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Adolph von Menzel    (German, 1815-1905)

 Adolph von Menzel - St. Michaelstor in Brixen (Works on Paper (Drawings, Watercolors etc.)) h: 18.1 x w: 11.3 cm / h: 7.1 x w: 4.4 in
Adolph von Menzel
St. Michaelstor in Brixen
 
 Adolph von Menzel - Study for the Portrait of Generallieutenant Hans Karl von Winterfeldt (Works on Paper (Drawings, Watercolors etc.)) h: 30 x w: 24.5 cm / h: 11.8 x w: 9.6 in
Adolph von Menzel
Study for the Portrait of Generallieutenant Hans Karl von Winterfeldt circa 1851
 
 Adolph von Menzel - The Zwölferturm in Sterzing (Works on Paper (Drawings, Watercolors etc.)) h: 18 x w: 11.5 cm / h: 7.1 x w: 4.5 in
Adolph von Menzel
The Zwölferturm in Sterzing
 

Biographie
Adolph Friedrich Erdmann von Menzel began his career working in his father’s lithography shop in Breslau (now Wroclaw in Poland) and later in Berlin, where his family moved in 1830. A brief period of study at the Akademie der Künste in Berlin in 1833 seems to have been the sum total of his formal training, and he is thought to have taught himself how to paint. At the outset of his career he worked as an illustrator, his activity in this field perhaps best exemplified by a series of some four hundred designs for wood engravings produced to accompany Franz Kugler’s History of Frederick the Great, published in instalments between 1840 and 1842. During the late 1840’s and 1850’s he was occupied mainly with a cycle of history paintings illustrating the life of Frederick the Great. In 1861 he received his most important official commission, a painting of The Coronation of King William I at Königsberg, on which he worked for four years. In the following decade, his lifelong interest in scenes of contemporary life culminated in what is arguably his masterpiece as a painter; the large canvas of The Iron Rolling Mill, painted between 1872 and 1875 and immediately purchased by the Nationalgalerie in Berlin. The last three decades of his career saw Menzel firmly established as one of the leading artists in Germany, a prominent figure in Prussian society and the recipient of numerous honours including, in 1898, elevation to the nobility. In the late 1880’s he began to abandon painting in oils in favour of gouaches, although old age meant that these in turn were given up around the turn of the century. Yet he never stopped drawing in pencil and chalk, able always to find expression for his keen powers of observation. A retrospective exhibition of Menzel’s work, held at the Nationalgalerie in Berlin a few weeks after the artist’s death in 1905, included more than 6,400 drawings and almost 300 watercolours, together with 129 paintings and 250 prints.
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