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Perspective 1984.
Basel Art Fair. 1984.
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Dickhoff, Wilfried.
Vor-Schein oder Aschenglanz, Künstliche Paradiese.
Kunstverein München and Museum Folkwang. Essen, Germany. 1985.
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Dickhoff, Wilfried.
Phase II.
Steirischer Herbst '85. Stadtmuseum Graz. 1985.
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Flood, Richard.
Das Veritgo Paradigma.
Künstliche Paradiese. Kunstverein München and Museum Folkwang. Essen, Germany. 1985.
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Dickhoff, Wilfried.
The Being of Nothingness - Notes on the existential abstraction in George Condo's paintings.
Barbara Gladstone Gallery. New York, New York. 1986.
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Dickhoff, Wilfried.
Primer Salòn Irrealiste, Tenerife.
Galeria Leyendecker. Santa Cruz de Tenerife, Spain. 1986.
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George Condo.
Akira Ikeda Gallery. Tokyo, Japan. 1986.
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Godfrey, Tony.
The New Image, Paintings in the 1980's.
New York, New York. 1986.
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Saltz, Jerry.
Beyond Boundries.
1986.
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Thomas, Karin.
Bis Heute.
Cologne, Germany. 1986.
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Biennial Exhibition.
Whitney Museum of American Art. New York, New York. 1987.
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George Condo: Paintings & Drawings.
1987.
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Geldzahler, Henry.
On George Condo.
The Pace Gallery. New York, New York. 1988.
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Bilderstreit.
Museum Ludwig. Cologne, Germany. 1989.
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George Condo.
Waddington Galleries. London, United Kingdom. 1989.
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Guattari, Felix.
"Introduction" and "Discussion".
Galerie Daniel Templon. Paris, France. 1990.
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PHARMAKON '90.
Tokyo, Japan. 1990.
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Dickhoff, Wilfried.
In Ictu Oculi: The Post-Nondeconstructive Paintings of George Condo.
The Pace Gallery. New York, New York. 1991.
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Condo, George.
Art Random.
Kyoto Shoin International, Co., Ltd. Kyoto, Japan. 1991.
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Riley, Charles A.
Sélection.
Musée d'Art Contemporain. Pully/Lausanne, Switzerland. 1991.
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Dickhoff, Wilfried.
Ars Pro Domo.
Gesellschaft für Moderne Kunst am Museum Ludwig. Cologne, Germany. 1992.
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Le Portrait Dans L'Art Contemporain.
Musée d'Art Moderne et d'Art Contemporain. Nice, France. 1992.
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Bonet, Juan Manuel.
George Condo.
Galeria Salvador Riera. Barcelona, Spain. 1992.
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Wilson, Adolfo.
Materia, Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional.
Galería Namia Mondolfi. Caracas, Venezula. 1993.
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Burroughs, William S.
Condo: Recent Paintings.
The Pace Gallery. New York, New York. 1994.
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Davvetas, Demosthenes.
Dialogues.
France: Au Même titre, Imprimé par Jouve. 1997.
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Fitzgerald, Michael.
George Condo: Collage Paintings.
PaceWildenstein. New York, New York. 1998.
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Ruiz Picasso, Bernard.
Pages de Garde/End Papers.
PaceWildenstein. New York, New York. 1998.
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Condo, George.
George Condo: Portraits Lost In Space.
PaceWildenstein and Deitch Projects. New York, New York. 1999.
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00: Drawings 2000 at Barbara Gladstone Gallery.
Barbara Gladstone Gallery. New York, New York. 2000.
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George Condo: Portraits Lost In Space.
PaceWildenstein and Deitch Projects. New York, New York. 2000.
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Condo Televised Silkscreens.
Abaton Book Company. Newton, New Jersey. 2001.
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George Condo: Physiognomical Abstraction.
Galerie Jerome De Noirmont. Paris, France. 2001.
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Janowitz, Tama.
New York Expression.
Bergen Art Museum. Bergen, Norway. February 15-April 28, 2002, 2002.
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Ahead of the 21st Century: The Pisces Collection.
Hadjie Cantz Publishers. 2002, pp. 43-53.
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Cassel, Valerie.
Spiat Boom Pow! The Influence of Cartoons in Contemporary Art.
Contemporary Arts Museum Houston. Houston, Texas. April 12–June 29, 2003.
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Kellein, Thomas.
George Condo: Sculpture.
Zurich: Caratsch de Pury & Luxembourg, Galerie Bruno Bischofberger. 2003.
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George Condo: Paintings from the Eighties.
Briggs Robinson Gallery. New York, New York. October 7-November 6, 2004.
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A New Modernism for a New Millennuim: Abstraction and Surrealism Are Reinvented in the Internet Age.
The Logan Collection Vail, Colorado. 2004.
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Cameron, Dan.
East Village USA.
New Museum of Contemporary Art. New York, New York. 2004, p. 26.
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Coetzee, Mark.
Not Afraid.
Rubell Family Collection: Phaidon. 2004, pp. 50-51.
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Fleissing, Peter.
George Condo. Memories of Manet and Velazquez.
Galerie Jerome de Noirmont. Paris, France. 2004.
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Perspective@25. A Quarter Century of New Art in Houston.
Contemporary Arts Museum Houston, Texas. 2004.
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Schmidt, Stacey.
Closer To Home. The 4th Corcoran Biennal.
Corcoran Gallery of Art. Washington, DC. 2005, pp. 36-39, 86.
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Kellein, Thomas.
George Condo. One Hundred Woman.
Bielefeld: Kunstahall Bielefeld, Ostfildern-Ruit: Hatje Cantz Publishers. 2005.
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Post Modern Portraiture from the Logan Collection.
Vail: The Logan Collection Vail. 2005, pp. 42-43, 92-93, 150-151.
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40 ans: Galerie Daniel Templon.
Paris: Communicart. 2006, pp. 359-360, 476.
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Existential Portraits, Sculpture, Drawings, Paintings.
New York: Luhring Augustine & Gottingen, Germany: Steidl. 2006.
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Infinite Painting: Contemporary Painting and Global Realism.
Codroipo, Italy: Villa Manin Centro d'Arte Contemporanea. 2006, pp. 54-55.
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Over the Limit: Christopher Wool & George Condo.
Athens: Portalakis Collection, Athens, Greece. 2006.
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Vous êtes ici (You are here).
Auvergne: Fonds Régional d'Art Contemporain d'Auvergne. 2006, pp. 86-89.
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Caruso, Laura.
Radar: Selections from the Collection of Vicki and Kent Logan.
Denver: Denver Art Museum. 2007, pp. 76-79.
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Create your own Museum: Highlights from a Private Collection.
Moscow: Gary Tantintsian Gallery, Inc. 2007, pp. 38-43.
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Negotiating Reality: Recent Works from the Logan Collection.
Denver: University of Denver. 2007, pp. 24-25, 68.
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Willberg, Peter.
George Condo.
London: Simon Lee Gallery. 2007.
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Impulse: Works on Paper from the Logan Collection.
The Logan Collection Vail. Vail, Colorado. 2007.
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