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Kim Joon | Fragile (Hong Kong)    Oct 19 - Nov 19, 2011

Drunken-Absolut Vodka
Kim Joon
Drunken-Absolut Vodka, 2011
Drunken-Johnnie Walker
Kim Joon
Drunken-Johnnie Walker, 2011
Drunken-Romanee Conti
Kim Joon
Drunken-Romanee Conti, 2011
Golden Hour-Chateau Lafite Rothschild
Kim Joon
Golden Hour-Chateau Lafite Rothschild, 2011
Golden Hour-Dom Perignon
Kim Joon
Golden Hour-Dom Perignon, 2011
Golden Hour-Maria
Kim Joon
Golden Hour-Maria, 2011
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Korean artist Kim Joon introduces new digital prints exploring the universal human themes of fragility, seduction and imperfection. For his two latest series, Fragile and Drunken, he composes appealing landscapes of porcelain-like human bodies tattooed from head to toe in the brand imagery of upscale porcelain or liquor companies. He creates these images using three-dimensional computer graphics.

Drunken-Mouton Rothschild, in which random body parts tattooed with the logo of the famous French winemaker are spread out between gilded porcelain plates and lush fruit, illustrates themes at the heart of all of Kim’s works: an exploration of the human desire for things to admire, covet and love. Those can be things that are good for us, as well as things that are dangerous—sometimes it is just a matter of dose or perception. This is the paradox that he addresses at length in Drunken, his most recent series.

With the Fragile series, which Kim created just prior to Drunken, he turned his attention to porcelain-like human figures, instead of the more naturalistic tattooed figures he’d become known for. His porcelain figures are hollow, lacking limbs, and distorted. Imperfection is a recurring theme in Kim’s work, which started with his fascination for tattoos and his discovery that tattooed men were deemed unfit for military service in Korea. The artist’s exploration of tattoos stems from his experiences tattooing his peers while in the Korean military. According to Kim, tattoos are not only physical inscriptions on the body but also signifiers of mental impressions left on the consciousness. Alluding to society’s weakness for material objects, Kim’s tattoo imagery reflects our obsessions and deep-seated attachments.

Kim Joon was born in 1966 in Seoul, Korea, where he currently lives and works. He has exhibited his work at the Total Museum, Seoul, Korea; The National Museum of Contemporary Art, Kwachon, Korea; the National Taiwan Museum; Canvas International Art gallery, Amsterdam; Alexander Ochs Galleries, Berlin; Gallery Hyundai, Paris; Sabina Lee gallery, Los Angeles; Walsh Gallery, Chicago; Sundaram Tagore Gallery, Hong Kong; and Sundaram Tagore Gallery, New York.

For more information please email or call +852.2581.9678.

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