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Eduardo Chillida - Graphic Work    Apr 17 - May 12, 2012

Argi I
Eduardo Chillida
Argi I, 1988
 
Homenaje a Arnold Rüdlinger
Eduardo Chillida
Homenaje a Arnold Rüdlinger
 
Homenaje a Sir Roland Penrose
Eduardo Chillida
Homenaje a Sir Roland Penrose, 1981
 
Le Poème de Parménide (Plate II)
Eduardo Chillida
Le Poème de Parménide (Plate II), 1999
 
Paris
Eduardo Chillida
Paris, 1995
 
 
Voir :    Expositions passées      
 

Chillida began working in lithography, etchings, silkscreen and woodcuts in 1950, and printmaking remained an important part of his artistic output from that date onwards. Chillida’s graphic work, like his sculpture, shows a preoccupation with form, space and framing. Martin van der Koelen has described Chillida’s main concern as “the concept of space and its determinedness by formed matter, the relation between emptiness, volume and their mutual limits”. Absence is therefore as important as presence. The balance of dualities in his work such as black-white, heaviness-lightness and emptiness-fullness give Chillida’s work a universal importance.

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