ArtSpace/Virginia Miller Galleries

IMPACT: Emotions of Color

IMPACT: Emotions of Color

morphology 303 by andy moses

Andy Moses

Morphology 303, 2012

Prix sur demande

morphology 302 by andy moses

Andy Moses

Morphology 302, 2012

Prix sur demande

morphology 301 by andy moses

Andy Moses

Morphology 301, 2011

Prix sur demande

arkaringa by andy moses

Andy Moses

Arkaringa, 2009

Prix sur demande

morphology 601 by andy moses

Andy Moses

Morphology 601, 2011

Prix sur demande

jeudi 1 mars 2012samedi 30 juin 2012


Coral Gables/Miami, FL USA

Featured Artists
• Casper Brindle
• Lisa Bartleson
• Ned Evans
• Andy Moses
• Suzan Woodruff

Five mid-career California artists will exhibit together for the first time in “IMPACT: Emotions of Color” opening Friday, Mar. 2nd at ArtSpace/Virginia Miller Galleries in downtown Coral Gables.

Each of their unique abstract statements evolved from the extraordinary art matrix of Southern California in the 1960s, sometimes called the “Light and Space” movement. Stimulated by a heady mix of the surfing culture, glossy finishes on custom hotrods and motorcycles, and new materials from the local aerospace industry, those earlier artists were inspired to produce their abstract, often minimalist works by the region’s natural phenomena of surf, shorelines, skies, desert landscapes, and a sprawling metropolitan area pulsating with freeways, peppered by billboards and glowing with neon.

The artists represented by “IMPACT: Emotions of Color” essentially cite the same influences from nature—with an updated global perspective. It is no coincidence that Casper Brindle, Ned Evans and Andy Moses are dedicated surfers; the sport’s flashing excitement can be felt in their art. Atmospheric phenomena are among the influences found in the paintings of Lisa Bartleson and Suzan Woodruff.

Focusing on a center point of luminescence, Bartleson arranges hundreds of painted sections in concentric circles, an exploration of the subtleties of hues between colors, to create a meditative, atmospheric vortex. In the words of critic Peter Frank, “Bartleson’s (works) are downright mysterious.” Her paintings are included in some two dozen important corporate and private collections.

Brindle was a sponsored competitive surfer while in high school. He studied art and art history before working with Eric Orr, a founder of Southern California’s light and space movement. The glossy, intense colors of his “Strata” paintings conjure visions of coastal sunrises and sunsets, waves and storm clouds. According to Megan Abrahams in Whitehot magazine, “This LA artist embraces color and harmony with seemingly uninhibited fervor.” The Surf Journal’s Alex Weinstein gave Brindle’s paintings a succinct endorsement: “They’re tight, tasty works.”

When a surfer catches a wave perfectly, for a few ecstatic moments his body, the surfboard and the sea become one, flying with the wind toward the implacable beach. Malibu, Baja, El Salvador, Hawaii: the temples of surfing have been the classrooms of Ned Evans for nearly a half-century, just as were the art classes of Robert Irwin, Ed Moses, Larry Bell and Craig Kaufman at the University of California at Irvine. When he was 23, Evans moved to Venice, California’s art Mecca, and worked and surfed Baja California, Hawaii and El Salvador with abstract painter Billy Al Bengston, a seminal figure in Southern California’s art scene.

Critic Rebecca Cox calls Evans’ paintings “a collective of physical and sensory reinterpretations of the surf. After nearly five decades of surfing and painting, a symbiosis occurs between the two, a deeply interwoven relationship feeds both passions.”

Writing in Art in America, Frances Colpitt described Andy Moses as “a quintessential Los Angeles” artist whose works are “an abstract version of seascape painting indebted to the precedents of Finish Fetish and Light and Space.

“Andy Moses’ paintings are characterized by exceptional control of his pearlescent acrylic medium and its luminous effects. Recalling expansive vistas of the Pacific coast at dawn or dusk, his may be the ultimate beach paintings.”

Art Ltd editor George Melrod wrote in a cover story that Suzan Woodruff “creates elegant abstractions that seem to capture the dynamism of natural phenomena; her work ranges widely in its implied imagery, from Turneresque sunsets, to sedate seascapes, to turbulent tornadoes.” Despite their abstract nature, Woodruff’s paintings seem feminine, even sensual, reminiscent of the works of Georgia O’Keeffe, whose work she admires.

Gallery owner and director Virginia Miller notes that “IMPACT: Emotions of Color” will offer art enthusiasts an opportunity to experience the contemporary works of outstanding Southern California artists deeply rooted in that region’s Light and Space movement through June 2012.

Greater Miami’s longest-established contemporary fine art gallery, ArtSpace/Virginia Miller Galleries is located at 169 Madeira Ave., in the downtown Coral Gables business district. For more information, visit www.virginiamiller.com or call 305-444-4493.