011
|
|
ZUR NACHAHMUN GEMPFOHLEN!Expeditionen in Ästhetik & Nachhaltigkeit, The federal Environment Agency in Dessau; 3 loactions in Bavaria, Germany
Highrise – Idea and Reality, The Museum für Gestaltung (Museum of Design Zurich), Zürich, Switzerland
Half the Sky: Women in the New Art ofChina, The New Leonard Pearlstein Gallery,DrexelUniversity,Philadelphia,US
MASTERS OF CHINESE PHOTOGRAPHY, Poligono Gallery, Malaga, Spain
|
|
|
2010
|
|
Solo Exhibition: Seeing Utopia, Past and Future-Wang Di and Xing Danwen, Fairbank Center for Chinese Studies, Harvard University, USA
Solo Exhibition: Chinese Modernism and U.S. Vernacular-Xing Danwen & Jim Vecchi, arCH-Architecture Center Houston Foundation, USA
Solo Exhibition: A Personal Diary, Haines Gallery, San Francisco, USA
ZUR NACHAHMUN GEMPFOHLEN!Expeditionen in Ästhetik & Nachhaltigkeit, Uferhallen Berlin, Germany
Remaking Vision - Travelling Exhibition of Chinese Contemporary Photography, world tour
The Butterfly Effect: An Artistic Communication Project of Cross-strait Four-regions, Hexiangning Art Museum, Shenzhen, China
Love Lines, RedLine, Denver, Colorado, USA
|
|
2009
|
|
Xing Danwen, Three Shadows Photography Art Centre, Beijing, China (solo)
|
|
2008
|
|
PhotoMiami, Dolores de Sierra Gallery, Miami, USA (solo)
Xing Danwen, Moti Hasson Gallery, New York, USA (solo)
New World Order, Groninger Museum, Netherlands
Another Voice, Shanghai Art Museum, Shanghai, China
FOTOFEST 2008, Houston, Texas, USA
ING REAL Photography Award, LP II Art Exhibition
Centre, Rotterdam, The Netherlands
China Design Now, Victoria and Albert Museum, London, UK
|
|
2007
|
|
City of Expiration and Regeneration, 2007 Shenzhen Biennal, China
Chinaproduction, Architekturzentrum Wien, Vienna, Austria
Floating, National Museum of Contemporary Art, Soeul, Korea
Thought Provoking, Sense Provoking, Noorderlicht, Groningen, The Netherlands
Altered States, Tisch Gallery, AIDEKMAN ARTS CENTER / TUFTS University, USA
METAMORPHOSIS, Tampere Art Museum, Tampere, Finland
MADE in CHINA, Louisiana Museum of Modern Art, Denmark
The Israel Museum, Jerusalem, Israel
|
|
|
2006
|
|
MADE in CHINA, Museum of Contemporary Photography, Chicago, USA
On the Edge, Davis Museum and Cultural Center, Wellesley College, Boston, USA; Indianapolis Museum of Art, Indianapolis, USA; Cantor Center for Visual Arts, Stanford University, Stanford, USA
New Urban Realities, Museum Boijmans Van Beuningen, Rotterdam & NAi, The Netherlands
Code: Blue--Confluence of Currents, New Media Center/Beijing Cubic Art Center, Beijing, China
Fantasy Landscapes, Asia House, London, UK
Urban Fiction, Gallery TPW, Toronto, Canada (solo)
disCONNEXION/duplication, Chinese Museum, Melbourne, Australia (solo)
Chinese Contemporary: Art, Architecture, and Visual Culture, Museum Boijmans Van Beuningen and Netherlands Architecture Institute, Rotterdam, Netherlands
New Photography and Video from China, Seattle Art Museum, Seattle, USA and Victoria and Albert Museum, London, United Kingdom
C On Cities, the 10th Venice Architecture Biennale, Venice, Italy
Private Lives, URBIS, Manchester, UK
TOTALSTADT/BEIJING CASE, ZKM, Karlsruhe, Germany
Code: Blue--Confluence of Currents, New Media Center/Beijing Cubic Art Center, Beijing, China
The ISEA 2006/ZeroOne Festival, San Jose, California, USA
Imaging a Global Culture, CONTACT Toronto Photography Festival, Subway ST. PATRICK STATION, Toronto, Canada
CHINA TRADE, International Centre for Contemporary Asian Art, Vancouver, Canada
Between Past and Future: New Photography and Video From China, The Venice Biennale, Venice, Italy; Seattle Art Museum, Seattle, USA; Smart Museum of Art, Chicago, USA; Museum of Contemporary Art, Chicago, USA; International Center for Photography, New York, USA
|
|
|
2005
|
|
CONVERGENCE at E116/N40, Beijing Off Biennale, Beijing, China
City of Dreams, The Red Mansion Foundation, London, UK
Unspeakable Happiness, MUSEO TAMAYO ARTE CONTEMPORANEO, Mexico city, Mexico
Re-VIEWING the CITY, First Guangzhou International Photo Biennale, Guangdong Museum of Art, Guangdong Province, China
|
|
|
2004
|
|
disCONNEXION, Kiang Gallery, Atlanta, USA solo
dis+dup '94, Gow Langsford gallery, Sydney, Australia solo
Urban Fiction '94, Galerie Piece Unique, Paris, France solo
guanYIN - tempi di DONNE, Galleria Salal in Roma, Italy
She, The Art Season gallery in Beijing, China
Kiang Gallery, Atlanta, USA (solo)
Galerie Piece Unique, Paris, France (solo)
Gow Langsford Gallery, Auckland, New Zealand (solo)
Me, Me, Me, The Courtyard Gallery, Beijing, China
Making Faces: The Death of the Portrait ( Je t’envisage: La disparition du portrait) at the Musée de l'Eysée in Lausanne, Switzerland
In Translation: The Effects of Cultural Ambiguity, Georgia State University Ernest G. Welch School of Art & Design Gallery in Atlanta, USA
Grotesque Reality, The National Museum of Contemporary Art, Seoul, Korea photographs from "DUPLICATION" series
Mix-Ed, Sherman gallery in Sydney, Australia
REASON AND EMOTION, Biennale of Sydney in Sydney, Australia
Chinese New Photography, International Center for Photography in New York, US
Chinese Contemporary Photography, The Goedhuis Contemporary Gallery in New York, US
Globalia, Frauen Museum in Bonn, Germany
disCONNEXION, Kiang Gallery, Atlanta, USA (solo)
|
|
|
2003
|
|
Split: Woman in Dislocation' at the Center for Curatorial Studies Museum in New York, US
CHINE(S) - VideoArt & Experimental Cinema from China & Taiwan' at LightCone in Paris, France
Chinese Maximalism' at Millennium Art Museum in Beijing, China
Together with Migrants, Today Art Gallery, Beijing, China
Chinese Maximalism, UB Art Gallery in Buffalo, U.S.A
Contemporary Chinese Art, Kristianstads Konsthall in Kristianstad, Sweden
Cara a Cara, Culturgest in Lisbon, Portugal
Global Detail, Noorderlicht Photo Festival in Ja Groningen, Netherlands
Les Rencontres d’ '92 Arles, Festival Arles'94, Arles, France
'The American Effects 94, Whitney Museum of Art in New York, USA
Alors, la Chine?, Centre Pompidou in Paris, France
Spatial Narrative-Contemporary Asian Photography, Japan Society in New York, US
Roma Photo Festival in Rome, Italy
|
|
|
2002
|
|
Dislocation, 2nd PingYao International Photo Festival, Shanxi Province, China (solo)
China Avantgarde, Lee Ka-sing Gallery, Toronto, Canada (solo)
Re-interpretation, A Decade of Experimental Chinese Art, 1st Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China
Queens International, Queens Museum of Art, New York, USA
|
|
2001
|
|
Xing Danwen's Work, Galerie du Château, Nice, France (solo)
93 Mega Wave-Towards a New Synthesis '94, 1st YOKOHAMA TRIENNIAL, Yokohama, Japan
|
|
1999
|
|
BEIJING-The Revolutionary Capital, Institute of Contemporary Arts, London, UK
|
|
1997
|
|
In Sight, SOHO Photo Gallery, New York, USA (solo)
|
|
1994
|
|
With Chinese Eyes, Gallery Grauwert, Hamburg, Germany (solo)
|
|
|
|
Whitney Museum of American Art, New York; The Progressive Corporation, USA; JGS Foundation, New York; Estella Collection, New York; Santa Barbara Museum of Art, USA; ICP, International Center for Photography, New York; the Smart Museum of Art, Chicago; San Francisco Museum of Modern Art, USA; Groupe Lhoist, Belgium; Dr. Sigg Collection, Switzerland; UBS, Union Bank of Switzerland; George Pompidou Center, Paris; FNAC / Fonds National d'art Contemporain, France; The Red Mansion Foundation, London; Guangdong Museum of Art, Guangzhou
|
|
|
|
|
|
|
| Littérature |
|
|
|
2007
|
|
China Art Book. Uta Grosenick / Caspar Schübbe (Ed.), 680 pages, approx. 850 images, trilingual: Engl./Ger./Chin., Dumont Buchverlag, Cologne 2007. www.chinaartbook.de
|
|
2005
|
|
Chinese Art “Develop the reality of China: On Xing Danwen’s Artistic Practice”, Gu Zheng, Beijing.
Le Monde “Objectifs Chinois”, by Michele Champenois, Paris.
|
|
2004
|
|
Art in America “Young Beijing”, by Jonathan Napack, New York.
Le Monde “Galeries – Regard de Chine”, by Genevieve Breerette, Paris.
New York Times “Like a Bird in Flight: Capturing Today’s Chinese Culture in Transition”, by Holland Cotter, New York.
Nouveaux Regards Photographie “Xing Danwen: Urban Fiction / France Duplication /disCONNEXION”, by Christian Orsatelli, Paris.
exhibition catalogue ‘Interview’ Between Past and Future – New Photography and Video from China, by Lisa Corrin Smart Museum of Art / University of Chicago / ICP / Steidl Publishers.
exhibition catalogue “disCONNEXION”, Biennale of Sydney EMOTION & REASON, by Shinyi Yang, Sydney.
Chinese Art “Insulation – the Wonder of Electronical Garbage and the Composition of Xing Danwen”, by Shinyi Yang, Beijing.
|
|
2003
|
|
Art in America "Report from China", by Richard Vine, New York.
|
|
|
|