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Wolfgang Tillmans (German, 1968)
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Il n’y a pas d’images en relation
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Biographie |
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1968 |
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Born in Remscheid, Germany |
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1987 |
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Lived and worked in Hamburg, Germany |
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1990 - 1992 |
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Studied at Bournemouth and Poole College of Art and Design, Bournemouth, England |
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1992 - 1994 |
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Lived and worked in London, England |
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1994 - 1995 |
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Lived and worked in New York, NY |
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1995 |
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Recipient, Ars viva Prize from the Kulturkreis der Deutschen Wirtschaft |
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1995 |
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Recipient, Kunstpreis der Böttcherstraße, Bremen, Germany |
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1995 - 1996 |
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Worked for three months in Berlin, Germany |
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1998 - 1999 |
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Visiting professorship at the Hochschule für bildende Künste (School of Fine Arts) Hamburg, Germany |
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2000 |
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Recipient, Turner Prize 2000, Tate Britain, London |
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2001 |
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Honorary Fellowship, The Arts Institute at Bournemouth, England |
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2001 |
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Design of the AIDS memorial at Sendlinger Tor in Munich (winner of the contest) |
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2003 - 2006 |
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Professorship of interdisciplinary art at Städelschule, Frankfurt am Main, Germany |
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2009 |
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Recipient, Kulturpreis of Deutsche Gesellschaft für Photographie |
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2006 - present |
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Runs Between Bridges exhibition space in London, England |
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2007 - present |
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Lives and works in London, England and Berlin, Germany |
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2009 - present |
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Artist Trustee od Tate Board, London |
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Expositions |
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2013 |
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Lost & Found: Anonymous Photography in Reflection, curated by Benjamin Fels and Bob Nickas, Ambach & Rice, Los Angeles, CA |
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2012 - 2013 |
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Moderna Museet, Stockholm, Sweden (solo) |
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2012 |
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Recent Acquisitions, LACMA, Los Angeles, CA |
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2012 |
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Pink Caviar, Louisiana Museum, Humlebaek, Denmark |
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2012 |
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Freischwimmer: The World of Contemporary Photography, National Museum of Art, Osaka, Japan |
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2012 |
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Treffpunkt: Berlin, Arken Museum for Moderne Kunst, Skovvej, Denmark |
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2012 |
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Powerflower – Blütenzauber in der zeitgenössischen Kunst, curated by Tilman Gabriele Osterwold, Galerie ABTART, Stuttgart, Germany |
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2012 |
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Klang & Stille, Sammlung Goetz im Haus der Kunst, Munich, Germany |
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2012 |
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Das zeitgenössische Städel, Städel Museum, Frankfurt, Germany (catalogue) |
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2012 |
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National Museum of Art, Osaka, Japan |
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2012 |
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Relocated, Galerie Neu & MD 72, Berlin, Germany |
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2012 |
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Museo del Banco de la Republica, Bogota, Colombia (solo) |
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2012 |
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Kunsthalle Zurich, Zurich, Switzerland (solo) |
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2012 |
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The Common Guild, Glasgow, Scotland (solo) |
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2012 |
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São Paulo Museum of Modern Art, São Paulo, Brazil (solo) |
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2012 |
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Dark Sky, Adam Art Gallery, Victoria University of Wellington, New Zealand |
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2012 |
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Circus Wols, Eine Hommage, curated by Olaf Metzel, Museum Weserburg, Bremen, Germany (catalogue) |
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2012 |
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Boy: A Contemporary Project, Leo Xu Projects, Shanghai, China |
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2012 |
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The Sports Show, curated by David E. Little, Minneapolis Institute of Arts, Minneapolis, MN |
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2012 |
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Print/Out, organized by Christophe Cherix, Ellen Gallagher, and Sarah Suzuki, Museum of Modern Art, New York, NY |
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2012 |
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Regarding Warhol: Fifty Artists, Fifty Years, The Andy Warhol Museum, Pittsburgh, PA |
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2012 |
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Regarding Warhol: Fifty Artists, Fifty Years, Metropolitan Museum of Art, New York, NY |
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2011 |
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Zachęta National Gallery of Art, Warsaw, Poland (catalogue) (solo) |
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2011 |
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Galerie Chantal Crousel, Paris, France (solo) |
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2011 |
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Out of the Boxes Part 2, curated by Stefan Kalmár, Andrea Rosen Gallery, Gallery 3, New York, NY (solo) |
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2011 |
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Out of the Boxes Part 1, curated by Beatrix Ruf, Andrea Rosen Gallery, Gallery 3, New York, NY (solo) |
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2011 |
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Regen Projects, Los Angeles, CA (solo) |
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2011 |
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Von Bengeln und Engeln, 400 Jahre Kinder im Portrait, Kunsthalle Krems, Austria (catalogue) |
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2011 |
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Playground and Field of Desaster, Pavillon des Images, Montpellier, France (catalogue) |
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2011 |
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Portraits, Gerhardsen/Gerner, Berlin, Germany |
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2011 |
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The Gong Show, curated by Dieter Roelstrate, Galerie Micky Schubert, Berlin, Germany |
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2011 |
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Anti-Photography, Focal Point and The Beecroft Art Gallery, Southend-on-Sea, UK |
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2011 |
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British Art Show, Hayward Gallery, London, UK |
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2011 |
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New Space, New Works, Wako Works of Art, Tokyo, Japan |
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2011 |
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Nature Morte Vivante, Galerie Chantal Crousel, Paris, France |
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2011 |
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Franz West and Wolfgang Tillmans, Galería Juana de Aizpuru, Spain |
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2011 |
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Without Reality There is No Utopia, Centro Andaluz de arte Contemporaneo, Seville, Spain (catalogue) |
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2011 |
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Black Swan: The Exhibition, curated by Dominic Sidhu, Regen Projects, Los Angeles, CA |
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2011 |
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After the Gold Rush: Contemporary Photographs from the Collection, The Metropolitan Museum of Art, New York, NY |
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2011 |
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The Last First Decade, Ellipse Foundation Contemporary Art Collection, Cascais, Portugal |
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2011 |
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Dreamscapes, Pulitzer Foundation for the Arts, St. Louis, MO |
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2011 |
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New Entrants – Permanent Collection, Staatsgalerie Stuttgart, Stuttgart, Germany |
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2011 |
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Eating Art, Fundació Caixa Catalunya, Barcelona, Spain |
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2011 |
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The Museum’s Collections, Centre Pompidou, Paris, France |
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2011 |
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Catalogue de l’Exposition/Catalogue of the Exhibition, Triple V, Paris, France |
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2011 |
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Die Deutsche Show, Divus Prager Kabarett, Prague, Czech Republic |
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2011 |
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British Art Show 7, CCA, Glasgow, Scotland |
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2010 |
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Galerie Daniel Buchholz, Berlin, Germany (solo) |
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2010 |
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Serpentine Gallery, London (catalogue) (solo) |
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2010 |
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Andrea Rosen Gallery, New York, NY (solo) |
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2009 |
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Peas / Snail, Yama Hotel Marmara Pera, Mesrutiyet Cad, Tepebasi, Istanbul, Turkey (solo) |
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2009 |
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Bijoux de famille, Chantal Crousel, Paris
Das Porträt, Kunsthalle Wien, Vienna
Form and Photo, The Museum of Contemporary Art, Los Angeles, USA
Incidental Affairs, Suntory Museum, Osaka
La Biennale di Venezia (Curated by Daniel Birnbaum), Venice
Photography in the Abstract, Lora Reynolds Gallery, Austin, Texas
Sounds and Visions, Tel Aviv Museum of Art, Tel Aviv
A Twilight Art, Harris Lieberman, New York
The Photographic Object, The Photographers’ Gallery, London |
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2008 |
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Wako Works of Art, Tokyo, Japan (exh. cat.) (solo)
Strings, Galerie Chantal Crousel, Paris, France (solo)
Lighter, Hamburger Bahnhof Museum fur Gegenwart, Berlin, Germany (exh. cat.) (solo)
Galerie Juana de Aizpuru, Madrid, Spain (solo)
Maureen Paley, London, UK (solo)
Museum Kunstpalast (permanent collection), Düsseldorf, Germany (exh. cat.) (solo)
Museo Tamayo, Mexico City, Mexico (solo)
Nuegeriemschneider, Belin, Germany (solo)
Regen Projects, Los Angeles, USA (solo)
Tate Britain (permanent collection), London, UK (solo)
Tegenwoordigheid van Geest, Stedelijk Museum, Amsterdam, Netherlands (solo)
3 A.M. Eternal, Alexandre Pollazzon Ltd, London, UK
50 Moons, Turin Triennial, Turin, Italy
Accademia Tedesca di Villa Massimo, Rome, Italy
Darkside, Fotomuseum Winterthur, Winterthur, Switzerland (exh. cat.)
De Collectie van Hans Kemna, Museum de Hallen, Haarlem, Netherlands
Folding, Haus Lange, Krefeld, Germany (exh. cat.)
Hans Kemna Collection, Frans Hals Museum, Haarlem, Netherlands (exh. cat.)
History in the Making: A Retrospective of the Turner Prize, Mori Art Museum, Tokyo, Japan
History Keeps Me Awake at Night: A Genealogy of Wojnarowicz work related to Wojnarowicz, PPOW Gallery, New York, USA
Just Different, Cobra Museum, Amsterdam, Netherlands
Life on Mars: 2008 Carnegie International, Carnegie Museum of Art, Pittsburgh, USA (exh. cat)
Ludlow 38, New York, USA
Noli Me Legere, Michael Lett, Auckland, New Zealand
Other People: Portraits from Grunwald and Hammer Collections, Hammer Museum, Los Angeles, USA
Peter Saville, Accessories to an artwork, Paul Stopler, London, UK
When it’s a Photograph, Bolksy Gallery, Otis College of Art & Design, Los Angeles, USA
Schöner wohen, Neugerriemschneider, Berlin, Germany
Städel Museum, Frankfurt, Germany
Street & Studio: An Urban History of Photography, Tate Modern, London, UK traveled to Museum Folkwang, Essen, Germany (exh. cat.)
Summer Show, Wako Works of Art, Tokyo, Japan
The Possible Document, Herald St, London, UK
Untitled (Vicarious) Photographing The Constructed Object, Gagosian, New York, USA
Yes, No & Other Options, Art Sheffield O8, Millennium Galleries, Sheffield, UK
Wako Works of Art: 15 Years/ Part III, (with Christopher Williams), Wako Works of Art, Tokyo, Japan |
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2007 |
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All The Time / Time, Galleria S.A.L.E.S., Rome, Italy (solo)
Atair, Andrea Rosen Gallery, New York, USA (solo)
Bali, Kestner-Gesellschaft, Hannover, Germany (exh. cat.) (solo)
Carciofo – Still Lifes, Oroom Gallery, Seoul, Korea (exh. cat.) (solo)
Faltung, Camera Austria, Graz, Austria (solo)
Kunstverein Munich, Munich, Germany (solo)
paper drop, Galerie Daniel Buchholz, Cologne, Germany (solo)
At Home, Yvon Lambert, New York, USA
Dateline Israel: New Photography and Video Art, The Jewish Museum, New York, USA
Depth of Field: Modern Photography at the Metropolitan, Metropolitan Museum of Art, New York, USA
Edit! Photography and Film in the Ellipse Collection, Centro de Artes Visuais, Coimbra, Portugal
Garten Eden, Kunsthalle Emden, Emden, Germany, (exh. cat.)
Hava Boþluðu - Air Pocket, galerist, Istanbul, Turkey
Into Me / Out of Me, MACRO Museo d'Arte Contemporanea, Rome, Italy
Match: Otto Dix and the Art of Portraiture, Kunstmuseum Stuttgart, Stuttgart, Germany
No Such Thing as Society, Hayward Touring Exhibitions, UK
Numerica, Palazzo Delle Papesse Centro Arte Contemporanea, Siena, Italy, (exh. cat.)
Art Museum, St. Louis, USA
Seeing Things, Dorsky gallery, Long Island City, USA
The Droste Effect, Esther Schipper, Berlin, Germany
The Turner Prize: A Retrospective, Tate Britain, London, UK
The Naked Portrait, Compton Verney, Warwickshire, UK
What Does the Jellyfish Want, Museum Ludwig, Cologne, Germany
Stardust or the Last Frontier, Musée d´art contemporain du Val-de-Marne, France, (exh. cat.) |
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2006 |
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Freedom From The Known, PS1, New York (exh. cat.) (solo)
Helsinki-Festival, Taidehalli, Helsinki (solo)
Museum of Contemporary Art, Chicago; Hammer Museum, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington DC, (2007) (exh. cat.) (solo)
Pinakothek der Moderne (permanent collection), Munich, Germany (solo)
Abstract art now – floating forms, Wilhelm-Hack-Museum, Ludwigshafen, Germany
An Ongoing Low-Grade Mystery, Paula Cooper, New York, USA
As if by Magic, The Bethlehem Peace Centre, Palestine
Click Double Click, Haus Der Kunst, Munich, Germany; Bozar Expo, Brussels, Belgium
Das Achte Feld—Geschlecter, Leben und Begehren in der bildenden Kunst seit 1960, Museum Ludwig, Cologne, Germany (exh. cat.)
Deckchair dreams, London’s Royal Parks, London, UK
Faster! Bigger! Better!, ZKM / Museum für Neue Kunst, Germany
Frankfurter Positionen: Klasse Wolfgang Tillmans, Museum für Moderne Kunst, Frankfurt am Main, Germany
Galerie Daniel Buchholz at Metro Pictures, New York, USA
Good Vibrations – Visual arts and Rock music, Palazzo delle Papesse, Siena, Italy (exh. cat.)
How Queer Everything is Today, Queer Festival, Råhuset, Halmtorvet, Copenhagen, Denmark
In the Face of History: European Photographers in the 20th Century, Barbican Art Gallery, London, UK
It’s not a photo, Chelsea Art Museum, New York, USA
Landscapes, Wako Works of Art, Tokyo, Japan
Peace Camp, The Brick Lane Gallery, London, UK
Surprise Surprise, Institue of Contemporary Arts, London, UK
Thank you for the music (London Beat), Sprüth Magers Lee, London, UK
The Gold Standard, P.S.1, New York, USA
The Secret Public: The last days of the British underground 1978 - 1988, Kunstverein München, Germany; Institute of Contemporary Arts, London, UK (2007)
The Starry Messenger: Visions of the Universe, Compton Verney, Warwickshire, UK
The Studio, Dublin City Gallery The Hugh Lane, Dublin, Ireland
The Sublime is Now!, Museum Franz Gertsch, Burgdorf, Switzerland
Toutes Compositions Florales, Counter Gallery, London, UK
Y Ahora Sin Ti…, Galería Juana De Aizpuru, Madrid, Spain |
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2005 |
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2005, Galería Juana de Aizpuru, Madrid (solo) |
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2005 |
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Markt, Galerie Meerrettich, Berlin (solo) |
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2005 |
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Truth Study Center, Maureen Paley, London (solo) |
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2005 |
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Press to Exit Project Space, Skopje, Macedonia (solo) |
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2005 |
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Always a Little Further, 51st International Art Exhibition, Venice Biennale, Venice, Italy |
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2005 |
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Arbeit an der Wirklichkeit—German Contemporary Photography, The National Museum of Modern Art, Tokyo (exh. cat.) |
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2005 |
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Coolhunters, ZKM, Karlsruhe, Germany (exh. cat.) |
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2005 |
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Covering the Real, Kunstmuseum Basel, Basel, Switzerland (exh. cat.) |
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2005 |
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Extreme Abstraction, Albright Knox Gallery, Buffalo, Ny |
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2005 |
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Growing Up Absurd, Herbert Read Gallery, Canterbury, UK |
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2005 |
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Helga de Alvear Collection, MEIAC Museum, Badajoz, Spain |
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2005 |
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Migration, Kölnischer Kunstverein, Cologne, Germany (exh. cat.) |
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2005 |
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Oktobarski Salon, Belgrade |
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2005 |
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Shadowplay—An Homage to H. C. Andersen, Kunsthallen Brandts Klaedefabrik, Odense, Denmark; Kunsthalle zu Kiel, Kiel, Germany; Landesgalerie Linz, Linz, Austria (exh. cat.) |
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2005 |
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Superstar, Das Prinzip Prominenz in der Kunst, Kunsthalle und Kunstforum, Vienna (exh. cat.) |
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2005 |
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Il Teatro dell’Arte, Villa Manin, Passariano, Italy |
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2005 |
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Thank you for the Music, Galerie Sprüth Magers, Munich, Germany |
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2005 |
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Weltbilder, Helmhaus, Zurich (exh. cat.) |
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2004 |
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Atmosphere, Museum of Contemporary Art, Chicago |
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2004 |
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BISS—Architektur der Obdachlosigkeit, Museum der Arbeit, Hamburg, Hamburg, Germany (exh. cat.) |
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2004 |
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Colección Taschen, Museo Reina Sofia, Madrid |
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2004 |
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Encounters in the 21st Century, 21st Century Museum of Contemporary Art, Kanazawa, Japan |
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2004 |
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Enthüllt, Städtische Museen, Heilbronn, Germany (exh. cat.) |
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2004 |
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The Flower as Image, Louisiana Museum for moderne kunst, Humlebœk, Denmark; Fondation Beyeler, Riehen, Switzerland (exh. cat.) |
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2004 |
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Friedrich Christian Flick Collection, Hamburger Bahnhof, Berlin (exh. cat.) |
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2004 |
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Im Rausch der Dinge, Fotomuseum Schweiz, Winterthur, Germany |
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2004 |
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Inventory, Scott King, Donald Urquhart, Portikus, Frankfurt am Main, Germany, curated by Wolfgang Tillmans |
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2004 |
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Wolfgang Tillmans: Freischwimmer, Tokyo Opera City Art Gallery, Tokyo (exh. cat.) (solo) |
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2004 |
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neugerriemschneider, Berlin (solo) |
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2004 |
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Panoramabar, Berlin (permanent installation) (solo) |
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2004 |
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Regen Projects, Los Angeles (solo) |
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2004 |
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Encounters in the 21st Century: Polyphony – Emerging Resonances, 21st Century Museum for Contemporary Art, Kanazawa, Japan (solo) |
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2004 |
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Wako Works of Art, Tokyo (exh. cat.) (solo) |
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2004 |
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Jetzt und zehn Jahre davor, Kunstwerke, Berlin (exh. cat.) |
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2004 |
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Landscape 2, Tower Art Gallery, Eastbourne, UK |
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2004 |
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Likeness: Portraits of Artists by Other Artists, California College of Arts, CCA Wattis Institute for Contemporary Arts, San Francisco, Calif.; McColl Center for Visual Art, Charlotte, N.C.; Institute for Contemporary Art, Boston, Mass.; Dalhousie University Art Gallery, Halifax, Canada; University Art Museum, California State University, Long Beach, Calif.; Illingworth Kerr Gallery, Alberta College of Art and Design, Calgary, Canada; Contemporary Art Center of Virginia, Virginia Beach, Va. (exh. cat.) |
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2004 |
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Monument to Now, The Dakis Joannou Collection, Athens (exh. cat.) |
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2004 |
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Il Nudo, Galleria d’Arte Moderna, Bologna, Italy |
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2004 |
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Rose C’est la Vie, Tel Aviv Museum of Art, Tel Aviv |
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2004 |
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Werke aus der Sammlung Boros, Museum für Neue Kunst ZKM, Karlsruhe, Germany (exh. cat.) |
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2003 |
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Andrea Rosen Gallery, New York (solo) |
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2003 |
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Frans Hals Museum, Haarlem, Netherlands (solo) |
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2003 |
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Galerie Daniel Buchholz, Cologne, Germany (solo) |
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2003 |
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View From Above, Louisiana Museum for moderne kunst, Humlebœk, Denmark (exh. cat.) (solo) |
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2003 |
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if one thing matters, everything matters, Tate Britain, London (exh. cat.) (solo) |
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2003 |
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20th Anniversary Show, Galerie Monika Sprüth, Cologne, Germany |
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2003 |
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Abstraction in Photography, Von Lintel Gallery, New York |
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2003 |
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actionbutton, Nationalgalerie Hamburger Bahnhof, Berlin |
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2003 |
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After the Observatory, Paula Cooper Gallery, New York |
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2003 |
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Anniversary Exhibition, Gavin Brown’s Enterprise, New York |
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2003 |
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Architektur der Obdachlosigkeit, Neue Pinakothek, Munich, Germany (exh. cat.) |
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2003 |
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Attack—Kunst und Krieg im Zeitalter der Medien, Kunsthalle Wien, Vienna (exh. cat.) |
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2003 |
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Auto-nom, NRW-Forum Kultur und Wirtschaft, Düsseldorf, Germany |
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2003 |
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Berlin/Moskau, Martin-Gropius-Bau, Berlin (exh. cat.) |
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2003 |
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Dubrow International, Roger Smith Gallery, New York |
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2003 |
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Fast Forward, Sammlung Goetz, ZKM, Karlsruhe, Germany (exh. cat.) |
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2003 |
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Here and There, The Morris and Helen Belkin Art Gallery at the University of British Columbia |
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2003 |
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Looking In—Looking Out, Kunstmuseum Basel, Basel, Switzerland |
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2003 |
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M_ARS—Kunst und Krieg, Neue Galerie, Graz, Austria (exh. cat.) |
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2003 |
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Montagna: Arte, acienza, mito, Museo d’Arte Moderna e contemporanea di Trento e Rovereto, Rovereto, Italy |
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2003 |
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Mixtapes, California College of Arts and Crafts, San Francisco, USA. |
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2003 |
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My People Were Fair and Had Cum in their Hair (But Now They’re Content to Spray Stars from your Boughs), Team Gallery, New York, USA |
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2003 |
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outlook, cultural olympiade, Athens (exh. cat.) |
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2003 |
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öffentlich/privat, Gesellschaft für zeitgenössische Kunst, Leipzig, Germany |
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2003 |
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Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Wolfsburg, Germany (exh. cat.) |
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2003 |
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Saint Sebastian, Kunsthalle Wien, Vienna (exh. cat.) |
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2003 |
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Sex, Karyn Lovegrove Gallery, Los Angeles |
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2003 |
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Society for Contemporary Art Selection, The Art Institute of Chicago |
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2003 |
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Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art, Contemporary Arts Center, Cincinnati, Ohio |
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2003 |
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Von Korpern und anderen Dingen: Deutsche Fotografie im 20 Jahrhundert, Deutsches Historisches Museum, Berlin |
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2003 |
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Warum!, Martin-Gropius-Bau, Berlin |
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2002 |
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Lights (Body), Andrea Rosen Gallery, New York (solo) |
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2002 |
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Lights (Body), Galeria S.A.L.E.S, Rome (solo) |
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2002 |
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Maureen Paley/Interim Art, London (solo) |
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2002 |
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Partnerschaften II (with Jochen Klein), Neue Gesellschaft für Bildende Kunst, Berlin (exh. cat.) (solo) |
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2002 |
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Regen Projects, Los Angeles (solo) |
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2002 |
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sommercontemporaryart, Tel Aviv (solo) |
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2002 |
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Veduta dall’ alto, Castello di Rivoli—Museo d’Arte Contemporanea, Rivoli, Turin (exh. cat.) (solo) |
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2002 |
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Vue d’en Haut, Palais de Tokyo, Paris (exh. cat.) (solo) |
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2002 |
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Wolfgang Tillmans: still life, The Fogg Art Gallery, Busch Reisinger Museum, Harvard; Cambridge, Mass. (exh. cat.) (solo) |
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2002 |
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Beyond Barbizon, Elias Fine Art, Allston, Mass. |
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2002 |
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From the Observatory, Paula Cooper Gallery, New York |
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2002 |
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HOSSA—Arte Alemàn del 2000, Centro Cultural Andratx, Mallorca, Spain |
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2002 |
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International Contemporary Art, Museo de Arte Moderno, Mexico City |
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2002 |
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In the Making, CCAC Wattis Institute, San Francisco, Calif. |
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2002 |
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Jochen Klein (1967–1997) und Wolfgang Tillmans, Neue Gesellschaft fur Bildende Kunst, Berlin |
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2002 |
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Moving Pictures, Solomon R. Guggenheim Museum, New York; Guggenheim, Bilbao, Spain (2003) |
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2002 |
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Museum unserer wünsche, The museum of our wishes, Museum Ludwig, Köln, Germany |
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2002 |
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Painted, Printed and Produced in Great Britain, Grant Selwyn Fine Art, New York |
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2002 |
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Remix: Contemporary Art & Pop, Tate Liverpool, Liverpool, UK (exh. cat.) |
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2002 |
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Sensationen des Alltags, Kunstmuseum, Wolfsburg, Germany (exh. cat.) |
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2002 |
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Transform the World 2002, Wako Works of Art, Tokyo |
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2001 |
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Andrea Rosen Gallery, New York (solo) |
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2001 |
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Science Fiction/hier und jetzt zufrieden sein AC: Isa Genzken, Wolfgang Tillmans, Museum Ludwig, Cologne, Germany (exh. cat.) (solo) |
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2001 |
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Super Collider, Galerie Daniel Buchholz, Cologne, Germany (solo) |
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2001 |
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View from Above/Aufsicht, Deichtorhallen Hamburg, Germany; Castello di Rivoli—Museo d’Arte (solo) |
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2001 |
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Contemporanea, Rivoli, Italy; Palais de Tokyo, Paris; Louisiana Museum for moderne kunst, Humlebœk, Denmark (exh. cat.) (solo) |
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2001 |
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Wako Works of Art, Tokyo (exh. cat.) (solo) |
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2001 |
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Abbild: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria |
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2001 |
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AC: Isa Genzken/Wolfgang Tillmans, Museum Ludwig, Cologne, Germany |
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2001 |
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The Beauty of Intimacy: Lens and Paper, Kunstraum Innsbruck, Austria |
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2001 |
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Century City: Art and Culture in the Modern Metropolis, Tate Modern, London (exh. cat.) |
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2001 |
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Club Club Club, Le Confort Moderne, Poitiers, France |
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2001 |
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Contemporary Utopia, Latvian Centre for Contemporary Art, Riga, Latvia (exh. cat.) |
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2001 |
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Espace d’Art Contemporain, Geneva, Switzerland |
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2001 |
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Freestyle, Werke Aus Der Sammlung Boros, Das Museum Morsbroich, Leverkusen, Germany |
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2001 |
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Un mundo feliz/Brave new world, OMR, Mexico City |
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2001 |
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Museum unserer Wünsche, Museum Ludwig, Cologne, Germany |
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2001 |
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La natura della natura morta, Galleria d’Arte Moderna, Bologna, Italy (exh. cat.) |
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2001 |
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Neue Welt, Frankfurter Kunstverein, Frankfurt am Main, Germany (exh. cat.) |
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2001 |
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Open City: Street Photographs, 1950–2000, Museum of Modern Art, Oxford, UK; The Lowry, Manchester, UK; Museo de Belles Artes de Bilbao, Spain; Hirshhorn Museum and Sculpture Garden, Washington, DC |
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2001 |
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Places in the Mind: Modern Photographs from the Collection, The Metropolitan Museum of Art, New York |
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2001 |
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Portrait, Lindig in Paludetto, Turin, Italy; Zeitgenossische Kunst Milchof, Nuremberg, Germany |
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2001 |
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Record Collection, VTO gallery, London; International 3, Manchester Gallery, Manchester, UK; Forde Gallery, Geneva, Switzerland |
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2001 |
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Some German Photography, Mark Moore Gallery, Santa Monica, Calif. |
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2001 |
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Some Options in Abstraction, Harvard University |
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2001 |
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Carpenter Center, Cambridge, Mass. |
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2001 |
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Sex—Vom Wissen und Wünschen, Hygienemuseum, Dresden, Germany (exh. cat.) |
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2001 |
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Shopping, Schirn Kunsthalle, Frankfurt am Main, Germany; Tate Liverpool, Liverpool, UK |
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2001 |
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Tattoo Show, Modern Art Inc., London |
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2001 |
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Uniforms, Order and Disorder, Stazione Leopolda, Florence, Italy; P.S.1 Contemporary Art Center, New York, USA (exh. cat.) |
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2001 |
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“Why bother?” The Burger King Exhibition, Whitechapel Art Gallery, London |
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2001 |
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Zero Gravity, Kunstverein der Rheinlande und Westfalen, Kunsthalle Düsseldorf, Düsseldorf, Germany (exh. cat.) |
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2000 |
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Blushes, fig–1, London (solo) |
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2000 |
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Galerie Meyer Kainer (with Jochen Klein), Vienna (solo) |
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2000 |
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Galerie Rüdiger Schöttle (with Thomas Ruff), Munich, Germany (solo) |
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2000 |
|
90 60 90, Museo Jacobo Borges, in cooperation with the Goethe Institut, Caracas, Venezuela (exh. cat.) |
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2000 |
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All Dressed Up, Apex Art, New York |
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2000 |
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Apocalypse: Beauty and Horror in Contemporary Art, Royal Academy of Arts, London |
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2000 |
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The arsFutura Show, arsFutura, Zurich |
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2000 |
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Arts & Facts, Galleria Franco Noero, Turin, Italy |
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2000 |
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AutoWerke—Europäische und amerikanische Fotografie 1998–2000, Deichtorhallen, Hamburg, Germany (exh. cat.) |
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2000 |
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The British Art Show 5, organized by the Hayward Gallery, London, for The Arts Council of England; Scottish National Gallery of Modern Art, Edinburgh, UK; John Hasard Gallery, University of Southampton, Southampton, UK: Southampton City Art Gallery, Southampton, UK; Millais Gallery, Southampton, UK; Fotogallery, Cardiff, UK; Ikon Gallery, Birmingham, UK (exh. cat.) |
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2000 |
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Collection Première Heure, Groupe Premiere Heure, Saint-Cloud, France |
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2000 |
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Collector’s Choice, Exit Art, New York |
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2000 |
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Complicity, Australian Centre for Photography, Sydney |
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2000 |
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Conversione di Saulo, Palazzo Odescalchi, Rome |
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2000 |
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Deep Distance: Die Entfernung der Fotografie, Kunsthalle Basel, Basel, Switzerland (exh. cat.) |
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2000 |
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Dire AIDS: Arte nell’epoca del AIDS/Art in the Age of Aids, Promotrice delle Bella Arte, Turin, Italy (exh. cat.) |
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2000 |
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German Photoworks, Wako Works of Art, Tokyo |
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2000 |
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‘high five’ im warmen Monat Mai, Galerie Schedler, Zurich |
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2000 |
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Joitakin Osia Maailmasta/Some Parts of this World, Helsinki Photography Festival, Helsinki (exh. cat.) |
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2000 |
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Landscape, organized by The British Council, London; Museu de Arte de São Paulo, Brazil; Museu de Arte Contemporânea de Niterói, Rio de Janeiro, Brazil; Sofia Municipal Gallery of Art, Sofia, Bulgaria; Centro Cultural del Conde Duque, Madrid; Galleria Nazionale d’Arte Moderna, Rome; Peter and Paul Fortress, St. Petersburg, Russia; Central House of Artists, Moscow; ACC Gallery, Weimar, Germany (exh. cat.) |
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2000 |
|
Look at Me: Fashion and Photography in Britain, 1960 to the present, The British Council, Madrid; Kunsthal, Rotterdam; Fondazion Nicola Trussardi, Milan, Italy; Marina Alla Scala Art Centre, Milan, Italy; Centre for Contemporary Arts, Ujazdowski Castle, Warsaw; Mali Manezh, Moscow; State Museum of the History of St. Petersburg, St. Petersburg, Russia; Tallinna Kunstihoone Fond, Tallin, Estonia; Øksnehallen, Copenhagen; Museu de Documantatio I Museu Textill, Terrasa, Spain; Recinto Ciudadela, Pamplona, Spain; Palacio de abrantes, Salamanca, Spain; House of Art, Bratislava, Slovakia (exh. cat.) |
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2000 |
|
Lost, Ikon Gallery, Birmingham, UK (exh. cat.) |
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2000 |
|
Eine Munition unter anderen, Frankfurter Kunstverein, Frankfurt am Main, Germany (exh. cat.) |
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2000 |
|
The Oldest Possible Memory, Collection Hauser and Wirth, Lokremise St. Gallen, St. Gallen, Switzerland |
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2000 |
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Platforma, sommercontemporaryart, Tel Aviv |
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2000 |
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Photography Now, Contemporary Arts Center, New Orleans, La. (exh. cat.) |
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2000 |
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Présumés innocents, CAPC Musée d’art contemporain, Bordeaux, France (exh. cat.) |
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2000 |
|
Protest and Survive, Whitechapel Art Gallery, London |
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2000 |
|
Quotidiana: The Continuity of the Everyday in 20th Century Art, Castello di Rivoli—Museo d’Arte Contemporanea, Rivoli, Turin (exh. cat.) |
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2000 |
|
The Sea & the Sky, The Royal Hibernian Academy, Dublin; Beaver College Art Gallery, Glenside, Pa. (exh. cat.) |
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2000 |
|
Les Trahisons du modéle, corps et attitudes II, Stéfane Ackermann agence d’art contemporain, Luxembourg |
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2000 |
|
Turner Prize 2000, Tate Britain, London |
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2000 |
|
Vanishing Points, Groupe Première Heure, Saint-Cloud, France |
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1999 |
|
Wako Works of Art, Tokyo (exh. cat.) (solo) |
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1999 |
|
Eins ist sicher: Es kommt immer ganz anders als man denkt, Städtische Galerie, Remscheid, Germany (solo) |
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1999 |
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Galleria S.A.L.E.S, Rome (solo) |
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1999 |
|
neugerriemschneider, Berlin (solo) |
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1999 |
|
Regen Projects, Los Angeles (solo) |
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1999 |
|
Saros, Galerie Daniel Buchholz, Cologne, Germany (solo) |
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1999 |
|
Soldiers—The Nineties, Andrea Rosen Gallery, New York (solo) |
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1999 |
|
Soldiers—The Nineties, arsFutura Galerie, Zurich (solo) |
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1999 |
|
Soldiers—The Nineties, Neuer Aachener Kunstverein, Aachen, Germany (solo) |
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1999 |
|
sommercontemporaryart, Tel Aviv (solo) |
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1999 |
|
Space between Two Buildings/Soldiers—The Nineties, Maureen Paley/Interim Art, London (solo) |
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1999 |
|
Can You Hear Me?, 2nd Ars Baltica Triennial of Photographic Art, Stadtgalerie im Sophienhof, Kiel, Germany; Kunsthalle Rostock, Rostock, Germany |
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1999 |
|
Flashes: Contemporary Trends, Fondation Cartier pour l’art contemporain, Paris; Centro Cultural de Belèm, Lisbon; Fondacion Miró, Barcelona, Spain; Centro Arte Contemporanea Palazzo delle Papesse, Siena, Italy (exh. cat.) |
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1999 |
|
The Garden of Eros, Palau de la Virreina, Barcelona, Spain |
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1999 |
|
How Will We Behave?, Robert Prime, London, England |
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1999 |
|
Hypertronix, Espai d’Art Contemporani de Castelló, Castelló, Spain (exh. cat.) |
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1999 |
|
The Image of the Other, Fòrum Universal de les Cultures, Barcelona, Spain (exh. cat.) |
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|
1999 |
|
In Your Face, New Langton Fine Arts, San Francisco, curated by Robert Shimshak Macht und Fürsorge: Das Bild der Mutter in der zeitgenössischen Kunst, Siemens Kulturprogramm, Trinitatis Church, Cologne, Germany (exh. cat.) |
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1999 |
|
. . . om det sublima/ . . . on the sublime, Rooseum, Malmö, Sweden (exh. cat.) |
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1999 |
|
der siebte himmel, Christuskirche Köln, Cologne, Germany |
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1999 |
|
Views from the Edge of the World, Marlborough Chelsea, New York, NY |
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1999 |
|
Vision of the Body: Fashion or Invisible Corset, Kyoto Museum of Modern Art, Kyoto, Japan; Museum of Contemporary Art, Tokyo, Japan (exh. cat.) |
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1999 |
|
Wohin kein Auge reicht—Von der Entdeckung des Unsichtbaren, Deichtorhallen Hamburg, Hamburg, Germany (exh. cat.) |
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1999 |
|
Word Enough to Save a Life, Word Enough to Take a Life, Clare College Mission Church, London, England |
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1999 |
|
Zoom, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany; Museum Abteiberg, Mönchengladbach, Germany |
|
|
1998 |
|
Andrea Rosen Gallery, New York, NY (solo) |
|
|
1998 |
|
Café Gnosa, Hamburg, Germany (solo) |
|
|
1998 |
|
Le Case d’Arte di Pasquale Lecese, Milan, Italy (solo) |
|
|
1998 |
|
Fruiciones, Museo Nacional Reina Sofia, Espacio Uno, Madrid (exh. cat.) (solo) |
|
|
1998 |
|
Berlin/Berlin, Berlin Biennale, Berlin Germany |
|
|
1998 |
|
Collection: Un autre regard, CAPC Musée d’art contemporain, Bordeaux, France |
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|
1998 |
|
Curatorial Program, New York Curatorial Program, New York, NY |
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|
1998 |
|
The DG Bank Collection, Hara Museum of Contemporary Art, Tokyo , Japan(exh. cat.) |
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|
1998 |
|
Edifying Sappho and Socrates, Sydney Gay & Lesbian Mardi Gras, Sydney, Australia |
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1998 |
|
Fashion at the Beach, Bass Museum of Art, Miami Beach, FL., curated and organized by Charles Cowles and Dennis Christie; Contemporary Art Center of Virginia, Virginia Beach, VA.; Orange County, CA |
|
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1998 |
|
Museum of Art, Newport Beach, CA (exh. cat.) |
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|
1998 |
|
Fast Forward Image, Hamburger Kunstverein, Hamburg, Germany (exh. cat.) |
|
|
1998 |
|
From the Corner of the Eye, Stedelijk Museum, Amsterdam, NEtherlands (exh. cat.) |
|
|
1998 |
|
Galerie Daniel Buchholz, Cologne, Germany |
|
|
1998 |
|
Galerie Ghislaine Hussenot, Paris, France |
|
|
1998 |
|
Germania Anno 00 . . . , Newsantandrea, Savona, Italy |
|
|
1998 |
|
Kunstausstellung Holderbank, Holderbank Management und Beratung AG, Holderbank, Switzerland |
|
|
1998 |
|
Look at Me, Kunsthal Rotterdam; The British Council Touring Exhibition |
|
|
1998 |
|
New York Color School, Valerie’s Gallery, New York, NY |
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|
1998 |
|
Die Parkett-Künstlereditionen im Museum Ludwig, Cologne, Germany |
|
|
1998 |
|
Photo Op, Geoffrey Young Gallery, Great Barrington, MA |
|
|
1998 |
|
Portrait: Human Figure, Galerie Peter Kilchmann, Zurich, Switzerland |
|
|
1998 |
|
The Sound of One Hand: The Collection of Collier Schorr, Apex Art, New York, NY |
|
|
1998 |
|
La Sphère de l’intime, Le Printemps de Cahors Festival, Saint-Cloud, France |
|
|
1998 |
|
Still Life: 1900–1998, Marlborough Graphics, Marlborough Gallery Inc., New York; Kunsthalle Bremen, Bremen, Germany |
|
|
1998 |
|
Stretch, Tensta Konsthall, Stockholm , Sweden (exh. cat.) |
|
|
1998 |
|
Sunday by Matthew Higgs, Cabinet Gallery, London, England |
|
|
1998 |
|
The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, The Institute of Contemporary Art, Boston, USA |
|
|
1998 |
|
Veronica’s Revenge, Lambert Collection, Geneva, Switzerland; Centre d’art contemporain, Paris; Deichtorhallen Hamburg, Hamburg, Germany (exh. cat.) |
|
|
1997 |
|
Galleria S.A.L.E.S, Rome (solo) |
|
|
1997 |
|
hale-Bopp, Galerie Daniel Buchholz, Art Cologne, Cologne, Germany (solo) |
|
|
1997 |
|
I Didn’t Inhale, Chisenhale Gallery, London (solo) |
|
|
1997 |
|
The 90s: A Family of Man?, Casino Luxembourg— |
|
|
1997 |
|
Forum d’art contemporain, Luxembourg (exh. cat.) |
|
|
1997 |
|
Absolute Landscape: Between Illusion and Reality, Yokohama Museum of Art, Yokohama, Japan (exh. cat.) |
|
|
1997 |
|
Kunst . . . Arbeit, Forum der Südwest LB, Stuttgart, Germany (exh. cat.) |
|
|
1997 |
|
Die Kunsthalle Bremen zu Gast in Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany (exh. cat.) |
|
|
1997 |
|
Positionen künstlerischer Photographie in Deutschland von 1945–1995, Berlinische Galerie, Martin-Gropius-Bau, Berlin (exh. cat.) |
|
|
1997 |
|
Projects, Irish Museum of Modern Art, Dublin, Ireland (exh. cat.) |
|
|
1997 |
|
Reality, Yokohama Museum of Art, Yokohama, Japan |
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|
1997 |
|
Sous le Manteau, Galerie Thaddaeus Ropac, Paris, France (exh. cat.) |
|
|
1997 |
|
We Gotta Get Out of This Place, Cubitt, London, England |
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|
1997 |
|
Zeitgeist Becomes Form: German Fashion Photography 1945–1995, Pat Hearn Gallery, New York; Morris Healy Gallery, New York |
|
|
1996 |
|
Andrea Rosen Gallery, New York, NY (solo) |
|
|
1996 |
|
arsFutura Galerie, Zurich, Switzerland (solo) |
|
|
1996 |
|
Faltenwürfe, Galerie Daniel Buchholz, Cologne, Germany (solo) |
|
|
1996 |
|
For When I’m Weak I’m Strong/Wer Liebe wagt lebt morgen, Kunstmuseum, Wolfsburg, Germany (exh. cat.) (solo) |
|
|
1996 |
|
Galleri Nicolai Wallner, Copenhagen, Denmark (solo) |
|
|
1996 |
|
Kunstverein Elsterpark, Leipzig, Germany (solo) |
|
|
1996 |
|
a/drift: Scenes from the Penetrable Culture, Bard College Center for Curatorial Studies, Annandale-on-Hudson, New York |
|
|
1996 |
|
Arken Museum for moderne kunst, Copenhagen (exh. cat.) |
|
|
1996 |
|
Blind Spot: Photography—The First Four Years, Paolo Baldacci Gallery, New York, NY |
|
|
1996 |
|
By Night, La Fondation Cartier pour l’art contemporain, Paris, France (exh. cat.) |
|
|
1996 |
|
Das deutsche Auge—33 Photographen und ihre Reportagen, Deichtorhallen Hamburg, Hamburg, Germany |
|
|
1996 |
|
Dites-le avec des fleurs, Galerie Chantal Crousel, Paris, France |
|
|
1996 |
|
Everything that’s Interesting is New, The Dakis Joannou Collection, Athens; Art Academy, Athens; Arken Museum for moderne kunst, Copenhagen |
|
|
1996 |
|
Festival International de la Photo de Mode, Biarritz, France |
|
|
1996 |
|
Glockengeschrei nach Deutz, Galerie Daniel Buchholz, Cologne, Germany (exh. cat.) |
|
|
1996 |
|
I Feel Explosion, flat above Manchester Arndale Centre, Manchester, UK |
|
|
1996 |
|
Intermission, Basilico Fine Arts, New York, curated by Toland Grinnell and Matthew Ritchie |
|
|
1996 |
|
New Photography #12, The Museum of Modern Art, New York, NY |
|
|
1996 |
|
Nudo y Crudo: Sensitive Body, Visible Body, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy (exh. cat.) |
|
|
1996 |
|
Pictures of Modern Life, Galerie Rodolphe Janssen, Brussels, Belgium; École régionale des Beaux-Arts de Tours, Tours, France |
|
|
1996 |
|
Le Plaisir et les ombres, Fondation pour l’Architecture, Brussels, Belgium |
|
|
1996 |
|
Prospect ’96—Fotografie in der Gegenwartskunst, Frankfurter Kunstverein und Schirn Kunsthalle, Frankfurt am Main, Germany (exh. cat.) |
|
|
1996 |
|
The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, Sabbathday Lake, Maine, conceived and organized by France Morin; Institute of Contemporary Art, Maine College of Art, Portland; Institute of Contemporary Art, Boston |
|
|
1996 |
|
Shift, Haus der Kulturen der Welt, Berlin, organized by Neue Gesellschaft für Bildende Kunst (exh. cat.) |
|
|
1996 |
|
Traffic, CAPC Musée d’art contemporain, Bordeaux, France |
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|
1996 |
|
Urgence, CAPC Musée d’art contemporain, Bordeaux, France (exh. cat.) |
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|
1996 |
|
Visitors’ Voices: Recomposing the Collection, Walker Art Center, Minneapolis, MN |
|
|
1996 |
|
wunderbar, Kunstraum Wein, Vienna; organized by Stephan Schmidt-Wulffen; Kunstverein, Hamburg, Germany |
|
|
1995 |
|
Interim Art, London, England (solo) |
|
|
1995 |
|
Kunsthalle Zurich (exh. cat.) (solo) |
|
|
1995 |
|
neugerriemschneider, Berlin, GEemany (solo) |
|
|
1995 |
|
Portikus, Frankfurt am Main, Germany (exh. cat.) (solo) |
|
|
1995 |
|
Regen Projects, Los Angeles, CA (solo) |
|
|
1995 |
|
Stills Gallery, Edinburgh, United Kingdom (solo) |
|
|
1995 |
|
ars viva 95/96 Photographie, Anhaltische Gemäldegalerie Dessau, Dessau, Germany; Frankfurter Kunstverein, Frankfurt am Main, Germany; Kunsthalle Nürnberg, Nuremberg, Germany (exh. cat.) |
|
|
1995 |
|
Benefit Exhibition for D.E.A.F., Inc., Nicole Klagsbrun Gallery, New York, organized by Jeff Koons |
|
|
1995 |
|
Bildermonde—Modebilder: Deutche Modephotographien von 1945–1995, Institute fur Auslandsbeziehungen, Stuttgart, Germany, organized by F. C. Gundlach (exh. cat.) |
|
|
1995 |
|
The Enthusiast, Gavin Brown’s Enterprise, New York, NY |
|
|
1995 |
|
Every Time I See You, Galleri Nicolai Wallner, Malmö, Sweden; galleri index, Stockholm, Sweden |
|
|
1995 |
|
Galerie Analix B&L Polla, Geneva, Switzerland |
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|
1995 |
|
Guaranteed Personalities, Lydmar Hotel, Stockholm, curated by Thomas Nordanstad Human Nature, New Museum of Contemporary Art, New York, NY |
|
|
1995 |
|
Kunstpreis der Böttcherstraße in Bremen, Kunsthalle Bremen, Bremen, Germany (exh. cat.) |
|
|
1995 |
|
Mondo Nova, Le Case d’Arte, Milan, Italy (exh. cat.) |
|
|
1995 |
|
Photographies, Galerie Rodolphe Janssen, Brussels, Belgium |
|
|
1995 |
|
Take Me (I’m Yours), Serpentine Gallery, London, England; Kunsthalle Nürnberg, Nuremburg, Germany (exh. cat.) |
|
|
1995 |
|
Auction Benefit,White Columns, New York, NY |
|
|
1994 |
|
Andrea Rosen Gallery, New York, NY (solo)
Fehlmann AG, Schoeftland, Switzerland (solo)
Galerie Daniel Buchholz, Cologne, Germany (solo)
Galerie Thaddaeus Ropac, Paris, France (solo)
100 Umkleidekabinen, Bad zur Sonne, Graz, Austria (exh. cat.)
Ars Lux, 100 artist billboard light boxes across Italy
Expose Yourself, The Tannery, London, England
Les Dimanches de l’amour, École des Beaux-Arts de Rennes, Rennes, France
Dinos and Jake Chapman, Georgina Starr, Wolfgang Tillmans, Andrea Rosen Gallery, New York, NY
L’Hiver de l’amour, Musée d’art moderne de la ville de Paris, France (exh. cat.)
Homegrown, Lotus Club, Cologne, Germany
Mechanical Reproduction, AP, Amsterdam, Netherlands (exh. cat.)
Photo ’94, The Photographer’s Gallery on Art 94, London, England
Rien à signaler, Galerie Analix, Geneva, Switzerland (exh. cat.)
Soggetto Soggetto, Castello di Rivoli—Museo d’Arte Contemporanea, Rivoli, Turin, Italy (exh. cat.)
Sonne München, Galerie Daniel Buchholz, Cologne, Germany
Streetstyle, Victoria & Albert Museum, London, England (exh. cat.)
The Winter of Love, PS1, Long Island City, NY |
|
|
1993 |
|
Atelier, collaboration with Isa Genzken; Galerie Daniel Buchholz, Cologne, Germany; Wilma Tolksdorf, Hamburg, Germany
Belcher, Höller, General Idea, Tillmans, Odenbach, Galerie Daniel Buchholz, Cologne, Germany
Christmasshop, Air de Paris, Paris, France
Fuck the System, Villa Rossi, Lucca, Italy
June, Galerie Thaddaeus Ropac, Paris, France
November Television, Videoprojekt Remscheid, Esther Schipper, Cologne, Germany
Phenylovethylamour, Unfair 1993, Cologne, Germany, stand of the Galerie Daniel Buchholz
Tresorraume, Unfair 1993, Cologne, Germany
arsFutura Galerie, Zurich, Switzerland (solo)
Galerie Daniel Buchholz—Buchholz + Buchholz, Cologne, Germany (solo)
Interim Art, London, England (solo)
L.A. Galerie, Frankfurt am Main, Germany (solo) |
|
|
1992 |
|
Diptychen, 1990–1992, PPS. Galerie F. C. Gundlach, Hamburg, Germany (solo)
i-D Now, Pitti Image, Palazzo Corsini, Florence, Italy
tomorrow people, Imagination Gallery, London, England
We Haven’t Stopped Dancing Yet, PPS, Galerie F. C. Gundlach, Hamburg, Germany |
|
|
1991 |
|
Icons of a Mutinous Age: Three Photographers, Bournemouth and Poole College of Art and Design, Bournemouth, England
Grauwert Galerie, Hamburg, Germany (solo) |
|
|
1989 |
|
Café Gnosa, Hamburg, Germany (solo)
Die Hamburg Schachtel, Museum für Kunst und Gewerbe, Hamburg, Germany (exh. cat.) |
|
|
1988 |
|
Approaches, Café Gnosa, Hamburg, Germany (solo)
Approaches, Fabrik—Foto—Forum, Hamburg, Germany; Municipal Library, Remscheid, Germany (solo)
Blutsturz, Front, Hamburg, Germany (solo) |
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|
Publications |
|
|
2011 |
|
Abstract Pictures, Hatje Cantz, Ostfildern-Ruit |
|
|
2010 |
|
Wolfgang Tillmans, cat. Serpentine Gallery, London |
|
|
2008 |
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Lighter. Hamburger Bahnhof, Museum für Gegenwart, Hatje Cantz, Ostfildern |
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2008 |
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Wako Book 4, Wako Works of Art, Tokyo |
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2007 |
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The Conversation Series Vol. 6 – Wolfgang Tillmans. Verlag der Buchandlung Walther König, Köln, Germany
Carciofo – Still Lifes. Oroom Gallery, Seoul, Korea |
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2006 |
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Freedom From The Known. New York and Göttingen, Germany: PS1 and Steidl Verlag
Wolfgang Tillmans. exh. cat., Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London
Why we must provide HIV treatment information. (photography) HIV i-base, London, UK
Wolfgang Tillmans: Manual. Verlag der Buchandlung Walther König, Köln, Germany |
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2005 |
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truth study center. Cologne, Germany: Taschen |
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2004 |
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Wolfgang Tillmans: Freischwimmer. Tokyo: Tokyo Opera City Gallery
Wako Book 3, exh. cat., Tokyo: Wako Works of Art |
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2003 |
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if one thing matters, everything matters. London: Tate Publishing |
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2002 |
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Wolfgang Tillmans. London and New York: Phaidon Press
Wolfgang Tillmans: Still Life. Cambridge, Mass: Harvard University Art Museum |
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2001 |
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AC: Isa Genzken/Wolfgang Tillmans. edited by Museum Ludwig, Cologne, Germany: Verlag der Buchhandlung Walther König
Partnerschaften II, exh. cat., Berlin: Neue Gesellschaft für Bildende Kunst
Portraits. Cologne, Germany: Verlag der Buchhandlung Walther König
View from Above/Aufsicht, Ostfildern-Ruit, Germany: Hatje Cantz Verlag
Wako Book 2, exh. cat., Tokyo: Wako Works of Art |
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1999 |
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Soldiers: The Nineties. Cologne, Germany: Verlag der Buchhandlung Walther König
Total Solar Eclipse/Totale Sonnenfinsternis. Cologne, Germany: Galerie Daniel Buchholz
Wako Book 1999, exh. cat., Tokyo: Wako Works of Art |
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1998 |
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Fruiciones, exh. cat., Madrid: Museo Nacional Reina Sofia
Wolfgang Tillmans: Burg. Cologne, Germany: Taschen, reissued as Wolfgang Tillmans, 2002 |
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1997 |
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Concorde. Cologne, Germany: Verlag der Buchhandlung Walther König |
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1996 |
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For When I’m Weak I’m Strong/Wer Liebe wagt lebt morgen, exh. cat., Ostfildern-Ruit, Germany: Kunstmuseum Wolfsburg and Hatje Cantz Verlag |
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1995 |
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Wolfgang Tillmans. Cologne: Taschen, reissued 2002
Wolfgang Tillmans. Frankfurt am Main, Germany: Portikus Frankfurt am Main
Wolfgang Tillmans. Zurich: Kunsthalle Zürich |
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